| Title |
Pages / Words |
Save |
| Our Town |
2 / 384 |
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| The Effect of Opening Scenes on Plot Setting and Characters |
3 / 784 |
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| Hamlet |
4 / 1043 |
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| Julius Caesar |
1 / 252 |
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| Conventionalism |
1 / 246 |
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| Describe the conflicts of The Tertium Quid, the Burr Conspiracy, Essex Junto and the Hartford Convention. |
1 / 223 |
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| Jfk Therioe |
1 / 199 |
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| Ng |
2 / 482 |
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| William Shakespeare |
4 / 1026 |
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| A Doll's House |
1 / 288 |
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| A Midsummer's Night Dream |
2 / 340 |
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| Albert Camus' "the Plague" |
2 / 496 |
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| An impressionistic view of The Bluest Eye |
2 / 397 |
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| Analysis of Deathtrap |
3 / 699 |
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| Arturo Perez-Reverte' The Club Dumas |
3 / 612 |
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| COLD MOUNTAIN |
3 / 702 |
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| Contrast Essay: Romeo And Juliet |
3 / 882 |
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| Da vinci's summary |
2 / 561 |
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| Dramatic Irony in Oedipus Rex |
2 / 498 |
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| Dune |
2 / 419 |
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| Fates Role in Romeo and Juliet |
2 / 599 |
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| Going After Cacciato |
2 / 477 |
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| Hamlet |
4 / 935 |
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| Hamlet: Essay On Act I |
4 / 1030 |
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| Harry Potter And The Deus Ex Machina |
3 / 723 |
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| Hunters in the Snow analysis |
2 / 381 |
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| Maigret And Then Toy Village |
2 / 319 |
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| Minority Rules |
2 / 547 |
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| macbeth |
11 / 3155 |
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| medicine river |
2 / 420 |
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| New York Burning |
4 / 926 |
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| ORder and Disorder in Macbeth (Welles and Pollanski's projections) |
13 / 3767 |
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| Of Mice And Men - Hopes And Dreams |
2 / 373 |
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| Poe |
2 / 584 |
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| Romeo & Juliet: Friar Lawrence |
3 / 637 |
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| Romeo and Juliet |
3 / 629 |
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| Sybolism Of "The Overcoat" |
2 / 516 |
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| soliloquies in the merchant of venice |
3 / 717 |
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| The Adventures Of Huckleberry Finn: Critique |
2 / 373 |
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| The Great Gatsby: Realism |
3 / 635 |
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| The Hobbit: A Review |
4 / 1113 |
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| The Killings |
4 / 1004 |
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| The Lottery |
2 / 367 |
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| The Problem In Macbeth |
11 / 3174 |
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| The Runaway Bunny |
2 / 368 |
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| The Tragedy Of Hamlet |
4 / 936 |
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| Twelfth Night: Two Faces, One Mind |
2 / 488 |
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| the red dragon |
2 / 383 |
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| to kill a mocking bird |
1 / 282 |
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| Veronika Decides To Die Queer Critic |
2 / 435 |
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| Book 1 |
2 / 319 |
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| Othello as a tragic play |
4 / 962 |
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| A Rose For Emily |
1 / 243 |
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| A Rose For Emily |
5 / 1407 |
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| A&P |
2 / 560 |
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| A. |
3 / 635 |
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| Act 3 Scene 1 |
8 / 2316 |
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| An Occurrence on Owl Creek Bridge |
3 / 606 |
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| Archetypes |
2 / 577 |
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| Aristotle |
2 / 559 |
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| Billy Budd |
3 / 779 |
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| Character and Plot in "Why I live in the P.O." |
3 / 690 |
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| Characterization through deviation of plot: The evolution of the main characters in "Girl" and "Lust" |
3 / 672 |
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| Characters and Values |
2 / 428 |
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| Dantes Inferno |
2 / 432 |
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| Discuss “The Duchess of Malfi” as a revenge tragedy. |
5 / 1306 |
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| Evaluation Of The Movie Rush Hour 3 |
2 / 548 |
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| Fantastic Four |
2 / 482 |
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| Frankenstein, snow balling revenge |
3 / 603 |
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| Gatsby Read |
2 / 301 |
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| Gender Identities in Tragedy and Romance |
7 / 2059 |
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| Gene's Everyman Qualities |
3 / 823 |
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| Gilgimesh |
2 / 418 |
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| Hahalemon |
6 / 1628 |
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| Harry Potter and the Camber of Secrets |
2 / 557 |
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| Henry V |
3 / 633 |
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| Irony in "The Pardoner's Tale" |
2 / 448 |
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| John Grisham |
3 / 803 |
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| awakening |
3 / 681 |
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| compare and contrast tess and sarah in the 1st chapters of tess of the d'urbervilles and french lieutenants woman |
2 / 372 |
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| definition of literature |
2 / 314 |
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| english future |
1 / 291 |
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| english |
3 / 640 |
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| gunpowder plot |
4 / 1013 |
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| Macbeth |
6 / 1651 |
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| Macbeth: Act II Scene III |
5 / 1327 |
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| Measure For Measure |
3 / 772 |
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| Merchant Of Venice |
2 / 586 |
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| Merchant of Venice |
5 / 1302 |
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| Not Just for Laughs: Remembering the Porter |
6 / 1672 |
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| Oedipus REx and Aristotle |
3 / 861 |
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| Oedipus the King |
3 / 671 |
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| Othello |
2 / 504 |
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| Out Of The Silent Planet |
2 / 520 |
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| Overstepping Theological Boundaries |
6 / 1629 |
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| Plot in Alice Walker’s “Everyday Use” |
4 / 987 |
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| Romeo & Juliet. |
3 / 629 |
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| Romeo+juliet |
3 / 633 |
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| School |
2 / 434 |
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| Shakespearian tragedy |
1 / 280 |
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| Short Story Characteristics |
2 / 518 |
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| Sophocles's Electra Vs. Euripides's Electra |
2 / 569 |
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| The First Line From Waiting For Godot, “nothin To Be Done”, Could Be Said To Sum Up The Theatre Of The Absurd, Except That There’s Always Something Happening. |
1 / 257 |
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| The Pit And The Pendelum |
3 / 654 |
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| The Scarlett Letter |
2 / 550 |
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| The Seven Key Essentials of Fiction |
3 / 644 |
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| The Tempest, a Brave New World; or just a sad goodbye? |
6 / 1563 |
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| The headless horseman |
3 / 724 |
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| The problem of macbeth |
11 / 3173 |
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| Tragedy |
3 / 700 |
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| Two Kinds |
2 / 480 |
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| What is literature |
3 / 835 |
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| Witchcraft from Within: Hippy's, Murder and Shakespeare |
6 / 1752 |
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| Yellow Wallpaper |
2 / 436 |
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| lord of the rings |
2 / 341 |
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| macbeth |
13 / 3678 |
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| novella |
2 / 457 |
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| plot structure and setting in Emma |
4 / 1168 |
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| the monkeys paw |
1 / 105 |
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| the quiet american |
1 / 266 |
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| women in shakespeare's plays |
2 / 552 |
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| Africa |
1 / 245 |
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| Alcholism |
2 / 371 |
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| Much Ado About...Something? |
2 / 482 |
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| The Patriot Essay |
1 / 298 |
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| Puritan Society In Review |
3 / 778 |
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| A Lesson Before Dying |
3 / 660 |
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| A Lesson Before Dying |
3 / 660 |
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| A.I. |
2 / 485 |
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| Endgame Response |
3 / 620 |
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| Friday |
3 / 663 |
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| Full Stop, Why Apes Look Like People And The Escape |
5 / 1225 |
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| fiction |
1 / 286 |
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| Guy Fawkes |
4 / 911 |
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| Guy Fawkes |
4 / 911 |
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| Hamlet - Revenge A Chain Reaction |
3 / 857 |
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| Hamlet(lit Devices) |
3 / 822 |
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| Interview With The Vampire |
1 / 295 |
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| lady macbeth |
20 / 5861 |
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| Macbeth - Hero To Butcher |
12 / 3302 |
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| Macbeth Shakespea |
14 / 4093 |
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| Macbeth vs. King Henry VIII |
9 / 2487 |
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| Mary Shelleys Frankenstein Com |
3 / 696 |
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| Minority Rules |
2 / 547 |
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| Of Mice And Men - Hopes And Dr |
2 / 373 |
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| Of Mice And Men - Hopes And Dreams |
2 / 373 |
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| Othello - The Greatest Tragedy |
4 / 962 |
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| Othello 2 |
2 / 356 |
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| out, out explicxation |
3 / 767 |
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| Plot Flaws In The Great Gatsby |
3 / 843 |
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| Poetry Difficulty |
2 / 357 |
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| Poetry Difficulty |
2 / 357 |
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| Romeo And Juliet |
3 / 633 |
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| Scarlet Letter Essay |
4 / 965 |
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| Setting And Story |
2 / 443 |
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| Shasta Mcnasty |
1 / 297 |
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| Showboat - Production Critique |
2 / 543 |
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| Sophocles's Electra Vs. Euripides's Electra |
2 / 569 |
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| Sweeny Todd |
1 / 264 |
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| Sybolism Of "the Overcoat" |
2 / 516 |
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| street car named desire |
1 / 245 |
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| The Black Cat By Poe |
3 / 660 |
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| The Cave: Plot Summary |
1 / 106 |
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| The Hobbit |
4 / 1104 |
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| The Hobbit |
4 / 1104 |
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| The Hobbit: Book Review |
4 / 1091 |
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| The Jilting Of Granny Weatherall And Worn Path: Compare And Contrast |
2 / 434 |
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| The Pit And The Pendelum |
3 / 654 |
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| The Plague |
2 / 484 |
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| The Short Story Theories Of Ed |
3 / 618 |
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| The Use Of Irony In The Stone |
2 / 451 |
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| The Victim In A New Light |
2 / 369 |
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| Amelie |
2 / 330 |
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| Ballad Of A Soldier |
4 / 1124 |
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| Cabaret |
2 / 441 |
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| Classical Hollywood narrative |
2 / 342 |
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| Kite Runner Movie |
1 / 298 |
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| Mimic |
1 / 249 |
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| Movie Report: Extreme Measures |
2 / 325 |
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| Pretty Woman Vs. Pillow Talk |
4 / 1061 |
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| Requiem For A Dream |
2 / 436 |
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| Shasta Mcnasty |
1 / 297 |
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| Stranger On A Train |
2 / 423 |
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| Sweeney Todd |
2 / 318 |
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| The Notebook: A Story that Surpasses Time |
2 / 392 |
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| The Ring |
1 / 120 |
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| We will Rock You |
2 / 422 |
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| Aristotle and Godot |
4 / 1065 |
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| Macbeth |
14 / 4014 |
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| Brave New World |
1 / 281 |
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| Determination of Chlorides |
4 / 1003 |
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| Ebola--real life and movies |
3 / 647 |
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| Memory Perceived as Art |
2 / 305 |
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| osmosis |
2 / 553 |
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| Run to the wild side |
1 / 282 |
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| The Effect Of Substrate Concentration On The Rate Of Reaction |
4 / 1162 |
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| viscometers and fluids |
3 / 707 |
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| Choppa |
1 / 201 |
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| Design Project ece382 |
2 / 448 |
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| Spss |
7 / 1818 |
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