| Title |
Pages / Words |
Save |
| Russian Revolution and Orwell (Animal Farm) |
2 / 519 |
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| "Design" |
1 / 276 |
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| american slavery |
1 / 211 |
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| ballad of birmingham |
4 / 1096 |
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| History and Demographics |
2 / 564 |
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| Irony in America |
2 / 462 |
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| sMargaret Atwood's Thirty Years of Experience Help Her Value the Importance of Language, Not Only as a Writer, But also as a Human. |
4 / 962 |
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| a clockwork orange |
2 / 475 |
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| Careful paper |
1 / 234 |
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| Cask Of Amontillado Anaylysis |
2 / 494 |
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| Children of the River by Linda Crew |
3 / 667 |
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| catcher in the rye |
4 / 1059 |
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| Ficciones |
1 / 152 |
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| Irony Of The Metamorphosis |
4 / 1111 |
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| Lamb To Slaughter |
1 / 221 |
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| Mede Reaction Paper |
2 / 466 |
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| Mr. Flood's Party? |
6 / 1776 |
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| macbeth |
3 / 692 |
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| Oedipus |
2 / 331 |
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| of mice and men |
3 / 752 |
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| Pride And Prejudice: Irony |
4 / 1147 |
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| Stupid White Men |
3 / 813 |
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| Symbolism In The Pearl |
2 / 526 |
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| sound of waves |
3 / 665 |
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| The Cask Of Amontillado |
5 / 1258 |
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| The Elusiveness of War and the Tenuousness of Morality in Tim O'Brien's "The Things They Carried," "How to Tell a True War Story," and "Style" |
3 / 613 |
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| The Luncheon |
1 / 200 |
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| The Sniper |
3 / 753 |
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| A Comparison of Two Stories: The Lottery & The Story of an Hour |
5 / 1242 |
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| Analysis Of George Orwell'S 'Shooting An Elephant' |
4 / 1019 |
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| Analysis Of “Reginald’S Choir Treat” By Saki |
1 / 203 |
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| Anne Bradstreet |
3 / 815 |
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| Assisi |
5 / 1284 |
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| Barbie Doll |
4 / 987 |
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| Cask of Amontillado |
5 / 1386 |
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| Catcher in the Rye |
3 / 677 |
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| Colors |
3 / 755 |
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| Comparison and Contrast: Ring Lardener vs. P.J. O'Rourke |
3 / 643 |
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| Critical Abstract-MacBeth |
2 / 481 |
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| Design |
1 / 276 |
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| Dramatic irony in Oedipus Rex |
3 / 741 |
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| Dulce et Decorum Est |
2 / 593 |
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| Dulce et Decorum Est |
3 / 603 |
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| Ellison - King of the Bingo Game |
4 / 1073 |
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| Emily Dickinson |
4 / 1056 |
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| Emily's psychology problem |
1 / 272 |
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| English Literature |
2 / 305 |
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| Escape from civilization: an Analysis of the Adventures of Huckleberry Finn |
5 / 1435 |
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| Essay- The Irony Of The Ending Of Lord Of The Flies |
2 / 538 |
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| Explication of The Man He Killed |
2 / 541 |
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| Fahrenheit 451 Outline of Pgs 99-101 |
2 / 477 |
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| Harrison Bergeron |
4 / 1045 |
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| Homecoming By Bruce Dawe |
2 / 456 |
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| How Shakespeare Uses Dramatic Devices In Act 3 Scene 1 Of Romeo |
3 / 610 |
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| How language is used in King Lear |
1 / 275 |
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| Huck Finn passage analysis |
6 / 1506 |
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| Hulga in “Good Country People” |
4 / 1117 |
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| Insignificance Of Human Beings To The Passage Of Time |
4 / 936 |
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| Ironic Dialogue |
1 / 136 |
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| Irony and Abuse in the Story Of an Hour |
2 / 490 |
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| Irony in 2 short excerpts in "The Ruined Maid" |
1 / 167 |
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| Irony in Oedipus the King |
8 / 2268 |
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| Irony |
3 / 889 |
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| John Donne Holy Sonnets |
2 / 567 |
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| Jonathan Swift's \ |
3 / 881 |
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| Literary Terms and Concepts |
3 / 754 |
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| Literary terms |
2 / 427 |
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| "My Last Duchess" Analysis |
1 / 286 |
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| "No Sugar" Essay |
3 / 655 |
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| a modest proposal by jonathan swift |
3 / 770 |
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| examine how John Wyndham in ‘Dumb Martian’ captures the moment when someone’s life changes dramatically. |
2 / 421 |
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| good country people |
5 / 1253 |
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| gullivers travels |
2 / 499 |
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| ironic story |
2 / 308 |
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| kubla khan |
1 / 255 |
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| “Salvation” By Langston Hughes |
2 / 315 |
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| “The Mere Fact That Someone Cruelly Destroys A Potentially Happy Marriage Is Sad, Not Necessarily Tragic.” What, Then, Makes Othello A Tragedy? |
5 / 1320 |
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| Macbeth Irony |
6 / 1573 |
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| Mark Twain's Advice to youth |
3 / 795 |
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| Medea And Mother COurage |
4 / 1156 |
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| Miss |
2 / 529 |
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| Montresor from "The Cask of Amontillado" |
2 / 428 |
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| My Oedipus Complex |
3 / 696 |
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| OZYMANDIAS |
3 / 721 |
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| Oedipus Rex |
9 / 2532 |
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| Oedipus Rex |
4 / 1148 |
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| Oedipus the King |
7 / 2047 |
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| Othello's Decline |
2 / 573 |
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| Ozymandias |
1 / 249 |
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| Phantoms |
2 / 320 |
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| Poe |
1 / 156 |
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| Saki's "The Interlopers" Vs. Callaghan's "All The |
3 / 671 |
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| Satire Essay from The Onion |
2 / 448 |
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| Scarlet Letter Analysis |
3 / 808 |
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| Shooting an elephant |
3 / 795 |
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| Superficiality vs. Reality: an Analysis of Guy de Maupassant~{!/~}s ~{!0~}The Necklace~{!1~} |
4 / 1091 |
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| The Cask Of Amontillado |
4 / 948 |
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| The Cask of Amontillado |
4 / 1010 |
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| The Convergence of Twain v. Ozymandias |
2 / 556 |
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| The Heartbeat |
1 / 257 |
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| The Ironic Storm |
2 / 318 |
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| The Lottery Response Paper |
3 / 881 |
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| The Necklace |
2 / 535 |
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| The Necklace |
2 / 568 |
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| The Necklace |
4 / 963 |
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| The Necklace" in the Champs-Elysees |
3 / 606 |
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| The Road Not Taken |
3 / 757 |
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| The Role Of Drama In Othello |
4 / 963 |
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| The Role of Irony in "Everyman" |
2 / 575 |
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| The Storm |
2 / 318 |
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| The Storm |
3 / 638 |
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| The necklace |
4 / 1116 |
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| Thel Shaped Room |
3 / 755 |
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| Tomorrow,Tomorrow,Tomorrow |
1 / 289 |
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| Tragic Themes of Macbeth |
3 / 675 |
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| Universal Human Experience in Arthurian Legend |
3 / 856 |
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| What's So Funny |
3 / 736 |
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| White Angel Analysis |
4 / 945 |
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| oedius |
3 / 795 |
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| realism in pride and prejudice |
5 / 1379 |
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| shirley jackson \ |
2 / 537 |
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| story of an hour |
5 / 1292 |
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| the curse |
5 / 1265 |
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| the purpose of narrative form in orwell and angelou's essyas |
3 / 611 |
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| the story of an hour |
3 / 764 |
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| the story of an hour |
4 / 968 |
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| the story of an hour |
3 / 787 |
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| transformations |
5 / 1207 |
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| trifles review |
4 / 1092 |
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| use of dramatic irony in oedipus the king |
6 / 1653 |
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| MArc Anthony Speech Analysis |
3 / 676 |
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| Oedipus The Tragic Hero |
4 / 1123 |
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| Ozymandias |
2 / 468 |
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| Passion for Equality |
3 / 729 |
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| The Importance Of Being Earnest |
3 / 753 |
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| War in the Modern World |
4 / 1126 |
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| 1984 |
4 / 1115 |
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| A Farewell to Arms |
3 / 803 |
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| After Great Pain, A Formal Feeling Comes-- |
2 / 477 |
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| Alive Book Report |
4 / 963 |
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| All Quiet On The Western Front |
3 / 712 |
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| An Analysis Of The Cask Of Ama |
5 / 1267 |
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| An Analysis Of The Cask Of Ama |
5 / 1267 |
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| Animal Farm: Comparing The Book To The Movie |
2 / 385 |
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| Around The World In Eighty Day |
3 / 679 |
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| Assisi |
5 / 1284 |
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| Bartleby |
2 / 546 |
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| Billy Budd |
1 / 228 |
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| Ficciones |
1 / 152 |
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| For Whom The Bell Tolls |
3 / 831 |
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| For Whom The Bell Tolls |
3 / 831 |
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| fahrenheit 451 |
1 / 188 |
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| Harrison Bergeron 2 |
5 / 1209 |
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| Harrison Bergeron |
5 / 1209 |
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| Harrison Bergeron |
4 / 1045 |
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| In Our Time |
1 / 300 |
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| Interview With The Vampire |
1 / 295 |
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| irony |
9 / 2550 |
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| Looks Can Be Deceiving |
4 / 927 |
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| Macbeth's Guilty Conscience |
1 / 194 |
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| Medea And Mother Courage |
4 / 1156 |
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| Neat People vs. Sloppy People |
2 / 566 |
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| Oedipus As An Epic Poem By Ari |
2 / 598 |
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| protest poetry |
5 / 1437 |
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| psycho and final destination two |
7 / 1905 |
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| response |
1 / 223 |
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| Saboteur |
4 / 1057 |
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| Saki's "the Interlopers" Vs. Callaghan's "all The |
3 / 671 |
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| Self Definition |
9 / 2594 |
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| Setting Vs Story - Dante's Inferno And Sartre's No Exit |
5 / 1364 |
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| Socrates 2 |
1 / 253 |
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| Sybolism In White Fang |
3 / 849 |
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| The Cask Of Amatillado |
5 / 1267 |
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| The Cask Of Amontillado - Irony And Symbolism |
4 / 1155 |
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| The Cask Of Amontillado |
2 / 426 |
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| The Cask Of Amontillado |
5 / 1258 |
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| The Cask Of Amontillado: The Dangers Of Pride |
4 / 941 |
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| The Cask Of Amontillado: The Dangers Of Pride |
4 / 941 |
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| The Storm |
3 / 638 |
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| The Study Of Imagery In Adrian |
5 / 1218 |
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| The Taming Of The Shrew - Humo |
3 / 731 |
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| The Tell-Tale Heart |
4 / 1009 |
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| The Yellow Paper |
4 / 1111 |
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| To Kill A Mockingbird 3 |
3 / 671 |
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| WeeGee the Famous |
2 / 407 |
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| White Fang |
3 / 849 |
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| Winter Moon |
2 / 579 |
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| A Beautiful Mind |
2 / 315 |
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| Romeoo and Juliet |
3 / 676 |
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| Shaun of the Dead- Movie Critic |
3 / 705 |
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| Show Boat |
1 / 276 |
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| Story of an Hour |
3 / 844 |
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| SGS fiction |
3 / 631 |
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| The Down Fall Of Odysseus |
3 / 792 |
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| The lottery |
3 / 709 |
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| There Will Be Blood |
3 / 830 |
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| Yams Yams Yams |
1 / 130 |
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| Ballad Of Birmingham |
4 / 1096 |
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| Chekhov and Tolstoy |
4 / 1012 |
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| the absence of women in the early years of sociology |
1 / 226 |
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