| Title |
Pages / Words |
Save |
| Michelangelo |
3 / 624 |
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| Aristotle |
4 / 1044 |
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| Michelangelo Buonarroti, the artist. |
2 / 470 |
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| Michelangelo Buonarroti |
2 / 596 |
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| art history |
4 / 1155 |
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| History |
5 / 1222 |
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| Leonardo Da Vinci |
2 / 355 |
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| Leonardo da Vinci |
1 / 300 |
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| Auguste Rodin |
4 / 1128 |
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| Biography Of Michelangelo |
6 / 1683 |
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| Donatello |
5 / 1345 |
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| Donatello |
3 / 687 |
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| Dr. |
20 / 5961 |
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| Michelangelo Buonarroti, The Artist. |
2 / 470 |
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| Michelangelo Buonarroti |
4 / 1189 |
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| Michelangelo Buornarriti |
6 / 1604 |
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| Michelangelo |
2 / 535 |
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| michelangelo |
2 / 476 |
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| Paul Cezanne |
2 / 575 |
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| Raphael Sanzio |
2 / 593 |
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| the concur throw us |
2 / 338 |
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| Upcominjg Artist |
2 / 450 |
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| Agony And The Ecstacy |
7 / 1803 |
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| Alfred J. Prufrock |
2 / 446 |
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| art |
6 / 1664 |
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| Leo |
2 / 329 |
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| leonardo |
1 / 300 |
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| Michaelangelo |
5 / 1359 |
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| Michelangelo and the Pope's Ceiliing |
5 / 1265 |
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| Michelangelo |
4 / 993 |
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| Turtles |
5 / 1404 |
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| Anne Sexton "Cinderella" |
4 / 1010 |
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| Auguste Rodin and Geoges Rouault |
3 / 680 |
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| Boo |
6 / 1751 |
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| Christine de Pizan |
2 / 572 |
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| Classification Essay |
2 / 539 |
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| Commentary on the poem “Ozymandias King of Egypt” by Percy Bysshe Shelley |
3 / 899 |
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| LOUISIANA DEATH PENALTY TERM PAPER |
4 / 1048 |
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| Love Song of J Alfred Prufrock |
3 / 761 |
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| Love song and preludes comparative |
2 / 319 |
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| Micheangelo |
6 / 1562 |
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| Michelangelo |
5 / 1412 |
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| Michelangelp Buonarotti |
2 / 347 |
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| OZYMANDIAS |
3 / 721 |
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| Ozymandias |
1 / 249 |
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| Ozymandias |
1 / 243 |
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| Ozymandias |
2 / 530 |
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| Phidias |
1 / 66 |
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| Raphael Sanzio inspired |
5 / 1230 |
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| Sculptors Funeral |
3 / 836 |
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| Second Draft |
1 / 254 |
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| T.S. Eliot's "The Love Song of J. Alfred Prufrock" as a Modernist Work |
4 / 1099 |
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| The Convergence of Twain v. Ozymandias |
2 / 556 |
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| The Great Gatsby |
4 / 1082 |
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| The Love Song Of J. Alfred Prufrock Allusion Analysis |
2 / 404 |
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| VISUAl |
2 / 516 |
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| Willa Cather...don't Use If U Live In Miles City, Montana PLEASE!! |
2 / 553 |
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| ozymandias |
1 / 238 |
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| Age of Renassaince |
3 / 847 |
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| Aristotle |
3 / 895 |
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| Art Comparison |
5 / 1267 |
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| Art Museum |
2 / 337 |
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| Art and Humanism |
5 / 1459 |
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| Artistic patronage and how important is it |
9 / 2574 |
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| Artists of the Renaissance |
6 / 1518 |
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| Artwork Comparison Of Davinci And Michaleangelo |
2 / 424 |
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| bAROQUE AND ROMANTICISM |
1 / 226 |
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| Comparisson Of Artist Using Of The Human Figure |
4 / 964 |
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| Conquering David |
3 / 886 |
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| compare and contrast of statue art |
2 / 381 |
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| DaVinvi VS Michelangelo: Who's the true Renaissance man? |
2 / 485 |
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| David Sculptures |
3 / 838 |
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| David |
3 / 879 |
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| Donatello |
5 / 1321 |
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| david |
4 / 1105 |
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| Filippo Brunelleschi's Dome & Its Construction |
5 / 1206 |
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| greek contributions to civilization |
1 / 240 |
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| High Rennaisance Art |
2 / 493 |
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| Human Body in Western Art |
1 / 212 |
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| Humanism During the Renaissance |
2 / 508 |
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| Laocoon's influence on Renaissance Artists |
7 / 1913 |
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| Leonardo Da Vinci |
3 / 768 |
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| Leonardo Da Vinci |
4 / 967 |
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| Leonardo Da Vinci |
2 / 501 |
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| Magnificent Minds Of The Renaissance |
3 / 765 |
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| Michaelangelo |
6 / 1595 |
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| Michaelangelo |
3 / 786 |
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| Michelangelo and the Pope's Ceiling |
3 / 676 |
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| Michelangelo's David |
3 / 651 |
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| Michelangelo's last judgement |
4 / 978 |
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| Michelangelo, sculptor |
2 / 355 |
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| Michelangelo |
1 / 138 |
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| Michelangelo |
1 / 239 |
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| Michelangelo |
2 / 516 |
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| Michelangleo: Biography of a Talented Artist |
6 / 1776 |
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| mannerism |
1 / 199 |
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| Ozymandias |
2 / 468 |
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| precursors of the reinessance |
5 / 1367 |
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| RENAISSANCE & REFORMATION (OF THE CATHOLIC CHURCH) P372 |
1 / 263 |
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| Raphael Sanzio |
1 / 258 |
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| Renaissance Art: Comparing and Contrasting Paintings |
15 / 4458 |
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| Renaissance ideals of humanism are expressed in the Italian art of the period |
4 / 908 |
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| Renaissance |
5 / 1421 |
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| School of Athens |
6 / 1626 |
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| Sisteen Chapel |
3 / 749 |
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| Sistine Chapel |
4 / 1090 |
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| St. Peter's Basilica |
1 / 219 |
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| St. Peters Basilica |
5 / 1445 |
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| The Bronze David by Donatello |
4 / 1151 |
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| The Creation of Adam vs. The Virgin of the Rocks |
2 / 479 |
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| The Dirty Renaissance |
6 / 1567 |
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| The Great Renaissance |
4 / 972 |
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| The Relationship Between Wealth and Art - Renaissance |
10 / 2878 |
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| The Renaissance |
4 / 1020 |
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| The Renaissance |
6 / 1625 |
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| The Story of Two Davids |
6 / 1764 |
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| The italian Lira |
1 / 174 |
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| the agony and the ecstacy |
3 / 866 |
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| the painting of the sistine chapel |
4 / 999 |
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| Userhat and Kha |
3 / 617 |
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| Victory, Religion, Gods, and Funerary Motifs |
3 / 678 |
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| Was Michelangelo a Genius or is He still one? |
3 / 753 |
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| well rounded |
2 / 458 |
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| Masaccio - Innovator Of Perspe |
3 / 697 |
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| Time Capsule Paper |
5 / 1216 |
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| Agony And The Ecstacy |
7 / 1803 |
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| Agony Ang The Extacy, Ethical Considerations Concerning Mich |
3 / 607 |
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| Aristotle |
4 / 986 |
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| Aristotle |
4 / 986 |
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| Art Trends In The Renaissance |
3 / 724 |
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| Artist Comparison |
2 / 327 |
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| art appreciation |
3 / 834 |
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| art of the western world |
3 / 834 |
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| Boo |
6 / 1751 |
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| Book Report: The Judgement of Paris |
2 / 308 |
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| Celebrate Art |
1 / 240 |
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| Creation of Adam V The Crucificition |
2 / 521 |
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| DIFFERENT STYLES OF SCULPTING |
2 / 549 |
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| David Sculptures |
3 / 881 |
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| David by Gianlorenzo Bernini |
3 / 712 |
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| David |
3 / 879 |
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| David |
4 / 978 |
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| Discuss How Art Can Be Used To Promote, Reflect Or Challenge |
4 / 1097 |
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| Donatello |
5 / 1368 |
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| Gian Bernini Baroque |
1 / 174 |
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| Invest in the Divinity |
3 / 648 |
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| La Pieta |
2 / 383 |
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| Leonardo Da Vinci (!) |
1 / 284 |
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| Leorardo Da Vinci |
1 / 200 |
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| Life In A Reinassiance City |
3 / 724 |
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| Life Of Raphael Sanzio |
4 / 956 |
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| Martin Luther King Jr. |
2 / 405 |
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| Micheal Angelo's Last Judgement |
10 / 2749 |
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| Michelangelo 3 |
2 / 514 |
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| Michelangelo Buonarroti |
3 / 680 |
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| Michelangelo and Da Vinci |
2 / 460 |
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| Michelangelo vs. Da Vinci |
2 / 335 |
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| Michelangelo |
3 / 680 |
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| Michelangelo |
5 / 1370 |
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| Michelangelo |
2 / 405 |
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| Michelangelo |
5 / 1370 |
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| Michelangelo |
5 / 1496 |
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| Michelangelo |
6 / 1762 |
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| Michelangelo |
6 / 1593 |
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| Michelangelo |
4 / 1122 |
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| Mik's David |
1 / 274 |
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| Ninja Turtles and the catholic church |
3 / 742 |
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| Paul Cezanne |
2 / 575 |
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| Perspective |
1 / 299 |
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| pieta |
2 / 457 |
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| Renaisance Art 2 |
3 / 665 |
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| Renaissance Values And Ideas Expressed In Art |
3 / 715 |
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| Renaissance sculpture |
3 / 625 |
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| Rennaisance Art |
2 / 552 |
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| Section 1 |
2 / 578 |
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| Socrates 2 |
1 / 253 |
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| Statues of David |
2 / 348 |
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| Statues of David |
3 / 857 |
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| The Artist And The Art |
4 / 1150 |
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| The Duke And His Duchess |
2 / 512 |
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| The Powerful David |
3 / 852 |
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| The Renaissance (1400-1520 Ad) |
2 / 576 |
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| The Sistine Chapel |
4 / 960 |
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| The Softness Of An Icon |
3 / 743 |
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| The Worries Of Aging |
3 / 676 |
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| Thomas EakinsThomas Eakins was born in Philadelphia in the year 1844. Eakins was a photographer, painter, sculptor, and fine arts educator. Thomas Eakins had an interest in art since his childhood. Eakins attended Pennsylvania Academy of the Fine ... |
3 / 792 |
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| MichaelAngelo (TMNT) |
3 / 885 |
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| Michelangelo |
1 / 183 |
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| Music Into and Out of the Baroque Era |
1 / 277 |
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| Aristotle |
2 / 488 |
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| nietzsche |
1 / 141 |
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| Sistine Chapels The Creation of Adam and the Two Opposing Responses |
4 / 1094 |
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| Socrates |
3 / 676 |
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| The Bronze David |
4 / 1152 |
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| The Parthenon |
2 / 323 |
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| Michelangelo |
2 / 409 |
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| Positive Psychology Themes |
1 / 174 |
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| Art In The Bible |
3 / 657 |
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| Computer Viruses |
3 / 714 |
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| Michelangelo Buonarroti |
3 / 717 |
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