| Title |
Pages / Words |
Save |
| A Mid Overlook of Shakespeare |
2 / 336 |
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| Merchant of Venice: Shylock, victim or villain? |
3 / 684 |
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| What is wrong with Othello? Does Othello work as a play? |
4 / 1154 |
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| Affair |
2 / 586 |
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| Beatles' Movie Success |
5 / 1250 |
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| Copland |
4 / 926 |
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| Meh |
3 / 640 |
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| Mr |
2 / 344 |
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| Annie Hall and Manhattan: Two different ways of looking at New York's Beauty |
8 / 2209 |
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| John Lennon |
2 / 520 |
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| kurt cobain |
2 / 457 |
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| Leroy Anderson |
4 / 988 |
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| My Death |
2 / 313 |
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| The Life Of Mozart |
4 / 980 |
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| 12 angry men |
1 / 283 |
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| A Summer Life |
1 / 288 |
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| analysis of hamlet's emotional character |
2 / 548 |
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| Beowulf |
2 / 446 |
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| DESCRIPTIONS |
2 / 593 |
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| Fate in Romeo & Juliet |
3 / 616 |
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| Hamlet, Ophelia's decent to madness |
2 / 405 |
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| Johann Sebastian Bach |
4 / 1170 |
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| Julius Caesar: Marcus Brutus Character Analysis |
3 / 829 |
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| Julius Ceaser: Character Analysis Of Marcus Brutus |
3 / 829 |
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| King Lear's madness |
1 / 293 |
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| La belle |
1 / 239 |
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| MacBeth |
2 / 502 |
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| Mildred Pierce Summary, Character Analysis, and Opinion |
5 / 1426 |
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| Othello Iago's Jealousy |
2 / 570 |
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| Othello analysis |
2 / 358 |
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| Personal Statement |
2 / 512 |
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| Loreal |
3 / 678 |
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| Social Responsibilities |
2 / 583 |
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| Supporting A Position |
2 / 392 |
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| A Brief Look at Symbolism |
2 / 456 |
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| A Summer Life By Gary Soto |
1 / 288 |
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| A clockwork Orange narrative devices |
3 / 828 |
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| African Blood |
3 / 643 |
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| Antigone Essay |
3 / 739 |
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| Barn Burning |
2 / 544 |
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| Brecht's influence on the glass menagerie |
2 / 589 |
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| Comparative study- Death and the Maiden and Lysistrata |
4 / 998 |
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| Hamlet again |
6 / 1596 |
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| Hamlet |
2 / 548 |
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| Hamlet: Method of Maddness |
4 / 1057 |
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| How Does Baz Luhrmann Engage a Moders Audience's Interest That |
2 / 512 |
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| How far is Shylock a character for whom we can feel sympathy? |
6 / 1611 |
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| Julius Ceaser Essay: Brutus Character Analysis |
3 / 829 |
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| Jumanji scene analysis |
2 / 513 |
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| Lear, 3.5 – 5.3 Synoposis |
4 / 945 |
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| "The Red Convertible" by Louise Erdrich |
4 / 998 |
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| candide |
3 / 635 |
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| hamlet |
4 / 1098 |
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| hamlet |
3 / 828 |
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| houseman |
1 / 249 |
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| Macbeth Analysis |
4 / 971 |
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| Macbeth |
4 / 1059 |
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| Macbeth: Darkness, Evil And Tragedy |
5 / 1219 |
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| No Sugar |
2 / 548 |
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| Ophelia |
2 / 515 |
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| Peter Weir movie analysis |
2 / 542 |
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| Richard III |
4 / 1190 |
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| Romeo & Juliet Vs. The 1996 Film |
4 / 940 |
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| Shakespeare's A Midsummer Night's Dream |
2 / 537 |
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| Short Story Characteristics |
2 / 518 |
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| Show how the masked ball scene in act 1 scene 5 of ?Romeo and Juliet' is such a dramatic and important scene with Shakespeare's audiences. You should refer to words in the text but you may also include references to filmed versions you have watch... |
6 / 1701 |
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| Sight and Blindness |
1 / 277 |
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| Sound Patterns Of Hughes' "The Weary Blues" |
5 / 1418 |
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| St. Joan - George Bernard Shaw (St. Joan in a new light) |
3 / 816 |
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| Texts That Allow Us To Engage In The Concept Of "New Worlds" |
4 / 974 |
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| The Sky Is Gray By Ernest J. Gaines |
1 / 183 |
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| The Use of Symbols in John Steinbeck's "The Chrysanthemums" |
3 / 675 |
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| Toy Story Annalysis |
6 / 1701 |
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| macbeth journel |
2 / 567 |
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| macbeth songs and respones |
5 / 1306 |
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| macbeth: are things as they seem? |
2 / 566 |
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| radiance |
2 / 522 |
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| richard 2, importance on thomas of woodstock |
3 / 720 |
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| romeo and juliet |
3 / 652 |
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| sonny's blues |
2 / 307 |
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| Description, Function, Attribution, and Analysis of a Red-figure Type B Kylix |
3 / 700 |
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| Nicola Pisano And The Pisa Pulpit |
5 / 1273 |
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| Rock |
6 / 1596 |
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| The immigrant |
1 / 258 |
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| A View From The Bridge - Carbone Family And Community In Scene 1 |
2 / 564 |
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| Art Image Essay |
2 / 560 |
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| Attitudes Towards Animals In N |
3 / 826 |
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| Beck's Music |
4 / 949 |
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| Brechtian Techniques used in Drama |
3 / 716 |
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| Casablanca Cinematography |
6 / 1661 |
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| Character Analysis Of Prospero |
3 / 777 |
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| Characterzation Of Marcus Brutus |
3 / 754 |
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| Critique on Pollice Verso |
3 / 803 |
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| Death In Hamlet |
3 / 828 |
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| Demian - Herman Hesse |
3 / 833 |
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| Duke Ellington |
2 / 485 |
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| Formalistic Elements in Goodfellas |
3 / 604 |
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| Gandhi Movie Summary |
2 / 423 |
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| Gattaca |
2 / 392 |
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| Graduation Speech |
4 / 1042 |
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| Hamlet - Movie Critique |
2 / 306 |
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| Hamlet - Movie Critique |
2 / 306 |
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| Hamlet - The Tragedy Of Hamlet |
3 / 814 |
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| Hamlet 10 |
4 / 1009 |
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| Historical Foundations Unit 2 Ip |
2 / 480 |
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| hamlet |
4 / 933 |
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| hitchcock |
2 / 418 |
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| Juice |
3 / 618 |
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| Juliet: From Mouse To Woman |
3 / 632 |
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| Lady Macbeth 2 |
3 / 605 |
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| Lady Macbeth |
3 / 605 |
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| Langston Hughes - Poetry Analy |
3 / 738 |
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| Lenonard Bernstein |
4 / 994 |
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| Leonard Bernstein |
4 / 994 |
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| Macbeth - Supernatural |
3 / 709 |
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| Macbeth 4 |
3 / 647 |
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| Music Critique |
2 / 514 |
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| mr. |
2 / 570 |
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| mtv |
1 / 281 |
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| Off The Cuff (Improvisation) |
2 / 563 |
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| Points Against And In Favour F |
3 / 762 |
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| Richard Iii |
4 / 1187 |
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| romeo juleit act3 scene1 |
3 / 801 |
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| Schindler's List |
3 / 814 |
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| Sumthn Called Music |
3 / 689 |
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| The Crucible 6 |
4 / 959 |
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| The Crucible |
4 / 959 |
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| The Great Gatsby - The Charact |
2 / 543 |
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| The Interference Of The Supernatural In Macbeth |
2 / 439 |
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| The Role Of Love In Romeo And Juliet |
4 / 1165 |
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| The Scarlet Letter |
4 / 950 |
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| The Supernatural In Macbeth |
3 / 709 |
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| The Tragedy Of Hamlet |
3 / 814 |
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| The old guitarist |
2 / 552 |
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| Thomas EakinsThomas Eakins was born in Philadelphia in the year 1844. Eakins was a photographer, painter, sculptor, and fine arts educator. Thomas Eakins had an interest in art since his childhood. Eakins attended Pennsylvania Academy of the Fine ... |
3 / 792 |
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| A comparison of Palestrina and Rameau |
4 / 1092 |
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| A shot by shot analysis of a major scene in Hitchcock's Notorious |
4 / 1176 |
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| All about timbre |
3 / 662 |
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| Are You, Guilty by Suspicion? (Movie Review) |
2 / 459 |
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| Casablanca |
2 / 486 |
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| Chopin |
5 / 1403 |
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| Cinematic Elements of K-PAX Opening Sequence |
4 / 1050 |
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| Critique Of Romeo And Juliet The Movie |
2 / 474 |
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| Critique of a film script |
3 / 828 |
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| chinatown |
1 / 289 |
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| citizen kane |
3 / 701 |
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| Difference Of Ideals Between 19th And 20th Centuries |
4 / 1038 |
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| Dracula |
2 / 549 |
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| Employment Systems of Musicians |
2 / 520 |
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| FIght Club |
3 / 753 |
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| High School Musical 3: Can I Have This Dance Lyrics |
2 / 322 |
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| Italian & French Opera |
2 / 512 |
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| ife |
2 / 478 |
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| kill bill 2 |
6 / 1552 |
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| LISTENING TO THE WORLD THROUGH A FRAME: AN EXPLORATION INTO HOW LISTENING IN A MUSICAL CONTEXT GUIDES OUR PERCEPTION |
3 / 839 |
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| Lake |
3 / 809 |
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| listening to music recordings |
5 / 1284 |
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| literally dancing |
2 / 555 |
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| Memento |
3 / 855 |
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| Mise En Scene |
3 / 696 |
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| Mozart |
2 / 501 |
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| Mp3 |
4 / 961 |
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| Musicals |
7 / 1885 |
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| mozart |
3 / 877 |
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| music |
1 / 244 |
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| New Macbeth |
2 / 554 |
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| north by northwest |
3 / 607 |
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| One Life Aquatic |
4 / 954 |
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| Oratorio |
3 / 629 |
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| Paralells In My Brilliant Career |
3 / 852 |
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| Ragtime and Showboat |
8 / 2350 |
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| Rodgers and Hammerstein |
7 / 2073 |
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| rites of passage - analyze Stand by Me |
7 / 2032 |
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| Schoenberg's Response Towards The Progressive Music |
4 / 1091 |
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| Sound Of Music |
1 / 259 |
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| snatch |
4 / 920 |
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| The Many Mothers of Alfred Hitchcock |
2 / 593 |
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| The Origination Of Punk Rock |
4 / 1068 |
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| the conversation |
2 / 406 |
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| What Is Music Copyright? |
6 / 1624 |
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| When Harry Met Sally |
2 / 347 |
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| world music |
5 / 1359 |
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| Childrens programm the wiggles |
2 / 409 |
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| Creativity |
3 / 623 |
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| cheating |
2 / 429 |
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| Musical Influence on Human Emotion |
1 / 267 |
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| musical influences |
4 / 1033 |
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| O.C.D |
7 / 1824 |
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| The Shawshank Redemption |
6 / 1789 |
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| Abraham |
2 / 329 |
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| King David |
2 / 561 |
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| How Do Rainbows Form? |
3 / 769 |
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| A Critical Analysis Of Shakespeare's Hamlet |
4 / 1112 |
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| American Tongues |
3 / 866 |
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| Barbie's Role In Shaping American Society |
3 / 615 |
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| criminal justice investigation |
5 / 1286 |
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| i hate ravers |
3 / 745 |
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| Racial Crash |
1 / 286 |
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| rave culture |
4 / 1105 |
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| Search |
2 / 353 |
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