| Title |
Pages / Words |
Save |
| Analysing Shylock's Dual-Role as Villain and Victim |
5 / 1476 |
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| National Independence From Britain War of 1776 and 1812 |
2 / 313 |
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| The Robber Barons |
3 / 719 |
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| abraham lincoln's life |
38 / 11116 |
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| Braveheart fact or fiction |
3 / 839 |
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| Douglas MacArthur |
2 / 345 |
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| Haiti: Continuing To Rise To The Occasion |
4 / 916 |
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| Louis and Clark |
8 / 2201 |
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| malcolm x |
2 / 369 |
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| Nationalism |
1 / 285 |
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| native american |
4 / 927 |
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| A Comparison Of Arthur Becomes King And David And Goliath |
2 / 480 |
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| Julius Caesar - A Tragic Hero |
3 / 865 |
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| Much Ado About Nothing |
2 / 558 |
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| 1984: Summary |
5 / 1269 |
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| A Battle of the Heart Lord of the Rings |
4 / 951 |
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| Animal Farm |
3 / 821 |
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| Animal Farm |
2 / 530 |
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| Attributes Traditionally Associated With Masculinity And Femininity And Their Contrasts In Medea And Pygmalion |
5 / 1439 |
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| alive |
1 / 296 |
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| all quiet on the western front |
2 / 338 |
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| Beowulf And Hrothgar: Anglo-saxon Ideal Code Of Conduct |
2 / 571 |
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| Beowulf |
2 / 446 |
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| Beowulf: The Ultimate Hero |
6 / 1739 |
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| billy Budd By Herman Melville: Captain Vere |
2 / 462 |
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| Essay By On The Aeneid |
5 / 1251 |
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| Evolution of the Modern Cadastre |
1 / 252 |
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| Faust |
3 / 873 |
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| Hamlet and Revenge |
3 / 797 |
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| Hamlet: Antiheroism |
3 / 829 |
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| Iago Character Analysis |
4 / 977 |
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| James and the Giant Peach |
3 / 744 |
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| John Milton |
4 / 989 |
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| King Lear - Family: A Medium for a Betrayal |
4 / 947 |
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| Les Miserables: Jean Valjean |
2 / 428 |
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| Lord Of The Rings |
3 / 776 |
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| Lord of the flies |
2 / 356 |
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| Macbeth: Macbeth The Tragic Hero |
4 / 908 |
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| Much Ado About Nothing: An Overview |
4 / 1126 |
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| Othello |
4 / 1049 |
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| Questionable Heroes In The Play Julius Caesar |
3 / 703 |
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| Soul Flayer |
2 / 391 |
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| The Odd Man Out |
4 / 977 |
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| Things Fall Apart- Achebe |
4 / 954 |
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| Hdfgjdlskfj |
6 / 1525 |
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| If Raju Were To Write These Books |
3 / 640 |
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| Strategic Planning |
6 / 1786 |
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| A Philosophical Death Of An Unqualified Hero |
2 / 388 |
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| Antigone |
5 / 1392 |
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| Atticus Finch as a Heroic Character in to Kill a Mockingbird |
3 / 795 |
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| Beowulf Essay |
4 / 973 |
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| Beowulf; A True Hero |
5 / 1326 |
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| Beowulf |
7 / 1822 |
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| Beowulf |
3 / 634 |
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| Beowulf |
2 / 598 |
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| Casablanca |
2 / 470 |
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| Christianity & Paganism in Beowulf |
2 / 469 |
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| Critical Lens |
3 / 632 |
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| Daivd Copperfield Characters |
3 / 645 |
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| Dr. Faustus Morality Play And How Its Different. |
4 / 1165 |
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| Explain How Social Darwinism And Determinism Are Evident In Jack London'S "To Build A Fire" |
2 / 434 |
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| Fortune' |
2 / 334 |
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| Gilgamesh And Oddysey |
4 / 1137 |
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| Gilgamesh and Odysseus |
4 / 909 |
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| Hamlet |
2 / 495 |
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| Hard Work Is Key To Success |
2 / 415 |
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| Heathcliff: A victim of Villainry |
3 / 887 |
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| Hercules Comparison |
3 / 730 |
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| all the pretty horses versus the searchers |
4 / 925 |
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| animal farm summarries |
13 / 3861 |
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| bin laden |
2 / 541 |
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| feminsm in othello |
3 / 799 |
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| haindi |
2 / 495 |
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| hero |
2 / 525 |
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| Love in Hamlet |
4 / 976 |
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| Macbeth essay |
5 / 1293 |
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| Macbeth--a Tragic Hero |
3 / 678 |
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| Macbeth |
2 / 449 |
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| Me |
1 / 145 |
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| Mr. |
4 / 1006 |
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| Much Ado About Nothing: Pride and Prejudice |
5 / 1266 |
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| Muchadoaboutsomting |
2 / 536 |
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| Odysseus' Journey as an Epic Hero |
5 / 1266 |
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| Oedipus REx and Aristotle |
3 / 861 |
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| Oedipus Rex |
4 / 1148 |
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| Othello' Profile |
3 / 666 |
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| Othello |
2 / 460 |
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| Othello |
4 / 1198 |
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| Peter Weir movie analysis |
2 / 542 |
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| Quests |
3 / 840 |
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| Reflective essays |
5 / 1279 |
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| Response to Marian Anderson's Qute about holding others down |
2 / 347 |
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| Shakespeares depiction of a tragic hero |
5 / 1470 |
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| Sir Gawain and the Green Knight |
3 / 648 |
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| Sisyphus Sinthesys |
2 / 526 |
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| The Epic Hero |
3 / 730 |
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| The Landlady by Roald Dahl |
5 / 1389 |
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| The Refinement of a Hero in "Beowulf" |
6 / 1696 |
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| The treatment of love and marriage in Shakespeare's Much Ado about Nothing |
7 / 2065 |
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| Themes of modernism |
3 / 839 |
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| Things Fall Apart |
5 / 1282 |
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| To Foil or not to Foil, That is the Question |
2 / 369 |
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| Two Flawlessly Flawed Heroes (The Illiad) |
6 / 1542 |
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| Villians?/Pride and Prejudice |
4 / 1084 |
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| X-men: Hero's that reinforce stereotypes |
6 / 1652 |
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| Zaroff |
2 / 365 |
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| reading log on the crucible |
2 / 453 |
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| the odd man out 2 |
4 / 963 |
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| themes of MOV |
2 / 304 |
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| Age of Revolutions |
5 / 1339 |
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| BeoWolf |
2 / 377 |
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| Beowulf as the Ultimate Hero |
6 / 1632 |
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| french revolution |
3 / 894 |
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| Goya, Delacroix, and Meissonier |
4 / 1082 |
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| History In Three Keys Essay |
3 / 767 |
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| LOTR TROY Immortality of heroes |
8 / 2194 |
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| Revolutions in Europe |
5 / 1334 |
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| Russia's unjust occupation of Chechnya |
2 / 412 |
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| Sophie Germain |
1 / 259 |
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| The Building |
2 / 340 |
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| The Unification of Germany and Italy |
5 / 1265 |
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| The killer Angels. |
4 / 1053 |
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| Why were the aims of the German Nationalists frustrated between 1815 and 1847? |
3 / 851 |
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| Animal Farm And A Tale Of Two Cities: Social Criticism |
5 / 1327 |
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| Death Of A Salesman |
4 / 1195 |
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| Nora Helmer |
4 / 960 |
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| A & P Analyzation |
1 / 130 |
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| A Marine, A Hero, My Brother |
2 / 496 |
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| A Person Who has had influence on my Life |
2 / 444 |
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| Aeneid |
2 / 386 |
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| Animal Farm - Historical Relevance |
7 / 2058 |
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| Animal Farm 8 |
3 / 877 |
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| Animal Farm Book Report |
7 / 2065 |
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| Animal Farm |
2 / 331 |
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| Animal Farm |
3 / 877 |
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| Animal rights |
4 / 1022 |
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| Being A Hero |
5 / 1495 |
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| Benjamin Franklin - American Hero |
3 / 645 |
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| Beowulf |
2 / 554 |
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| Beowulf |
2 / 484 |
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| beowulf/grendel |
4 / 1068 |
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| CLassical vs. Hellenistic |
2 / 351 |
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| Colonization Of Egypt |
4 / 1084 |
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| Cool Hand Luke |
3 / 837 |
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| Death Be Not Proud |
1 / 155 |
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| Different Cultures, Different |
3 / 827 |
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| Does King Lear Play The Tragic |
3 / 866 |
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| debate |
4 / 970 |
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| Editha |
5 / 1285 |
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| Editha |
5 / 1285 |
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| FUN! |
5 / 1398 |
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| Gilgamesh, Achilles, Aeneas, And Roland |
6 / 1606 |
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| Hamlet |
2 / 495 |
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| Hero |
2 / 529 |
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| Hieroglyphic Symbols |
3 / 689 |
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| Ibsen's Ghosts Vs. Aristotle's Poetics |
3 / 740 |
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| Macbeth - Tragic Hero |
2 / 397 |
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| Macbeth - Tragic Hero |
2 / 397 |
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| Marcus Brutus-the Tragic Hero |
2 / 486 |
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| Oedipus The King Sophocles |
4 / 1094 |
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| Orestes An Innocent Hero |
4 / 1151 |
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| odysseus: an epic hero |
4 / 1117 |
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| Paradise Found And Lost - Critique |
2 / 535 |
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| Paradise Found And Lost - Critique |
2 / 535 |
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| Ridley Scott's Blade Runner - AnAnalysis |
9 / 2629 |
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| Society During The French Revo |
6 / 1761 |
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| Society During The French Revolution |
6 / 1761 |
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| The History and Sights of Calabria |
4 / 995 |
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| The Makellan/locraine's Richard Iii |
7 / 1961 |
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| The Role Of Technology In Kurt Vonnegut's Writing |
10 / 2712 |
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| The Underdog Can Win! |
5 / 1478 |
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| The World Is Not Enough |
4 / 1082 |
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| Theatre in Late 19th century |
6 / 1516 |
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| Tragedy And The Common Man |
3 / 800 |
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| Un Viaje A Itaca |
2 / 325 |
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| What a loser. |
1 / 240 |
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| Why Hamlet Is A Hero |
5 / 1367 |
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| 1812 Overture |
1 / 276 |
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| Choose A Film Or Television Programme And Discuss How Its Mise-En-SceNe And Cinematography Operate To Create Meaning For The Audience. How Does The Visual Style Contribute To The Text’S Overall Appeals And Meanings? |
4 / 1141 |
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| Dodge City And Unforgiven |
4 / 1017 |
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| Dreyer's Vampyr |
6 / 1754 |
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| Film and TV Narative: Manhunter |
3 / 702 |
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| Flawless Heroes? |
2 / 455 |
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| Orson Welles In Othello and Citizen Kane |
6 / 1614 |
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| Rabbit-Proof Fence: A Short Film Report. |
2 / 337 |
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| Shane |
4 / 937 |
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| The Dark Knight |
3 / 844 |
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| The Two-Tiered System of Allusions |
5 / 1497 |
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| A Hero in a Loincloth… and His Methods |
3 / 815 |
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| The Odyssey |
2 / 465 |
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| Children and Television Violence |
7 / 1977 |
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| myth |
2 / 471 |
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| Vocation and Spiderman |
2 / 377 |
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| crime soars as villians remain free |
3 / 859 |
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| famine |
5 / 1425 |
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| Genetic Epidemiology of Antisocial Behavior" |
3 / 670 |
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| Is There a High Degree of Violence in Video Games |
3 / 751 |
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| Leadership, a matter of global concern |
5 / 1312 |
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| The Romantic Present |
2 / 582 |
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| Dota: Manta Style strategy on Tinker |
5 / 1437 |
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