| Title |
Pages / Words |
Save |
| Michelangelo |
3 / 624 |
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| Dickens’ Sense of Theatre |
1 / 89 |
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| Kissinger, Metternich, Realism |
3 / 887 |
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| Cuban Missile Crisis Analysis |
5 / 1438 |
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| film |
2 / 388 |
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| Greek Theatre |
2 / 461 |
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| History Of Photopgraphy |
3 / 668 |
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| History x |
2 / 351 |
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| Ku Kux Clan |
3 / 679 |
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| Madam CJ Walker |
4 / 1112 |
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| Mississippi Tourism |
1 / 221 |
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| Modernism |
4 / 939 |
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| Alexander Pope |
5 / 1275 |
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| Diego Rodriguez de Silva y Velazquez |
3 / 750 |
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| Francisco de Goya's Life and Who He Was |
3 / 717 |
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| literary analysis of Mark Twain |
2 / 314 |
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| Plays |
2 / 550 |
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| The life of William Shakespeare |
1 / 262 |
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| Toni Morrison: Rags to Riches |
7 / 1935 |
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| Two Latin American Writers |
3 / 851 |
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| Upcominjg Artist |
2 / 450 |
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| William Shakespear |
2 / 597 |
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| Anna Karenina: Characters And The Life Novel |
6 / 1685 |
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| Biography Of William Shakespeare |
2 / 414 |
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| Eldest Synopsis |
2 / 398 |
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| Mark Twain'S Tom Sawyer |
2 / 368 |
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| Mise En Scene |
1 / 297 |
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| Oedipus |
3 / 690 |
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| Pride And Prejudice |
2 / 305 |
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| Realism And Naturalism |
1 / 234 |
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| Summary and Analysis on Practices of Looking |
3 / 819 |
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| stacy papez |
2 / 481 |
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| The Lady With the Dog by Anton Chekov |
2 / 414 |
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| The Maltese Falcon by Dashiell Hammett |
5 / 1324 |
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| The Red Badge Of Courage |
2 / 468 |
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| The Signal-Man by Charles Dickens. Easy A for Year 10, High School |
2 / 332 |
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| The great gatsby |
1 / 266 |
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| Through Rose Colored Glasses: How the Victorian Age Shifted the Focus of Hamlet |
4 / 1134 |
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| Accounting Theory |
2 / 538 |
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| A very old man with enormous wings |
3 / 742 |
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| Analysis of The Happy Man by Naguib Mahfouz |
1 / 216 |
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| August Wilson's \ |
4 / 958 |
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| Brutus and Idealism |
2 / 357 |
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| CATCH 22 |
4 / 953 |
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| Cold War Vs. United States |
5 / 1373 |
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| Death of a Naturalist Analysis |
2 / 448 |
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| Different Styles In The Grapes Of Wrath |
2 / 476 |
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| English Media Coursework (Saving Private Ryan) |
7 / 1929 |
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| Essay on One Hundred Years of solitude |
3 / 807 |
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| Film Realism |
4 / 958 |
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| First Adventure to the Big Apple |
3 / 768 |
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| How I Learned To Drive |
2 / 499 |
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| How John Godber plays have affected the image of the North |
3 / 843 |
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| Influences of Queen Elizabeth I (1558-1603) |
3 / 727 |
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| Kanji |
2 / 344 |
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| Language of the land |
2 / 433 |
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| catch 22 |
4 / 953 |
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| characteristics of the renaissance era |
1 / 295 |
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| history of theatre |
2 / 468 |
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| Loneliness As A Key Theme In ‘Of Mice And Men’ By John Steinbeck |
4 / 929 |
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| Magical Realism in A Very Old Man with Enormous Wings |
6 / 1712 |
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| Moulin Rouge: An Expression of Love through Music |
2 / 369 |
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| Mythological Realism in Fifth Business |
4 / 919 |
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| Romeo & Juliet |
2 / 306 |
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| Romeo And Juliet Film Review |
3 / 660 |
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| Romeo And Juliet |
2 / 301 |
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| Romeo and juliet |
1 / 273 |
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| Saving Private Ryan |
2 / 318 |
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| Saving Private Ryan |
2 / 374 |
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| Stephen Crane |
5 / 1250 |
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| Street |
1 / 279 |
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| Tech Theatre College Essay |
2 / 391 |
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| The Adventures of Huckleberry Finn - Why Huckleberry Finn Rejects Civilization |
2 / 387 |
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| The First Line From Waiting For Godot, “nothin To Be Done”, Could Be Said To Sum Up The Theatre Of The Absurd, Except That There’s Always Something Happening. |
1 / 257 |
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| The Globe Theatre |
2 / 535 |
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| The Red Badge of Courage |
1 / 282 |
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| The Rhetoric Of Science Fiction |
2 / 408 |
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| The Tell Tale Heart - critical analysis |
2 / 421 |
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| The Win |
2 / 387 |
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| Theatre Of The Absurd Humour Often Relies On A Sense Of Hopelessness And Violence. |
5 / 1474 |
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| Thief Lord |
2 / 569 |
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| Traumatic Experience Essay |
2 / 449 |
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| VISUAl |
2 / 516 |
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| What is the federal theatre project |
4 / 1128 |
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| What language devices does Atwood use to convey Offred’s perspective and make it vivid in 'A Handmaid's Tale'? |
4 / 989 |
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| William Shakespeare |
2 / 343 |
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| With reference to three poems studied so far discuss how Larkin presen |
5 / 1320 |
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| red badge of courage |
2 / 564 |
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| renissance |
2 / 480 |
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| wikipedia - romanticism |
1 / 260 |
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| 19th Century Theatre |
3 / 755 |
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| A Doll'S House |
2 / 465 |
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| Conquering David |
3 / 886 |
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| Courbet’s “The Stone Breakers” |
3 / 733 |
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| David Sculptures |
3 / 838 |
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| david |
4 / 1105 |
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| ELIZABETH' AS AN EXAMPLE OF ART CINEMA |
4 / 1187 |
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| greek theater compared to modern |
3 / 872 |
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| HUM100 - Artistic Themes from Ancient Cultures: Greece and Rome |
5 / 1220 |
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| Merrymakers at Shrovetide vs Interrupted Sleep |
3 / 749 |
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| Sophocles |
2 / 324 |
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| Soviet Communism and National Socialism: Similarities in Practice |
3 / 846 |
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| Standards and perceptions of male bearty throughout history |
6 / 1789 |
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| Taking The Hard Road |
2 / 434 |
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| The Forbidden Phoenix Play Review |
2 / 596 |
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| The Influence Of Ancient Greece On Western Civilization |
3 / 854 |
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| “Plink vs. Splat” |
4 / 958 |
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| A Romantic Ending In An Anti-Romantic Novel: |
4 / 1051 |
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| A Worn Path |
4 / 1047 |
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| Accepted behavior in the media |
3 / 827 |
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| Brave New World And Dubliners |
5 / 1421 |
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| Broadway |
3 / 697 |
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| Carvers Realism From Fires |
4 / 1153 |
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| Catch-22 |
4 / 953 |
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| Contrast/comparison Of A Country Lifesytle Vs A City Lifestyle |
1 / 293 |
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| Crisis Management Plan |
3 / 740 |
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| Criticism Of Shame |
3 / 720 |
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| charlie brown |
3 / 661 |
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| Donald Barthelme |
4 / 1035 |
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| Equality: Equal Treatment or Equal Opportunity? |
2 / 488 |
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| Existentialism |
2 / 544 |
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| Film Sound |
4 / 951 |
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| feature article-gran turismo 2 vs need for speed |
2 / 435 |
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| Game Violence |
4 / 916 |
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| Gold Strike, Relating To Cry, |
2 / 333 |
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| Greek Art |
5 / 1288 |
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| Greek Influence in Western Culture |
1 / 294 |
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| Greek Statues And the Olympics |
2 / 337 |
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| How Does The "surround-sound" |
2 / 365 |
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| Ibsen And Strindberg - Hedda Gabler And Miss Julie |
2 / 395 |
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| international polotics |
5 / 1500 |
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| Leonardo Da Vinci |
2 / 350 |
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| My Mistress' Eyes Are Nothing Like The Sun |
2 / 359 |
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| NATO |
2 / 367 |
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| Naturalism in Russia and the Creation of the Moscow Art Theatre |
4 / 1044 |
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| Neve Cambell |
3 / 650 |
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| Neve Campbell |
3 / 650 |
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| Off The Cuff (Improvisation) |
2 / 563 |
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| Perspective |
1 / 299 |
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| Plato And Aristotle Views On Forms |
2 / 350 |
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| Reinhold Niebuhr |
2 / 322 |
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| Separation Ignites Intimacy |
5 / 1489 |
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| Shame |
3 / 720 |
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| Stanislavski's Techniques |
2 / 433 |
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| Taking The Hard Road |
2 / 434 |
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| Taking The Hard Road |
2 / 434 |
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| The Birth Of A Nation And Greed |
4 / 1185 |
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| The Globe Theatre |
3 / 754 |
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| The Hobbit 3 |
4 / 1059 |
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| The Life Of Courbet |
4 / 1125 |
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| The Longest Day |
3 / 862 |
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| The Marvelous Sauce |
3 / 743 |
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| The Powerful David |
3 / 852 |
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| The Technique Of Role Playing |
2 / 509 |
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| the seattle theatre industry |
2 / 574 |
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| Why Does Theatre Survive |
5 / 1291 |
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| whO |
2 / 541 |
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| A Brief History of Music |
2 / 490 |
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| A shot by shot analysis of a major scene in Hitchcock's Notorious |
4 / 1176 |
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| Art Essay |
1 / 285 |
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| Blaire Witch review |
2 / 475 |
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| Butterfly Effect Movie Review |
4 / 943 |
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| Classical Hollywood narrative |
2 / 342 |
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| Dracula |
2 / 549 |
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| Elephant the movie |
5 / 1247 |
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| Essay of Series 'TAKEN' |
6 / 1771 |
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| Grotowskis influence on South African theatre |
3 / 882 |
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| Half Nelson |
6 / 1650 |
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| Leaving Las Vegas |
4 / 1081 |
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| Moulin Rouge |
2 / 312 |
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| office apace |
4 / 917 |
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| Report on We Were Soldiers |
4 / 1093 |
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| Theatre’s Troublesome History |
4 / 1042 |
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| the conversation |
2 / 406 |
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| best thing ever |
2 / 341 |
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| Does anything render statements about the past true, apart from the evidence that exists in the present? |
5 / 1484 |
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| Empiricist |
2 / 309 |
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| epistemological issues in X-Files |
2 / 379 |
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| Girl Problems |
2 / 351 |
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| Kant |
8 / 2297 |
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| Reflection on “Adler’s Philosophical Dictionary” |
2 / 412 |
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| stage art workshop |
9 / 2430 |
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| The Philosopher, Aristotle |
4 / 1156 |
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| Theory Of Truth |
6 / 1641 |
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| Psychotheraphy & Microskills Workshop |
2 / 582 |
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| English |
2 / 335 |
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| In All Truth (Study about religion) |
1 / 247 |
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| The Golden Ladder |
2 / 361 |
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| LSD |
2 / 500 |
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| The hypothesis... |
1 / 292 |
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| What Are The Strengths And Weaknesses Of Realist Criminologies? |
9 / 2699 |
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| A discussion of international relations. |
3 / 716 |
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| Dougherty and Pfaltzgraff Chapter 1 Outline |
2 / 320 |
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| Eminem and Urban Nightmare |
1 / 290 |
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| Left & Right Realism - Outline the key features |
7 / 1943 |
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| Realism vs. Liberalism |
2 / 322 |
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| societys changes reflected in theatre |
1 / 227 |
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| supersize me |
5 / 1380 |
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| 3DAnimation |
2 / 360 |
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| dod |
4 / 984 |
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