| Title |
Pages / Words |
Save |
| How People Remember Events |
3 / 847 |
 |
| Journalism, Real Creativity and Reactionary Creativity |
3 / 801 |
|
| Analysis of A Narrative of the Captivity and Restoration of Mrs. Mary |
2 / 520 |
|
| amistad vs. the interesting narrative life of olaudah equiano |
2 / 599 |
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| captive narrative |
1 / 240 |
|
| Frederick Douglass and patriarchal depictions |
2 / 307 |
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| Frederick Douglass |
4 / 1038 |
|
| frderick douglass narrative criticism |
3 / 808 |
|
| Movies |
2 / 304 |
|
| Narrative voice of Frederick Douglass |
4 / 908 |
|
| none |
2 / 330 |
|
| Agatha Christie Biography |
2 / 342 |
|
| CJ |
7 / 1993 |
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| Daniel Keyes |
1 / 261 |
|
| Harvey Keitel: The Art Of Darkness |
2 / 587 |
|
| Identifying Heroes: The Godfather and Pulp Fiction |
11 / 3279 |
|
| Isabel allende |
2 / 414 |
|
| Jimmy Buffet |
1 / 174 |
|
| John Steinbeck |
2 / 572 |
|
| Kyle's Paper |
1 / 150 |
|
| Olaudah Equiano |
2 / 594 |
|
| Piers Anthony |
1 / 265 |
|
| Pulp |
5 / 1384 |
|
| Ray Bradbury Biography |
2 / 365 |
|
| The Life and Times of Edgar Allan Poe |
2 / 495 |
|
| A Wrinkle In Time |
1 / 139 |
|
| Abc |
2 / 378 |
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| An Analysis Of A Fable, Parable, And A Tale |
2 / 476 |
|
| analysis of "the handmaid's tale" |
4 / 1057 |
|
| Book Review |
2 / 481 |
|
| Dangers of Reading Fiction |
2 / 495 |
|
| Dark They Were And Golden-Eyed |
3 / 633 |
|
| demon in the freezer |
2 / 331 |
|
| Elements Of Fiction |
3 / 656 |
|
| frankenstein ethos |
2 / 416 |
|
| Going After Cacciato |
1 / 79 |
|
| Golden Demon |
2 / 529 |
|
| How The Use Of The Diary Form Narrative Is Beneficial To The Novel Dra |
4 / 928 |
|
| I Am Nothing More Than A Dust Jacket |
2 / 538 |
|
| In Cold Blood |
2 / 343 |
|
| Inside the Writer's Mind: Writing Narrative Journalism |
3 / 670 |
|
| Insight into milan kundera's narrative |
4 / 1000 |
|
| Interpreting The Handmaid'S Tale |
3 / 619 |
|
| Journey |
2 / 360 |
|
| Perfect Storm |
1 / 16 |
|
| Remembering Sarah |
3 / 750 |
|
| sarah, plain and tall |
2 / 367 |
|
| The Framing Narrative as a Guide to the Text |
3 / 606 |
|
| The Sun Also Rises: A Review |
3 / 663 |
|
| The X-files, X Marks The Spot: Book Report |
1 / 260 |
|
| the revolt of a mother |
6 / 1530 |
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| Violence Addiction |
3 / 662 |
|
| Australian Paper Manufacturers |
4 / 1020 |
|
| Celulosa Arauco |
3 / 629 |
|
| My hood |
1 / 237 |
|
| Reading summary |
3 / 793 |
|
| The Formulation Of Paper |
2 / 516 |
|
| 3 |
1 / 278 |
|
| A.S. Byatt |
2 / 498 |
|
| Analysis Of “Reginald’S Choir Treat” By Saki |
1 / 203 |
|
| Authors: M. Rowlandson, J. Edwards, T. Jefferson, W. Irving, And J. Co |
1 / 300 |
|
| Book Review on Raymond Carver's Will You Please Be Quiet, Please? |
2 / 539 |
|
| Christopher Boone Seems Utterly Unsuited To Narrating But Becomes A Rather Wonderful Narrator. |
2 / 429 |
|
| Definition of Science Fiction |
4 / 1061 |
|
| Description of Fiction |
2 / 522 |
|
| Documentary Style: 4 Little Girls vs. Bowling for Columbine |
4 / 1133 |
|
| Dubliners |
3 / 609 |
|
| Edgar Allen Poe Narrative |
4 / 917 |
|
| Egar Allen Poe Biography |
2 / 530 |
|
| Essay |
1 / 239 |
|
| Favorite Genre |
1 / 293 |
|
| Fiction vs. Nonfiction |
5 / 1279 |
|
| Film Noir |
8 / 2295 |
|
| Hemingway |
1 / 255 |
|
| Historiographic metafiction in \ |
5 / 1366 |
|
| History of Detective Fiction |
2 / 349 |
|
| How -to-paper |
2 / 398 |
|
| How to make Paper |
3 / 613 |
|
| Life of Pi |
2 / 520 |
|
| comparative narrative |
4 / 1181 |
|
| elements to a narative |
1 / 247 |
|
| henry james |
2 / 587 |
|
| humanity |
2 / 420 |
|
| james boswel |
4 / 978 |
|
| Mary Rowlandson |
2 / 469 |
|
| Narratiion and Narrative Technique in Sec V + VI of The Handmaid's Tale |
2 / 459 |
|
| Narrative Styles In Poe, Melville, Hawthorne |
4 / 1137 |
|
| Narratives Tell A Story |
3 / 813 |
|
| Notorious Jumping Frog of Calaveras County |
2 / 600 |
|
| Objectivism And Batailleist `powerful Communication' |
2 / 534 |
|
| Paper Vs Plastic |
5 / 1216 |
|
| Paper |
2 / 348 |
|
| Passion |
1 / 269 |
|
| Pulp Fiction |
3 / 609 |
|
| Purpose of Italo Calvino's If on a winters night a traveller. |
4 / 1079 |
|
| Queen Of Spades |
1 / 133 |
|
| Ray Bradbury Writing Style |
3 / 885 |
|
| Review: Pulp Fiction |
3 / 776 |
|
| Roland Barthes Narrative |
1 / 263 |
|
| Socialist Realism And Neoconstructivist Objectivism |
5 / 1406 |
|
| Start Of Postmodern Essay |
1 / 280 |
|
| The Airport Novel |
2 / 502 |
|
| The Discourse Of Economy: Deconstructive Theory And Precapitalist Narr |
3 / 844 |
|
| The French Lieutenant’s Woman |
3 / 899 |
|
| The Purpose of Literature |
1 / 290 |
|
| The Rhetoric Of Science Fiction |
2 / 408 |
|
| The Things They Carry |
3 / 731 |
|
| The Trojan War History |
3 / 721 |
|
| Theories on Time: Einstein vs. Viriginia Woolf |
4 / 1082 |
|
| Type of Genre |
3 / 612 |
|
| Wants |
2 / 349 |
|
| Western Texts and Modern Beliefs |
4 / 1124 |
|
| Where Am I Does It Matter? |
2 / 378 |
|
| Why We Crave Horror Movies |
1 / 195 |
|
| plot structure and setting in Emma |
4 / 1168 |
|
| pride and prejudice |
3 / 883 |
|
| science-fiction specifications |
1 / 285 |
|
| the jungle |
5 / 1475 |
|
| the purpose of narrative form in orwell and angelou's essyas |
3 / 611 |
|
| Analytical Essay On The Narrative Style Of A Fine Balance By Rohinton Mistry |
4 / 1188 |
|
| Fredrick Douglass |
3 / 814 |
|
| H. G. Wells |
2 / 427 |
|
| History paper |
5 / 1320 |
|
| Is History Fiction |
5 / 1325 |
|
| paper |
3 / 794 |
|
| Source G is an extract taken from a Novel. Is it reliable as evidence |
2 / 450 |
|
| Trojan War: Fact or Fiction? |
2 / 330 |
|
| the bondwomans narrative |
1 / 258 |
|
| Literature Reading |
2 / 314 |
|
| A&P Theme |
3 / 694 |
|
| Bone |
2 / 550 |
|
| Catcher In The Rye |
1 / 106 |
|
| Colores Galore |
2 / 578 |
|
| Comparison Of The Film Beloved |
3 / 695 |
|
| Cruise Ship |
1 / 291 |
|
| Dont have any |
6 / 1576 |
|
| Elements Of Fiction |
2 / 516 |
|
| Genres |
4 / 1040 |
|
| goo goo dolls |
3 / 782 |
|
| Hemp - Miracle Plant |
2 / 465 |
|
| Henry James And "the Art Of Fiction" |
2 / 475 |
|
| Incidents |
2 / 557 |
|
| Marx |
5 / 1396 |
|
| Media Violence |
2 / 528 |
|
| Memoirs Of A Geisha |
1 / 254 |
|
| Memorandum |
5 / 1286 |
|
| Movie review of Go |
2 / 415 |
|
| Mr |
2 / 315 |
|
| narrative voice in pride and prejudice |
5 / 1241 |
|
| Paper |
3 / 723 |
|
| Philip Roth- Master of the Double Identity |
4 / 1151 |
|
| Poetry Difficulty |
2 / 357 |
|
| Poetry Difficulty |
2 / 357 |
|
| Pulp Fiction |
5 / 1396 |
|
| Pulp Fiction |
5 / 1396 |
|
| Ray Bradbury Biography |
2 / 365 |
|
| Realism and Naturalism |
3 / 627 |
|
| Short Review of 'The End of the Affair' |
3 / 721 |
|
| Star Wars |
3 / 675 |
|
| Starwars |
3 / 675 |
|
| science fiction and fantasy |
4 / 1046 |
|
| The Genre Of Science Fiction |
4 / 1200 |
|
| The Has Been And The Never Was |
7 / 1907 |
|
| The History of the Hard-Boiled Detective |
3 / 808 |
|
| The Sun Also Rises |
3 / 660 |
|
| Tv Viewing |
1 / 295 |
|
| APPLICATION OF VARIOUS MEDIA PHILOSOPHICAL THEORIES IN CONECTION WITH CULTURE. |
4 / 1088 |
|
| DARKER CITIES |
2 / 595 |
|
| faherenheit 9/11 |
4 / 1171 |
|
| film noir |
3 / 693 |
|
| Holes |
2 / 379 |
|
| i Robot |
2 / 514 |
|
| memento |
2 / 369 |
|
| Pulp Fiction Narrative |
4 / 955 |
|
| Pulp Fiction Thematic Structure |
6 / 1596 |
|
| Pulp Fiction |
5 / 1215 |
|
| pulp fiction |
4 / 1110 |
|
| quentin tarentino |
11 / 3043 |
|
| Reservoir Dogs |
4 / 911 |
|
| Style in pulp fiction |
3 / 709 |
|
| Tarantino |
5 / 1293 |
|
| The great Escape |
3 / 785 |
|
| Beautiful |
2 / 461 |
|
| The Context of Collapse: Surrealism, dialectic nihilism and objectivism |
3 / 860 |
|
| Dancing mania |
1 / 224 |
|
| Narrative Therapy |
6 / 1577 |
|
| Narrative theory |
2 / 339 |
|
| Sex |
2 / 590 |
|
| The C |
1 / 234 |
|
| Dark They Were, and Golden-Eyed |
2 / 363 |
|
| Fact, not Science Fiction |
2 / 524 |
|
| Gregtaerf |
1 / 246 |
|
| "Stay the course" named top catch phrase of 2006 |
1 / 230 |
|
| Heroin |
4 / 1085 |
|
| Media Violence |
2 / 528 |
|
| Ms |
2 / 421 |
|
| The Fatal Flaw Of Society: Expressionism, Nihilism And Sartreist Absurdity |
3 / 720 |
|
| Analysis of a workplace application architecture and process design |
2 / 409 |
|
| Choppa |
1 / 201 |
|
| student |
4 / 967 |
|
