| Title |
Pages / Words |
Save |
| Body-Life European Costume |
3 / 777 |
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| Michelangelo |
3 / 624 |
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| Intellectual Life of the Painters of the Early Renaissance |
8 / 2191 |
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| African American History |
4 / 913 |
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| Childhood during the English Renaissance |
5 / 1285 |
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| HR |
2 / 301 |
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| Historical Analysis On 1920s |
5 / 1294 |
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| How and why were the NAACP and the National Urban League more than civil rights organisations? Consider the period up to 1930. |
5 / 1343 |
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| harlem renaissance |
1 / 269 |
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| Johan Gutenburg |
1 / 230 |
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| Military |
2 / 302 |
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| machiavelli |
1 / 261 |
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| New Negro |
3 / 859 |
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| Anelina Jolei |
1 / 196 |
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| DENSEL WASHINGTON |
1 / 214 |
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| ernest hemmingway |
4 / 1093 |
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| Leonardo Da Vinci |
9 / 2622 |
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| Miguel De Cervantes |
4 / 982 |
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| Montaigne |
2 / 359 |
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| Pythagoras |
2 / 391 |
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| raphael sanzio |
6 / 1528 |
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| Tennessee Williams |
2 / 543 |
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| A Raisin In The Sun |
4 / 937 |
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| art |
6 / 1664 |
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| Brownies |
2 / 349 |
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| Everyday Use |
2 / 371 |
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| Friar Analysis |
2 / 311 |
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| fiddler on the roof |
1 / 165 |
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| Kite Runner |
1 / 254 |
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| Othello |
4 / 1180 |
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| rasin in the sun historical content |
1 / 261 |
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| Symbolism Use In: "young Goodman Brown" And "the Lottery" |
3 / 676 |
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| The Tragedy of Romeo and Juliet-Critical Lens Essay |
4 / 959 |
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| Accounting History |
3 / 795 |
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| browning |
3 / 770 |
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| Logistics |
3 / 734 |
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| Management Theory And Practice |
1 / 229 |
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| marketing |
4 / 1046 |
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| A Twist in Fate |
2 / 339 |
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| Am I African? |
2 / 309 |
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| Concept of a Tragic Hero - Death of a Salesman Vs. Oedipus the King |
2 / 554 |
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| Critical Analysis "I too" |
4 / 1021 |
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| Dr. Faustus a tragic hero. |
4 / 981 |
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| Drama In Performance Is Not A Literary Text But Action In Time And Space |
8 / 2278 |
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| English Literature |
1 / 247 |
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| Homer in Book 9 of the Odyssey |
3 / 619 |
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| How does Television utilize the components of Drama, Prose, and Poetry? |
2 / 589 |
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| Humanism |
6 / 1705 |
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| Italian Renaissance Art |
8 / 2189 |
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| Jessica |
5 / 1461 |
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| Langston Hughes |
3 / 612 |
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| Literature from the Anglo-Saxon period through the Seventeenth Century |
11 / 3040 |
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| an analysis of harrison bergeron |
2 / 572 |
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| catcher in the rye |
3 / 798 |
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| Mark |
1 / 237 |
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| Maya Angelou Short Bio (Team Harmony Requirement) |
1 / 191 |
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| McBeth |
2 / 597 |
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| Mrs. Mallard's experience |
3 / 634 |
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| My Ass |
1 / 254 |
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| My Experience |
3 / 627 |
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| Mystery Plays |
2 / 534 |
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| No One |
5 / 1301 |
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| Oedipus Rex: Dramatic Irony |
1 / 283 |
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| Oediups - Effects of Offstage Action |
3 / 659 |
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| On Drama Translation |
7 / 1805 |
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| Our Town |
1 / 284 |
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| Passive Resistance |
3 / 737 |
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| Raphael Sanzio inspired |
5 / 1230 |
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| Remember The Titans |
3 / 717 |
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| Roland Barthes Narrative |
1 / 263 |
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| Romatic Era |
3 / 793 |
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| Shakespeare's Globe |
9 / 2466 |
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| Shakespeare’S Writings |
2 / 573 |
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| Shoe Horn Sonata Essay |
4 / 1072 |
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| Sonny's Blues |
3 / 836 |
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| Stage Drama |
5 / 1213 |
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| Symbolism in Hedda Gabler |
4 / 1184 |
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| The Pursuit of love |
3 / 650 |
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| The Ways We Lie |
1 / 291 |
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| The ever unchanging Woman |
3 / 775 |
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| Theme for English B |
3 / 873 |
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| Themes In "The Lottery" |
3 / 754 |
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| Tragedy |
3 / 700 |
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| Why you should be one of the students I keep? |
1 / 233 |
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| Wuthering Heights and Wishlist |
1 / 238 |
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| matter of life and death |
1 / 269 |
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| maya angelou |
2 / 592 |
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| peter shaffer |
2 / 562 |
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| study guide |
3 / 775 |
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| things fall apart |
2 / 309 |
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| ANCIENT GREEK THEATER |
3 / 642 |
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| Beauty (The Changing Concept of) |
1 / 272 |
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| Courbet’s “The Stone Breakers” |
3 / 733 |
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| cubism |
2 / 302 |
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| Development of Modern Western Civilization |
5 / 1296 |
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| Dutch Baroque Art |
8 / 2175 |
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| european painting and sculpture |
4 / 934 |
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| fall of the romen empire |
1 / 198 |
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| free paper |
3 / 874 |
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| Greek Theater |
4 / 1091 |
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| HISTORY |
5 / 1363 |
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| Leonardo da Vinci |
4 / 1017 |
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| Leonardo da Vinci |
4 / 1199 |
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| Middle Ages |
3 / 611 |
|
| met |
1 / 242 |
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| Niccolo Machiavelli |
5 / 1393 |
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| Patron-Artist Relations in the Renaissance |
4 / 1166 |
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| Peter Paul Rubens |
3 / 637 |
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| Reformation, Revolution, & Enlightenment |
5 / 1252 |
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| Renaissance |
5 / 1421 |
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| Rennaisance |
12 / 3422 |
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| School of Athens |
4 / 1087 |
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| School of Athens |
6 / 1626 |
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| Stereotypes |
1 / 270 |
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| swordplay on Shakespeare's stage |
5 / 1457 |
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| The Crusades |
1 / 286 |
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| the arts in Italian Renaissance |
6 / 1638 |
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| the final word on the history of art |
1 / 291 |
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| the oedipus plays |
4 / 1045 |
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| Literature Review |
4 / 1142 |
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| Repressed Women In Literature |
7 / 1978 |
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| 20 Years From Now |
2 / 413 |
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| Africans Enslaved |
4 / 954 |
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| Art - Building Styles |
4 / 1025 |
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| Artist Comparison |
2 / 327 |
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| Bliss In Ignorance |
3 / 838 |
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| Brechtian Techniques used in Drama |
3 / 716 |
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| Christian Reformation |
2 / 320 |
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| Cindy Sherman "untitled #188" |
1 / 209 |
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| Conventions Of Drama |
7 / 1857 |
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| Crucible Term Paper |
5 / 1235 |
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| Cruise Ship Drama |
1 / 244 |
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| comparison of 'Winged Genius' (sculture) and 'Portrait of a Boy' ( Painting) |
3 / 672 |
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| courage |
2 / 309 |
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| David |
4 / 978 |
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| Do I Or Don't I |
3 / 858 |
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| drama unit |
1 / 237 |
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| drama, theatre of brecht |
4 / 942 |
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| Enlightenment Ideas |
1 / 295 |
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| Faustus |
11 / 3186 |
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| GM's Career Advancment |
1 / 281 |
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| Giorgio Frassati |
2 / 356 |
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| Going Balls Out |
3 / 762 |
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| Howl & Kaddish By Allen Ginsberg |
1 / 199 |
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| Inherit The Wind |
3 / 897 |
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| idk |
2 / 328 |
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| judging tv |
2 / 335 |
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| Life Of Raphael Sanzio |
4 / 956 |
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| last supper |
3 / 893 |
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| M.I.T |
2 / 342 |
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| Michelangelo |
5 / 1370 |
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| Michelangelo |
5 / 1370 |
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| Middle Ages |
3 / 611 |
|
| My Ass |
1 / 254 |
|
| Myself |
2 / 344 |
|
| origin of epic theatre |
4 / 945 |
|
| Renaissance |
1 / 234 |
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| Skating on Thin Ice |
5 / 1248 |
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| The Question Of Ends And Means |
2 / 320 |
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| Tragically Real |
5 / 1371 |
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| Workplace Drama |
1 / 239 |
|
| Drama |
7 / 2024 |
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| Everything |
8 / 2138 |
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| Follow Your Dreams |
5 / 1368 |
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| Miss |
3 / 611 |
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| Moulin Rouge |
1 / 266 |
|
| mozart |
3 / 704 |
|
| on Experiencing Verdi's Aida |
1 / 287 |
|
| Reality based tv... or not? |
1 / 288 |
|
| Richard Wagner |
4 / 969 |
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| Save The last Dance |
2 / 317 |
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| The Shawshank Redemption: Rhetorical Criticism |
4 / 1016 |
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| Montaigne and Augustine |
5 / 1343 |
|
| Plato & Aristotle Comparison |
6 / 1784 |
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| renaissance |
1 / 225 |
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| The Renaissance: Old in the New |
5 / 1209 |
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| Violence in The Arts ? Plato vs. Aristotle |
5 / 1270 |
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| Mass Communication Application |
5 / 1225 |
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| Parents and Children in Conflict |
1 / 274 |
|
| Stanley Milgram’s “The Perils of Obedience” |
1 / 250 |
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| The pursuit of crazyness |
3 / 778 |
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| Eden is Burning |
2 / 340 |
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| Inherit The Wind |
3 / 898 |
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| St.Peter (Prince of Apostles) |
2 / 369 |
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| Jora bot has attacked |
1 / 295 |
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| Reductionims |
3 / 752 |
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| Botticelli Code |
1 / 290 |
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| change in art/expressive cultures |
3 / 610 |
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| child labor |
1 / 261 |
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| going balls out |
3 / 894 |
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| Home Schooling |
2 / 588 |
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| inspector goole |
1 / 246 |
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| Miss |
2 / 355 |
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| marcus garvey's influences |
4 / 1087 |
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| Semiotic Reading Into Effeminacy Of Donatell’S |
6 / 1535 |
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| Social Classes From “Midsummer Night’S Dream” By Shakespeare |
3 / 801 |
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| The Influence Of Reality Television On America |
4 / 1179 |
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| tr |
1 / 247 |
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| WORLD SYSTEMS |
5 / 1284 |
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| The Effects of Television |
3 / 716 |
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