| Title |
Pages / Words |
Save |
| Critical Analysis of Golding’s Use of Tone in Lord Of The Flies |
4 / 1164 |
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| The Sniper |
3 / 836 |
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| The Sniper |
3 / 836 |
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| Reflections of a Culture Past |
2 / 508 |
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| Hamlet's Timelessness |
1 / 287 |
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| John Locke |
1 / 297 |
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| John WIlkes Booth |
2 / 533 |
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| Mr |
3 / 781 |
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| Mr |
1 / 43 |
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| Native American Poetry |
1 / 265 |
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| BEETHOVEN |
3 / 758 |
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| Ira Aldridge |
6 / 1565 |
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| John Muir |
2 / 339 |
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| Tintern Abbey |
3 / 835 |
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| A Rose For Emily |
3 / 651 |
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| Analysis |
5 / 1235 |
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| Beowulf |
2 / 446 |
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| Don't mess with mother nature |
2 / 455 |
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| Ethan Frome |
2 / 520 |
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| Exposing the hypocrisy in Emily Dickinson's "Some Keep the Sabbath Going to Church" |
4 / 903 |
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| Frankenstein: The Subjectivity Of The Character "safie" |
7 / 1939 |
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| lord of the flies |
2 / 533 |
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| of mice and men |
2 / 527 |
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| Shakespeare's Sonnet Number 126: Critique |
2 / 590 |
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| Stephen Crane's "the Open Book": Determinism, Objectivity, And Pessimi |
3 / 642 |
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| Sudden Seas |
5 / 1383 |
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| The Ambivalence of Chivalric Ideals |
6 / 1513 |
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| The Deerslayer: View Of The Native Americans |
8 / 2279 |
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| The Open Boat |
2 / 575 |
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| The Playground Of The Gods |
2 / 406 |
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| The Raven |
3 / 644 |
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| The Visit Literary Feature |
2 / 515 |
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| Wuthering Heights |
2 / 549 |
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| bugbug |
3 / 747 |
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| Enron |
2 / 462 |
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| North star concert |
2 / 452 |
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| A Mongoliod Child Handling Shells On The Beach by Robert Snyder |
3 / 695 |
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| A Reading of Owen's "Dulce et Decorum Est" |
2 / 483 |
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| Act 1 Scene5 Of Hamlet |
2 / 577 |
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| Analysis William Cronan's "The Trouble with Wilderness" |
4 / 1060 |
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| Analysis of 3 of Elizabeth Barrett Browning's Poems |
9 / 2560 |
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| Analyze The Preface To Roy Harris’S Rethinking Writing With Respect To Style, Structure And Organisation And Comment On Whether It Is A Good Introduction To The Book. |
4 / 1073 |
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| Arena |
2 / 555 |
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| Bereft Commentary |
2 / 433 |
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| Borges’ Blindness & Dillard’s Seeing |
2 / 584 |
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| Comparison of the Novel Pride and Predjudice and the Movie Sense and Sensibility |
2 / 582 |
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| Conflicts are in the novels |
2 / 319 |
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| Critique of Robert Frost |
3 / 897 |
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| Crucible Act Ii |
2 / 430 |
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| Death of a Naturalist Analysis |
2 / 448 |
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| Defining Romanticism |
1 / 171 |
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| Drugs and Alcohol Abuse |
3 / 704 |
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| Dualism and Diesim |
2 / 305 |
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| Dulce et Decorum est by Wilfred Owen |
2 / 526 |
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| EARTH DAY'S ANTHEM |
1 / 280 |
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| ENGL |
1 / 294 |
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| Edgar Allan Poe's 'The Premature Burial' |
2 / 429 |
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| Edmund's Outlook on Life |
1 / 176 |
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| Estudent |
3 / 831 |
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| Ethics in Movie Wall Street |
3 / 635 |
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| Frankenstein |
2 / 500 |
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| Frankenstein |
2 / 538 |
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| Human Nature: Good Or Evil? |
3 / 886 |
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| Interpretation of ``Ozymandias`` |
3 / 619 |
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| John Cheever |
2 / 551 |
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| King Lear |
3 / 705 |
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| King Lear: family relationships, human nature and its failings |
4 / 908 |
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| Life Of Pi close textural analysis of pg 253 |
2 / 444 |
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| coming to grips with an old foe |
3 / 879 |
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| contrasts in sports |
2 / 582 |
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| freedom |
1 / 273 |
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| hamlet |
6 / 1689 |
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| Lord Of The Flies Development |
6 / 1564 |
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| Macbeth |
19 / 5628 |
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| Measure for Measure |
3 / 656 |
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| Nature Vs Nurture |
2 / 397 |
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| No Ordinary Sun & Rain by Hone Tuwhare |
3 / 729 |
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| Ongoing Segregation |
2 / 551 |
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| Poetry (Lowell, Plath & Owen) |
7 / 1954 |
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| Prose and Poetry, Audubon and Dillard AP |
2 / 504 |
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| Rain as a Symbol |
2 / 586 |
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| Response paper on the heart of darkness |
2 / 340 |
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| Robert Frost's Use of Aminmals and Insects In His Works |
2 / 539 |
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| Romanticism |
3 / 722 |
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| Scarlet Letter |
2 / 317 |
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| Shakespeare Uses His Play 'The Tempest' To Depict A Microcosm Of His Society. |
5 / 1468 |
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| Shakespeare |
3 / 610 |
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| Tess of the D'Urbervilles Paper |
4 / 1072 |
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| The American Scholar (Ralph Waldo Emerson) |
3 / 687 |
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| The Catcher in the Rye |
3 / 623 |
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| The Chosen-movie |
3 / 764 |
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| The Dramatic Uses of Intoxication in Shakespeare's play "The Tempest" |
8 / 2128 |
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| The Open Boat |
4 / 1053 |
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| The Tyger |
3 / 685 |
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| The nature of the beast |
1 / 264 |
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| Thoreau |
2 / 488 |
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| Twelth Night- Shakespeare - What impressions of the characters do we get in Act 1? |
4 / 956 |
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| What Makes a Hero? A comparison between The Great Gatsby and American Beauty, with reference to author's context and the corruption of The American Dream. |
3 / 779 |
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| William Wordsworth |
4 / 1086 |
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| othello |
3 / 656 |
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| ozymandias |
3 / 609 |
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| romanticism |
3 / 657 |
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| the man killed, the things they carried |
2 / 314 |
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| william blake |
7 / 1910 |
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| wordsworth and malouf in the wild |
5 / 1422 |
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| wuthering heights |
3 / 723 |
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| “The Paradox of Nature” |
4 / 917 |
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| Athenian View of Human Nature |
3 / 613 |
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| about lysistrata |
3 / 865 |
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| Buddhism |
5 / 1373 |
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| Fahrenheit 451 Scene Change Analysis |
1 / 196 |
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| John Locke |
2 / 458 |
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| Killing of a King |
5 / 1201 |
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| Revolution And Rebellion: Students In Soviet Institutes Of Higher Education, |
2 / 460 |
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| Shakespeare |
2 / 533 |
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| Vision Os A Broken Mind |
2 / 566 |
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| Henry James |
4 / 953 |
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| Analyzing Ysbaddaden Penkawr |
2 / 353 |
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| Communism |
3 / 603 |
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| Communism |
3 / 603 |
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| Compare and Contrast 2 works from the MFA in Boston |
2 / 571 |
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| Comparison Of The Swimmer And |
5 / 1436 |
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| Cooper's "deerslayer": View Of The Native Americans |
8 / 2279 |
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| Effective time management |
3 / 713 |
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| Football |
3 / 726 |
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| Gods Grandeur 2 |
5 / 1398 |
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| Heart Of Darkness 14 |
4 / 995 |
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| Heart Of Darkness |
6 / 1517 |
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| Heart Of Darkness |
4 / 995 |
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| Hobbs |
2 / 402 |
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| How Can Rape Hapen? |
6 / 1617 |
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| Imagery in Singapore |
3 / 870 |
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| Images Of Light And Darkness I |
8 / 2139 |
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| Interpretation Of ``ozymandias`` |
3 / 619 |
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| Interpretation of Poetic Sound |
3 / 701 |
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| J Alfred Prufrock |
5 / 1397 |
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| Jane Eyre - Miss Temple's Influence On Jane |
3 / 864 |
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| Jane Eyre |
3 / 862 |
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| John Elder |
7 / 1887 |
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| John Locke |
1 / 297 |
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| King Lear - |
5 / 1275 |
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| King Lear |
5 / 1275 |
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| Mark Messersmith |
2 / 448 |
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| Marketing |
5 / 1262 |
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| Merchant Of Venice - Antonio And Shylock |
3 / 658 |
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| Nature Vs Nurture |
5 / 1266 |
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| On The Beach At Night Alone By |
1 / 169 |
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| Othello - A Tragedy Without Meaning? |
7 / 1854 |
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| Othello - A Tragedy Without Meaning? |
7 / 1854 |
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| Pride In The Crucible |
3 / 659 |
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| Pride In The Crucible |
3 / 659 |
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| Regnault's Automedon with the Horses of Achilles |
3 / 775 |
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| Religion in the Odyssey |
2 / 503 |
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| Shen Zhou's, Poet on a Mountaintop |
3 / 631 |
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| State of Nature |
5 / 1203 |
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| Stopping By The Woods On A Snowy Evening - Symbolic Setting |
2 / 428 |
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| Technologo |
2 / 550 |
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| The Curse Of The Dot Com |
2 / 362 |
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| The Tyger |
3 / 685 |
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| Tintern Abbey's Wordsworth |
3 / 648 |
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| Vincent van Gogh's The Olive Trees and Gustav Klimt's The Park |
3 / 674 |
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| Hamlet Essay |
2 / 544 |
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| Sting |
5 / 1209 |
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| The Auteur Theory: Stanley Kubrick |
4 / 1134 |
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| The Chinese Connection: Reconstructing Masculinity through Adversity |
2 / 542 |
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| Thelma and Louise Character Analysis |
2 / 581 |
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| Aquinas' Conception of Law |
3 / 617 |
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| Aristotle's Concept Of Teleology |
3 / 871 |
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| Aristotle, Happiness and the Human Good |
5 / 1469 |
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| Aristotole: Happiness |
1 / 298 |
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| Cosmo |
5 / 1249 |
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| Descartes Wax Passage |
3 / 680 |
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| First Wave of Plato's Republic Book V |
2 / 521 |
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| Hobbes And Locke |
2 / 379 |
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| Hobbes' Prudential Oughts |
3 / 743 |
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| Hobbs |
2 / 402 |
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| Hume on Miracles |
4 / 1115 |
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| literature and Human condition |
10 / 2974 |
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| Myth in Political Theory |
3 / 766 |
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| Philosophy (Hobbes Vs. Rousseau) |
3 / 742 |
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| Rosseau |
1 / 279 |
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| State Of Nature Vs. State Of War |
3 / 780 |
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| What truly exist? |
4 / 910 |
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| Nature versus Nurture: Which Determines Personality? |
2 / 532 |
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| Nature vs. Nurture in Improving Child's well being |
3 / 652 |
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| Rebt Vs A.A. |
3 / 823 |
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| Baptists |
2 / 534 |
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| How god created mankind |
2 / 565 |
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| Religion |
3 / 670 |
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| The Truth About Physics And Religion |
5 / 1255 |
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| Coursework on King Lear |
15 / 4340 |
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| einstein |
2 / 450 |
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| Homo erectus vs. Homo sapien |
2 / 544 |
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| Mythology Symbols |
2 / 539 |
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| q3tr |
2 / 398 |
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| Colombia: The Link Between Drugs and Terror |
2 / 542 |
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| Juvenile Justice |
5 / 1354 |
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| views of hobbes and nietzche |
3 / 691 |
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| dfdfd |
3 / 730 |
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| Prince2 Explained |
3 / 637 |
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