| Title |
Pages / Words |
Save |
| Symbology in Ethan Frome |
1 / 244 |
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| Bruce Springstein's I Aint Got No Home (In This World Anymore)' and the Great Depression |
3 / 739 |
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| hemmingway |
2 / 352 |
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| Edgar Allen Poe |
7 / 1866 |
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| Robert Frost |
5 / 1414 |
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| So long a letter |
1 / 248 |
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| Truman Capote |
2 / 533 |
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| A Rose For Emily |
2 / 333 |
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| A Separate Peace- A Struggle for Innocence |
2 / 378 |
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| All Quiet On The Western Front |
2 / 346 |
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| Annie's Baby |
2 / 363 |
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| Brave New World (Style) |
2 / 385 |
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| balzac and the little chinese seamstress |
3 / 650 |
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| Catcher in the Rye |
5 / 1219 |
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| Choose a novel in which the ending is skilfully prepared throughout the text |
5 / 1266 |
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| Courageouse Fear and what it takes to be courageous |
2 / 360 |
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| Deadly Unna? |
3 / 804 |
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| Discipline In Charles Dickens' "David Copperfield" |
4 / 1121 |
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| Elisa Allen and the Handyman different people with a small similarity in "The Chrysanthemums" |
2 / 432 |
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| education during the time of the personal union |
3 / 730 |
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| Faulkner’s “A Rose for Emily” Portrait of the Post War South |
6 / 1761 |
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| GATHERING OF OLD MEN |
2 / 309 |
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| Great Expectations: God's Law Vs. Human Law |
4 / 1145 |
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| Gwendolyn Brooks |
3 / 895 |
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| great gatsby bill c |
2 / 338 |
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| guests of the nation |
3 / 714 |
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| Huck Finn's Use Of The Tall Tale |
2 / 340 |
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| Huckleberry Finn |
2 / 361 |
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| Janus |
4 / 1000 |
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| lil tree |
3 / 714 |
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| lullaby |
3 / 661 |
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| Notes On John Steinbeck |
1 / 275 |
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| Old Man And The Sea |
7 / 2037 |
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| Review Sheet for Wuthering Heights |
4 / 948 |
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| rape fantasies |
5 / 1349 |
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| Scarlet Ibis Essay |
3 / 871 |
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| Slaughterhouse Five |
5 / 1250 |
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| Sound of Waves |
6 / 1567 |
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| Symoblism in The Great Gatsby |
4 / 902 |
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| That was Then, This is Now |
2 / 437 |
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| The Cask of Amontillado |
3 / 751 |
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| The Great Gatsby |
3 / 726 |
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| The House On Mango Street |
2 / 314 |
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| The Outsiders |
2 / 333 |
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| The Sun Also Rises: Liberal Use Of Dialogue By Hemingway |
2 / 375 |
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| The Yellow Wallpaper |
4 / 937 |
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| The bell jar |
2 / 323 |
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| The great gatsby |
1 / 266 |
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| Their Eyes Were Watching God |
6 / 1540 |
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| Through her Eyeys |
3 / 813 |
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| Tone in "The Destruction of Sennacherib" |
5 / 1251 |
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| Traveling Inward ? Journey as Metaphor |
5 / 1419 |
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| tale of two cities quote analasys |
1 / 258 |
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| tales from the mekong delta |
3 / 892 |
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| Vonnegut |
2 / 458 |
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| Business |
1 / 297 |
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| Shooting an Elephant |
6 / 1524 |
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| A & P summary |
2 / 375 |
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| A Room Of One's Own |
6 / 1648 |
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| A good man is hard to find |
3 / 851 |
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| Amir As The Narrator |
2 / 323 |
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| Anabolic Steroids and Today's Sports |
1 / 289 |
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| Analyse michele robers 'YOUR SHOES' in detail discussing symbol, structure etc |
11 / 3296 |
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| Analysis of Cantebury Tales |
4 / 979 |
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| And The Bond Cannot Be Broken - Essay |
4 / 1172 |
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| Apa Shiloh |
4 / 998 |
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| As I Lay Dying |
3 / 802 |
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| Barn Burning |
3 / 765 |
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| Bartleby the Scriviner |
3 / 802 |
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| Beowulf |
5 / 1300 |
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| CHARACTERIZATION OF DEATH IN DICKINSON'S POETRY |
8 / 2137 |
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| Catcher In The Rye |
5 / 1331 |
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| Cinderella |
5 / 1279 |
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| Comparasion Essay |
4 / 1045 |
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| Compare and Contrast: Frankenstein and Invisible Man |
3 / 710 |
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| Compare and contrast the portrayal of women in three Victorian poems. How effectively have the poets used language, structure and tone to gain the reader’s sympathy for each woman’s plight? |
5 / 1405 |
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| Comparing and Contrasting Characters in Our Town |
2 / 324 |
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| Comparing the Contrasting |
6 / 1561 |
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| Discuss Tennessee Williams' use of symbolism in \ |
3 / 869 |
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| Emily Dickenson |
3 / 897 |
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| Emma |
4 / 998 |
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| Every Day Use |
2 / 442 |
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| F.Scott Fitzgerald's "The Great Gatsby" comparison and contrasted with Jane Austens Pride and Prejudice |
6 / 1620 |
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| Fear and Loathing in Las Vegas |
3 / 659 |
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| Flowers for Algernon -narrative form of the novel |
3 / 748 |
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| Grizzly Man vs. the Real Person |
6 / 1662 |
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| Heart Of Darkness/symbolizm |
3 / 649 |
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| Henry Lawson |
3 / 880 |
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| House on Mango Street, A home in the Heart Not One to Depart |
2 / 301 |
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| Incongruenity of humor |
3 / 614 |
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| Ind Aff |
6 / 1522 |
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| Is Society to Blame? |
5 / 1315 |
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| Issue Of Mortality: “naiv Is Bliss And Maturity Is Egocentric” |
7 / 1949 |
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| James Joyce Araby |
4 / 1072 |
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| Krik? Krak! |
4 / 1061 |
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| Language Choice Within “The Catcher In The Rye” |
4 / 1014 |
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| after apple picking |
2 / 361 |
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| compare & contrast Mrs. Mallard, "The Story of an Hour" to Jane, "The Yellow Wallpaper" |
4 / 949 |
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| great gatsby |
2 / 387 |
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| i stand here ironing |
5 / 1373 |
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| lesson 8 |
4 / 1027 |
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| 'Valentine' and 'Stealing' - By Carol Ann Duffy |
4 / 955 |
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| M Butterfly |
6 / 1547 |
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| Miss |
11 / 3060 |
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| Ms. |
2 / 338 |
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| O Captain! My Captain! |
1 / 274 |
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| Paper |
4 / 1153 |
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| Realization of freedom |
4 / 979 |
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| Scarlet Letter Character Analysis |
1 / 257 |
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| Setting in The Araby |
3 / 717 |
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| Smell Of Apples |
2 / 316 |
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| Soldier's home |
2 / 358 |
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| Solving the Mystery: Evidence vs. Intuition |
6 / 1703 |
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| Story of an Hour |
4 / 908 |
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| Style Mirrored in the theme of As I Lay Dying |
2 / 357 |
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| Swift Modest Proposal |
3 / 820 |
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| T.S. Eliot's "The Love Song of J. Alfred Prurock" Analysis |
4 / 1127 |
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| The Cabin/ unreliable narrator |
3 / 848 |
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| The Cariboo Cafe |
5 / 1390 |
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| The Cask Of Amontillado |
4 / 948 |
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| The Cask of Amontillado |
4 / 1010 |
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| The Criminal Mind of Robert Browning |
4 / 1078 |
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| The Dead by Rupert Brooke (analysis) |
2 / 339 |
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| The Decameron |
3 / 882 |
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| The Disturbing Elements of Knut Hamsen's HUNGER |
4 / 1014 |
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| The Fall of the House of Usher |
5 / 1333 |
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| The Great Gatsby |
4 / 1076 |
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| The Great Gatsby |
5 / 1203 |
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| The Importance Of Dream |
2 / 358 |
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| The Lady With the Dog |
4 / 1021 |
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| The Parson, in Chaucer's Canterbury Tales |
1 / 267 |
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| The Truth of Reality |
6 / 1549 |
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| The Women on Mango Street |
6 / 1594 |
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| The Yellow Wallpaper |
5 / 1403 |
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| The Yellow Wallpaper |
4 / 1114 |
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| The Yellow Wallpaper |
3 / 743 |
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| The Yellow Wallpaper |
9 / 2412 |
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| The kite runner quotes |
5 / 1344 |
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| The structure of the A & P |
2 / 323 |
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| The use of food to enhance charecterisation |
6 / 1631 |
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| Things Fall Apart |
5 / 1204 |
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| To Kill a Mocking Bird Essay |
6 / 1708 |
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| To his coy mistress |
1 / 300 |
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| Tyuioooooo |
1 / 271 |
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| Usher and Red Death |
4 / 993 |
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| Woman's Roles: Adrienne Rich, "Aunt Jennifer's Tigers," & the poem of Maya Angelou, "Still I Rise". |
8 / 2231 |
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| obtaining freedom |
4 / 1101 |
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| red death |
3 / 733 |
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| sexism in hod |
3 / 751 |
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| short stories |
6 / 1703 |
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| stroies influence/balzac |
2 / 348 |
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| task 3 |
1 / 275 |
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| the Power of choice |
5 / 1318 |
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| the themes and motifs of Conrad |
3 / 643 |
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| victimization in Margaret Atwood's ?§Rape Fantasies?? |
3 / 862 |
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| Cultural Studies |
2 / 307 |
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| Jim Crow How They Fall Back |
1 / 274 |
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| The Death Of The American Dream |
4 / 924 |
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| A Bronx Tale |
2 / 318 |
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| An Obscured Message |
5 / 1267 |
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| Analysis Of Kumau Brathwaite'S "Dream Haiti" |
7 / 2064 |
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| american splendor |
4 / 922 |
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| Bluest eye |
4 / 980 |
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| British Control Of The Caribbean And Its Allusion In Caribbean Literat |
5 / 1465 |
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| Canterbury Tales |
4 / 925 |
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| Ethan From 3 |
3 / 693 |
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| Ethan From |
3 / 693 |
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| Every Day Use |
2 / 442 |
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| Frosts Tuft Of Flowers And Men |
3 / 739 |
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| Jane Eyre 5 |
4 / 1030 |
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| Jane Eyre |
4 / 1030 |
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| Life After Death |
3 / 823 |
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| Poem #640: Interpretation |
4 / 1077 |
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| Poem #640: Interpretation |
4 / 1111 |
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| Real And Unreal |
3 / 872 |
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| Reflections On The Things They |
3 / 842 |
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| The Araby |
3 / 714 |
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| The Book Of Sand |
4 / 1098 |
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| The Great Gatsby |
5 / 1203 |
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| The House On Mango Street |
2 / 314 |
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| The Lottery and The Lesson |
3 / 815 |
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| The Price Of Objectivity (crit |
3 / 775 |
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| The Yellow Wall Paper |
6 / 1689 |
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| Vonnegut's Galapagos |
2 / 325 |
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| Washington Irving 2 |
2 / 312 |
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| Cinderella |
1 / 241 |
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| Drama (find me) |
5 / 1471 |
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| Fight Club |
1 / 253 |
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| Jazz Showcase |
4 / 1021 |
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| Symbolism in the movie fight club |
11 / 3249 |
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| Abortion |
3 / 867 |
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| Mr. |
2 / 322 |
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| Abuse Of Power Within A Clockwork Orange |
5 / 1323 |
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| psychosis |
3 / 866 |
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| Upside to Anger Psych Review |
2 / 351 |
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| venus |
4 / 964 |
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| Hayduke Lives! |
4 / 937 |
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| Sex in Advertising |
4 / 914 |
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| Sonnet 30 Analysis |
4 / 916 |
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| Sweat By Zora Neale Hurston |
2 / 326 |
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