| Title |
Pages / Words |
Save |
| How reliable is the narrator in Ethan Frome? |
5 / 1267 |
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| The Macbeth Witches |
3 / 727 |
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| Save the Last Dance |
2 / 557 |
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| Biography and Theatre |
7 / 2043 |
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| Hamlet (Use of Minor Characters) |
2 / 516 |
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| A new England nun |
3 / 605 |
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| Gavin Willingham |
2 / 517 |
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| jesse james |
5 / 1470 |
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| matrix |
2 / 543 |
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| raphael sanzio |
6 / 1528 |
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| Shakespeare |
5 / 1227 |
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| 5 People You Meet In Heaven |
2 / 556 |
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| A Rose For Emily |
3 / 672 |
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| Arturo Perez-Reverte' The Club Dumas |
3 / 612 |
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| Cask Of Amontillado Anaylysis |
2 / 494 |
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| Crafting of the story 'Scary Movies' |
3 / 606 |
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| Critical Evaluation ? Lamb to the Slaughter |
3 / 626 |
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| Critical Response to The Grapes of Wrath |
2 / 540 |
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| Da vinci's summary |
2 / 561 |
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| Diary of Anne Frank |
2 / 551 |
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| Dr. Jekyll And Mr. Hyde |
3 / 813 |
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| Dramatic Irony in Oedipus Rex |
2 / 498 |
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| Fahrenheit 451, 1984, and Brave New World |
5 / 1284 |
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| Fatality |
3 / 671 |
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| Harry Potter and the Sorcerer's Stone |
2 / 454 |
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| Hottentot Venus |
6 / 1771 |
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| In The Bedroom and "Killings" |
3 / 626 |
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| Ovid's Metamorphoses |
4 / 1009 |
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| Stephen King's The Stand: Summary |
2 / 528 |
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| Tangerine |
2 / 572 |
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| The Brethren |
2 / 546 |
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| The Hatchet |
4 / 1087 |
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| The Hitchcock Genius |
10 / 2860 |
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| The House Of The Seve Gables |
3 / 625 |
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| The House Of The Seve Gables |
3 / 619 |
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| The House Of The Seven Gables |
3 / 619 |
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| The House Of The Seven Gables |
3 / 622 |
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| William Shakespeare's Life |
4 / 1188 |
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| mcdonalds |
3 / 805 |
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| 1984 |
6 / 1778 |
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| A man without feeling |
3 / 628 |
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| A rose for emily character analysis |
3 / 616 |
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| Act 3 Scene 1 |
8 / 2316 |
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| COM120 Final Grammar Quiz |
3 / 891 |
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| Childhood memory |
3 / 692 |
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| Cliches |
9 / 2516 |
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| Differences Between the Epic "Beowulf" and John Gardner's Novel "Grendel" |
3 / 604 |
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| Disease Images In Hamlet |
5 / 1321 |
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| Dracula - Gothic Response |
2 / 464 |
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| During the time men live without a common Power to keep them all in awe, they are in that condition which is called Warre; and such a warre, as is of every man, against every man (Hobbes, Leviathan). How does Hobbes' view of the ?condition of Ma... |
6 / 1779 |
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| Genres of Action heroes |
2 / 570 |
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| Gothic Horror Brainstorming |
3 / 616 |
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| How does Shakespeare use dramatic devices is Act 3 scene 1 of "Romeo and Juliet" in order to make it an exciting scene and a turning point in the play |
6 / 1773 |
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| Informal Letter |
2 / 533 |
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| Interpreting Sir Thomas Wyatt's Whoso List |
6 / 1795 |
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| Jaws - 'How Does Spielberg Create Tension?' |
6 / 1690 |
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| King Leer |
5 / 1457 |
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| Life of Pi |
2 / 520 |
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| ?°Tomorrow, When the War Began?± Review |
2 / 573 |
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| cask of amontillado |
3 / 621 |
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| childhood |
2 / 551 |
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| children book analysis |
2 / 587 |
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| jaws media |
2 / 598 |
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| Lucky Jim |
2 / 434 |
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| Macbeth Act 1 |
2 / 558 |
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| Metaphors For War |
3 / 626 |
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| Micheangelo |
6 / 1562 |
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| Miss |
4 / 1055 |
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| Mr Neville Was Only Doing His Job. He Cannot Be Blamed For His Actions. Discuss |
2 / 488 |
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| Mr. |
3 / 694 |
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| Out Of The Silent Planet |
2 / 520 |
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| Psycho |
2 / 466 |
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| SS |
4 / 1179 |
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| Structuralism of the novel disgrace |
2 / 491 |
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| Style analysis of Joseph Conrad and James Cooper |
2 / 422 |
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| Tell Tale Heart |
2 / 560 |
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| The Art Of The Storyteller |
2 / 503 |
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| The Imoirtannce And Difficulty Of Teaching English |
7 / 1894 |
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| The Life of David Copperfield..or Charles Dickens? |
3 / 602 |
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| The Population Solution |
5 / 1301 |
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| The beach |
2 / 384 |
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| What makes a successful romantic tragedy? |
7 / 1887 |
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| Winter On The Mind |
2 / 537 |
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| ms. |
2 / 497 |
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| supernatural elements in shakespeare |
6 / 1608 |
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| the crucible |
6 / 1776 |
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| violence |
2 / 568 |
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| what is a hero? |
3 / 628 |
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| Ancient Rome's Animal Cruelty for Entertainment in the Amphi-theatre a |
6 / 1795 |
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| Artists of the Renaissance |
6 / 1518 |
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| Behind the reason of Constantine's Christian Conversion |
7 / 1808 |
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| DaVinvi VS Michelangelo: Who's the true Renaissance man? |
2 / 485 |
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| Druids |
9 / 2459 |
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| History of christmas |
2 / 474 |
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| History |
2 / 517 |
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| Michaelangelo |
6 / 1595 |
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| NAPOLEON |
5 / 1202 |
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| Remember the Titans |
2 / 524 |
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| Roman Republic |
2 / 502 |
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| Rome in the beginning |
14 / 3966 |
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| Rome: The Power And The Glory |
9 / 2605 |
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| Rosenberg Spies |
15 / 4285 |
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| School of Athens |
4 / 1087 |
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| School of Athens |
6 / 1626 |
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| TRuth or fiction |
16 / 4625 |
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| The Conversion of Augustine |
5 / 1270 |
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| Tiberius |
2 / 424 |
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| Tombs And Temples |
5 / 1396 |
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| WWII |
2 / 351 |
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| When in Rome: |
5 / 1493 |
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| Elizabethan Theate |
5 / 1310 |
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| ANd People all Around |
3 / 621 |
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| Analysis Of Voice In Joyce Car |
2 / 574 |
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| Analysis of Satire In Dr. Strangelove |
4 / 1068 |
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| Ben Quarles Negro In The Revol |
5 / 1331 |
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| Budwieser |
3 / 612 |
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| common law and equity |
6 / 1583 |
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| Diary Of Anne Frank |
2 / 551 |
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| Drug Dogs |
3 / 692 |
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| Drug Dogs |
3 / 692 |
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| History of Newspapers |
5 / 1334 |
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| International House of Pancake History |
5 / 1291 |
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| Leadership In “Remember The Titans” |
5 / 1491 |
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| Life Of Raphael Sanzio |
4 / 956 |
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| Lipset's American Creed |
4 / 975 |
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| Metaphors For War |
3 / 626 |
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| Michelangelo Buonarroti |
3 / 680 |
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| Michelangelo |
3 / 680 |
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| Michelangelo |
5 / 1496 |
 |
| none |
2 / 517 |
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| O Brother where art thou? |
2 / 552 |
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| Oedipus Rex |
3 / 728 |
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| One Evil Summer |
3 / 615 |
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| Orson Welles |
4 / 1157 |
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| Remember the Titans |
3 / 633 |
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| Septimius Severus: Campaigns with Britain |
5 / 1473 |
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| Social Order Versus Personal F |
2 / 480 |
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| Still Life with Fruit |
2 / 588 |
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| Summary Of A Presentation On Machiavelli |
2 / 551 |
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| THINK YOU KNOW EVERYTHING |
5 / 1422 |
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| The Adventure of a Lifetime |
3 / 662 |
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| The Artist And The Art |
4 / 1150 |
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| The Client Book Review |
3 / 629 |
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| The Client Book Review |
3 / 629 |
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| The Da Vinci Code, Silas's Strengths and Weaknesses |
2 / 577 |
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| The House Of The Seve Gables |
3 / 625 |
 |
| The House Of The Seve Gables |
3 / 619 |
 |
| The House Of The Seven Gables |
3 / 619 |
 |
| The House Of The Seven Gables |
3 / 622 |
 |
| The Imoirtannce And Difficulty Of Teaching English |
7 / 1894 |
 |
| The Perfect Storm |
2 / 501 |
 |
| The Prince |
6 / 1522 |
 |
| The Sniper Analysis |
2 / 414 |
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| The Stand |
2 / 518 |
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| The Use Of The Supernatural In |
2 / 576 |
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| The Whiskey Rebellion |
2 / 514 |
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| Themes In Chicago Hope - Tribu |
5 / 1416 |
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| Tiberius |
2 / 424 |
 |
| Tombs And Temples |
5 / 1396 |
 |
| Where Are You Going, Where Have You Been |
2 / 574 |
 |
| Winter On The Mind |
2 / 537 |
 |
| Alfred Hitchcock: The Creator Of Suspense |
8 / 2113 |
 |
| Art of Story Telling |
2 / 496 |
 |
| Categorizing Television |
2 / 492 |
 |
| Confronting Loss in Memento |
2 / 494 |
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| Contact |
2 / 562 |
 |
| Film genres |
2 / 479 |
 |
| Flim Review on Jaguar by Jean Rouch |
2 / 566 |
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| George Gershwin |
6 / 1633 |
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| Gladiator: A Classic is Born |
5 / 1351 |
 |
| Jaws - filmic techniques, structure of tension/suspense |
2 / 391 |
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| My Piece Of MInd |
3 / 837 |
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| Opera |
11 / 3020 |
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| Psycho by Alfred Hitchcock |
2 / 479 |
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| pulp fiction |
4 / 1110 |
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| Raging Bull |
3 / 649 |
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| Remember The Titans |
3 / 685 |
 |
| Streetcar Named Desire |
4 / 1136 |
 |
| semiotics |
4 / 908 |
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| Texas Chainsaw Massacre |
2 / 556 |
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| The Pelican Brief Novel vs. Movie |
6 / 1775 |
 |
| the life of david gale film review |
4 / 1011 |
 |
| Analysis of Cesare Borgia in Machiavelli's The Prince |
5 / 1380 |
 |
| Why must a ruler be prepared to act in ways that are not considered good |
7 / 1882 |
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| HOW MEN REACT TO ATTRACTIVE WOMEN. |
2 / 514 |
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| Cristianity |
7 / 1851 |
 |
| King David |
2 / 561 |
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| The Messiah |
2 / 527 |
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| The Return Of The Jedi |
5 / 1462 |
 |
| Tiberius Claudius Nero Caesar |
4 / 986 |
 |
| An Encryption And Decryption Algorithm For Messages Transmitted By Phonetic Alphabets |
9 / 2422 |
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| Ancient Calendars |
6 / 1501 |
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| Computers |
2 / 371 |
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| Jaws |
6 / 1683 |
 |
| breaking the norm |
3 / 632 |
 |
| Chariteenz Haven |
2 / 572 |
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| Sexual Addiction |
2 / 574 |
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| Smoking in Public Places |
2 / 583 |
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| Cryptography |
7 / 1837 |
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| Tanning Beds vs Sunless Tanner |
4 / 1120 |
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