| Title |
Pages / Words |
Save |
| Beowulf Vs. The 13th Warrior |
3 / 743 |
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| Sundiata |
2 / 318 |
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| Immortal Life vs. Immortal Name: Gilgamesh and Beowulf |
5 / 1242 |
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| Film Industry: then and now |
4 / 1111 |
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| I pooped my pants |
3 / 604 |
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| James A. Michner's: TEXAS |
3 / 724 |
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| Kiss Me Deadly and Film Noir |
2 / 530 |
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| Bob Saget |
2 / 405 |
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| Michael Black Dances with the Wolves |
2 / 460 |
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| Norman Rockwell |
3 / 698 |
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| Woody Allen |
3 / 658 |
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| 12 Angry Men |
3 / 750 |
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| A Clockwork Orange: Review Of Book And Firm Version |
4 / 1106 |
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| A Journey Into A Clockwork Orange |
2 / 561 |
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| Dante's Inferno |
3 / 692 |
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| Donnie Brasco |
2 / 315 |
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| Hannibal |
3 / 716 |
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| Horror Show |
2 / 397 |
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| I never sang for my father |
3 / 857 |
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| Of Mice and men |
5 / 1326 |
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| Ramayana and the theme of Lust |
4 / 903 |
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| Rostam and Esfandiyar |
1 / 276 |
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| religion in Once And Future King (funny) |
4 / 974 |
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| Schindlers List, short |
2 / 330 |
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| Schindlers List |
4 / 1015 |
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| Streetcar Named Desire Essay |
2 / 591 |
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| The good the bad and the ugly |
6 / 1711 |
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| The notebook |
2 / 595 |
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| Hispanic Groups |
1 / 190 |
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| 007 |
23 / 6721 |
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| 1984 And The Truman Show |
3 / 783 |
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| 2001 A Space Odyssey Analysis |
4 / 915 |
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| American Beauty |
4 / 1122 |
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| Beloved |
4 / 963 |
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| Beowulf (Christianity vs. Paganism) |
3 / 669 |
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| Beowulf v.s the 13th Warrior |
3 / 758 |
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| Beowulf: The Tale of an Epic Hero |
2 / 582 |
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| Compare and Contrast between the Flood in Gilgamesh and The Old Testament |
7 / 1942 |
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| Critique ( Choices) |
3 / 892 |
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| Does Beowulf evoke a human element that allows the reader to associate |
3 / 759 |
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| Epic of Gilgamesh: A Hero |
5 / 1498 |
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| Evaluation Of The Movie Rush Hour 3 |
2 / 548 |
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| Everest |
2 / 525 |
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| Film Adaptation of Antigone |
2 / 550 |
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| Film Analysis |
8 / 2111 |
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| Film Comparison- Shawshank Redemption VS Murder In The First |
3 / 652 |
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| Film Openings |
3 / 784 |
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| Film: Philadelphia, Aids/Gay |
7 / 1853 |
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| Gattaca |
3 / 725 |
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| Giglamesh |
3 / 664 |
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| Hamlet |
2 / 453 |
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| Hitchcock, The Artist |
5 / 1223 |
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| Hypocrisy Revealed In Canterbury Tales |
2 / 507 |
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| It happened One Night Film |
3 / 616 |
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| ?In Gattaca the film-maker presents characters who are emotionally cold.' Discuss. |
2 / 574 |
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| film reviews and summaries |
2 / 366 |
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| Macbeth Film Interpretation |
4 / 1032 |
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| Mica and men review |
2 / 366 |
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| Miss |
4 / 1055 |
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| Oedipus and Odysseus |
3 / 679 |
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| Othello Movie Review |
2 / 418 |
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| Rabbit Proof Fence |
4 / 1073 |
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| Rashomon |
3 / 722 |
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| Review: Pulp Fiction |
3 / 776 |
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| Romeo And Juliet Film Review |
3 / 660 |
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| Romeo and Juliet Speech |
2 / 349 |
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| Shine - David Helfgott |
2 / 512 |
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| Shrek appeals to a wide range of audiences. How have the makers of the film enabled this to happen? |
4 / 1087 |
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| Siren Song - Short Analysis |
1 / 217 |
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| The Journey |
4 / 990 |
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| The odyssey |
1 / 296 |
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| Toulmin Analysis of "It's the ABC Oscars: anything but Crash" |
2 / 599 |
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| What are the Strengths and Weaknesses of the Truman Show? |
7 / 2006 |
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| White Man's Muscles |
4 / 908 |
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| A Brief History of Film |
4 / 1006 |
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| aeneas |
3 / 676 |
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| Blackbeard |
2 / 309 |
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| Brecht |
7 / 1922 |
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| film history |
4 / 1047 |
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| Gilgamesh |
1 / 254 |
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| Life's Influence on Death, In Art: The Middle Ages |
1 / 237 |
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| Norma Rae |
3 / 752 |
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| Quincy Jones |
1 / 268 |
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| The Most Convincing Propogandist |
5 / 1204 |
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| The Odyssey |
1 / 296 |
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| Narendra Kohli |
2 / 508 |
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| The Odyssey And Lysistrata - Lust |
5 / 1266 |
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| 1984 And The Truman Show |
3 / 783 |
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| A COMPARISON BETWEEN THE BOOK AND MOVIE: MALCOLM X |
2 / 538 |
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| Alex's Analysis Of Any Abject Abuse |
6 / 1673 |
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| Analysis of Centaur Abducting Woman with Fallen Lapith Man |
3 / 721 |
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| Beowulf |
2 / 316 |
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| Brecht theories |
5 / 1424 |
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| Bridge over the River Kwai |
2 / 476 |
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| beautiful mind |
2 / 441 |
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| Cabaret |
3 / 850 |
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| Carzy Town |
1 / 280 |
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| Censorship |
4 / 945 |
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| Comparison Of The Film Beloved |
3 / 695 |
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| Curious Incident of the dog in the nighttime |
2 / 515 |
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| capra cu trei iezi |
2 / 549 |
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| Deceiving Images of Bowling for Columbine |
6 / 1638 |
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| drama, theatre of brecht |
4 / 942 |
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| finding forester |
3 / 688 |
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| George Eastman |
2 / 514 |
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| Gummo - Movie Critique |
2 / 411 |
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| Henry V - Film |
4 / 929 |
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| Hitchcock, The Artist |
5 / 1223 |
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| Liberty Valance |
2 / 398 |
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| Mahatma Gandhi |
3 / 616 |
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| Media |
3 / 700 |
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| Movie Review |
2 / 400 |
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| Mrs Dalloway - Analysis Of The |
2 / 427 |
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| mer |
36 / 10538 |
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| Odysseus And Aeneas |
2 / 340 |
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| One Flew Over the Cuckoos Nest |
3 / 821 |
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| Privacy On The Internet |
6 / 1589 |
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| Quest in Lord of the Rings |
6 / 1613 |
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| Religious Dissonance Within Beowulf |
3 / 666 |
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| Romeo And Juliet 4 -2 |
3 / 722 |
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| The Birth Of A Nation And Greed |
4 / 1185 |
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| The Epic Of Gilgamesh And The Bible: Comparing The Flood Stories |
1 / 287 |
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| Viewer Response - The Graduate |
2 / 387 |
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| 12 Angry Men-Social Psych Review |
5 / 1419 |
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| A Comparison of the Fight Scene in Act 3 of Shakespeare's Play ?Romeo and Juliet' in the Film Version |
10 / 2762 |
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| A flavour of contemporary India monsoons on screen |
3 / 728 |
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| Alfred Hitchcock |
4 / 945 |
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| Alfred Hitchcock |
4 / 965 |
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| An Exploration Of How The Designer Olivier Kuntzel And Florence Deygas Managed To Incorporate And Interpret The Narrative Of ‘Catch Me If You Can’ Into Their Title Sequence |
4 / 1021 |
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| Annie Hall and Jesus |
3 / 750 |
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| american pie |
2 / 390 |
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| Billy Elliot |
2 / 342 |
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| Blue Velvet: Scene Analysis |
2 / 594 |
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| Bye Bye Brazil |
3 / 715 |
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| bobby vinton |
3 / 773 |
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| Cabaret |
3 / 750 |
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| Chocolat |
2 / 366 |
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| Citizen Kane |
2 / 600 |
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| Crash - Analysis |
2 / 533 |
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| Crash |
3 / 818 |
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| citizen kane |
2 / 600 |
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| East Is East |
2 / 562 |
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| Eat Man Drink Woman |
2 / 359 |
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| Elephant the movie |
5 / 1247 |
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| Firestarter |
3 / 769 |
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| faherenheit 9/11 |
4 / 1171 |
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| film analysis |
3 / 802 |
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| Harry Potter Differences |
4 / 1154 |
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| Indonesian Cinema by Christine Hakim |
5 / 1323 |
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| Interview with Mel Stuart |
4 / 977 |
 |
| Is war changed as it becomes a ?media event'? Based on the Spanish-American War in Motion Pictures, analyse the historical significance of the emergence of film as a, medium for representing war in the 1890s. |
4 / 1046 |
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| in Cold Blood Review |
3 / 670 |
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| indian cinema |
3 / 713 |
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| Kite Runner Movie |
1 / 298 |
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| kramer Vs kramer |
4 / 908 |
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| last sasmurai |
1 / 232 |
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| lord of the rings |
4 / 1114 |
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| Mad City |
2 / 588 |
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| Made Of Honor: Made To Watch |
2 / 424 |
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| Paradise Lost: Censorship and Hypocrisy in the Italian film Cinema Paradiso |
3 / 762 |
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| Patch Adams |
2 / 510 |
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| Planet of the Apes |
3 / 848 |
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| Psycho |
2 / 489 |
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| ritchie rich |
2 / 433 |
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| Space Jam |
2 / 467 |
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| Special Effects in 2001: A Space Odyssey |
3 / 755 |
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| Spinning Gasing |
4 / 1104 |
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| sterphen spielberg |
3 / 605 |
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| Tarantino |
5 / 1293 |
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| The Bicycle Thief |
4 / 1119 |
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| The Royal Tenenmbaums |
3 / 860 |
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| The Shawshank Redemption: Rhetorical Criticism |
4 / 1016 |
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| The glorious world of stagnation: A look at the Martin Scorsese and Paul Schrader film, "Taxi Driver" |
4 / 960 |
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| Tommy: the album vs. the movie |
5 / 1455 |
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| the life of david gale film review |
4 / 1011 |
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| the piano movie |
3 / 609 |
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| the rookie |
4 / 1151 |
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| twelve angry men |
3 / 750 |
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| Vertigo |
4 / 1072 |
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| Viewer Response - The Graduate |
2 / 387 |
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| War In Cinema |
3 / 885 |
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| Wong Kar Wai and french new wave |
3 / 652 |
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| 12 angrey men |
3 / 750 |
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| A Clockwork Orange Film Analysis |
2 / 536 |
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| true existence |
2 / 597 |
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| A Beautiful Mind |
2 / 383 |
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| parent and child relationships |
2 / 493 |
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| Thin |
3 / 676 |
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| noah's ark vs. gilgamesh epic |
5 / 1449 |
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| Vice Virtue |
3 / 831 |
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| Adeherance to a Mediterranean Diet |
3 / 855 |
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| Effect Of Temperature On Activity Of Alcalase And Savinase |
6 / 1643 |
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| Kodak |
4 / 1057 |
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| Americans In Film- Race, Gender, And |
2 / 494 |
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| Bombs Away: Different Reactions to the Vietnam War in Across the Universe |
2 / 570 |
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| Current Event |
2 / 311 |
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| Life & Debt |
2 / 444 |
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| The Patriot Act |
1 / 284 |
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| The effect of 9/11 on Criminal Procedure in the United States |
4 / 1168 |
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| True Event in Colorful Film |
2 / 513 |
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