| Title |
Pages / Words |
Save |
| Matrix |
2 / 505 |
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| Volpone Ben Jonson |
4 / 1123 |
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| Berlin Wall |
6 / 1501 |
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| crime and punishment |
4 / 954 |
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| Gavin Willingham |
2 / 517 |
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| Great Gatsby Essay |
2 / 439 |
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| Kino, a poor Indian fisherman |
3 / 777 |
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| Literary Devices |
6 / 1558 |
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| Nature |
2 / 410 |
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| Isaac Basheevis |
3 / 747 |
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| Marilyn Monroe |
1 / 242 |
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| William Faulkner |
2 / 355 |
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| William Shakespeare: Most Famous Of All English Writers |
3 / 878 |
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| 20,000 Leagues Under The Sea: Overview |
2 / 439 |
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| A New Kind of Dreaming |
2 / 433 |
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| A Wrinkle In Time |
1 / 139 |
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| a raisin in the sun |
3 / 615 |
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| Brains Winter |
1 / 256 |
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| Comparison and Constrast between Characters and Characterization in "Telling Stories" and "You Were Perfectly Fine" |
4 / 905 |
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| Deceit Lies Beneath |
2 / 530 |
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| Frankenstien monster, vs Tessa (murder, 1968) |
3 / 770 |
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| farewell to arms |
2 / 424 |
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| Gattacca |
3 / 660 |
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| Hamlet: Appearance Vs. Reality |
4 / 904 |
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| Hawthorne's Theme |
2 / 531 |
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| handmaids tale |
4 / 1110 |
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| James And The Giant Peach |
2 / 536 |
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| kill a mocking bird |
2 / 319 |
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| Live free or don't live at all |
5 / 1280 |
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| Lord Loss Book Report |
2 / 477 |
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| maltese falcon |
4 / 981 |
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| Oliver Twist Analysis |
4 / 1105 |
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| Perseverence Essay |
4 / 1148 |
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| pathways of sin |
2 / 583 |
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| Rebecca By Daphne Du Maurier |
3 / 745 |
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| Romeo and Juliet: Crimes Committed |
3 / 829 |
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| Symbolism in the Great Gatsby |
3 / 684 |
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| The Great Gatsby |
2 / 427 |
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| The Pearl: Summary |
3 / 789 |
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| The Taming Of The Shrew: Mistaken Identities |
3 / 863 |
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| Trainspotting: A Novel By Irvine Welsh |
2 / 556 |
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| the classical leisure from The Cloud |
1 / 125 |
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| Uncle Tom's Cabin |
3 / 748 |
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| You Dont know me |
2 / 517 |
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| CONTRACTS |
4 / 1080 |
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| Contracts |
4 / 1094 |
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| 12 Angry Men |
4 / 1107 |
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| 20,000 Leagues Under the Sea |
2 / 439 |
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| A raisin in the sun: family unity |
2 / 428 |
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| Albert Camus and Herman Hesse – Comparing both “The Outsider” to “Siddhartha” |
4 / 962 |
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| CRITICS ON SLAUGHTER HOUSE-FIVE |
3 / 852 |
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| Character Analysis |
2 / 431 |
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| Cinderella |
5 / 1279 |
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| Connected Stories - Google |
3 / 847 |
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| Critics On Slaughter House-5 |
3 / 852 |
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| Cultural Study Theory |
2 / 563 |
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| Dialouge in Pride and Prejudice |
5 / 1397 |
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| Edgar Allan Poe's Influence on Stephen King |
2 / 576 |
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| English Taming Shrew |
3 / 863 |
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| Fahrenhiet 451 |
2 / 589 |
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| Frankenstein |
2 / 424 |
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| Gatsby |
3 / 855 |
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| Hamlet- Suicide |
8 / 2252 |
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| Hamlet; How Far Do You Believe He Is Mad |
5 / 1320 |
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| Heart Of Darkness - Comments |
4 / 1171 |
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| How To Enjoy Reading A Novel |
3 / 602 |
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| In Cold Blood |
7 / 2079 |
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| Insector Calls |
3 / 673 |
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| Light Vs. Dark |
3 / 894 |
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| child prostitution |
3 / 809 |
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| color symbolism in the great gatsby |
4 / 1020 |
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| frankenstein vs paradise lost |
2 / 403 |
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| great gatsby |
2 / 588 |
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| idealistic views of love |
2 / 419 |
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| importance of being earnest |
4 / 1048 |
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| jaws media |
2 / 598 |
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| Macbeth |
2 / 387 |
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| Macbeth: ACT I |
2 / 361 |
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| Monty Python and the Holy Grail |
2 / 395 |
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| More than an Enemy, a Reflection (Comparative Comentary between Heart of Darkness and Apocalypse Now) |
5 / 1329 |
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| Myself |
2 / 530 |
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| Oedipus and Odysseus |
3 / 679 |
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| Of Love and Freedom: the Use of Character in \ |
2 / 464 |
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| Ophelia's Contribution in Hamlet |
5 / 1250 |
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| Passion |
2 / 547 |
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| Pet Peeves |
2 / 397 |
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| Separate Peace |
3 / 670 |
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| Seymour and Eloise |
2 / 453 |
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| Siddhartha |
2 / 464 |
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| Similarities Of Harper Lee's Life To Her Nove "to |
2 / 405 |
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| Social Monsters: A Social View of Mary Shelley’s Frankenstein and David Fincher’s Fight Club |
3 / 627 |
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| Social Structure of the 1930's - Daphne Du Maurier |
4 / 934 |
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| Tender Offer |
2 / 370 |
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| The Bear |
3 / 799 |
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| The Fall of the House of Usher by E. A. Poe |
3 / 665 |
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| The Great Gatsby |
4 / 1111 |
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| The Great Gatsby |
4 / 1068 |
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| The Great Gatsby: The American Dream |
3 / 739 |
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| The Importance of Being Ernest |
2 / 517 |
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| The Lady with the Pet Dog |
3 / 759 |
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| The One law that I would change(Curfews) |
1 / 272 |
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| The Pygmalion Myth |
3 / 641 |
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| The Study Of English Literature |
2 / 405 |
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| The magic barrel |
2 / 324 |
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| Thematic Concerns Of Who's AFriad Of Virginia Woolf |
2 / 409 |
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| Thusiiiiz |
2 / 338 |
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| Tom Stoppard |
5 / 1370 |
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| Twelfth Night |
7 / 2005 |
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| Uncle Vanya |
5 / 1282 |
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| Winston's and Julia's aspects |
2 / 488 |
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| medea |
2 / 377 |
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| phonograph |
3 / 817 |
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| scarlet letter |
2 / 339 |
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| small steps |
3 / 685 |
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| the collector |
2 / 547 |
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| the time machine |
4 / 1089 |
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| theme of \ |
2 / 415 |
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| whose life is it anyway |
1 / 124 |
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| Casanova Call Up |
3 / 699 |
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| Cost |
3 / 680 |
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| gilgamesh |
2 / 435 |
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| Last of the mohicans |
2 / 409 |
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| Liberty and The Characters of Balzac |
3 / 824 |
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| Television "Food" Commercials |
3 / 834 |
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| Gods Grandeur |
3 / 614 |
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| 1990's Game analysis |
4 / 950 |
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| 20,000 Leagues Under The Sea |
2 / 439 |
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| 5 Paragragh Essay: The Catcher In The Rye |
2 / 453 |
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| A Birthday |
2 / 426 |
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| A Farewell To Arms: Love And Role Playing |
3 / 739 |
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| All The Kings Men 2 |
3 / 632 |
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| Aqua- 4 One Act Palys |
3 / 780 |
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| Cheers A Semiotic Analysis By |
2 / 464 |
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| Crime And Punishment: Crimes, Who Solved Them, And Different Punishmen |
4 / 978 |
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| Critics On Slaughter House-five |
3 / 852 |
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| Designing the Message of a Lifetime |
2 / 589 |
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| Discrimination |
2 / 402 |
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| Drama Othello |
9 / 2426 |
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| Educating Rita Compare and contrast |
5 / 1259 |
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| Essay On Tragic Characters Fro |
2 / 414 |
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| Idk |
1 / 257 |
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| Importance of Article 86 |
2 / 325 |
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| In Cold Blood |
7 / 2079 |
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| J.d. Salinger |
6 / 1508 |
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| Julius Caesar - Summary Of Act I-v |
3 / 684 |
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| Julius Caesar: Summary Of Act I-v |
3 / 684 |
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| kids in adult prisons |
3 / 769 |
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| Leguins Omelas |
2 / 586 |
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| Lie |
4 / 1197 |
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| Lie |
4 / 1197 |
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| Loneliness In Of Mice And Men |
2 / 514 |
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| Lord Of The Flies |
3 / 813 |
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| Plot Analysis Of Conspiracy Th |
2 / 403 |
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| Potiki And The Art Of Telling Stories |
4 / 940 |
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| Pride In The Crucible |
3 / 659 |
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| Pride In The Crucible |
3 / 659 |
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| Similarities Of Harper Lee's Life To Her Nove "to |
2 / 405 |
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| Symbolism In Ethan From |
2 / 418 |
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| The Causes Of The Ionian Revolt |
2 / 567 |
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| The Chorus Of Antigone |
2 / 457 |
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| The Great Gatsby In Relation To Society |
3 / 777 |
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| The Last Of The Mohicans |
4 / 1009 |
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| The Rime Of The Ancient Marine |
2 / 577 |
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| The Scarlet Letter And The Cru |
5 / 1260 |
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| The Storm |
5 / 1253 |
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| To Kill a Mockingbird |
4 / 1058 |
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| To Say Or Not To Say Letters A |
5 / 1399 |
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| thematic essay on identity |
4 / 926 |
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| Yet Another The Pearl |
3 / 784 |
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| Advantages And Disadvantages Of Subtitles |
2 / 546 |
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| Americas Pastime |
3 / 877 |
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| Burnin' Rubber |
3 / 614 |
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| Comparison of Troy and the Iliad |
3 / 755 |
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| Examining the Pathetique Sonata |
5 / 1256 |
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| Irony in "The Lottery" |
3 / 634 |
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| Movie History |
2 / 568 |
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| Movie Review: Sense And Sensibility |
3 / 681 |
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| Mozart |
4 / 1170 |
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| Purcell, Dido and Aeneas |
4 / 1029 |
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| pleasantville |
2 / 383 |
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| Reasons to see Big Night |
2 / 591 |
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| rear window |
3 / 637 |
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| Shane Reaction Notes |
2 / 456 |
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| Shawshank Redemption |
2 / 521 |
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| Society’S Thin Lines Of Demarcation |
4 / 941 |
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| Texas Chainsaw Massacre |
2 / 556 |
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| The Great Gatsby |
2 / 440 |
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| Tim Burton's Corpse Bride |
2 / 467 |
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| Pluto, A Planet |
1 / 254 |
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| What Is A Good Life? |
2 / 394 |
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| The Lord of The Flies |
3 / 627 |
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| Outline of Old Testement |
2 / 473 |
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| Revelation |
3 / 628 |
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| Skin Cancer |
1 / 284 |
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| Succession And Natural Selection |
1 / 255 |
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| Criminal Justice System |
2 / 319 |
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| ghost world |
3 / 754 |
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| Homosexuality in Film |
4 / 914 |
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| The Arizona Department of Juvinille Corrections |
3 / 615 |
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| Try Minors as Adults |
5 / 1321 |
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