| Title |
Pages / Words |
Save |
| A Midsummer Night's Dream, quote response/analysis |
3 / 620 |
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| The Turn of A Screw |
2 / 543 |
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| American Gothic |
4 / 957 |
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| book review on uncle tom's cabin |
3 / 794 |
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| Glory |
2 / 352 |
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| Grant and Lee |
4 / 905 |
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| News paper |
4 / 1159 |
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| Newspapers |
4 / 1147 |
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| Agatha Christie Biography |
2 / 342 |
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| Julius Caesar |
27 / 7979 |
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| Me |
1 / 262 |
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| Michelangelo Buornarriti |
6 / 1604 |
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| 3mistakes Of My Life |
2 / 396 |
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| A Review: The Day Of The Jackal |
2 / 494 |
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| A Tale Of Two Cities: Recalled To Life |
2 / 461 |
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| Age Of Innocence |
3 / 826 |
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| Analysis of Bjorn Sortland's \ |
2 / 516 |
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| Arturo Perez-Reverte' The Club Dumas |
3 / 612 |
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| Crime and Punishment as Polyphonic |
2 / 350 |
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| client vs snow in august |
2 / 532 |
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| Farewell to Manzanar Book Review |
2 / 538 |
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| Fate And Feminism |
2 / 476 |
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| flaner o'conner |
1 / 227 |
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| great gatsby - nick |
1 / 256 |
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| Hiroshima - John Hersey |
2 / 496 |
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| House of the Seven Gables: Sins Represented by Characters |
2 / 355 |
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| I'm Not Scared |
2 / 474 |
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| King Lear: Conspiracy In Nakedness And Dress |
3 / 612 |
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| Kingsolver |
3 / 624 |
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| MAGGIE: A Girl Of the Streets |
2 / 497 |
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| November Blues |
2 / 442 |
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| Red Badge Of Courage |
2 / 389 |
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| Revelation |
3 / 771 |
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| THE STING |
2 / 553 |
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| The Age of Innocence |
3 / 817 |
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| The Celestine Prophecy |
2 / 429 |
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| The Notebook |
2 / 406 |
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| The Odyssey |
2 / 564 |
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| The Roman Imperial Army of the First and Second Centuries AD |
6 / 1525 |
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| The most dangerous game |
3 / 602 |
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| Waiting for Godot |
6 / 1669 |
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| Case Study Analyses: The Gap, Inc. |
1 / 265 |
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| Microsoft |
3 / 668 |
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| Mr. |
8 / 2279 |
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| R'ships after Downsizing |
5 / 1221 |
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| Student |
2 / 429 |
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| Who Moved My Cheese |
5 / 1262 |
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| 12 angrey men |
3 / 825 |
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| A Good Cop |
1 / 262 |
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| A Good Man Is Hard to Find - Flannery O'Connor |
3 / 706 |
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| Advanced level |
3 / 723 |
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| Antigone and Aristotle |
2 / 469 |
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| Candide |
4 / 929 |
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| Casablanca |
6 / 1781 |
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| Character Transformations In DH Lawrence's "The Blind Man" And "The Ho |
2 / 549 |
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| Characterization in Salinger's Nine Stories |
3 / 639 |
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| Characterization |
4 / 1116 |
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| Comparing And Contrasting The Characters Of Amanda And Laura From The Glass Menagerie |
4 / 903 |
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| Comparison Between King Lear and A Thousand Acres |
2 / 497 |
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| Comparison Of Lord Of The Flies,"the Lottery","the White Circle" And " |
3 / 703 |
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| Covert War: Nature Vs. Culture in The Last of the Mohicans |
1 / 223 |
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| Crm |
5 / 1234 |
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| Death of a Salesman |
2 / 493 |
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| Definition Of Modernism In Fiction |
3 / 611 |
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| Discussion Of Local Color In Mark Twain |
3 / 891 |
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| Femme Fatales of English Literature |
13 / 3614 |
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| Film Task ? A Knights Tale |
2 / 400 |
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| Function of setting in man of la mancha |
4 / 1003 |
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| Hamlet Analysis: Queen Gertrude |
2 / 513 |
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| Hamlet Vs. Macbeth |
2 / 512 |
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| How Do Samuel Beckett (“Waiting For Godot”) And Gabriel Garcia Marquez (“Chronicles Of A Death Foretold”) Manage To Break The Chains Of A Circular Novel/Play? |
3 / 877 |
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| How does William Golding create the tensions in The Spire? |
3 / 768 |
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| Iago's Vengefulness |
2 / 522 |
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| Invisible Man Revision |
1 / 261 |
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| Is Othello a Racist Play |
2 / 415 |
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| Jackie Robinson |
1 / 214 |
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| King Lear |
3 / 622 |
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| King Leer |
5 / 1457 |
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| "No Sugar" Essay |
3 / 655 |
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| a rose for emily |
2 / 323 |
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| age of innocence |
2 / 305 |
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| are you ready boots |
1 / 261 |
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| importance of being ernest |
3 / 692 |
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| literature |
1 / 261 |
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| Love and Life Shakspeare |
2 / 454 |
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| MacBeth |
3 / 647 |
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| Macbeth Essay |
2 / 416 |
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| Macbeth |
3 / 820 |
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| Measure For Measure |
3 / 772 |
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| Of Mice and Men |
3 / 613 |
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| Of Violence |
3 / 622 |
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| Ollie Vs. The Dragon |
2 / 574 |
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| Pit and Pendulum movie vs book |
2 / 301 |
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| Pretextual Discourses: Constructivism In The Works Of Spelling |
3 / 789 |
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| Spoon River Analogy |
6 / 1722 |
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| Stereotypes In Print Texts Legally Blonde |
3 / 607 |
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| Success vs. Failure in Two Heroic Icons |
1 / 249 |
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| The Pearl |
1 / 278 |
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| The Struggle For Inner Truth And Reality |
3 / 694 |
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| The Tragic End Of Romeo And Juliet Was The Result Human Action Not Fate As The Prologue Suggests. |
2 / 476 |
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| Theme of Opposites Within King Lear |
2 / 591 |
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| Theory Of Character And Characterization |
4 / 972 |
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| There Will Come Soft Rains |
2 / 421 |
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| Transition to wholeness |
2 / 549 |
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| White Oleander |
2 / 341 |
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| Woah Dude |
3 / 700 |
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| rasin in the sun |
2 / 429 |
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| the Role of the Intrusive narrator/ author |
2 / 444 |
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| the club - character differences |
2 / 566 |
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| tomorrow when the war began |
2 / 367 |
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| Abraham Lincoln |
8 / 2252 |
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| Artistic patronage and how important is it |
9 / 2574 |
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| Brave New World And 1984 |
2 / 345 |
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| History of the Celebration of Christmas |
2 / 419 |
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| Hypothesis Article Analysis |
2 / 335 |
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| Reforms of Diocletian |
4 / 1198 |
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| Roman Empire |
2 / 505 |
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| Statistics |
4 / 971 |
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| Stonehenge |
5 / 1407 |
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| The Empires of Rome and China |
11 / 3035 |
|
| A Tale Of Two Cities And The Princess Bride: Loyalty |
1 / 272 |
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| Abraham Lincoln |
8 / 2252 |
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| Age Of Innocence |
3 / 826 |
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| animal farm reveiw |
1 / 260 |
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| Barn Burning 2 |
2 / 401 |
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| Barn Burning |
2 / 401 |
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| Carvers Realism From Fires |
4 / 1153 |
|
| Character Transformations In Dh Lawrence's "the Blind Man" And "the Ho |
2 / 549 |
|
| Charater and Plot Master Harold and the boys. |
2 / 510 |
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| Classic Tales Of Tom Sawyer |
2 / 586 |
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| Compare Of Naturalism In "The Jungle" And "Maggie" |
2 / 368 |
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| Comparison Of Lord Of The Flies,"the Lottery","the White Circle" And " |
3 / 703 |
|
| Cyrano The Bergerac - Love |
3 / 667 |
|
| Death Of A Salesman - Minor Characters |
2 / 471 |
|
| Definition Of Modernism In Fiction |
3 / 611 |
|
| drama unit |
1 / 237 |
|
| E. M. Forster |
4 / 966 |
|
| G-Unit |
2 / 427 |
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| Greek Actors |
2 / 339 |
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| Harry Potter And The Sorcerers Stone |
1 / 230 |
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| Human Actions In Romeo And Juliet |
2 / 498 |
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| Immoral Materialism |
3 / 608 |
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| JAPANESE AND GERMAN WARFARE |
2 / 447 |
|
| Life And Times Of Alexander The Great |
6 / 1623 |
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| Lord Of The Flies 9 |
3 / 717 |
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| Lord Of The Flies |
3 / 717 |
|
| Lost |
2 / 325 |
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| Media |
3 / 700 |
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| Michelangelo |
5 / 1370 |
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| Michelangelo |
2 / 405 |
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| Michelangelo |
5 / 1370 |
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| me3 coursework |
2 / 361 |
|
| miss |
7 / 1835 |
|
| Never The Sinner - Production Critique |
3 / 826 |
|
| Othello - Change Of Character |
3 / 878 |
|
| Othello Vs Much Ado About North |
3 / 618 |
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| Philadelphia 76ers |
3 / 813 |
|
| Power of Advertising |
2 / 510 |
|
| prose analysis |
2 / 429 |
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| Rattle Bone |
4 / 1131 |
|
| Richard Iii: How Are Mckellen's Aims Achieved? |
2 / 432 |
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| Richard and Iago: Rational, Sensitive, or Vegetative? |
2 / 595 |
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| Role Of The Common Man In A Ma |
3 / 717 |
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| Romeo And Juliet - Chain Of Hu |
2 / 498 |
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| Romeo And Juliet - Minor Characters Influences On Major Char |
2 / 476 |
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| Romeo And Juliet, Human Action |
2 / 498 |
|
| reality tv |
4 / 940 |
|
| Sitcoms analyzed |
4 / 936 |
|
| THINK YOU KNOW EVERYTHING |
5 / 1422 |
|
| Talley's Folly |
3 / 679 |
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| The Age Of Innocence |
3 / 817 |
|
| The Cherry Orchard |
2 / 504 |
|
| The Longest Memory |
3 / 701 |
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| The Odyssey - Comparing The Ro |
3 / 832 |
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| The Sting |
2 / 553 |
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| Two Men In Buckram Critque |
3 / 805 |
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| the ant and the grasshopper |
1 / 38 |
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| Writing Style And The Reader - |
1 / 266 |
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| As good as it gets |
3 / 644 |
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| crash characters |
1 / 258 |
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| Eat Drink Man Woman |
2 / 551 |
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| Review of Hustle and Flow |
2 / 420 |
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| Seinfeld |
2 / 313 |
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| Show Boat |
1 / 276 |
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| Spartacus |
3 / 700 |
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| Stranger On A Train |
2 / 423 |
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| The Prestige movie critique |
1 / 248 |
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| The Tao of Pooh |
2 / 519 |
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| Two Critical Analyses of Hemingway's "Hills Like White Elephants" |
4 / 967 |
|
| Research Methods in Clinical Psychology |
2 / 319 |
|
| Ancient roman religion |
12 / 3525 |
|
| Behold the Dreamer Cometh |
2 / 463 |
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| Religion In The Media |
4 / 1181 |
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| Brain |
3 / 658 |
|
| Belgium |
7 / 1879 |
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| Children, Television, and Violence |
2 / 584 |
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| Crash |
1 / 275 |
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| Gene and Behavior: A Comlex Relationship |
7 / 1809 |
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| Metaphorical And Symbloic Ambiguities |
1 / 253 |
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| Restaurant |
2 / 305 |
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