| Title |
Pages / Words |
Save |
| Kerouac |
5 / 1294 |
 |
| "rock pile" analysis |
2 / 525 |
|
| Rise to Rebellion |
5 / 1457 |
|
| Randle and I |
3 / 672 |
|
| Mica and men review |
2 / 366 |
|
| heart of darkness compared to apocalypse now |
2 / 498 |
|
| stockton fire |
5 / 1305 |
|
| characters |
2 / 335 |
|
| little princess |
8 / 2238 |
|
| The Cover Of Life |
3 / 676 |
|
| Using the comparison of these two texts as your starting point, explore the media issues and debates these texts raise. |
3 / 853 |
|
| Great Gatsby: Confusions And Complexities |
4 / 1019 |
|
| Bloody Sky |
3 / 874 |
|
| The Comparison Between China and Japan |
1 / 265 |
|
| The Sweet Hereafter Char. Comparison |
2 / 451 |
|
| Comparison of 2 articles |
4 / 912 |
|
| The Character Of Pearl In Hawthorne'S "The Scarlet Letter" |
5 / 1491 |
|
| drama corse work- bedlum |
2 / 472 |
|
| Sears Company Analysis |
5 / 1204 |
|
| Zero Story |
1 / 279 |
|
| The Crucible Outline |
2 / 431 |
|
| Managerial Accounting Ch. 21 |
2 / 372 |
|
| Cat on the Hot Tin Roof |
1 / 292 |
|
| "The Crucible" critical analysis |
2 / 353 |
|
| heart of darkness |
2 / 310 |
|
| Kathleen and the Irish Oppression |
3 / 839 |
|
| The Tragedy Of Julius Caesar - Tragic Hero |
2 / 480 |
|
| War And Peace By Leo Tolstoy |
4 / 1049 |
|
| If a Pirate i must be |
5 / 1463 |
|
| The Horrors Of War |
3 / 836 |
|
| Dionysus- some ideas |
3 / 658 |
|
| Mr. |
2 / 316 |
|
| Merchant Of Venice |
2 / 586 |
|
| The Theme Of Carelessness In The Great Gatsby |
3 / 698 |
|
| Famine, Affluence Morality |
3 / 708 |
|
| casablanca |
4 / 1065 |
|
| McCarthy vs Faulkner |
3 / 612 |
|
| Film Review: Tyler Perry's "Why Did I Get Married?" |
2 / 315 |
|
| capitol; punishment |
2 / 451 |
|
| Casablanca |
6 / 1781 |
|
| Tragically Inane: The Cherry Orchard And Six Characters |
7 / 1876 |
|
| men |
3 / 847 |
|
| Captain's Letter Regarding Macbeth |
1 / 216 |
|
| Christianity humanism Russian literature |
2 / 389 |
|
| Brave New World |
3 / 604 |
|
| Brave New World |
3 / 604 |
|
| Death of a Salesman Film/Drama Comparison |
2 / 352 |
|
| The great Escape |
3 / 785 |
|
| The Lord Of The Flies |
3 / 832 |
|
| Analysis of Deathtrap |
3 / 699 |
|
| An Idiot's Guide To Sucessful Humor |
2 / 321 |
|
| Analysis If Homeward Bound |
2 / 559 |
|
| Of Mice And Men |
1 / 197 |
|
| Of Mice and Men |
1 / 197 |
|
| free paper |
3 / 874 |
|
| neuromancer |
2 / 508 |
|
| Gay and Lesbian Visibility in Movies and Television |
5 / 1224 |
|
| Hardy?s Ability To Create Mood And Atmosphere In The Return Of The Nat |
4 / 999 |
|
| Hardy?s Ability To Create Mood And Atmosphere In The Return Of The Nat |
4 / 999 |
|
| The Vulnerability of Man |
6 / 1616 |
|
| The Super Mario Brothers |
2 / 415 |
|
| A Midsummer Night's Dream Research Paper (with cited) |
4 / 1052 |
|
| Film Adaptation of Antigone |
2 / 550 |
|
| Comparison and Constrast between Characters and Characterization in "Telling Stories" and "You Were Perfectly Fine" |
4 / 905 |
|
| Pygmalion |
3 / 771 |
|
| Descriptive Essay about Maharajah's Feast |
3 / 785 |
|
| Why does Frankenstein begin and end with Walton's letters? |
4 / 1146 |
|
| Morality in C.S. Lewis' "That Hideous Strength" and |
3 / 740 |
|
| Fall of a kingdom |
2 / 368 |
|
| If A Pirate I Must Be |
5 / 1476 |
|
| Nathaniel Hawthorn |
4 / 1072 |
|
| free agency |
4 / 1192 |
|
| Guitar Highway Rose |
2 / 597 |
|
| Star Trek - The Next Generation |
8 / 2285 |
|
| Our Town |
4 / 964 |
|
| ragtime |
1 / 290 |
|
| Appearance vs. Reality |
2 / 509 |
|
| Dead Man Walking [movie] |
2 / 377 |
|
| Odysseus: Heroes |
3 / 775 |
|
| Our Town By Thornton Wilder |
4 / 964 |
|
| Hemingway |
2 / 352 |
|
| Revenge themes in Hamlet |
4 / 932 |
|
| Christ Like Characters In Harry Potter and One Flew Over the Cukoos Nest |
6 / 1782 |
|
| Job Study on the Australian Air Force |
3 / 722 |
|
| Tale Of Two Cities |
2 / 473 |
|
| A Tale Of Two Cities |
2 / 473 |
|
| WHy I'm not Captain of the Enterprise |
3 / 842 |
|
| A Visit at Depressed Areas |
1 / 282 |
|
| Ernest Hemingway ? A Clean, Well-Lighted Place |
2 / 344 |
|
| Fantine And Cosette Les Mis |
3 / 699 |
|
| Slingblade |
6 / 1504 |
|
| six characters in search of an author |
2 / 599 |
|
| One flew over the Cuckoo's nest |
3 / 740 |
|
| The Open Boat |
4 / 1053 |
|
| self-concept |
1 / 245 |
|
| Rogers And Hammerstein's South Pacific |
4 / 901 |
|
| Saboteur |
2 / 326 |
|
| hills like white elephants |
1 / 196 |
|
| A Tale Of Two Cities - Suspens |
2 / 473 |
|
| Nathaniel Hawthorne |
4 / 971 |
|
| The life of Frederick Douglas as told by Himself |
3 / 627 |
|
| HR Roles and Responsibilities |
4 / 1054 |
|
| Of Mice and Men |
3 / 842 |
|
| Differences between The Birds the Movie and The Birds short story |
2 / 594 |
|
| The Great Gatsby |
4 / 1068 |
|
| Concealed Weapons |
3 / 786 |
|
| Concealed Weapons |
3 / 786 |
|
| Job Ad |
1 / 266 |
|
| Escape |
2 / 521 |
|
| Dr. Smith |
2 / 574 |
|
| The thoughts of me on this here topic of Power in Comparison With Nancy-Scheper-Hughes and Brody and where they disagree and more importantly Agree. |
1 / 47 |
|
| Foil And Parallel Characters In Oedipus The King And Antigone |
2 / 595 |
|
| Lord Of Fliez |
2 / 504 |
|
| Romeo and Juliet: Compare and Contrast |
2 / 373 |
|
| Satire in Candide |
2 / 379 |
|
| Julius Ceaser |
1 / 212 |
|
| The secret history |
4 / 1141 |
|
| Cladistics |
2 / 499 |
|
| The Tempest Play Verse Movie |
2 / 556 |
|
| Of Mice and Men |
2 / 586 |
|
| BP Location |
8 / 2369 |
|
| freshman at large |
2 / 476 |
|
| “An Ambiguous Narrative about a Controversial Debate” |
2 / 527 |
|
| Fifth Business Character Foils |
3 / 619 |
|
| Iago's Plan |
3 / 696 |
|
| Hearing segregation |
1 / 266 |
|
| Death Of a Salesman |
2 / 308 |
|
| handmaids tale |
4 / 1110 |
|
| Hamlet Response Essay |
2 / 571 |
|
| Essay On By The Pricking Of My |
2 / 521 |
|
| Romeo and juliet |
1 / 273 |
|
| film noir |
3 / 693 |
|
| Fifth Business - Character Foils Of Dunstan Ramsay And Percy |
3 / 619 |
|
| Fifth Business Character Foils Of Dunstan Ramsay And Percy S |
3 / 619 |
|
| Apocalypse Now And Heart Of Darkness" |
4 / 1108 |
|
| 12th Knight |
2 / 478 |
|
| Input And Output Devices |
2 / 549 |
|
| Quincy Jones |
1 / 268 |
|
| Blackadder |
6 / 1782 |
|
| Gump |
1 / 210 |
|
| Of Mice and Men |
3 / 880 |
|
| roseanne And The Kiss |
5 / 1277 |
|
| Big Game |
2 / 466 |
|
| Movies of Vietnam |
9 / 2622 |
|
| A Tale Of Two Cities: Characters Are "recalled To Life" |
2 / 461 |
|
| Macbeth - Authority |
3 / 891 |
|
| Authority And Macbeth |
3 / 891 |
|
| David Copperfield: The Many Differences Between James Steerforth And T |
2 / 569 |
|
| the 7 habits |
1 / 256 |
|
| Dawn |
10 / 2944 |
|
| A Tale Of Two Cites |
3 / 603 |
|
| Cinderella |
5 / 1279 |
|
| Black Hawk Down |
1 / 195 |
|
| The First Line From Waiting For Godot, “nothin To Be Done”, Could Be Said To Sum Up The Theatre Of The Absurd, Except That There’s Always Something Happening. |
1 / 257 |
|
| The Blue Hotel |
3 / 663 |
|
| fabregas |
4 / 958 |
|
| Fen review |
3 / 688 |
|
| whO |
2 / 541 |
|
| The Awakening: Chopin Glorifying Edna's Fatal Situation |
2 / 340 |
|
| fairytales |
1 / 232 |
|
| Simplicity in a "Clean Well Lighted Place" |
2 / 440 |
|
| last don |
2 / 536 |
|
| The Sun Also Rises |
1 / 275 |
|
| Coppola vs Conrad |
4 / 1121 |
|
| Dawn |
10 / 2955 |
|
| Something Wicked This Way Come |
2 / 531 |
|
| Something Wicked This Way Comes |
2 / 531 |
|
| John Steinbeck: Interview Transcript |
3 / 698 |
|
| The Green Mile |
4 / 1072 |
|
| the role of a woman |
6 / 1548 |
|
| The things They Carried |
2 / 436 |
|
| Gump |
2 / 325 |
|
| Frankenstein, snow balling revenge |
3 / 603 |
|
| The Interrelationship of |
2 / 432 |
|
| Catch 22 |
5 / 1313 |
|
| A Chioce Made Easy |
4 / 1188 |
|
| The Kiss and The Rapture of Psyche |
4 / 965 |
|
| Neon Genesis Evangelion |
1 / 159 |
|
| Chuck Klosterman IV |
2 / 330 |
|
| Aaron Copeland |
1 / 265 |
|
| Oedipus The King And Ghosts - The Effects Of Parent's Sins Upon Their |
5 / 1323 |
|
| Economics test |
3 / 633 |
|
| The Great Gatsby: A Full Spectrum Of Character |
2 / 557 |
|
| a good man is hard to find |
2 / 492 |
|
| Romulus, My Father |
3 / 759 |
|
| The A.B.C.murders |
3 / 732 |
|
| The A.b.c.murders |
3 / 732 |
|
| Poems for the Eye |
6 / 1789 |
|
| Opening Sequence of Bullet Boy Analysis |
2 / 508 |
|
| Devial And Daniel Webster |
1 / 279 |
|
| Agatha Christie |
2 / 549 |
|
| the slave dancer |
4 / 911 |
|
| The Characters Of A Jury Of He |
3 / 674 |
|
| the tragedies of romeo and juliet |
2 / 507 |
|
| A Tale of Two Cities: Minor Characters |
3 / 646 |
|
| "The Lamp at Noon" setting |
2 / 439 |
|
| A Comparison of Mrs. Alving and Nora Helmer |
3 / 777 |
|
| Breakfast of Champions |
3 / 799 |
|
| Cruelty In Literature |
6 / 1766 |
|
| Cruelty In Literature |
6 / 1766 |
|
