| Title |
Pages / Words |
Save |
| Rainman |
4 / 937 |
 |
| Bamboozled |
3 / 829 |
|
| Beginning Life of Walt Disney |
2 / 468 |
|
| Black Tobe |
3 / 764 |
|
| Films Today |
5 / 1333 |
|
| Good Morning, Vietnam |
3 / 832 |
|
| Grapes of Wrath |
2 / 587 |
|
| Mississippi Burning Paper |
3 / 888 |
|
| malcolm x |
4 / 1148 |
|
| Boy - Tales of Childhood |
2 / 473 |
|
| Football |
1 / 222 |
|
| Man With The Movie Camera: Shot Change Constructs A New Perspective |
3 / 862 |
|
| Marilyn Monroe |
1 / 242 |
|
| A Compare and Contrast Essay on Apocalypse Now and Heart of Darkness |
2 / 510 |
|
| Analysis of Erin Brockovich |
2 / 373 |
|
| Lolita |
2 / 523 |
|
| Research |
1 / 241 |
|
| Review Of Oleanna |
3 / 623 |
|
| Sam Spade: Angel or Demon? |
2 / 479 |
|
| Schindlers List |
4 / 1015 |
|
| The Quiet American- A comparison |
4 / 911 |
|
| The Quiet American: Alden Pyle |
2 / 585 |
|
| Watch This. No—Read It! |
2 / 329 |
|
| applied materials |
2 / 505 |
|
| BCG Matriz |
7 / 2042 |
|
| British Satellite Broadcasting vs. Sky TV |
2 / 547 |
|
| Define Marketing |
3 / 892 |
|
| Defining Marketing |
3 / 641 |
|
| History Of Kodak |
2 / 518 |
|
| Kodak Case Summary |
2 / 358 |
|
| Kodak |
4 / 1120 |
|
| Launch Of Dove Soap |
2 / 577 |
|
| labor allocation |
3 / 808 |
|
| Marine Biology |
4 / 1014 |
|
| Marketing Report For L'Oreal |
1 / 279 |
|
| Marketing Report For L'Oreal |
1 / 281 |
|
| Media Reaction Paper - Crash SOC 315 |
2 / 552 |
|
| Problem Analysis and Decision-Making Technique Paper |
6 / 1698 |
|
| Quality Performance Measurements Of The Epc Process – The Blueprint |
4 / 1192 |
|
| Research And Analysis On Proctor &Amp;Amp;Amp; Gamble (P&Amp;Amp;Amp;G) |
1 / 291 |
|
| Research Report |
2 / 381 |
|
| Swarovski |
2 / 335 |
|
| Swot |
2 / 539 |
|
| A beholder's desire and dread |
6 / 1709 |
|
| Alfonso Cuaron's use of symbolism and film techniques in Great Expectations |
5 / 1202 |
|
| Blacks not on the covers of magazines |
5 / 1408 |
|
| Cast Away |
3 / 836 |
|
| Dead Poets Society/ Why Poetry Is Important |
2 / 498 |
|
| Emma Clueless |
3 / 626 |
|
| Essay (Power Of One) |
2 / 572 |
|
| Gattaca |
1 / 281 |
|
| Gattaca |
2 / 561 |
|
| Ijikjikj |
2 / 349 |
|
| Lantana |
2 / 481 |
|
| dead poet's society |
3 / 746 |
|
| jaws media |
2 / 598 |
|
| MEDIA AND IT'S EFFECTS |
3 / 634 |
|
| Me |
2 / 409 |
|
| Movie Review |
3 / 616 |
|
| Othello: Shakespeare vs. Parker |
2 / 596 |
|
| Sense and Sensibility: Compare and contrast Elinor and Marianne Dashwood |
4 / 1130 |
|
| Sleepy Hollow Film Review |
4 / 1152 |
|
| Symbolism in The Ancient Marinier |
2 / 380 |
|
| The Castle |
3 / 680 |
|
| The Comparison And Contrast Essay The Book And The Movie |
4 / 902 |
|
| The Harder They Come |
4 / 952 |
|
| The Importance of Being Earnest Play/Film Comparitive Essay |
5 / 1376 |
|
| Writers are like photographers |
2 / 345 |
|
| radiance |
2 / 522 |
|
| Dead |
2 / 455 |
|
| ELIZABETH' AS AN EXAMPLE OF ART CINEMA |
4 / 1187 |
|
| Movie Review: Enemy At The Gates. |
1 / 277 |
|
| Robert Pattinson |
1 / 264 |
|
| THE GRAPES OF WRATH-Movie Review |
3 / 623 |
|
| The Patriot |
3 / 747 |
|
| ARTS |
3 / 635 |
|
| Analytical Film Paper |
2 / 323 |
|
| Crash |
2 / 349 |
|
| critical analysis |
3 / 731 |
|
| Digital Art in Film |
5 / 1340 |
|
| Film Sound |
4 / 951 |
|
| Horror Movies |
2 / 552 |
|
| Hot Fuzz - Movie Review |
2 / 599 |
|
| jaws |
3 / 850 |
|
| Kubrick Lives |
4 / 1140 |
|
| Lolita's Boys |
2 / 415 |
|
| Mitochondria 2 |
3 / 755 |
|
| My Left Foot: The Strength Of A Mother |
1 / 290 |
|
| Nanook of the North |
3 / 877 |
|
| oh what |
4 / 1126 |
|
| Pest Analysis For L'Oreal |
1 / 281 |
|
| Roswell |
3 / 787 |
|
| Scarface |
2 / 368 |
|
| Spellbound ( fact more compelling than fiction) |
3 / 710 |
|
| The Contemporary Male ? The New masculinity in Film |
2 / 504 |
|
| The Graduate Sequence Analysis |
3 / 726 |
|
| The Power of Dance |
2 / 387 |
|
| The Sheltering Sky |
4 / 1084 |
|
| The Shining |
4 / 939 |
|
| The World Is Not Enough |
4 / 1082 |
|
| The film (Bowling for Columbine) explores the connection between racism and fear. Discuss. |
2 / 577 |
|
| Vampire Lord |
2 / 579 |
|
| (Streetcar Named Desire): the Damsel in Distress vs the Damsel Brings Distress |
5 / 1353 |
|
| *Dangerous Minds* Deconstructing A Dangerous Mind Anilitical Article *Dangerous Minds* |
3 / 724 |
|
| “The Review Of Marcel LOZINSki’S Documentary Film: |
3 / 711 |
|
| A Beautiful Mind |
1 / 274 |
|
| A |
4 / 961 |
|
| Amadeus |
3 / 875 |
|
| Analyzing Moulin Rouge |
4 / 1113 |
|
| Archetypes in Horror Films |
3 / 638 |
|
| Assault on Precinct 13 |
2 / 442 |
|
| Birth Of Nation |
1 / 270 |
|
| Bowling for Columbine |
2 / 459 |
|
| Butterfly Effect Movie Review |
4 / 943 |
|
| brave |
1 / 262 |
|
| Casablanca |
3 / 663 |
|
| Citizen Kane |
3 / 655 |
|
| Comparative Essay between Save The Last Dance and Centerstage |
2 / 347 |
|
| Comparison of Rebecca and Foreign Correspondent |
3 / 853 |
|
| Crash |
3 / 853 |
|
| Critique of SHawshank Redemption |
3 / 729 |
|
| Dark Water |
4 / 904 |
|
| Dodge City And Unforgiven |
4 / 1017 |
|
| Donnie Brasco |
3 / 630 |
|
| Essay on Do the Right Thing |
3 / 779 |
|
| erin |
2 / 314 |
|
| False Proclamations of Love and Other Betrayals in Talk to Her |
3 / 642 |
|
| Fantasy In Cairo |
4 / 948 |
|
| Fight Club |
3 / 750 |
|
| Film and TV Narative: Manhunter |
3 / 702 |
|
| Friday night Lights |
3 / 759 |
|
| Gatsby Film |
1 / 297 |
|
| Gattaca |
1 / 281 |
|
| Horror Movies |
2 / 552 |
|
| Horror Movies |
3 / 613 |
|
| hollywood and product placement |
6 / 1519 |
|
| Indiana Jones |
5 / 1204 |
|
| ife |
2 / 478 |
|
| Johnny Depp &Amp; Gene Wilder In Charlie &Amp; The Chocolate Factory |
3 / 837 |
|
| Kenneth Baranagh's "Henry V" |
2 / 457 |
|
| Kevin Smith |
3 / 806 |
|
| Kung Fu Hustle: A Spoof of Eastern and Western Cultures |
4 / 932 |
|
| La Traviata |
2 / 437 |
|
| Man With A Movie Camera |
3 / 695 |
|
| Mise-en-Scene |
4 / 1039 |
|
| Movie Report: Extreme Measures |
2 / 325 |
|
| Movie Review |
3 / 713 |
|
| media |
4 / 978 |
|
| Nightmare on Elm Street: The Relation of Theater and the Nightmare |
4 / 978 |
|
| North by Northwest |
3 / 671 |
|
| Pleasantville |
3 / 788 |
|
| Rabbit Proof Fence analysis |
2 / 358 |
|
| Racism in American History X |
3 / 793 |
|
| Sin City |
3 / 826 |
|
| Sleepy Hollow |
4 / 1073 |
|
| Stand By Me |
5 / 1343 |
|
| Summary Of Beyond Formula: American Film Genres |
6 / 1520 |
|
| Supervolcano |
2 / 496 |
|
| Talented Mr Ripley |
2 / 372 |
|
| Texas Chainsaw Massacre |
2 / 556 |
|
| The Day After Tomorrow Film Review |
1 / 275 |
|
| The Grapes of Wrath |
3 / 723 |
|
| The Indo- Afghan Connection |
4 / 963 |
|
| The Notebook: Best Film I Have Seen |
2 / 585 |
|
| The Piano: Point Taken |
3 / 816 |
|
| Tim Burton's Corpse Bride |
2 / 467 |
|
| We Were Soldiers Critque |
6 / 1631 |
|
| Will Sky Captaun Make History? |
3 / 817 |
|
| Inner Power |
3 / 827 |
|
| Matrix and Indian philosophy |
5 / 1240 |
|
| Offer a detailed critical reflection on the ways in which The Matrix (Wachowski Bros., 1999) can be seen as enacting Plato's ?allegory of the cave'. |
16 / 4502 |
|
| Pascal's Wager |
4 / 1142 |
|
| seils |
2 / 404 |
|
| A beautiful mind |
4 / 972 |
|
| American Beauty |
4 / 1045 |
|
| Does Mood State Change Risk Taking Tendency in Older Adults? |
4 / 1162 |
|
| Rainman |
3 / 753 |
|
| What eating gUlbert Grape |
3 / 713 |
|
| There Will Be Blood |
3 / 830 |
|
| An Inconvenient Truth |
2 / 355 |
|
| Global Warming: The Signs And The Science |
4 / 1115 |
|
| media research |
4 / 994 |
|
| penny for thoughts |
2 / 570 |
|
| shihnigan |
3 / 614 |
|
| Uranium |
1 / 259 |
|
| An analysis of Bowling for Columbine |
3 / 696 |
|
| baderman island |
3 / 875 |
|
| Child Labor |
1 / 79 |
|
| Culture Of Film |
6 / 1579 |
|
| Dumbo |
2 / 364 |
|
| GATTICA |
3 / 799 |
|
| Hispanics In The Film Industry |
2 / 578 |
|
| Hyperreality In The Liminal |
4 / 1101 |
|
| n Your Face: 3D Movies Making a Comeback |
2 / 354 |
|
| Spider Man |
3 / 751 |
|
| Television |
4 / 1017 |
|
| violence |
2 / 317 |
|
| Emotional Response to Computer Generated Special Effects:Realism Revisited |
7 / 1964 |
|
| IMAX CINEMA- help sheet |
2 / 498 |
|
| Kodak |
2 / 590 |
|
