| Title |
Pages / Words |
Save |
| Art and technology - Schwartz & Moffat |
10 / 2940 |
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| Pierre-Auguste Renoir |
2 / 541 |
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| Because I Could Not Stop For Death |
1 / 95 |
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| Civil War Painting |
1 / 275 |
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| American Gothic |
4 / 957 |
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| Art History |
4 / 1093 |
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| Chinese Culture Around New York City |
14 / 3969 |
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| letters from an american farmer |
1 / 185 |
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| Mr. |
1 / 286 |
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| annie leibovitz |
5 / 1291 |
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| Frida Kahlo |
5 / 1278 |
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| George Seurat |
3 / 679 |
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| georgia okeeffe |
10 / 2726 |
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| Leonardo Da Vinci |
10 / 2859 |
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| Leonardo DaVinci |
2 / 525 |
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| lorraine hansberry-an annotated bibliography |
2 / 377 |
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| Raphael's Lorenzo de' Medici |
4 / 1011 |
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| Surrealism and Salvador Dali |
8 / 2177 |
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| Van Gogh |
6 / 1541 |
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| "From Poppa" - book walk |
10 / 2897 |
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| Anne Frank |
3 / 878 |
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| Anne Frank |
3 / 679 |
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| Barogue through the post modern era |
1 / 179 |
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| censorship |
2 / 334 |
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| contributions to society and it's effects-comparing "In Cold Blood" and "My Name is Asher Lev" |
6 / 1604 |
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| Death of a Salesman |
3 / 853 |
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| Doctor Eckleburg |
1 / 250 |
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| Ethics explication |
2 / 423 |
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| Girl with a pearl earring |
3 / 866 |
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| Leonardo DaVinci |
2 / 479 |
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| pollock |
3 / 629 |
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| Silent Censure |
2 / 545 |
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| The Bookworms |
3 / 821 |
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| The Fall of Usher Themes |
4 / 981 |
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| The Great Gatsby |
2 / 304 |
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| The Masque Of The Red Death: The Red Death Vs. Aids |
1 / 253 |
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| Tom Sawyer |
3 / 700 |
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| 4 PERSONALITY PROFILES – Owl, Dove, Eagle & Peacock |
5 / 1325 |
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| A Way of Escape |
1 / 264 |
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| An analysis about \ |
6 / 1616 |
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| Ananlysis Of Andrew Marvell Coy Mistress |
2 / 348 |
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| Appearance Vs. Reality |
4 / 923 |
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| Artist Members Of Society |
4 / 1102 |
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| Because I Could Not Stop For Death |
1 / 95 |
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| Because I Could Not Stop For Death |
3 / 672 |
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| Cause and Effect on Death Penalty |
2 / 399 |
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| Chronicle Of A Death Fortold |
2 / 352 |
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| Comparative Elegies~Similar or Different? |
3 / 607 |
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| Descriptive essay/ A Dorm Room |
3 / 692 |
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| Discuss"Home Burial" and "Death of the Hired Man" by Frost |
1 / 153 |
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| Donne |
2 / 437 |
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| Gertrude Stein: Making Perception |
4 / 985 |
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| Gertude Stein and the Art of Cubism |
5 / 1298 |
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| Girl With A Pearl Earring Journal |
16 / 4635 |
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| HEart Of Darkness |
5 / 1285 |
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| Hamlet and Death |
4 / 925 |
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| Heart Of Darkness - Comments |
4 / 1171 |
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| Heart of Darkness |
5 / 1259 |
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| Kate Chopin |
3 / 672 |
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| death in venice |
1 / 198 |
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| death |
2 / 326 |
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| freedom |
1 / 273 |
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| Lytton Stracheys view of Florence Nightingale |
1 / 258 |
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| MY FIRST TATOO |
2 / 599 |
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| Masque Of The Red Death |
2 / 385 |
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| Michelangelp Buonarotti |
2 / 347 |
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| My Mother Pieced Quilts |
2 / 535 |
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| My Papa's Waltz: an analysis of speaker and situation |
3 / 676 |
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| POLIO |
2 / 542 |
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| Religion in James Joyce's The Portrait of an Artist as a Young Man |
2 / 376 |
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| Similarities between the music of Debussy and the painting of Turner |
3 / 746 |
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| Spirit |
3 / 738 |
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| Stopping by the Woods for Some Espionage and Bombs On a Snowy Evening |
4 / 1051 |
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| The Blue Hotel |
3 / 601 |
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| Women play an indispensable role in the novel Frankenstein |
2 / 313 |
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| shakespeare |
4 / 1093 |
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| the surreal world |
3 / 608 |
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| women objectified in poetry |
1 / 251 |
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| Annunciation in Northern Renaissance Art |
8 / 2317 |
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| Bank Art |
3 / 759 |
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| Cubism & Expressionism |
3 / 619 |
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| Death In Greek Art |
3 / 893 |
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| Description, Function, Attribution, and Analysis of a Red-figure Type B Kylix |
3 / 700 |
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| EGYPTION RELIGION |
3 / 721 |
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| Euopean Art in the Wake of World War 1 |
4 / 976 |
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| Free Term Papers On 4 Personality Profiles – Owl, Dove, Eagle &Amp;Amp;Amp; Peacock |
2 / 304 |
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| Girl With The Pearl Earring - Review |
6 / 1665 |
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| Going Back to Archaic Greece |
7 / 1948 |
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| Los Dos Fridas |
4 / 1022 |
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| Master Italian Baroque Painters |
8 / 2301 |
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| Michaelangelo |
3 / 786 |
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| mannerism |
1 / 199 |
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| Pablo Picasso'S Guernica |
2 / 550 |
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| Paleolithic Art |
5 / 1228 |
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| Renaissance Art: Comparing and Contrasting Paintings |
15 / 4458 |
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| Renaissance Men and Women |
8 / 2172 |
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| Ringling Museum Review |
4 / 991 |
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| Sistine Chapel |
4 / 1090 |
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| The Crusades |
3 / 881 |
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| The black death |
2 / 523 |
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| Van Gogh 1st person overview |
2 / 443 |
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| Vatican Museum |
6 / 1776 |
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| Winckelmann Article |
2 / 519 |
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| Different Types Of Art Forms |
5 / 1431 |
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| A Friendly Enemy |
2 / 511 |
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| A Friendly Enemy |
2 / 511 |
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| A Gathering Of Old Men |
2 / 511 |
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| A Look At Picasso |
8 / 2195 |
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| A Look At Picasso |
8 / 2195 |
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| A Portrait Of The Artist As A Young Man: Conflicting Desires Within A |
3 / 845 |
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| A Rose For Emily |
3 / 696 |
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| Aboriginal Art |
3 / 635 |
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| Ananlysis Of Andrew Marvell Coy Mistress |
2 / 348 |
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| And Then There Were None |
2 / 410 |
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| Archibald John Motley, Jr.: Issues of Race |
7 / 1808 |
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| Art History Entombment And Adoration Of The Shepperds Painti |
6 / 1773 |
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| Art Review |
3 / 681 |
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| amy borwn |
8 / 2296 |
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| appearance Vs. Reality |
4 / 923 |
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| art |
1 / 259 |
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| Chinese Art |
5 / 1204 |
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| Chronicle Of A Death Fortold B |
2 / 371 |
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| common themes, different feelings |
3 / 657 |
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| Death Penalty |
2 / 394 |
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| Death Penalty |
2 / 383 |
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| death penalty |
1 / 130 |
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| death penalty |
2 / 491 |
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| death penalty |
2 / 476 |
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| El Toro Bravo |
2 / 397 |
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| Etruscan Women |
3 / 655 |
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| Expanation Of A Rose For Emily |
3 / 682 |
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| Frida Kahol |
3 / 775 |
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| Heart Of Darkness 12 |
2 / 558 |
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| Humanism And Clericism Of The 16th Century |
5 / 1262 |
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| Is Fashion Art? (Information and Interpretation) |
6 / 1601 |
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| James Joyce |
4 / 1011 |
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| Japan Religions |
1 / 279 |
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| johnt |
3 / 680 |
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| Ken Ferguson: Kansas City Ceramics |
1 / 199 |
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| lily |
2 / 514 |
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| Macbeth's "tomarrow, Tomarrow" Speech Vs. Robert Frost's "out, Out - " |
2 / 361 |
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| Mark Ryden- Contemporary artist. |
3 / 801 |
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| Masque Of The Red Death |
2 / 385 |
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| Micheal Angelo's Last Judgement |
10 / 2749 |
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| Mike Parr- Performance Artist |
4 / 1090 |
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| Monets Green Reflections |
3 / 870 |
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| Mythology: Important Part Of History |
3 / 729 |
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| Octavio Ocampo |
11 / 3097 |
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| Outline On Edgar Allen Poe |
1 / 290 |
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| Overcoming the Fear and Accepting the Reality of Death |
2 / 458 |
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| Paint a House |
3 / 655 |
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| Pass The Opium, Please |
4 / 955 |
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| Photographer |
3 / 673 |
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| Provoking Revenge In Hamlet |
2 / 380 |
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| Renaissance Art |
5 / 1402 |
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| Renoir's Depection of Women in 19th Century Art |
7 / 2043 |
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| Rescue Of Susanna |
3 / 830 |
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| Rescue Of Susanna |
3 / 830 |
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| Romeo And Juliet, An Affair To Remember And Moulin Rouge - "the Path O |
4 / 932 |
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| Salvador Dali Museum |
5 / 1272 |
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| Sex |
3 / 674 |
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| sleeping poll |
2 / 312 |
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| The Renaissance In Italy |
6 / 1745 |
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| The Renaissance |
3 / 775 |
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| The Wait |
1 / 264 |
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| The Work of Cot and Renoir |
4 / 1197 |
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| Van Gogh |
6 / 1541 |
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| Vincent Van Gogh |
5 / 1470 |
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| Vincent Van Gogh |
5 / 1470 |
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| Visual Art in Greek Mythology |
5 / 1296 |
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| Who I would take to dinner |
2 / 410 |
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| all quiet on the western front |
1 / 281 |
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| Baroque and Classical Wordpainting Techniques |
5 / 1386 |
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| film analysis |
3 / 802 |
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| Marlyn Manson |
2 / 334 |
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| Memento |
3 / 900 |
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| Anselm's Proslogium |
2 / 340 |
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| Aquinas' 2nd Argument |
3 / 724 |
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| Death Penalty (rough work) |
1 / 279 |
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| euripides |
1 / 217 |
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| Salvador Dali: Influences |
2 / 595 |
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| Socrates |
2 / 303 |
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| Socrates |
1 / 249 |
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| Personalities Theory Paper |
1 / 206 |
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| Because I Could Not Stop For Death |
1 / 291 |
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| Iconography |
3 / 775 |
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| Jesus Of Nazareth |
5 / 1255 |
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| There is a God! |
3 / 723 |
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| Perceptual Compression of Space Through Position Integration |
6 / 1760 |
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| RNA Catalysis |
1 / 249 |
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| The Hubble Deep Field |
1 / 273 |
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| Convenience of Today |
2 / 352 |
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| concership |
1 / 252 |
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| Death |
2 / 345 |
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| How violence in media negatively affects people |
1 / 272 |
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| Malaysia Contemporary Art Issues: Art as Idea-A view from Jalaini Abu Hassan |
6 / 1551 |
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| Stress |
1 / 252 |
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| the depth of vanity |
1 / 262 |
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| BUILDING A HOUSE |
3 / 651 |
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| Michelangelo Buonarroti |
3 / 717 |
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