| Title |
Pages / Words |
Save |
| Educating Rita - Love Story |
2 / 481 |
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| Julius Caesar |
2 / 425 |
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| Romeo & Juliet |
2 / 525 |
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| Aids |
3 / 751 |
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| Frankeinstein |
1 / 290 |
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| Anthony Burgess |
2 / 418 |
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| Arnold Schoenberg |
2 / 424 |
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| Bach |
3 / 853 |
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| beethoven |
2 / 582 |
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| Elvis, The King |
2 / 314 |
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| Handel |
2 / 450 |
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| joan sebastian bach-summary of his life |
3 / 732 |
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| Marilyn Monroe |
3 / 759 |
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| pat metheney |
2 / 569 |
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| A Character Analysis Of Iago |
3 / 796 |
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| A Streetcar Named Desire Scene 4 analysis |
3 / 637 |
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| Appearance Vs. Reality In Amadeus |
4 / 985 |
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| Comparing Prince Hal And Henry's Models Of Statescraft |
4 / 1025 |
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| Contrast Essay: Romeo And Juliet |
3 / 882 |
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| Hamlet: Act Iii Scene Ii |
2 / 312 |
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| Hamlet: Power Vs Happiness |
4 / 1041 |
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| Macbeth |
2 / 357 |
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| Macbeth: Choices |
2 / 594 |
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| Native Son, book 3 analysis |
1 / 289 |
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| Romeo And Juliet Versus West Side Story |
3 / 649 |
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| Romeo And Juliet: Act Iii, Scene V |
3 / 854 |
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| Romeo And Juliet: Fate |
1 / 264 |
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| Romeo And Juliet: Love Or Infatuation. |
2 / 308 |
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| Romeo and Juilet imagery |
2 / 416 |
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| Romeo and juliet |
2 / 318 |
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| soliloquies in the merchant of venice |
3 / 717 |
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| The Crucible Outline |
2 / 431 |
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| The Metamorphosis: The Last Four Pages |
2 / 468 |
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| To Kill A Mockingbird |
4 / 1135 |
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| To Kill a Mockingbird |
2 / 478 |
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| Waiting For Godot Scene Analysis (Pg 19) |
2 / 342 |
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| Who is to blame for the death of Romeo and Juliet? |
2 / 394 |
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| Ratios |
2 / 322 |
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| Brief Encounter |
3 / 833 |
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| Discuss The Dramatic Development Of Lady Macbeth |
1 / 240 |
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| Henry V |
2 / 418 |
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| How Does Shakespeare’S Use Of Language In The Prologue To Act 1 Scene 5 Create A Sense Of Fatalism And Serve To Augment The Dramatic Events In Act 1 Scene 5? |
1 / 232 |
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| In Cold Blood: Truman Capote's Nonfiction Murder Mystery |
2 / 352 |
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| John Lennon |
2 / 381 |
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| Light vs. Dark Imagery- The Scarlet Letter |
3 / 661 |
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| Literary Elements In Romeo And Juliet |
2 / 343 |
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| "ROMEO AND JULIET" Character Description Essay |
2 / 366 |
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| hamlet: sanity vs insanity |
3 / 761 |
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| Merchant Of Venice |
2 / 586 |
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| Merchant of Venice |
5 / 1302 |
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| Miss |
4 / 1055 |
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| Monte Python Compare Scenes To Real Life. |
1 / 291 |
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| Nineteen Eighty- Four |
3 / 738 |
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| Oddessy |
2 / 301 |
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| Othello |
1 / 296 |
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| Othello |
3 / 716 |
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| Passion |
1 / 269 |
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| Pauls Case |
3 / 634 |
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| Play Hamlet vs Zefferelli's Movie |
2 / 358 |
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| Resonance |
2 / 539 |
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| Romeo And Juliet |
4 / 1065 |
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| Romeo and Juliet Act 3 Scene 1 Review |
3 / 792 |
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| Romeo and Juliet |
3 / 872 |
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| SHAKESPEAR |
2 / 530 |
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| Shine - David Helfgott |
2 / 512 |
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| Symbolism in The Scarlet Letter |
3 / 689 |
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| Task: - Explain what act 1 scene 7 tells us about the character of Macbeth and Lady Macbeth. What is troubling Macbeth at the beginning of the scene and how does Lady Macbeth persuade him to go through with the murder of Duncan? |
6 / 1639 |
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| The Duchess of Malfi |
1 / 281 |
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| The Lady & The Tiger |
2 / 346 |
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| The Pygmalion Myth |
3 / 641 |
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| The story of Usher summary and relationship to themes |
2 / 325 |
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| To Kill A mockingbird |
2 / 347 |
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| Tupac Paper |
4 / 973 |
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| William Shakespeare's The Tradgey of Macbeth: Prophecies |
1 / 230 |
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| outsourcing |
2 / 478 |
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| romeo and juliet |
2 / 326 |
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| sherlock holmes |
2 / 315 |
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| Crime Scene |
3 / 631 |
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| Film Review |
3 / 627 |
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| Florence and the Renaissance Art Era |
2 / 437 |
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| Four Step Critique Process |
2 / 426 |
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| Johann Sebastian Bach |
3 / 825 |
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| Johann Sebastian Bach |
3 / 815 |
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| Julius Caesar |
3 / 761 |
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| Music History : Vienna |
5 / 1475 |
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| The Renaissance |
3 / 681 |
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| Venus, Cupid, Folly, and Time |
2 / 566 |
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| A Midsummer Nights Dream - Hermia And Helenas Relationship |
3 / 879 |
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| A Midsummer Nights Dream Character Analysis Hermia |
3 / 801 |
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| Ambition In Macbeth |
2 / 455 |
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| American History X |
2 / 487 |
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| Bach; Brandenberg Concertos |
3 / 602 |
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| Bach; Brandenberg Concertos |
3 / 602 |
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| Billy Budd |
1 / 228 |
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| Cloudstreet - The Significance Of The Blackfella |
2 / 550 |
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| Fathers of Rock and Roll |
3 / 640 |
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| Friar Laurence's Part |
2 / 524 |
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| Geography |
2 / 301 |
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| Hamlet, Act 1 Scene 1 |
4 / 926 |
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| Hermia And Helenas Relationship (midsummer Nights Dream) |
4 / 913 |
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| Johann Sabastian Bach |
3 / 829 |
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| Johann Sebastian Bach 2 |
4 / 930 |
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| Johann Sebastian Bach |
3 / 722 |
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| Johann Sebastian Bach |
3 / 820 |
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| Johann Sebastian Bach |
3 / 817 |
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| Johann Sebastian Bach |
3 / 825 |
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| John Woo |
3 / 832 |
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| King Lear - The Role Of The Fool |
1 / 275 |
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| Lady Macbeth Character Analysis |
2 / 481 |
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| Love In Romeo and Juliete |
2 / 338 |
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| Macbeth - An Analysis Of Lady |
2 / 551 |
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| Mercutio |
1 / 275 |
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| Miss |
1 / 219 |
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| Modern vs. Classical Music |
3 / 779 |
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| Most Memorable Scene In Of Mice And Men |
3 / 702 |
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| Mozarts Life ( Brief Summary) |
2 / 367 |
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| mamma mia |
3 / 625 |
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| Not Music To My Ears! |
3 / 820 |
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| Not Music To My Ears! |
3 / 820 |
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| once on this island |
2 / 373 |
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| Romeo & Juliet |
2 / 525 |
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| Romeo And Juliet |
2 / 525 |
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| Round Characters In Romeo And |
2 / 437 |
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| Run With The Horsemen |
2 / 397 |
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| Scarletletter Symbolism |
2 / 422 |
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| Sex with Brad Pitt |
3 / 826 |
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| Stephen Sondheim |
3 / 644 |
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| The Joy Of The Club And Music Scene |
6 / 1522 |
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| The Scream |
1 / 238 |
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| The Tragic Hero In Antigone |
3 / 620 |
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| The Witches Are Responsible For What Happens To Macbeth |
2 / 318 |
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| To Kill A Mocking Bird Film An |
3 / 685 |
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| Tone Analysis-their Eyes Were |
2 / 324 |
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| Waiting For Godot Scene Analysis (Pg 19) |
2 / 345 |
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| wicked |
3 / 715 |
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| written respons |
1 / 119 |
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| 20th century |
3 / 729 |
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| 25th Hour |
4 / 1090 |
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| An Analysis Of Moulin Rouge |
9 / 2450 |
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| Bach |
3 / 816 |
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| Band that I would have lked to see live |
1 / 164 |
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| Baroque Period |
2 / 600 |
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| Baz Luhrmann |
4 / 1019 |
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| Bedrich Smetana’s Piano Trio in G Minor, Op. 15 |
5 / 1214 |
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| Billy Elliot |
2 / 378 |
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| Charlotte's Web Play Review |
2 / 568 |
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| Cider House Rules |
4 / 1161 |
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| College Essay/Musical Experience |
2 / 408 |
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| crash |
1 / 153 |
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| Don Giovanni: The Characters and Their Music |
6 / 1600 |
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| Franco Zeffili's Film Version Of Romeo And Juliet |
1 / 211 |
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| Frankenstein Movie Vs. Book |
2 / 339 |
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| Heavy Metal |
3 / 656 |
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| How does the film's (Citizen Kane) cinematography and soundtrack affect emotional reactions to characters and the situations they face, using specific scenes from the film. |
2 / 386 |
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| Jonathan Sebastian Bach |
3 / 825 |
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| lion king the musical |
3 / 612 |
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| lolss |
2 / 344 |
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| Mise-en-Scene |
4 / 1039 |
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| Movie: The Mission |
2 / 535 |
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| Mozarts Life ( Brief Summary) |
2 / 367 |
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| Ms. |
2 / 360 |
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| Music Article And Life Enrichment |
2 / 464 |
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| Music Thearpy |
2 / 441 |
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| Music is a Necessity |
4 / 1024 |
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| Musical Therapy |
2 / 512 |
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| memento |
2 / 369 |
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| mr.brightside |
3 / 686 |
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| Psycho by Alfred Hitchcock |
2 / 479 |
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| Psychology of Music |
2 / 520 |
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| Reading Summary: Amplification of Sound |
2 / 316 |
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| Richard Wagner |
2 / 421 |
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| Robert Preston |
4 / 1095 |
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| Roman Music |
2 / 302 |
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| Sound in 'PI' |
2 / 323 |
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| Stravinsky in 20th Century Music |
4 / 927 |
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| Sweeny Todd |
8 / 2140 |
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| Tchaikovsky |
3 / 830 |
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| The Beatles |
2 / 395 |
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| The Classical Period |
2 / 409 |
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| The Jazz Age |
2 / 526 |
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| The Matrix Discussion |
1 / 130 |
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| The Rite Of Spring |
2 / 488 |
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| The Shining |
3 / 726 |
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| The Video-"This Ain't a Scene It's an Arms Race" by Fall Out Boy |
1 / 274 |
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| The "Perfect" Musical Image |
2 / 381 |
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| Traveling With The Times |
2 / 437 |
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| Turlough O' Carolan, Irish Music |
4 / 1122 |
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| the film the bicycle thief |
2 / 527 |
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| Ugetsu Last Scene |
2 / 449 |
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| Woody Allen's "Annie Hall" |
2 / 496 |
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| rough |
2 / 417 |
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| Memory, thinking, intelligence |
2 / 320 |
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| Prodigies |
2 / 466 |
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| Modelling2 |
1 / 183 |
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| change in art/expressive cultures |
3 / 610 |
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| Dogs |
1 / 265 |
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| love |
1 / 281 |
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| Marriage |
2 / 402 |
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| Short Film Techniques |
2 / 486 |
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| VoIP |
1 / 229 |
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