| Title |
Pages / Words |
Save |
| Paris: The Iliad |
2 / 580 |
 |
| Pride: The Fault of Every Man |
4 / 1039 |
|
| How does Shakespeare present love and marriage in ?Much Ado About Nothing' and how might a modern audience respond to the presentation of these themes? |
6 / 1639 |
|
| My Hero |
3 / 820 |
|
| GSCE essay on othello and own soliloquie |
7 / 1946 |
|
| Aristotle On Tragedy |
4 / 1046 |
|
| Chivalry |
2 / 528 |
|
| Chivalry |
2 / 528 |
|
| A Classic Hero |
4 / 1068 |
|
| A Classic Hero |
4 / 1068 |
|
| The Last Samurai |
2 / 570 |
|
| Rhetorical Citizenship |
5 / 1288 |
|
| Virtue Theory |
4 / 1062 |
|
| assault in the senate |
1 / 196 |
|
| Jack Nicklaus |
5 / 1224 |
|
| King Henry VIII |
10 / 2946 |
|
| Aristotle and the Irony of Guilt |
5 / 1450 |
|
| Memoirs |
3 / 629 |
|
| Geat Vs. Greek |
4 / 963 |
|
| Geat Vs. Greek |
4 / 963 |
|
| critical essay on for whom the bell tolls |
4 / 1069 |
|
| Jinnah: A Charisma Built for Disrupture |
2 / 592 |
|
| The Old Man And The Sea |
1 / 234 |
|
| Odysseus Vs. Gilgamesh |
5 / 1319 |
|
| Okonkwo is a tragic Hero |
3 / 724 |
|
| Hamlet as a Tragic Hero |
6 / 1562 |
|
| OEDIPUS REX ANALISYS |
3 / 851 |
|
| The Virgian And Little Big Man |
5 / 1445 |
|
| Case Analysis |
5 / 1391 |
|
| A hero for the freedom of Scotland |
4 / 922 |
|
| Tragedy In Drama |
6 / 1705 |
|
| Politicians |
3 / 835 |
|
| Macbeth - Tragic Hero |
3 / 666 |
|
| Is Duddy Karvitz and Anti-Hero? |
2 / 474 |
|
| Ben Franklin |
3 / 645 |
|
| snatch |
4 / 920 |
|
| Meaningful Quotations from Turn of the Screw |
2 / 424 |
|
| Romanticism in Frankenstein |
3 / 837 |
|
| Heroes in Anglo-Saxon culture |
4 / 1166 |
|
| gigamesh and the oddessy |
5 / 1340 |
|
| The Red Badge Of Courage |
5 / 1453 |
|
| The Red Badge Of Courage |
5 / 1453 |
|
| red badge of courage |
5 / 1453 |
|
| red badge of courage |
5 / 1453 |
|
| Othello: Iago - "o, Beware, My Lord, Of Jealousy" |
4 / 988 |
|
| music in Much Ado About nothing |
6 / 1709 |
|
| The many heroes of our day |
4 / 938 |
|
| Alexander The Great |
4 / 923 |
|
| The One |
2 / 471 |
|
| The Grandmothers Tale |
11 / 3056 |
|
| Richard III destiny |
4 / 1004 |
|
| The Style and Techinque of Louis Armstrong |
4 / 1136 |
|
| Paradise Lost - John Milton's Satan; Hero or Not? |
6 / 1630 |
|
| Paradise Lost - John Milton's Satan; Hero Or Not? |
6 / 1630 |
|
| Odyssey: the Journey of a Hero |
7 / 1886 |
|
| Perspective Journal- The Punisher |
2 / 442 |
|
| Blaire Witch review |
2 / 475 |
|
| Homosexuals in the military |
5 / 1438 |
|
| Muhammad Ali - Cassius Clay |
3 / 820 |
|
| Muhammad Ali - Cassius Clay |
3 / 820 |
|
| Beowulf And Sir Gawain As True Heroes. |
6 / 1681 |
|
| Lady Macbeth |
2 / 415 |
|
| Antigone |
5 / 1326 |
|
| Comparing Much Ado About Nothing |
4 / 943 |
|
| Comparing Much Ado About Nothing |
4 / 943 |
|
| Hannibal |
3 / 716 |
|
| Epic of Gilgamesh: A Hero |
5 / 1498 |
|
| Braveheart/ William Wallace |
3 / 658 |
|
| Revenge In Hamlet |
4 / 994 |
|
| The Iliad: Literary Analysis |
6 / 1535 |
|
| Old Man and Sea Essay |
3 / 601 |
|
| Heroes |
2 / 454 |
|
| relationship between thrillers and society |
6 / 1527 |
|
| Mr. |
3 / 861 |
|
| holy grial |
1 / 169 |
|
| Holding the attention of the audience in Othello |
5 / 1248 |
|
| Rosa Parks |
2 / 489 |
|
| no ones alone |
2 / 438 |
|
| King Lear Act V |
5 / 1392 |
|
| Diocletian and the army near the Bosphorus |
2 / 388 |
|
| The Hero |
6 / 1715 |
|
| Rosemary Well's When No One Was Looking: Ambition |
2 / 479 |
|
| inportant in life |
1 / 198 |
|
| Children Play Observation |
4 / 915 |
|
| Character Analysis |
2 / 431 |
|
| Oprah |
2 / 408 |
|
| John Locke |
2 / 586 |
|
| Tragic Hero |
3 / 604 |
|
| Tragic Hero |
3 / 604 |
|
| al capone , a true american hero |
1 / 158 |
|
| Marriage & The Monarchy: Anne Of Cleves & Katherine Howard |
9 / 2430 |
|
| Position Paper On Heroes |
3 / 699 |
|
| Red Badge Of Courage |
5 / 1466 |
|
| Red Badge Of Courage |
5 / 1466 |
|
| Red Badge Of Courage |
5 / 1466 |
|
| Great Expectations by Charles Dickens |
2 / 368 |
|
| Beowulf |
4 / 1006 |
|
| Spider Man |
3 / 751 |
|
| The Grecian Hero Archetype |
6 / 1530 |
|
| Enemy At The Gates |
3 / 749 |
|
| Romeo and Mercutio |
4 / 939 |
|
| Oedipus Rex 2 |
4 / 945 |
|
| Oedipus Rex |
4 / 945 |
|
| Oedipus Rex |
4 / 945 |
|
| DECEPTION IN OTHELLO |
5 / 1331 |
|
| “The Horrifying Effects of Child Labor during the Industrial Revolution Era” |
7 / 1877 |
|
| Media Reaction Paper |
4 / 1017 |
|
| Tommy Rickets |
2 / 429 |
|
| the oddesy |
1 / 222 |
|
| Arthur Dimmesdale: Tragic Hero Or Merely Tragic? |
5 / 1280 |
|
| Arthur Dimmesdale: Tragic Hero Or Merely Tragic? |
5 / 1280 |
|
| Another Cyrano De Bergerac |
2 / 584 |
|
| Death Of A Salesman: The Tragic Anti-hero Of Willy Loman |
4 / 967 |
|
| Scarface |
2 / 368 |
|
| Tolkien's Middle Earth |
3 / 790 |
|
| faaf |
4 / 952 |
|
| Death of a Salesman: Tragedy of the Common Man |
4 / 1086 |
|
| Wuthering Heights And The Them |
4 / 911 |
|
| Westerns |
2 / 354 |
|
| King Lear |
3 / 752 |
|
| The impact of media on uneducated masses |
3 / 879 |
|
| Joseph Campbell Research |
4 / 1054 |
|
| China Town |
5 / 1277 |
|
| China Town |
5 / 1277 |
|
| If you don't kill it, it'll kill you. |
4 / 1034 |
|
| Giuseppe Garibaldi |
2 / 574 |
|
| Giuseppe Garibaldi |
2 / 574 |
|
| Shea Wont Stay |
2 / 434 |
|
| Anton Chekov: A Brief Biographical Sketch |
5 / 1255 |
|
| Anton Chekov: A Brief Biographical Sketch |
5 / 1255 |
|
| Hamlet |
4 / 1048 |
|
| Othello: Iago Appearance Vs. Realality |
8 / 2311 |
|
| Representations of Gothic Power in Karl Freund's Mad Love |
4 / 1191 |
|
| Macbeth |
3 / 755 |
|
| Greatgatsby: Tragic Hero |
1 / 164 |
|
| King Lears Blindness |
8 / 2118 |
|
| Red Badge Of Courage |
4 / 1160 |
|
| Red Badge Of Courage |
4 / 1160 |
|
| Cyrano De Bergerac |
2 / 594 |
|
| Cyrano De Bergerac |
2 / 593 |
|
| Beowulf |
2 / 516 |
|
| Wuthering Heights |
2 / 499 |
|
| Charlie's Angels Review |
2 / 600 |
|
| The Political, Social And Cultural Transformation Of Ireland In The Seventeenth And Eighteenth Centuries Constituted ‘A World Turned Upside Down’ |
8 / 2233 |
|
| Romeo and Juliet |
2 / 460 |
|
| Arhuna and Ravana |
2 / 464 |
|
| Troy vs. the Iliad |
4 / 1150 |
|
| Odysseus,the Hero, Homer |
2 / 525 |
|
| Traits Of Odysseus |
2 / 476 |
|
| The Ideal of the Self |
11 / 3142 |
|
| Julius Caesar |
2 / 556 |
|
| Brown Vs. Board Of Education |
2 / 371 |
|
| Macbeth - A Tragic Hero |
7 / 1948 |
|
| Tom Sawyer |
2 / 556 |
|
| King Lear - Clear Vision In King Lear |
5 / 1261 |
|
| Jackson |
2 / 510 |
|
| The Women Of Shakespear |
7 / 1840 |
|
| Cyrano De Bergerac |
2 / 597 |
|
| Macbeth |
3 / 828 |
|
| Macbeth 2 |
3 / 828 |
|
| Satan: The True Hero Of Paradise Lost |
5 / 1458 |
|
| Satan: The True Hero Of Paradise Lost |
5 / 1458 |
|
| Film Review: The Patriot |
3 / 613 |
|
| King Lear |
4 / 1114 |
|
| David The Great |
3 / 701 |
|
| The Imagery Of Blood In Macbeth |
2 / 560 |
|
| Douglas Macarthur |
4 / 1039 |
|
| Views Of King Lear |
4 / 1114 |
|
| old man and the sea |
1 / 209 |
|
| My Paper |
3 / 781 |
|
| Okonkwo Essay |
5 / 1214 |
|
| Beowulf paper |
2 / 541 |
|
| How I Learned To Drive |
2 / 499 |
|
| Oedipus The King 2 |
3 / 630 |
|
| Oedipus The King |
3 / 630 |
|
| Sisyphus |
3 / 610 |
|
| Mandela, Nelson Rolihlahla |
3 / 803 |
|
| Everyday Heroes |
1 / 236 |
|
| Land use in Huntingdon |
14 / 3983 |
|
| MACBETH |
2 / 467 |
|
| odysseus - a different type of hero |
4 / 1185 |
|
| Analysis On Hamlets Madness |
4 / 1118 |
|
| Teaching critical and contextual studies in Art, Craft and Design. |
2 / 332 |
|
| Hispanics In The Film Industry |
2 / 578 |
|
| Cast Away |
3 / 836 |
|
| The Matrix |
2 / 388 |
|
| Merchant of venice |
6 / 1711 |
|
| Orson Welles |
4 / 1157 |
|
| Shakespeare?s 10 things |
4 / 1187 |
|
| Much Ado about Nothing |
5 / 1340 |
|
| GM to lay off 3,550 at 4 pickup truck and SUV factories |
2 / 380 |
|
| Charles Dickens; Reforming From Experience |
12 / 3493 |
|
| The Tragedy of Death of A Salesman |
4 / 998 |
|
| Why did Director Scott Fictionalize? |
2 / 547 |
|
| Field of dreams |
4 / 1068 |
|
| Oedipus The Tragic Hero |
4 / 1123 |
|
| Odysseus: A Hero |
5 / 1329 |
|
| Beowulf |
2 / 577 |
|
| The Symbol Of Blood In Macbeth |
4 / 1118 |
|
| Rabbit Proof Fence analysis |
2 / 358 |
|
