| Title |
Pages / Words |
Save |
| Passage from The Merchant of Venice "Hath not...if you prick us" |
4 / 1200 |
 |
| Merchant of venice - anti semitism |
2 / 581 |
|
| Merchant of Venice |
2 / 498 |
|
| The Merchant Of Venice - Anti- |
2 / 504 |
|
| The Merchant Of Venice Essay |
2 / 504 |
|
| Merchant of Venice |
2 / 509 |
|
| Merchant of Venice |
4 / 946 |
|
| The Merchant Of Venice: Shylock - An In-depth Character Analysis |
2 / 444 |
|
| The Merchant Of Venice: A Tragic Play |
3 / 790 |
|
| The Merchant of Venice |
2 / 532 |
|
| Ddd |
1 / 165 |
|
| The Sympathetic Embodiment of Evil |
5 / 1261 |
|
| water in outer space |
1 / 170 |
|
| The Merchant Of Venice |
4 / 965 |
|
| Merchant Of Venice |
5 / 1451 |
|
| Anti-semitism In The Merchant Of Venice |
2 / 491 |
|
| Anti-Semitism In The Merchant Of Venice |
2 / 491 |
|
| Merchant of Venice Rhetorical Analysis |
4 / 906 |
|
| Shakespeare, a Gifted Writer |
5 / 1282 |
|
| Merchant Of Venice |
3 / 667 |
|
| The Merchant Of Venice: Hath Not A Jew Mercy? |
5 / 1334 |
|
| Merchant Of Venice |
2 / 586 |
|
| Merchant & A Midsummer Nights |
5 / 1302 |
|
| death in venice |
1 / 198 |
|
| Anti-Semitism in Merchant of Venice |
4 / 926 |
|
| The merchant of Venice |
4 / 970 |
|
| Merchant of venice |
6 / 1545 |
|
| What Makes Me Feel the Way I Feel About the Things that I Read |
2 / 388 |
|
| Merchant Of Venice Essay |
3 / 629 |
|
| Differences between Il Pecorne and A Merchant of Venice |
3 / 706 |
|
| Shylock Is The Villain In Shakespeare's Merchant Of Venice |
2 / 374 |
|
| The Merchantof Venice |
2 / 476 |
|
| Where does the order Lie |
5 / 1266 |
|
| The Merchant Of Venice |
2 / 588 |
|
| The Merchant Of Venice 2 |
4 / 1024 |
|
| The Merchant Of Venice |
2 / 520 |
|
| Merchant of Venice |
2 / 403 |
|
| Merchant of Venice |
3 / 620 |
|
| marco polo |
2 / 465 |
|
| Why Do I Feel This Way? Am I Just Being Stupid?? |
1 / 258 |
|
| English Literature |
7 / 1992 |
|
| Children's Literature |
2 / 398 |
|
| Electronic Credit Card Payment Technology |
2 / 344 |
|
| Thirst and Hunger Can Not Be Disregarded |
4 / 1102 |
|
| Reflection On The Merchant Of Venice |
5 / 1366 |
|
| The Merchant Of Venice: Shylock - Victim Or Villain |
10 / 2710 |
|
| The Caskets in The Merchant of Venice |
2 / 391 |
|
| Antonio is not Gay |
5 / 1389 |
|
| Santiago and the Crystal Merchant |
2 / 542 |
|
| Merchant Of Venice |
3 / 759 |
|
| Shakespeare?s 10 things |
4 / 1187 |
|
| John Cabot |
2 / 414 |
|
| Merchant of Venice Overview |
2 / 352 |
|
| merchant of venice |
5 / 1380 |
|
| A Closer Look at Shylock vs. Antonio |
3 / 746 |
|
| Compare And Contrast The Passages Throughout “The Birds” Focusing On How Figures Of Speech, Phonology, Lexis, Syntax And Rhythm Convey Meaning. |
1 / 65 |
|
| Merchant Of Venice - Antonio And Shylock |
3 / 658 |
|
| Merchant of Venice |
5 / 1335 |
|
| Death in Venice |
3 / 792 |
|
| The Merchant of Venice-Comparisons and Differences |
3 / 768 |
|
| Merchant of venice |
3 / 852 |
|
| John Smith |
2 / 462 |
|
| Merchant of Venice |
2 / 352 |
|
| Italian Renaissance |
1 / 228 |
|
| william blake |
4 / 1026 |
|
| The Merchant Of Venice As A Romantic Comedy - Critical Analysis |
6 / 1588 |
|
| Macbeth |
3 / 704 |
|
| Merchant Of Venice - Is The Shylock "a Man More Sinned Against Than Si |
3 / 664 |
|
| Jewish Ghetto in Venice, Italy |
2 / 537 |
|
| maerchant of venice |
1 / 175 |
|
| Ecclesiastes 12:11 |
2 / 445 |
|
| Othello |
2 / 457 |
|
| The Merchant Of Venice |
4 / 1042 |
|
| The Pearl Of Great Price |
1 / 264 |
|
| othello passage analysis ACT 3, SCENE 3, LINES 163-215 |
4 / 1031 |
|
| A needle that can save life |
3 / 716 |
|
| Symbols In The Merchant Of Venice |
2 / 588 |
|
| TechMall.com’s Revenues |
2 / 467 |
|
| Othello |
2 / 427 |
|
| The Merchant Of Venice |
4 / 929 |
|
| Whether Portia Is On Stage Or Not She Is Central To Every Important Action In The Play. How Far Do You Agree - Provide Detailed Reasons To Support Your Argument. |
4 / 924 |
|
| Disguise In Shakespearean Come |
3 / 642 |
|
| Merchant of Venice: Cost of Alienation |
6 / 1588 |
|
| It's A Caring Society - Do We Love Our Neighbour? |
3 / 618 |
|
| a midsummer night's dream |
1 / 249 |
|
| The Merchant Of Venice: The Relationship Between Antonio And Bassanio |
1 / 277 |
|
| The Role Of Prejudice In The Merchant Of Venice |
8 / 2208 |
|
| Good Vs. Evil |
2 / 306 |
|
| Merchant of Venice: Shylock, victim or villain? |
3 / 684 |
|
| Merchant Of Venice - Modern Humanitarianism |
5 / 1207 |
|
| E commerce |
2 / 467 |
|
| Imaginary Script between Banqu's Ghost and Macbeth |
2 / 354 |
|
| Macbeth Speech- King Duncan |
3 / 652 |
|
| Looks Can Be Deceiving |
4 / 927 |
|
| Macbeth: How Money Killed |
3 / 724 |
|
| Merchant of Venice Critical Essay |
2 / 574 |
|
| Merchant of Venice (Coursework) |
5 / 1299 |
|
| Psyche |
2 / 474 |
|
| How The Characters In The Merc |
3 / 692 |
|
| Merchant Of Venice Shylock Stu |
2 / 370 |
|
| Shakespeare And Anti-Semitism In The Merchant Of Venice |
5 / 1201 |
|
| Anger In Othello |
3 / 701 |
|
| Merchant Of Venice - Plot Structure |
6 / 1611 |
|
| Othello - Anger In The Play |
3 / 701 |
|
| Monet - Palazzo da Mula |
3 / 653 |
|
| Merchant of Venice |
7 / 2099 |
|
| Insight of Marco Polo |
4 / 1040 |
|
| Maximian |
2 / 578 |
|
| RENAISSANCE & REFORMATION (OF THE CATHOLIC CHURCH) P372 |
1 / 263 |
|
| The End of Feudalism |
1 / 252 |
|
| Marco Polo |
2 / 361 |
|
| Merchant of Venice |
5 / 1302 |
|
| Joan Holtz (A) |
1 / 162 |
|
| Merchant Of Venice Character Diary - Shylock |
2 / 387 |
|
| Merchant Of Venice Character Diary - Shylock |
2 / 387 |
|
| Macbeth Character Flaw |
3 / 773 |
|
| Arabian Nights |
5 / 1422 |
|
| The Merchant Of Venice |
9 / 2451 |
|
| Genesis |
2 / 351 |
|
| All The Pretty Horses |
1 / 297 |
|
| Hath Won |
2 / 424 |
|
| Fire Song |
2 / 571 |
|
| Lord Of The Flies |
2 / 350 |
|
| Shakespeare's Use Of Trickery And Disguise In His Plays |
8 / 2203 |
|
| my research |
2 / 385 |
|
| Martin Luther King on "Why we cannot wait" |
2 / 462 |
|
| Analysis of First passage in Heart of Darkness |
2 / 302 |
|
| Shakespeare and Similarity of Gender Roles |
5 / 1270 |
|
| Thematic Essay |
3 / 610 |
|
| Machbeth |
3 / 614 |
|
| AP Essay Madame Bovary |
2 / 365 |
|
| How Far is Shylock a Character for Whom We Can Feel Sympathy? How Would a Contemporary Audience's Response to Him Differ from That of an Audience in Shakespeare's Time? |
9 / 2687 |
|
| Cultural Anthropology |
1 / 253 |
|
| The Red Badge of Courage |
1 / 289 |
|
| dbq |
2 / 345 |
|
| The Sinister Soliloquy: An indepth look at "Othello" 2:1:308-314 |
6 / 1623 |
|
| The Tail of Stray |
3 / 633 |
|
| Hammurabi's Code |
3 / 664 |
|
| Volpone Ben Jonson |
4 / 1123 |
|
| Loveless |
2 / 408 |
|
| marco polo |
4 / 1031 |
|
| catch 22 of the legal profession |
6 / 1547 |
|
| Medea |
1 / 147 |
|
| The Christian Example |
4 / 1152 |
|
| baroque |
2 / 316 |
|
| Mr. |
3 / 861 |
|
| Shakespeare Glisters is not gold |
5 / 1261 |
|
| vennicce |
1 / 260 |
|
| Othello and Macbeth show Evil? |
2 / 522 |
|
| Romeo and Juliet |
4 / 914 |
|
| Sonnet 18 |
2 / 496 |
|
| beets and temperature |
3 / 601 |
|
| venus |
4 / 964 |
|
| Crusades |
2 / 314 |
|
| Medieval |
3 / 682 |
|
| Outcasts in Frankenstein |
3 / 655 |
|
| Merchant of venice |
6 / 1711 |
|
| Hamlet's Sanity |
2 / 364 |
|
| The C |
1 / 234 |
|
| The Great Gatsby |
3 / 667 |
|
| To Do A Great Right, Do A Little Wrong |
2 / 512 |
|
| Romeo And Juliet |
5 / 1223 |
|
| Much Ado About Nothing: Love And Marriage |
3 / 693 |
|
| Much Ado About Nothing: Love And Marriage |
3 / 693 |
|
| Temptation : The Fall Of Man |
2 / 488 |
|
| ernest hemmingway |
4 / 1093 |
|
| Artist: Turner: Outline |
2 / 347 |
|
| Angela's Ashes Analysis |
2 / 555 |
|
| Boots secures its Wellbeing |
2 / 593 |
|
| Medea |
4 / 901 |
|
| Moses and the Burning Bush, Exodus 3:1 -15 |
3 / 758 |
|
| snozzing goddess |
3 / 658 |
|
| The Holy Bible |
2 / 468 |
|
| Is Othello a Racist Play |
2 / 415 |
|
| First USA and Internet Marketing |
2 / 407 |
|
| Strong and Crippled |
2 / 571 |
|
| Famous Father Quotations |
2 / 458 |
|
| Shakespeare |
2 / 452 |
|
| Analysing Shylock's Dual-Role as Villain and Victim |
5 / 1476 |
|
| Joseph From Genesis & Odyseeus From The Odyssey |
2 / 553 |
|
| Woolf's Underlying Attitude Towards Women's Place in Society |
3 / 703 |
|
| Tone Analysis-their Eyes Were |
2 / 324 |
|
| Is fate a factor |
2 / 396 |
|
| Benjamin Franklin's Tone On 2 passages |
2 / 304 |
|
| The Great Gatsby |
1 / 251 |
|
| Scorpia Book Report |
2 / 428 |
|
| How is dramatic tension created in the trial scene of 'The Merchant of Venice'? |
7 / 2004 |
|
| response to carol ann duffy's 'war photographer' |
2 / 510 |
|
| Formal Commentary On One Hundred Years Of Solitude |
2 / 334 |
|
| Midsummer Nights Dream |
3 / 674 |
|
| Audubon and Dillard |
2 / 444 |
|
| Interpreter of Maladies |
3 / 726 |
|
| Henry Iv: Appearance Vs. Reality |
5 / 1272 |
|
| The Merchant Of Venice: Portia's Suitors |
6 / 1504 |
|
| Hello There |
2 / 352 |
|
| Grown Old, But Not Wise |
2 / 476 |
|
| macbeth as a tragic hero |
3 / 724 |
|
| Maya Angelou and M.F.K. Fisher |
1 / 248 |
|
| From trix |
1 / 123 |
|
| A Midsummer Nights Dream Character Analysis Hermia |
3 / 801 |
|
