| Title |
Pages / Words |
Save |
| Lose It All |
2 / 484 |
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| The Flaws of Shakespeares Heroes |
4 / 950 |
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| Friends episode and values |
3 / 830 |
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| Maus |
2 / 378 |
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| Maltese Falcon |
5 / 1477 |
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| asturias |
2 / 378 |
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| The Function Of Music In Reservation Blues |
2 / 590 |
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| Fight Club |
3 / 750 |
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| television vs. Reality |
5 / 1321 |
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| A Fine Balance - Rohinton Mistry |
4 / 1131 |
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| Narrator |
2 / 522 |
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| To Kill A Mockingbird: The Brave Jem Finch |
2 / 390 |
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| julius caesar |
4 / 1200 |
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| Romeo And Juliet: The Theme Of Death |
2 / 429 |
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| Animal Farm |
3 / 637 |
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| Animal Farm 2 |
3 / 637 |
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| Chysalids Compared To By The Waters Of Babylon |
4 / 1077 |
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| Lord Of The Flies Vs. Huck Fin |
9 / 2518 |
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| A Simple Story of Imagery and Irony |
3 / 830 |
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| Samson Agonistes |
4 / 1056 |
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| Glass Menagerie 2 |
3 / 687 |
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| Play review |
3 / 703 |
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| Hamlet |
4 / 921 |
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| The First King of Shannara |
5 / 1314 |
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| The Use Of Animal Imagery In Othello |
4 / 1029 |
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| The Comparison And Contrast Essay The Book And The Movie |
4 / 902 |
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| Beowulf V. 13th Warrior |
2 / 378 |
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| Wild Straberries Theme |
2 / 561 |
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| Play called Absent Friends |
5 / 1205 |
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| Incongruenity of humor |
3 / 614 |
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| Role of Women |
3 / 609 |
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| the real world |
4 / 1052 |
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| Animal Farm And The Russian Revolution |
2 / 544 |
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| Holes |
2 / 370 |
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| Animal Farm |
5 / 1302 |
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| Perception And Plato's Theaetetus |
2 / 453 |
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| Scarlet Letter, Chillingworth A Man Of Evil |
2 / 427 |
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| Scarlet Letter, Chillingworth A Man Of Evil |
2 / 427 |
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| Alice'S Adventures In Wonderland |
3 / 804 |
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| Saving Private Ryan |
2 / 354 |
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| The Resurrectionists |
2 / 367 |
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| Hardy?s Ability To Create Mood And Atmosphere In The Return Of The Nat |
4 / 999 |
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| Hardy?s Ability To Create Mood And Atmosphere In The Return Of The Nat |
4 / 999 |
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| Hills Like White Elephants |
4 / 1129 |
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| Macbeth |
2 / 465 |
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| Henry V |
2 / 418 |
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| Wuthering Heights |
2 / 358 |
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| Analysis the Tonight Ensemble from West Side Story |
6 / 1530 |
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| Stereotypes: Black Women Vs. White Women In The Media |
3 / 757 |
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| Scarlet Letter |
3 / 663 |
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| lets go |
2 / 357 |
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| Hunger Of Memory 2 |
2 / 562 |
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| Madame Bovary 4 |
1 / 96 |
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| Rama |
2 / 389 |
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| Shakespeare’S Julius Caesar: Tactful Rhetoric |
4 / 1154 |
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| Lord Of The Flies |
3 / 626 |
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| Why Should Students Study Shakespeare In School? |
2 / 535 |
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| Why Should Students Study Shakespeare In School? |
2 / 535 |
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| Great Gatsby: Confusions And Complexities |
4 / 1019 |
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| The Things They Carried 2 |
2 / 522 |
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| Animal Farm Compare And Contra |
5 / 1302 |
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| Benjy's Character in the Sound and the fury |
3 / 809 |
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| The Pugilist at Rest |
2 / 367 |
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| just want the grade |
3 / 692 |
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| William Shakespeare |
2 / 479 |
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| Canterbury Tales:The Pardoner |
3 / 614 |
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| Canterbury Tales:the Pardoner |
3 / 614 |
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| Dream Deferred |
2 / 394 |
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| Fake Love In The Truman Show |
2 / 576 |
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| More than an Enemy, a Reflection (Comparative Comentary between Heart of Darkness and Apocalypse Now) |
5 / 1329 |
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| th shinning |
3 / 819 |
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| Dialouge in Pride and Prejudice |
5 / 1397 |
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| ms |
4 / 1072 |
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| Influence Of Advertising On My Life |
1 / 271 |
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| The Storm |
5 / 1253 |
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| Macbeth: ACT I |
2 / 361 |
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| Fathers of Theater |
4 / 966 |
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| Who cares about the insane anymore? |
2 / 527 |
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| Myself |
2 / 530 |
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| Similarities Of Harper Lee's Life To Her Nove "to |
2 / 405 |
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| Similarities Of Harper Lee's Life To Her Nove "to |
2 / 405 |
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| The Importance of Being Ernest |
2 / 517 |
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| Essay On Tragic Characters Fro |
2 / 414 |
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| Fahrenhiet 451 |
2 / 589 |
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| A Farewell To Arms: Love And Role Playing |
3 / 739 |
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| Loneliness In Of Mice And Men |
2 / 514 |
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| Gods Grandeur |
3 / 614 |
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| A Birthday |
2 / 426 |
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| Ros and Guil |
4 / 948 |
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| Scene Seven |
2 / 379 |
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| Animal Farm - Elements Of Lite |
3 / 851 |
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| The Great Gatsby In Relation To Society |
3 / 777 |
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| Macbeth |
2 / 387 |
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| Lord Loss Book Report |
2 / 477 |
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| The Great Gatsby |
2 / 440 |
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| kill a mocking bird |
2 / 319 |
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| Television "Food" Commercials |
3 / 834 |
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| How To Enjoy Reading A Novel |
3 / 602 |
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| Separate Peace |
3 / 670 |
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| Of Love and Freedom: the Use of Character in \ |
2 / 464 |
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| Charlotte Temple |
4 / 1176 |
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| The Great Gatsby |
4 / 1068 |
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| Othello |
4 / 1023 |
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| J.d. Salinger |
6 / 1508 |
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| Mrs. Doubtfire |
2 / 442 |
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| Social Structure of the 1930's - Daphne Du Maurier |
4 / 934 |
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| Passion |
2 / 547 |
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| farewell to arms |
2 / 424 |
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| crucible |
3 / 655 |
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| Cinderella |
5 / 1279 |
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| a doll's house |
3 / 750 |
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| Pygmalion |
3 / 771 |
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| Enduring Love By Ian McEwan |
5 / 1364 |
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| The Great Gatsby: The American Dream |
3 / 739 |
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| response to boyz n the hood |
3 / 770 |
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| Thusiiiiz |
2 / 338 |
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| Tale Of Two Cities |
3 / 664 |
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| Fate In Hardy's The Returne Of The Native |
4 / 927 |
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| Matrix |
2 / 505 |
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| scarlet letter |
2 / 339 |
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| Hamlet; How Far Do You Believe He Is Mad |
5 / 1320 |
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| Great Gatsby Quotes |
4 / 951 |
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| Hundred Secret Senses |
5 / 1242 |
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| Hamlet: Appearance Vs. Reality |
4 / 904 |
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| Edgar Allan Poe's Influence on Stephen King |
2 / 576 |
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| Great Expectations |
6 / 1704 |
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| Tender Offer |
2 / 370 |
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| Jungian) image of the "beast" in society/film/literature |
3 / 882 |
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| The American Dream According To John Steinbeck |
4 / 942 |
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| medea |
2 / 377 |
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| the collector |
2 / 547 |
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| Tim Burton's Corpse Bride |
2 / 467 |
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| pathways of sin |
2 / 583 |
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| 20,000 Leagues Under the Sea |
2 / 439 |
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| 20,000 Leagues Under The Sea |
2 / 439 |
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| Social Monsters: A Social View of Mary Shelley’s Frankenstein and David Fincher’s Fight Club |
3 / 627 |
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| The Scarlet Letter: A Symbolic Narrative |
4 / 1125 |
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| James And The Giant Peach |
2 / 536 |
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| ghost world |
3 / 754 |
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| Gavin Willingham |
2 / 517 |
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| Character Sketch Of Chaucer's Knight |
2 / 429 |
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| phonograph |
3 / 817 |
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| Thematic Concerns Of Who's AFriad Of Virginia Woolf |
2 / 409 |
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| Texas Chainsaw Massacre |
2 / 556 |
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| 7 Deadly Sins Of Fantasy |
3 / 740 |
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| film noir |
3 / 693 |
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| Jane Goodall |
3 / 668 |
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| Trainspotting: A Novel By Irvine Welsh |
2 / 556 |
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| Discrimination |
1 / 110 |
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| All The Kings Men 2 |
3 / 632 |
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| frankenstein vs paradise lost |
2 / 403 |
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| Nature |
2 / 410 |
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| Great Gatsby Essay |
2 / 439 |
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| Frankenstein |
2 / 424 |
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| Kino, a poor Indian fisherman |
3 / 777 |
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| Volpone Ben Jonson |
4 / 1123 |
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| Cheers A Semiotic Analysis By |
2 / 464 |
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| color symbolism in the great gatsby |
4 / 1020 |
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| Heart Of Darkness - Comments |
4 / 1171 |
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| Comparison of Troy and the Iliad |
3 / 755 |
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| Nurture Strongly Influences Early Human Development |
3 / 825 |
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| Advantages And Disadvantages Of Subtitles |
2 / 546 |
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| Themes and Issues of Harper Lee's 'To Kill a Mockingbird' |
4 / 933 |
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| Designing the Message of a Lifetime |
2 / 589 |
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| Influences |
3 / 659 |
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| 20,000 Leagues Under The Sea: Overview |
2 / 439 |
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| Cider House Rules |
4 / 1161 |
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| Symbolism In Ethan From |
2 / 418 |
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| Albert Camus and Herman Hesse – Comparing both “The Outsider” to “Siddhartha” |
4 / 962 |
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| Although the accidental tourist is apparently a comedy it is at heart a quite serious debate over competing views of life it's self. |
3 / 622 |
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| Hamlet: Laertes An Important Character In Play |
5 / 1257 |
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| idealistic views of love |
2 / 419 |
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| whose life is it anyway |
1 / 124 |
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| aida |
3 / 819 |
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| CRITICS ON SLAUGHTER HOUSE-FIVE |
3 / 852 |
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| Critics On Slaughter House-five |
3 / 852 |
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| Critics On Slaughter House-5 |
3 / 852 |
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| Hamlet |
4 / 1043 |
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| Lord Of The Flies: Piggy, Ralph, Jack |
2 / 559 |
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| The Downfall of Othello |
6 / 1504 |
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| Le Cid |
3 / 713 |
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| The Taming Of The Shrew: Mistaken Identities |
3 / 863 |
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| The Scarlet Letter And The Cru |
5 / 1260 |
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| English Taming Shrew |
3 / 863 |
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| The magic barrel |
2 / 324 |
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| A Wrinkle In Time |
1 / 139 |
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| Under Construcition |
3 / 783 |
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| The Last of the Mohicans: Life, Race, and Human Relations |
5 / 1405 |
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| Irony in "The Lottery" |
3 / 634 |
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| Taming of the shrew appropriation 10 things |
6 / 1557 |
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| Deceit Lies Beneath |
2 / 530 |
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| William Faulkner |
2 / 355 |
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| I Know Why The Caged Bird Sings |
2 / 411 |
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| Othello |
2 / 545 |
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| Brains Winter |
1 / 256 |
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| Death Of A Salesman |
3 / 856 |
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| Yet Another The Pearl |
3 / 784 |
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| rear window |
3 / 637 |
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| The Great Gatsby |
4 / 1111 |
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| Light Vs. Dark |
3 / 894 |
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