| Title |
Pages / Words |
Save |
| The Grifters |
2 / 565 |
 |
| Of Mice and Men |
2 / 353 |
|
| Glory |
1 / 283 |
|
| Book Review |
2 / 473 |
|
| Final |
2 / 497 |
|
| History x |
2 / 351 |
|
| Imitation Of Life Film |
2 / 323 |
|
| Kiss Me Deadly and Film Noir |
2 / 530 |
|
| Miss |
1 / 251 |
|
| Charles Chaplin |
1 / 287 |
|
| Jean-Michel Basquiat |
2 / 409 |
|
| Me |
1 / 262 |
|
| Nino Rota |
1 / 129 |
|
| Pride And Predjudice |
1 / 264 |
|
| Abc |
2 / 347 |
|
| Like waster |
1 / 266 |
|
| Motorcycle Diaries Movie Summary |
3 / 651 |
|
| Nightmare on Elm Street |
1 / 248 |
|
| policy |
2 / 375 |
|
| Rabbit Proof Fence |
2 / 495 |
|
| summer reading |
2 / 519 |
|
| THE STING |
2 / 553 |
|
| The birds |
3 / 844 |
|
| Ethical Dilemma: Transparency or Confidentiality? |
2 / 438 |
|
| ecommerce |
1 / 258 |
|
| Globalization |
2 / 329 |
|
| Kodak |
1 / 139 |
|
| Manager |
1 / 281 |
|
| Manager |
1 / 211 |
|
| Mutaual Non Disclosure Agreement |
4 / 961 |
|
| Nescafe |
2 / 475 |
|
| Polaroid |
2 / 317 |
|
| A Streetcar themes |
1 / 236 |
|
| Beowulf |
2 / 577 |
|
| Birthday. |
1 / 227 |
|
| Chicken Run |
2 / 363 |
|
| Chinatown: Above the Film Noir Genre |
5 / 1405 |
|
| City Lights |
3 / 815 |
|
| Crash Overview |
2 / 380 |
|
| Cultural Studies |
2 / 405 |
|
| Dames, Coppers, and Crooks: A L:ook At Film Noir |
10 / 2877 |
|
| Differences between The Birds the Movie and The Birds short story |
2 / 594 |
|
| Film Noir |
8 / 2295 |
|
| Harry Potter and the Camber of Secrets |
2 / 557 |
|
| James Bond |
1 / 295 |
|
| Jaws |
1 / 145 |
|
| L.a. confidential |
2 / 388 |
|
| Lavender |
3 / 631 |
|
| Macbeth |
2 / 387 |
|
| Movie Review Of Shakespeare's A Midsummer's Nights Dream |
2 / 316 |
|
| Of Mice And Men |
2 / 353 |
|
| Requiem for a Dream |
2 / 328 |
|
| Saving Private Ryan Help Sheet |
2 / 320 |
|
| Style Wars |
1 / 265 |
|
| Term Paper |
1 / 141 |
|
| The Crow Review |
4 / 965 |
|
| The Truman Show |
2 / 525 |
|
| Traits of Marlow in the Big Sleep |
4 / 1154 |
|
| Yahoo |
1 / 289 |
|
| Yellow Wallpaper |
2 / 436 |
|
| percolating paranoia |
8 / 2146 |
|
| romeo and juliet |
3 / 652 |
|
| sunday too far away |
1 / 284 |
|
| the usual suspects |
3 / 800 |
|
| Ca Twiste a Popenguine |
1 / 123 |
|
| Caligula - motivations of the directors |
2 / 392 |
|
| Champagne |
4 / 1087 |
|
| Hu V. Ang, 127 Ca.Rptr.2d 756 (2002) |
2 / 457 |
|
| rabbit poof fence |
2 / 547 |
|
| The U.S. vs. John Lennon |
2 / 305 |
|
| A film I have seen |
2 / 523 |
|
| american splendor |
4 / 922 |
|
| animal farm reveiw |
1 / 260 |
|
| Black Hawk Down |
1 / 195 |
|
| Boys In The Hood The Beginning |
3 / 653 |
|
| China Town |
5 / 1277 |
|
| Cindy Sherman |
2 / 473 |
|
| Citizen Cane |
1 / 234 |
|
| Dramatic Tragedy |
2 / 393 |
|
| Film Review: Spartacus |
2 / 593 |
|
| Gummo |
1 / 180 |
|
| germminal and econ |
2 / 321 |
|
| hello ou there |
1 / 179 |
|
| kodak |
2 / 478 |
|
| L.A. Confidential |
4 / 1020 |
|
| La Confidential And Film Noir |
11 / 3249 |
|
| Matrix paper |
2 / 550 |
|
| Noble Cause Corruption |
2 / 588 |
|
| Pinot Gris Wine |
2 / 563 |
|
| Process Of Processing |
2 / 430 |
|
| pinot noir |
2 / 527 |
|
| Rear Window |
1 / 101 |
|
| Roger And Me |
2 / 410 |
|
| The Birds |
2 / 505 |
|
| The Film Trekking |
1 / 142 |
|
| The Sting |
2 / 553 |
|
| To what extent is Laura Mulvey's article ?Visual Pleasure and Narrative Cinema' true to the representation of women in film noir? |
8 / 2206 |
|
| Tootsie |
2 / 449 |
|
| Visions And Voices |
1 / 196 |
|
| 12 Angry Men |
1 / 171 |
|
| 12 Monkeys |
2 / 513 |
|
| 12 angry men |
1 / 287 |
|
| 2004 Stepford Wives |
1 / 300 |
|
| 25th Hour |
4 / 1090 |
|
| 32 Short Films About Glenn Gould |
2 / 573 |
|
| "Chinatown" as film noir |
3 / 849 |
|
| After The Sunset |
2 / 323 |
|
| Analysin on Bollywood movie |
1 / 180 |
|
| Analysis of the movie Out of the Past |
8 / 2365 |
|
| Apocalypto Is An Allegory |
1 / 237 |
|
| Baz R+J |
1 / 126 |
|
| Blaire Witch review |
2 / 475 |
|
| big sleep |
4 / 923 |
|
| Cabaret |
2 / 441 |
|
| Camila |
2 / 393 |
|
| China Town |
5 / 1277 |
|
| Chinatown |
2 / 377 |
|
| Chocolat |
2 / 305 |
|
| Classical Hollywood narrative |
2 / 342 |
|
| Crash |
1 / 298 |
|
| chinatown |
4 / 1192 |
|
| count of monte cristo |
1 / 242 |
|
| Day For night |
1 / 242 |
|
| FIght Club |
3 / 753 |
|
| Femme Fatale: Evil or not |
6 / 1509 |
|
| Fight Club |
1 / 253 |
|
| Film Noir At It'S Finest |
2 / 525 |
|
| Film Noir |
1 / 191 |
|
| Film Noir |
3 / 634 |
|
| Film Review: Tyler Perry's "Why Did I Get Married?" |
2 / 315 |
|
| Film genres |
2 / 479 |
|
| Film noir |
6 / 1584 |
|
| Film study |
1 / 172 |
|
| Finding Forrester |
1 / 245 |
|
| Franco Zeffili's Film Version Of Romeo And Juliet |
1 / 211 |
|
| femme fatale in film noir |
7 / 1906 |
|
| film crime |
5 / 1431 |
|
| film institute research |
2 / 553 |
|
| film noir |
3 / 693 |
|
| full monty |
2 / 414 |
|
| Genre Is The Best Approach For The Academic Study Of Hollywood Film Texts |
3 / 836 |
|
| Gummo: A Review |
2 / 413 |
|
| Interpretations Of Kite Runner |
2 / 314 |
|
| Iron Jawed Angels |
2 / 349 |
|
| Italian job |
2 / 349 |
|
| JAWS |
2 / 508 |
|
| King |
2 / 301 |
|
| L.A. Confidential review |
3 / 738 |
|
| LA confidential |
2 / 305 |
|
| l.a confidential film noir |
4 / 952 |
|
| Memento Film Review |
2 / 592 |
|
| Memento |
2 / 380 |
|
| Midsummer Nights Dream |
2 / 345 |
|
| Miss |
1 / 22 |
|
| Moulin Rouge |
1 / 266 |
|
| Movie Insider |
2 / 458 |
|
| Movie: The Fan |
1 / 197 |
|
| movie philadelphia |
1 / 271 |
|
| Neorealism |
9 / 2591 |
|
| Noir |
12 / 3319 |
|
| of mice and men movie review |
1 / 267 |
|
| Psycho |
1 / 223 |
|
| Reading Summary: Amplification of Sound |
2 / 316 |
|
| Red Rock West |
2 / 577 |
|
| Reviewing The Matrix Revisited (documentary) |
2 / 497 |
|
| Robert Altman's The Long Goodbye As A Genre Revisionist Film |
6 / 1570 |
|
| Saving Private Ryan |
2 / 354 |
|
| Shut Up And Sing |
3 / 727 |
|
| Sin City |
3 / 826 |
|
| Spellbound |
2 / 434 |
|
| Terrific looking film, especially during this era |
2 / 559 |
|
| The Black Dalhia Worst Film Essay |
3 / 758 |
|
| The Elephant Man Essay |
3 / 670 |
|
| The Lost Boys Horror Genre |
3 / 619 |
|
| The Wild Bunch |
2 / 375 |
|
| To what extent do the conventions and codes of film noir used in double indemnity reflect the social, economic and cultural content of the period? |
3 / 634 |
|
| Touch Of Evil |
5 / 1284 |
|
| the pianist |
2 / 550 |
|
| Underlying Tensions within the Big Heat |
6 / 1731 |
|
| Will Sky Captaun Make History? |
3 / 817 |
|
| Wizard Of Oz |
1 / 185 |
|
| Women Portrayal |
2 / 524 |
|
| Women Portrayed in Horror Films |
10 / 2722 |
|
| what makes an excellent film |
2 / 491 |
|
| Inner Power |
3 / 827 |
|
| Fred Astaire |
1 / 261 |
|
| girl interrupted review |
2 / 473 |
|
| rock |
1 / 202 |
|
| Process Of Processing |
2 / 430 |
|
| Aston-Blare Inc |
2 / 376 |
|
| american history x |
2 / 365 |
|
| Canadian Identity Or “Invisible Culture”. |
2 / 333 |
|
| Dalton Trumbo |
1 / 197 |
|
| kit kat preoject |
7 / 1899 |
|
| Rabbit Proof Fence |
2 / 479 |
|
| The Media Plays a Crucial Role in Forming Public Opinion |
2 / 349 |
|
| Use Cell Phone |
2 / 541 |
|
| grouping |
2 / 308 |
|
| How Nda Works |
5 / 1430 |
|
| PHOTOSHOP LAB REPORT |
2 / 391 |
|
