| Title |
Pages / Words |
Save |
| Baz Luhrman?s Version of Romeo and Juliet |
3 / 721 |
 |
| american studies |
3 / 651 |
|
| Challenger |
2 / 360 |
|
| Films Today |
5 / 1333 |
|
| film |
2 / 388 |
|
| mr smith goes to wahington |
3 / 628 |
|
| Bob Saget |
2 / 405 |
|
| charlie chaplin |
2 / 481 |
|
| erin brockavich |
4 / 1004 |
|
| Helen Levitt |
2 / 447 |
|
| Kevin smith |
3 / 856 |
|
| Spielberg Bio |
4 / 1075 |
|
| A Clockwork Orange: Review Of Book And Firm Version |
4 / 1106 |
|
| A Journey Into A Clockwork Orange |
2 / 561 |
|
| A Raisin in the Sun |
2 / 471 |
|
| EM Waves |
2 / 380 |
|
| Enron: The Smartest Guys In The Room |
2 / 532 |
|
| Last of the Mohicans |
4 / 1015 |
|
| Like Water For Chocolate |
3 / 791 |
|
| Movie Commentary: What’s Eating Gilbert Grape? |
4 / 1081 |
|
| O Brother Where Art Thou? |
1 / 130 |
|
| Persevering Literature |
3 / 841 |
|
| Schindlers List, short |
2 / 330 |
|
| To The Lighthouse |
5 / 1481 |
|
| "Wall Street" The business ethics in the movie |
4 / 918 |
|
| Ford Case Summary |
2 / 333 |
|
| Full Metal Jacket |
2 / 395 |
|
| Good to Great takeaways |
2 / 566 |
|
| Porter's Model applied for Coca Cola |
2 / 484 |
|
| 1984 And The Truman Show |
3 / 783 |
|
| AI vs Frankenstein |
3 / 709 |
|
| Blade runner |
5 / 1460 |
|
| Citizen Kane |
2 / 427 |
|
| Crash |
4 / 964 |
|
| Editing in The Shining |
4 / 1176 |
|
| Eternal Sunshine |
5 / 1318 |
|
| Film Adaptation of Antigone |
2 / 550 |
|
| Frankenstein |
4 / 1104 |
|
| Gladiator |
3 / 879 |
|
| Hypocrisy Revealed In Canterbury Tales |
2 / 507 |
|
| Jaws - 'How Does Spielberg Create Tension?' |
6 / 1690 |
|
| Jungian) image of the "beast" in society/film/literature |
3 / 882 |
|
| Life Is Beautiful |
7 / 1814 |
|
| Look Both Ways (film text) |
3 / 767 |
|
| Macbeth as a Man of Respect |
3 / 857 |
|
| Mice And Men Comparison Film &Amp;Amp;Amp;Amp; Book |
6 / 1606 |
|
| Psycho |
2 / 466 |
|
| Romeo |
3 / 740 |
|
| Saving Private Ryan |
4 / 995 |
|
| Shakespeare Romeo Juliet |
2 / 436 |
|
| Shakespeare on film-Observations |
2 / 366 |
|
| Shrek appeals to a wide range of audiences. How have the makers of the film enabled this to happen? |
4 / 1087 |
|
| Strictly Ballroom |
2 / 521 |
|
| The Birds Contrast paper |
5 / 1252 |
|
| Under Construcition |
3 / 783 |
|
| What makes a successful romantic tragedy? |
7 / 1887 |
|
| William Shakespeare's Romeo and Juliet (1966) |
3 / 692 |
|
| saving private ryan |
3 / 695 |
|
| apocalipto |
2 / 582 |
|
| Franco-Prussian war |
2 / 399 |
|
| Industrial Revolution: How did the film maker of Modern Times view Industrialization? |
2 / 352 |
|
| Last of the mohicans |
2 / 409 |
|
| Performind the border |
3 / 650 |
|
| Quincy Jones |
1 / 268 |
|
| Seven Samurai |
5 / 1364 |
|
| The Seven Samuraii |
4 / 1009 |
|
| 1984 And The Truman Show |
3 / 783 |
|
| A Clockwork Orange |
2 / 332 |
|
| A History of Storyboarding |
2 / 467 |
|
| Alfred Hitchcock |
7 / 2050 |
|
| Analysis Of The Use Of Lighting In The Godfather |
4 / 944 |
|
| ansel adams "rose and drift wood" |
2 / 351 |
|
| Cabaret |
3 / 850 |
|
| Caddie - Australian Movie Review |
2 / 388 |
|
| city of god |
2 / 386 |
|
| Death And The Maiden - Film Vs. Text Comparison |
4 / 1023 |
|
| Discerning Content In Paragraphs |
2 / 389 |
|
| film on iam sam |
3 / 754 |
|
| finding forester |
3 / 688 |
|
| George Lucas: One of the greatest filmmakers |
5 / 1454 |
|
| HUD: Bucking the Western film stereotype |
5 / 1359 |
|
| History of Cameras |
5 / 1252 |
|
| Movie Review |
2 / 400 |
|
| On The Waterfront |
2 / 499 |
|
| Photographer |
3 / 673 |
|
| Photography |
2 / 533 |
|
| romeo and juliet |
3 / 726 |
|
| spider man |
3 / 888 |
|
| Television shows |
2 / 547 |
|
| The Crucible - Film Review |
3 / 773 |
|
| The World According To Garp Movie Report |
3 / 819 |
|
| The World According To Garp Movie Report |
3 / 819 |
|
| Twelve Angry Men Film |
3 / 863 |
|
| Vlad Dracula - A Makeup Plot |
2 / 510 |
|
| Walmart; The high cost of low prices |
2 / 551 |
|
| What does the film suggest about the journalists', and the newspapers' values ? the sorts of principles and ethics by which they work? What are the actual goals of the journalists as presented in the film i.e. what drives them to continue working... |
3 / 794 |
|
| 12 Angry Men-Social Psych Review |
5 / 1419 |
|
| 50 Cent |
2 / 322 |
|
| A Clockwork Orange: Good Riddance To Bad Rubbish |
4 / 958 |
|
| A Comparison of the Fight Scene in Act 3 of Shakespeare's Play ?Romeo and Juliet' in the Film Version |
10 / 2762 |
|
| A River Runs Through It |
3 / 667 |
|
| Alfred Hitchcock: The Creator Of Suspense |
8 / 2113 |
|
| American Splendor |
5 / 1296 |
|
| a clockwork man |
4 / 948 |
|
| a dstopian society Film Project |
2 / 469 |
|
| Baz Luhrmann |
4 / 1019 |
|
| Blade Runner |
3 / 857 |
|
| Blood Diamonds movie review |
2 / 474 |
|
| Bringing Up Baby |
3 / 693 |
|
| Cabaret |
3 / 750 |
|
| Caddie - Australian Movie Review |
2 / 388 |
|
| Chocolat |
2 / 366 |
|
| City of God |
4 / 1066 |
|
| Clockwork Orange |
2 / 332 |
|
| Comparison of High Noon and Open Range |
5 / 1242 |
|
| Contact |
2 / 562 |
|
| Coppola's short biography |
3 / 738 |
|
| Crash |
3 / 818 |
|
| Discuss whether Alfred Hitchcock can be considered an auteur |
5 / 1210 |
|
| donnie drako |
3 / 894 |
|
| East Is East |
2 / 562 |
|
| Elephant the movie |
5 / 1247 |
|
| Film Criticism Essay |
4 / 1191 |
|
| Film Methodologies - Point Break (1991) |
4 / 1084 |
|
| Film Study - different types of editing and cut shots |
3 / 623 |
|
| Film and video production |
6 / 1613 |
|
| Film genre, narration, reality tv |
6 / 1677 |
|
| Film must first be recognized as an industry before it is considered as a cultural object. Critically examine the meaning and implication of this statement with particular reference to Wales |
8 / 2305 |
|
| Forrest Gump |
4 / 1058 |
|
| fight club |
4 / 945 |
|
| Genre Criticism of Stanley Kubrick's The Shining |
6 / 1626 |
|
| Gladiator's |
4 / 925 |
|
| Gladiator |
5 / 1483 |
|
| high tension |
3 / 826 |
|
| Jaws - filmic techniques, structure of tension/suspense |
2 / 391 |
|
| Lantana |
2 / 545 |
|
| Mad City |
2 / 588 |
|
| Maltese Falcon |
5 / 1477 |
|
| Manipulation of Truth in Oliver Stone's JFK |
5 / 1267 |
|
| Micro Analysis Of |
5 / 1399 |
|
| Mise-en-scene in The Wizard of Oz |
4 / 1033 |
|
| Movie Magic: Audio And Visual Special Effects 1960-1990 |
3 / 893 |
|
| Movie Revie: Schindler's List |
4 / 978 |
|
| Movie Review: Sense And Sensibility |
3 / 681 |
|
| Movie: Delta Force - Suicide In Chinatown |
2 / 580 |
|
| Music's role in film |
4 / 943 |
|
| martin scorsese |
3 / 870 |
|
| On The Waterfront |
2 / 499 |
|
| Outfoxed Review. |
2 / 546 |
|
| PAULA ABDUL |
2 / 402 |
|
| Paralells In My Brilliant Career |
3 / 852 |
|
| Pyschoanalysis of The Sweet Hereafter |
4 / 1124 |
|
| Report on We Were Soldiers |
4 / 1093 |
|
| rule of wrist |
2 / 562 |
|
| Scarface Review |
4 / 1020 |
|
| Sleepy Hollow Reveiw |
3 / 629 |
|
| Special Effects in 2001: A Space Odyssey |
3 / 755 |
|
| Stepford review A* |
2 / 358 |
|
| Study of Cinema Verite |
3 / 834 |
|
| Style in pulp fiction |
3 / 709 |
|
| semiotics |
4 / 908 |
|
| sex lie and videotape |
4 / 959 |
|
| Tarkovsky's "Stalker" as a political allegory |
4 / 928 |
|
| The Corporation |
3 / 619 |
|
| The Crucible |
2 / 440 |
|
| The Great Gatsby |
4 / 943 |
|
| The Green Berets and Casualties of War |
6 / 1603 |
|
| The Mission |
2 / 376 |
|
| The Two-Tiered System of Allusions |
5 / 1497 |
|
| The Usual Suspects |
2 / 475 |
|
| The World According to Garp Movie Report |
3 / 819 |
|
| Touch Of Evil |
5 / 1284 |
|
| the quiet american |
3 / 636 |
|
| the rookie |
4 / 1151 |
|
| thriller |
3 / 639 |
|
| twelve angry men |
3 / 750 |
|
| Wiseman To Moore |
3 / 658 |
|
| Yukon Gold |
2 / 394 |
|
| 12 angrey men |
3 / 750 |
|
| The Myth Of Sisyphus |
2 / 556 |
|
| true existence |
2 / 597 |
|
| ethics in movies |
3 / 676 |
|
| film prioritization |
5 / 1464 |
|
| Green Mile |
4 / 960 |
|
| Religion through film |
2 / 410 |
|
| The Crucible |
2 / 490 |
|
| Beam Me Up Scotty: Teleportation |
2 / 418 |
|
| Biology Coursework: The effect of Trypsin on Gelatine. |
3 / 724 |
|
| Kodak |
4 / 1057 |
|
| The Shawshank Redemption Analysis |
3 / 767 |
|
| Apologia Analysis Essay of William J Clinton 's Prayer Breakfast |
10 / 2815 |
|
| Can the Arts influence change in society |
3 / 642 |
|
| Criminology |
4 / 1081 |
|
| Current Advertising Theory |
3 / 852 |
|
| Glamis Dunes |
2 / 415 |
|
| inconvenient truth |
3 / 744 |
|
| Women and Careers |
3 / 820 |
|
| Pearl Harbor |
5 / 1343 |
|
| Cars |
2 / 366 |
|
| Subtitling |
4 / 916 |
|
