| Title |
Pages / Words |
Save |
| The Scarlet Letter: The Scaffold's Power |
2 / 587 |
 |
| literature |
2 / 594 |
|
| An Observation Of The Aeneid, Book Ii |
4 / 1015 |
|
| Wuthering Heights |
3 / 607 |
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| Wuthering Heights |
3 / 607 |
|
| The sacrificial Egg |
8 / 2375 |
|
| Leone: The Movies of Fantasy |
2 / 582 |
|
| The Departed Review |
2 / 592 |
|
| His Dark Materials analysis |
5 / 1301 |
|
| Edna Pontellier |
6 / 1741 |
|
| Palestrina |
2 / 548 |
|
| Book Review, The Jungle |
2 / 592 |
|
| The Story of Two Davids |
6 / 1764 |
|
| The Importance of Being Piggy |
5 / 1334 |
|
| The Black Cat By Poe |
3 / 660 |
|
| Short Biography of John Keats |
2 / 520 |
|
| Macbeth |
2 / 561 |
|
| Heart of Darkness and Apocalypse Now |
3 / 649 |
|
| A Mother Critical Analysis |
3 / 724 |
|
| The Down Fall Of Odysseus |
3 / 792 |
|
| mE |
2 / 491 |
|
| Journey |
3 / 601 |
|
| Matelda "a Lady Moved by Love" |
3 / 728 |
|
| Glass Menagerie 2 |
3 / 687 |
|
| Martin Luther King Rhetorical Analysis |
5 / 1383 |
|
| Compare and Contrast Cyrano de Bergerac and the movie Roxanne |
3 / 668 |
|
| analysis of germinal |
2 / 552 |
|
| Arthur Miller |
2 / 502 |
|
| History of Subway Art |
4 / 1155 |
|
| Maltese Falcon |
2 / 574 |
|
| The Crucible |
2 / 559 |
|
| The Written Word Lives On |
2 / 565 |
|
| Characterization of George Milton |
3 / 693 |
|
| Cultural Event on Princess Mononoke |
3 / 668 |
|
| Thomas Gray's Elegy |
3 / 602 |
|
| narrator in a rose for emily by faulkner |
4 / 1069 |
|
| Much Ado About Nothing |
3 / 872 |
|
| Amedeo Modigliani |
3 / 690 |
|
| Blaise Pascal |
3 / 603 |
|
| Candide |
3 / 739 |
|
| Episode Of Hands |
3 / 791 |
|
| Episode Of Hands |
3 / 791 |
|
| A Rose For Emily |
3 / 697 |
|
| NAPOLEON BONAPARTE |
2 / 599 |
|
| Hydrogen Steel review |
2 / 570 |
|
| Mysterious Macbeth |
3 / 696 |
|
| An Analysis Of The Novel Candide By Voltaire |
3 / 748 |
|
| Different Forms Of Art |
3 / 620 |
|
| The Black Cat |
3 / 672 |
|
| Memoirs |
3 / 629 |
|
| Hall of Bulls |
5 / 1481 |
|
| The Aristocrat |
3 / 705 |
|
| Interpretation of the Poem \ |
3 / 622 |
|
| Impressive Nobodies |
3 / 649 |
|
| Percy Bysshe Shelley Biography |
3 / 634 |
|
| Mark Twain |
2 / 573 |
|
| West Side Story |
2 / 591 |
|
| West Side Story |
2 / 591 |
|
| Hester And Abigail |
3 / 663 |
|
| Black Boy |
3 / 694 |
|
| Beowulf |
3 / 710 |
|
| TS Eliot critical Essay |
3 / 841 |
|
| Film Journal: Do the Right Thing |
3 / 715 |
|
| Greek Legacies |
2 / 548 |
|
| Ernest Hemingway |
7 / 1997 |
|
| lion king vs hamlet |
3 / 696 |
|
| Art Institute |
3 / 613 |
|
| Poetry Explication |
3 / 655 |
|
| Poetry Explication |
3 / 655 |
|
| contributions to society and it's effects-comparing "In Cold Blood" and "My Name is Asher Lev" |
6 / 1604 |
|
| Agatha Christie And Deception |
3 / 767 |
|
| Critque of "patches: Quilt and Community in Alice Walker's 'Everyday Use' |
3 / 671 |
|
| I am Sam's Review |
3 / 649 |
|
| “Gay Activist Review of Philadelphia” |
3 / 780 |
|
| Memento |
3 / 855 |
|
| Seven |
3 / 735 |
|
| Michelangelo Buonarroti |
2 / 596 |
|
| Pantera |
3 / 644 |
|
| The Scarlet Letter: The Message In The Meteor |
3 / 798 |
|
| Da Emurikan Dreem |
3 / 819 |
|
| A Portrait Of The Artist As A Young Man |
3 / 761 |
|
| Gladiator |
3 / 842 |
|
| Rap |
3 / 734 |
|
| Their Eyes Were Watching God: An Epic Search |
3 / 783 |
|
| Concert Critique |
3 / 890 |
|
| Dehumanization of Jews |
3 / 685 |
|
| Roddy Doyle's Paddy Clark: No More Laughing For Paddy |
4 / 909 |
|
| Management Tools and Techniques |
3 / 795 |
|
| The Canterbury Tales |
3 / 769 |
|
| The Getty Museum and Napoleon XVI |
7 / 1992 |
|
| Why Anti-Semitism Succeeded in Nazi Germany |
3 / 733 |
|
| nick joaquin |
2 / 561 |
|
| William Blake, "Love's Secret" |
4 / 1013 |
|
| Analytical Critique of The Godfather |
4 / 923 |
|
| Tattoos |
4 / 916 |
|
| Herman Melville |
3 / 621 |
|
| Friedrich Nietzche |
5 / 1371 |
|
| Defining Nick Bottom In A Midsummer Night’s Dream |
3 / 715 |
|
| Duke of Urbino |
3 / 637 |
|
| Can a work of art have value regardless of who creates it? Can, and should, we look past the character of the artist - however immoral we consider them to be - and simply experience and esteem the work itself? |
7 / 1936 |
|
| Michelangelo |
3 / 624 |
|
| David by Gianlorenzo Bernini |
3 / 712 |
|
| apocalypse now |
3 / 778 |
|
| Mark Antony's Speech |
3 / 811 |
|
| Hamlet: Theories Of Hamlet's Delay In Killing Claudius |
3 / 793 |
|
| The Great Gatsby (relationships) |
4 / 925 |
|
| The Great Gatsby (relationships) |
4 / 925 |
|
| Rumble Fish |
4 / 1097 |
|
| The Lion King |
2 / 599 |
|
| feminsm in othello |
3 / 799 |
|
| rtyet |
3 / 815 |
|
| What are the author's purpose behind the portrayal of Turgenev's Anna Sergeyevna in ?Fathers and Sons', and Chekhov's Natasha Ivanova in ?Three Sisters', and how are they presented? |
6 / 1629 |
|
| Learning the Writing Business from Book Agents and Editors |
7 / 2078 |
|
| Joseph-Louis Lagrange |
3 / 750 |
|
| Information to those who would remove to america |
3 / 877 |
|
| Our Town - Shaping the Modern Theater |
6 / 1739 |
|
| Analysis Of Racism In Huck Finn |
4 / 968 |
|
| Analysis Of Racism In Huck Finn |
4 / 968 |
|
| John Dryden |
3 / 674 |
|
| John Dryden |
3 / 674 |
|
| Animal Farm |
3 / 796 |
|
| Isaac Basheevis |
3 / 747 |
|
| Bullet in the Brain |
4 / 976 |
|
| leonardo da vinci |
3 / 622 |
|
| The Jungle |
3 / 687 |
|
| Piero Vs Van Eyck |
3 / 718 |
|
| The Painted Bird |
3 / 753 |
|
| Gruernica |
3 / 812 |
|
| Orchestra Concert |
3 / 862 |
|
| Street Car Named Desire Review |
3 / 743 |
|
| Brave New World |
3 / 769 |
|
| Frank Lincoln Wright |
5 / 1437 |
|
| The Scream |
3 / 705 |
|
| Interpertation |
4 / 945 |
|
| Mark Twain |
3 / 672 |
|
| Bless Me Ultima |
3 / 850 |
|
| Ingmar Bergman's Persona |
4 / 918 |
|
| Call Of The Wild |
3 / 862 |
|
| Aldous Huxley - Brave New World |
3 / 780 |
|
| Call Of The Wild Essay |
3 / 862 |
|
| Stop and Listen to the Music |
3 / 811 |
|
| Falling Water |
3 / 747 |
|
| Orale |
3 / 659 |
|
| The Tempest |
3 / 900 |
|
| Englis Essay On Sula |
4 / 979 |
|
| Englis Essay On Sula |
4 / 979 |
|
| Direct Painting |
3 / 820 |
|
| Special Effects in 2001: A Space Odyssey |
3 / 755 |
|
| Paint It Black by Janet Fitch |
3 / 843 |
|
| Shame |
3 / 720 |
|
| Black Boy |
3 / 821 |
|
| One Flew Over the Cuckoo's Nest, counterculture |
4 / 929 |
|
| Apollo’s Art Versus Dionysos’s Art |
4 / 945 |
|
| persuasive essay |
3 / 838 |
|
| Criticism Of Shame |
3 / 720 |
|
| Everyday Use |
4 / 917 |
|
| Early Life |
3 / 808 |
|
| Animal farm |
3 / 759 |
|
| into the wild two viewpoints |
4 / 1045 |
|
| U.P. Diliman Quezon Hall |
3 / 613 |
|
| Melville and Nathaniel Hawthorne |
3 / 863 |
|
| Kate Chopin |
6 / 1539 |
|
| Lord of the rings: What does the ring represent? |
4 / 986 |
|
| frderick douglass narrative criticism |
3 / 808 |
|
| Theme of colonization in Heat of Darkness |
3 / 740 |
|
| Girl with a pearl earring |
3 / 736 |
|
| The merchant of Venice |
4 / 970 |
|
| L'Avventura |
3 / 851 |
|
| The Story |
7 / 2041 |
|
| Persuasive Essay |
4 / 928 |
|
| The Censorship Of Huck Finn |
4 / 943 |
|
| dj shadow song analysis |
3 / 867 |
|
| Jane Campion's, 'The Piano' |
8 / 2193 |
|
| the wars- effects on humans |
6 / 1727 |
|
| canterbury tales |
3 / 896 |
|
| Romeo and Juliet Concepts of love |
4 / 1066 |
|
| Time traveling through Renaissance |
4 / 1139 |
|
| Homoertic Ambiguity in The Immoralist |
3 / 759 |
|
| Gulliver's Travels: An Altered Perspective |
3 / 712 |
|
| Magnificent Minds Of The Renaissance |
3 / 765 |
|
| Romanticism |
3 / 790 |
|
| william faulkner |
3 / 726 |
|
| Color blind |
4 / 1027 |
|
| Oratorio |
6 / 1692 |
|
| Frank Lloyd Wright |
6 / 1563 |
|
| Stephen King's Influence On American Literature |
6 / 1565 |
|
| Dante Alighieri |
3 / 788 |
|
| Silent Spring |
4 / 928 |
|
| The Great Gatsby |
3 / 869 |
|
| Archetypes In Siddhartha |
3 / 859 |
|
| The Player |
4 / 1139 |
|
| man on fire |
3 / 859 |
|
| Samuel Sewall |
3 / 861 |
|
| Graffiti |
4 / 945 |
|
| Abusive Evidence |
4 / 930 |
|
| Human Nature |
3 / 890 |
|
| Othello - Manipulation To Gain Power |
4 / 1043 |
|
| Bizet, Georges |
3 / 739 |
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| Mr. |
3 / 727 |
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| Hamlet - Ghost |
4 / 981 |
|
