| Title |
Pages / Words |
Save |
| Elizabeth Lavenza in Frankenstein |
2 / 316 |
 |
| Relationship: Before and After Marriage |
3 / 769 |
|
| How successful is Dickens in his presentation of female characters? |
4 / 924 |
|
| Analysis of Othello and Iago in Act 1 |
3 / 612 |
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| Shakespeare in Love |
2 / 481 |
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| Is the Pledge Constutional? |
2 / 440 |
|
| Abraham Lincoln |
2 / 439 |
|
| American |
2 / 552 |
|
| american dream |
2 / 302 |
|
| Bill of rights |
3 / 712 |
|
| Individualism |
3 / 701 |
|
| Jane Eyre |
5 / 1257 |
|
| John Quincey Adams |
2 / 347 |
|
| Simon Bolivar |
3 / 693 |
|
| A Child Called It |
3 / 607 |
|
| A Coal Miners Bride |
1 / 203 |
|
| A Gathering Of Old Men |
3 / 639 |
|
| A Look Into The Crucible’S John Proctor As A Tragic Hero |
3 / 768 |
|
| A Midsummer's Night Dream |
2 / 340 |
|
| American Dream |
2 / 393 |
|
| Anahit'S Woven Riddle |
2 / 442 |
|
| Analysis Of The Tragedy Othello |
3 / 776 |
|
| asturias |
2 / 378 |
|
| Comparison Between 3 Parodies (The Passionate Shepherd To His Love, Come Live With Me And Be My Love, The Nymph's Reply To The Shepherd) |
4 / 913 |
|
| Creatures On My Mind |
2 / 355 |
|
| Death of a Salesman, Wuthering Heights, and A Clockwork Orange |
2 / 428 |
|
| Emotions Seen In "of Mice And Men" |
2 / 451 |
|
| Fahrenheit 451: A Censored And Structured World |
2 / 455 |
|
| George Orwell's 1984 |
3 / 771 |
|
| Huck Finn |
3 / 889 |
|
| Huckleberry |
3 / 762 |
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| I STAND HERE IRONING |
3 / 672 |
|
| Jennifer Government |
3 / 797 |
|
| Kate Chopin's The Awakening |
4 / 946 |
|
| MacBeth |
2 / 466 |
|
| Media |
1 / 246 |
|
| noni |
1 / 180 |
|
| On The Road- A Success? |
3 / 752 |
|
| Othello |
2 / 397 |
|
| Othello |
4 / 1049 |
|
| Red Plaid Shirt |
3 / 660 |
|
| Romeo And Juliet: Tragedy, Love Story Or Both? |
2 / 576 |
|
| Song of Solomon |
3 / 748 |
|
| scarelt letter/ Nature vs. Society |
2 / 572 |
|
| The Adventures Of Huckleberry Finn: Symbolism |
3 / 843 |
|
| The Crucible Outline |
2 / 431 |
|
| The Crucible |
3 / 772 |
|
| The Great Gatsby |
2 / 598 |
|
| The Knights Tale |
2 / 397 |
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| The Outsiders: Character Changes |
1 / 239 |
|
| The Quiet American- A comparison |
4 / 911 |
|
| The Story of an Hour |
2 / 475 |
|
| The Things They Carried: Possessions Of Character |
2 / 381 |
|
| Vision Out Of The Corner Of One Eye: Literary Analysis |
1 / 261 |
|
| business |
2 / 484 |
|
| 1984 |
5 / 1338 |
|
| A Rose For Emily |
1 / 128 |
|
| Analysis of the Tragedy of Othello |
3 / 776 |
|
| Araby |
2 / 394 |
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| Characterization |
4 / 1116 |
|
| Daisy's Role in the Great Gatsby |
3 / 646 |
|
| Dead Stars |
2 / 324 |
|
| Death Of A Salesman And The Playboy Of The Western World “While The Momentum Of The Play Is Carried By Major Characters, There Is Often A Significant Minor Character Who Is A Catalyst For Change Or Enlightenment.” Compar |
3 / 785 |
|
| Denman Leigh, |
2 / 504 |
|
| Descriptive Essay |
2 / 402 |
|
| Discuss the differences between Beatrice and Hero in the early scenes of the play |
4 / 1191 |
|
| Dynamic Characters In A Tale Of Two Cities |
4 / 1094 |
|
| Emily Dickenson (It was a Quiet Way) |
1 / 207 |
|
| Evelyn |
1 / 247 |
|
| Flight and the Acceptance of Self |
4 / 1047 |
|
| Gender in As You Like It |
4 / 1115 |
|
| Huckleberry Finn's Freedom |
1 / 223 |
|
| Jane Eyre |
5 / 1368 |
|
| Kathleen and the Irish Oppression |
3 / 839 |
|
| Keeping you a secret |
2 / 467 |
|
| Latin American Short Stories |
4 / 1085 |
|
| Laws of Life-love, honesty, & responsibility |
2 / 499 |
|
| Like Water |
3 / 803 |
|
| age of innocence |
2 / 305 |
|
| arrangement in black and white |
1 / 149 |
|
| difference between high school and college |
3 / 733 |
|
| kate chopin |
3 / 698 |
|
| Love Don't Live Here |
3 / 820 |
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| Love and Lawrence |
3 / 714 |
|
| Love and Life Shakspeare |
2 / 454 |
|
| Mrs. Dalloway Themes |
3 / 695 |
|
| Non conformity amongst characters |
4 / 967 |
|
| Queenie in "A & P" |
2 / 495 |
|
| Radical Feminism in Like Water for Chocolate |
2 / 597 |
|
| Romeo &Amp; Julitet |
2 / 324 |
|
| Romeo and Juliet |
3 / 727 |
|
| Shakespear's "sonnet 55" And Fletcher's "Licia" |
1 / 223 |
|
| Symbolism In The Scarlet Letter |
2 / 383 |
|
| Tale Of Two Cities |
3 / 737 |
|
| The Character Paul |
3 / 701 |
|
| The Rocking horse winner |
3 / 616 |
|
| The Story of an Hour |
6 / 1660 |
|
| The Transformation of Amy Foster |
3 / 816 |
|
| The Yellow Wallpaper/ A Rose for Emily |
3 / 711 |
|
| The significance of the title The Awakening |
2 / 414 |
|
| Theme On Byron's "Prisoner Of Chillon" |
3 / 826 |
|
| This I Believe |
2 / 504 |
|
| Wind and Window Flower |
1 / 281 |
|
| sex without love |
3 / 701 |
|
| sound and the fury |
2 / 506 |
|
| victory over limits |
4 / 933 |
|
| Bertha Wilson |
1 / 211 |
|
| Love |
2 / 373 |
|
| A Farewell To Arms Critique |
1 / 205 |
|
| A Farewell To Arms |
2 / 390 |
|
| A Story About Seeing Mxpx |
3 / 635 |
|
| A Time Of Prosperous Change |
4 / 1102 |
|
| A Time Of Prosperous Change |
4 / 1102 |
|
| America Was Built On Freedom |
2 / 449 |
|
| American Dream |
2 / 393 |
|
| Analyzing Shakespears Sonnet 5 |
1 / 223 |
|
| Antony And Cleopatra: The Role Of Enobarbus In Acts I And Ii |
3 / 770 |
|
| Antony And Cleopatra: The Role Of Enobarbus In Acts I And Ii |
3 / 770 |
|
| Artistic Theme Of The Bacchae |
2 / 416 |
|
| Babbit Vs. The Hobbit |
3 / 780 |
|
| Camus, Caligula , for actor |
6 / 1635 |
|
| Character Analysis 2 |
2 / 448 |
|
| Character Sketch Of Nora |
2 / 334 |
|
| Civil Rights Movement |
1 / 207 |
|
| Conflicting Directions Of The |
2 / 335 |
|
| Conflicting Directions Of The |
2 / 335 |
|
| Creatures On My Mind |
2 / 355 |
|
| character sketch of emily |
2 / 524 |
|
| Dear Golden One (love Letter Based On Anthem) |
2 / 342 |
|
| Dynamic Characters In A Tale Of Two Cities |
4 / 1094 |
|
| Emma |
3 / 640 |
|
| Emma |
3 / 640 |
|
| Free Speech |
3 / 733 |
|
| Freedom |
4 / 938 |
|
| Freedom |
2 / 542 |
|
| Gay Marriage |
2 / 488 |
|
| high school compared to college |
3 / 609 |
|
| In The Skin Of A Lion Essay |
4 / 983 |
|
| Insight On Necrophilia,whats T |
3 / 638 |
|
| Love |
2 / 599 |
|
| Love |
2 / 390 |
|
| love |
2 / 461 |
|
| Madame Bovary |
2 / 374 |
|
| Mahatma Gandhi |
2 / 464 |
|
| Minor Characters Influences On Major Characters |
2 / 476 |
|
| Much Ado About Nothing Play Review |
3 / 780 |
|
| My Mistress' Eyes Are Nothing Like The Sun |
2 / 359 |
|
| Oppression |
2 / 342 |
|
| Oppression |
2 / 342 |
|
| Pride And Prejudice |
3 / 677 |
|
| proof |
2 / 349 |
|
| REASONS FOR LIMITATIONS ON FREE SPEECH |
3 / 742 |
|
| Renaissance Art |
1 / 185 |
|
| Shakespear's "sonnet 55" And Fletcher's "licia" |
1 / 223 |
|
| Simon Bolivar |
3 / 693 |
|
| Story Of An Hour: Seen But Not Heard?women In The Victorian Age |
2 / 587 |
|
| The Adventures Of Huckleberry Finn |
4 / 1054 |
|
| The Bluest Eye 4 |
3 / 874 |
|
| The Bluest Eye |
3 / 874 |
|
| The Great Gatsby And The Hollo |
4 / 966 |
|
| The Great Gatsby: Daisy's Love |
5 / 1239 |
|
| The Role Of Enobarbus In Acts |
3 / 776 |
|
| The Story Of An Hour |
2 / 504 |
|
| Transcendentalism In Movies |
2 / 513 |
|
| Two Old Women |
4 / 1112 |
|
| Why Murder |
3 / 831 |
|
| Winston Smith's Downfall |
2 / 505 |
|
| clockwork orange |
3 / 825 |
|
| Day For night |
1 / 242 |
|
| Hip Hop-Jay Z And Nas |
2 / 551 |
|
| Music |
3 / 635 |
|
| mxpx |
2 / 476 |
|
| Shakespeare |
2 / 481 |
|
| Disobidience |
2 / 307 |
|
| ethics and law |
1 / 270 |
|
| Freedom |
4 / 938 |
|
| Happy People |
2 / 495 |
|
| Hegel on Dignity |
2 / 509 |
|
| Symposium; Eryxmachus' views in relation to contemporary society |
3 / 765 |
|
| technology |
1 / 276 |
|
| Arranged Marriages- Good or Bad? |
3 / 896 |
|
| Babettes Feast |
2 / 591 |
|
| Groundhog Day and religion |
3 / 897 |
|
| religion discrimination |
1 / 239 |
|
| religion |
2 / 540 |
|
| saint catherine of siena |
2 / 348 |
|
| The Man |
3 / 699 |
|
| Work, Play, and Worship In "Whose Life Is It Anyway?" |
7 / 2023 |
|
| social surveys |
4 / 989 |
|
| American Dream |
2 / 343 |
|
| Chilling |
1 / 166 |
|
| China's one child policy. |
2 / 329 |
|
| Definition of Love |
2 / 427 |
|
| healthcare and ethics |
1 / 153 |
|
| Is Teenage Love True Love? |
3 / 654 |
|
| Love |
2 / 331 |
|
| love |
1 / 187 |
|
| PATRIOTISM |
3 / 649 |
|
| The Awakening |
6 / 1543 |
|
| theme |
2 / 440 |
|
