| Title |
Pages / Words |
Save |
| Borderline Personality Disorder |
2 / 598 |
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| Girl, Interrupted |
5 / 1258 |
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| Portrayal Of The Truth In Hollywood Films, Girl Interrupted, By Susanna Kaysen |
6 / 1670 |
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| girl interrupted review |
2 / 473 |
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| girl interrupted |
2 / 591 |
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| Susanna Kaysen |
2 / 321 |
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| Girl Interrupted vs. The Yellow Wallpaper |
4 / 991 |
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| Girl Interrupted |
4 / 971 |
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| Insanity |
5 / 1289 |
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| girl |
3 / 810 |
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| Compare/Contrast Girl Interrupted and Catcher in the Rye |
3 / 782 |
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| Girl Interrupted |
3 / 817 |
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| How does the production in new Hollywood differ fron that of the studio era? describe what makes new hollywood cinema new. |
1 / 164 |
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| Anelina Jolei |
1 / 196 |
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| The Portrayal of Mental Illness in “Girl, Interrupted” |
6 / 1663 |
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| Madhouse |
5 / 1205 |
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| Dracula |
3 / 803 |
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| girl interrupted |
1 / 260 |
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| girl interupted |
2 / 343 |
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| Thoughts On Pocahontas The Mov |
1 / 216 |
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| THoughts On Pocahontas |
1 / 216 |
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| Girl INterrupted Analysis |
5 / 1473 |
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| Girl, Interrupted hospital treatments |
4 / 1126 |
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| Rescue Of Susanna |
3 / 830 |
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| Rescue Of Susanna |
3 / 830 |
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| Hispanics In The Film Industry |
2 / 578 |
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| Girl interupted |
5 / 1439 |
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| Sorority Girl |
3 / 617 |
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| Slaying the Dragon |
2 / 459 |
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| Girl Interrupted and Suicide |
4 / 1014 |
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| Truths |
2 / 408 |
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| Cliches of teen movies |
2 / 440 |
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| Will Smith |
2 / 357 |
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| Movie History |
2 / 568 |
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| Regarding Henry |
2 / 439 |
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| Girl Interrupted |
2 / 491 |
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| C-grade answer for the impact of Hollywood's focus on the blockbuster film and how it's affected the up-turn in box office figures in the last 10 years. |
1 / 271 |
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| grouping |
2 / 308 |
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| californication |
2 / 427 |
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| Canadian Identity Or “Invisible Culture”. |
2 / 333 |
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| Hollywood Vs. The World |
4 / 1134 |
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| Amelie |
2 / 330 |
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| Critique Of The Cabinet Of Dr. Caligari |
2 / 481 |
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| Rock Hudsons Classic Hollywood Image |
5 / 1319 |
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| Johnny Depp |
2 / 398 |
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| The Truth |
1 / 254 |
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| The Tell-Tale Heart Analysis |
1 / 217 |
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| Roughing it in the Buth |
3 / 727 |
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| King Kong |
2 / 350 |
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| Charlie's Angels Review |
2 / 600 |
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| Barbie Doll |
2 / 600 |
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| Curlys Wife--of Mice And Men |
1 / 266 |
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| My Sassy Girl |
1 / 287 |
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| DreamWorks Animation |
2 / 314 |
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| Hong Kong Cinema |
3 / 709 |
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| Memoirs of a geisha |
2 / 340 |
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| indian cinema |
3 / 713 |
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| hollywood globalized |
4 / 902 |
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| Girl Interupted |
3 / 769 |
|
| Edward Norton ? Sinuous Talent, Unyielding Determination |
2 / 494 |
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| Horror Show |
2 / 397 |
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| Beauty and the beast |
1 / 288 |
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| borderline personality disorder |
4 / 1066 |
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| The Bronze Screen |
2 / 317 |
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| Advantages And Disadvantages Of Subtitles |
2 / 546 |
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| blacks in the film |
6 / 1641 |
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| Requiem for a Dream |
2 / 328 |
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| LA STORY AND SHAKESPEARE |
5 / 1450 |
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| Portrayal of Women |
5 / 1223 |
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| We Were Soldiers Critque |
6 / 1631 |
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| Indonesian Cinema by Christine Hakim |
5 / 1323 |
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| Hollywood Is Overrated |
2 / 476 |
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| hollywood and product placement |
6 / 1519 |
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| William Shakespeare |
1 / 279 |
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| classification of movies |
2 / 425 |
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| The It Girl - Clara Bow |
2 / 453 |
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| Parallelism |
1 / 300 |
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| Blacks In Film |
4 / 1150 |
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| Action films. Good or Bad ?? |
2 / 501 |
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| Hollywood & History |
2 / 449 |
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| Shirley Temple: Black Hollywood's Youngest Star |
2 / 335 |
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| A good man is hard to find |
1 / 210 |
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| Filmmaking |
4 / 1027 |
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| film noir |
3 / 693 |
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| Steven Spielburg |
3 / 814 |
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| Blood, Violence And Gore As Entertainment |
2 / 363 |
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| pleasantville |
2 / 383 |
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| Film Violence |
2 / 412 |
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| The Wild Bunch |
2 / 375 |
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| Some Like It Hot |
2 / 316 |
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| Burkina Faso |
2 / 387 |
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| Europa Europa and Olivier Olivier Analysis |
5 / 1400 |
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| media |
4 / 978 |
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| sfsf |
2 / 474 |
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| films |
3 / 793 |
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| The Player |
4 / 1139 |
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| Celebrity Infatuation |
2 / 460 |
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| Spike Lee Analysis |
2 / 338 |
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| Peter Weir movie analysis |
2 / 542 |
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| sofia coppola |
2 / 386 |
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| Sylvester Stallone |
1 / 285 |
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| walt disney |
1 / 223 |
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| Inherit The Wind |
3 / 897 |
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| Marilyn monroe |
2 / 576 |
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| Inherit The Wind |
3 / 898 |
|
| Comparison of "Monsson Wedding" to "Heat and Dust" |
3 / 701 |
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| The Blair Witch Project |
3 / 602 |
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| Horror Movies Are a Waste of Time |
4 / 942 |
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| Audrey Hepburn |
2 / 351 |
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| Sharon Olds The Blue Dress |
2 / 549 |
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| One Word Of Truth |
1 / 276 |
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| Bringing Up Baby |
3 / 693 |
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| sterphen spielberg |
3 / 605 |
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| love essay |
2 / 415 |
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| bad |
2 / 329 |
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| Americans In Film- Race, Gender, And |
2 / 494 |
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| William Shakespeare |
2 / 347 |
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| Other |
2 / 461 |
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| mexican history |
4 / 1008 |
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| Authenticity of "The Great Santini" |
2 / 425 |
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| ritchie rich |
2 / 433 |
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| Erin Brockovich |
2 / 533 |
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| Charlotte Temple critical analysis |
3 / 854 |
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| Fight Club |
1 / 229 |
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| Ten Best Performances in English Films |
5 / 1473 |
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| Charles Chaplin |
1 / 287 |
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| Catcher in the Rye |
4 / 966 |
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| Rubin Hurrican Carter |
3 / 888 |
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| John Woo: from Hong Kong to Hollywood, The Killer and Face/Off |
3 / 859 |
|
| A discussion into whether ?J Horror' is a term of national identity, or cinematic sub-genre, using the texts; Ringu (1998), Audition (2000) and Ju-On (The Grudge) (2003). |
5 / 1471 |
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| Hesiod's Theogonoy |
1 / 289 |
|
| rhetorical |
4 / 932 |
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| Films that were enjoyed and disliked |
3 / 730 |
|
| Positive and Negative Influences of Cinema on Popular American Culture |
4 / 1163 |
|
| A film I have seen |
2 / 523 |
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| Steven Spielberg |
2 / 579 |
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| Legal Opinion For 8th Social Studies |
2 / 480 |
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| Homosexuality in Film |
4 / 914 |
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| Hollywood vs history |
4 / 919 |
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| The Gibson Girl -Too Young for its Time? |
2 / 583 |
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| Hindi cinema |
4 / 932 |
|
| Saving Private Ryan Help Sheet |
2 / 320 |
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| The Great Bollywood |
5 / 1292 |
|
| Myspace |
2 / 570 |
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| film history |
4 / 1047 |
|
| an accident |
2 / 310 |
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| oh what |
4 / 1126 |
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| Blaxpoitation |
2 / 325 |
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| Truth |
2 / 406 |
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| Movie Marketing In India |
2 / 329 |
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| Thoughts on Tania Modleski's "Cinema and the Dark Continent: Race and Gender in Popular Film" |
1 / 263 |
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| The Birth Of A Nation And Greed |
4 / 1185 |
|
| Truth And Belief |
1 / 237 |
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| La Amistad |
2 / 475 |
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| The Day They Came To Arrest The Book Review |
2 / 488 |
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| Learn From Our Failures |
1 / 278 |
|
| Man as competitor, woman as prize |
9 / 2544 |
|
| The Maltese Falcon: Book Vs. Movie |
4 / 1135 |
|
| The Maltese Falcon: Book Vs. Movie |
4 / 1135 |
|
| battle of karkov |
4 / 1011 |
|
| hello ou there |
1 / 179 |
|
| Beautiful Mind |
5 / 1205 |
|
| Ingrid Bergman |
5 / 1488 |
|
| Film: From Silent to Sound |
2 / 551 |
|
| Witchcraft in Hollywood |
6 / 1765 |
|
| Poetry |
1 / 180 |
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| Nescafe |
2 / 475 |
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| On the waterfront |
1 / 126 |
|
| Cold war |
5 / 1397 |
|
| Truth |
2 / 503 |
|
| blah |
2 / 567 |
|
| Merrymakers at Shrovetide vs Interrupted Sleep |
3 / 749 |
|
| mary pickford |
4 / 987 |
|
| Hollywood's Attack On Religion |
6 / 1611 |
|
| Old Movies And America |
2 / 462 |
|
| opionative essay on smoking |
1 / 276 |
|
| Horror Movies |
3 / 613 |
|
| Shakespeare |
2 / 452 |
|
| Why We Crave Horror Movies |
1 / 248 |
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| Fishing For Dreams |
5 / 1277 |
|
| Richard Cory |
3 / 692 |
|
| Red Sorghum |
6 / 1631 |
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| Realism and Idealism for the Godfather |
4 / 1152 |
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| Sacrifices of Love |
3 / 622 |
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| What It Takes To Produce A Film |
3 / 844 |
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| Love |
3 / 729 |
|
| Frank Sinatra |
2 / 527 |
|
| Rin Tin Tin |
5 / 1307 |
|
| Samurai in Film |
2 / 421 |
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| The Genre of Horror |
2 / 597 |
|
| The Power Of Choice |
2 / 449 |
|
| David Fincher |
2 / 468 |
|
| Last Of The Mohicans |
2 / 400 |
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| Reservoir Dogs |
4 / 911 |
|
| creativity please |
2 / 598 |
|
| disney is not taking over childrens lives - persuasive speech |
3 / 772 |
|
| The Two-Tiered System of Allusions |
5 / 1497 |
|
| Geography |
3 / 666 |
|
| Drew Barrymore |
3 / 670 |
|
| Drew Barrymore |
3 / 670 |
|
