| Title |
Pages / Words |
Save |
| Grapes of Wrath |
2 / 326 |
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| Because I Could Not Stop For Death |
1 / 95 |
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| Absolutism is Prussia |
2 / 469 |
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| Analyzing the Weakness of the Articles of Confederation |
1 / 220 |
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| Crap |
2 / 410 |
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| dickinson and angelou |
2 / 535 |
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| great depression |
1 / 257 |
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| Incidence in the Life of a Slave Girl |
3 / 838 |
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| Katrina |
1 / 204 |
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| David Copperfield |
4 / 1002 |
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| Emily Dickinson |
3 / 661 |
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| Emily Dickinson |
8 / 2151 |
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| John Steinbeck |
3 / 812 |
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| Lucy montgomery |
3 / 863 |
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| William Howard Taft |
2 / 316 |
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| William Shakespeare Bio |
2 / 530 |
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| William Shakespeare |
3 / 844 |
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| William Shakespeare |
2 / 514 |
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| William Whipple |
3 / 717 |
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| William shakespeare |
1 / 280 |
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| what the heck |
1 / 250 |
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| A Lesson Befor Dying |
1 / 197 |
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| As I Lay Dying |
13 / 3615 |
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| Checkmate |
1 / 209 |
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| Darl's Conviction |
3 / 601 |
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| emily dickinson |
5 / 1435 |
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| Faulners The Bear |
2 / 316 |
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| frank |
2 / 359 |
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| Grapes of Wrath |
3 / 670 |
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| How Does The Basic Concept Of A “First-Person Narrative” Create Meaning In “I Stand Here Ironing” By Tillie Olsen? |
1 / 153 |
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| Hustle the Myth, Life, and Lies of Pete Rose |
4 / 1030 |
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| Innocence is bliss-catcher in the rye |
2 / 471 |
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| Lives on the Boundary |
5 / 1211 |
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| My God, Why Have You Forsaken Me? |
8 / 2260 |
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| our town |
7 / 1936 |
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| Paper On The Book, Fences |
4 / 984 |
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| Sonata For Harp and Bicycle by Joan Aiken |
2 / 311 |
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| The Reivers |
7 / 1888 |
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| Wuthering Heights |
4 / 1021 |
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| Agkjr |
1 / 253 |
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| Airborne Express |
2 / 356 |
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| Cola Wars Continue: Coke And Pepsi In The Twenty- First Century |
2 / 488 |
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| IBM Company Profile |
2 / 528 |
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| let it pour |
2 / 396 |
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| Marketing |
2 / 445 |
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| "The Sound And The Fury" Literary Criticism |
5 / 1268 |
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| A Kind Death |
3 / 827 |
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| A World of True Imagination |
3 / 657 |
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| A comparison of two poems by Emily Dickinson |
5 / 1250 |
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| A frequent misconception of poetic language |
3 / 664 |
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| A tribute to ILCT |
2 / 494 |
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| Abstract:Analyzes the poem `Because I Could Not Stop for Death, |
3 / 810 |
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| Addie Bundren |
5 / 1299 |
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| Admirable |
2 / 483 |
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| Asperger Syndrome |
4 / 1006 |
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| Because I Could Not Stop For Death |
1 / 95 |
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| Because I Could Not Stop For Death |
3 / 672 |
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| Beloved |
4 / 963 |
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| Canterbury Tales |
5 / 1222 |
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| Charlotte Bronte |
4 / 976 |
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| Courtesy through Satire |
3 / 852 |
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| Critique of Black Writing, White Reading: Race and the Politics of Feminist Interpretation |
2 / 517 |
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| Death of a Salesman Vs. Our Town |
6 / 1733 |
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| Dickinson |
6 / 1541 |
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| Drtdrt |
2 / 303 |
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| Dualism and Diesim |
2 / 305 |
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| Edgar Allan Poe |
4 / 1037 |
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| Emily Dickinson - The Process Of Thought And Creativity |
4 / 988 |
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| Emily Dickinson Essay |
3 / 754 |
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| Emily Dickinson "I heard a fly buzz when i died" "because i could stop for death" |
3 / 748 |
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| Emily Dickinson's use of Language Techniques |
2 / 567 |
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| Emily Dickinson |
3 / 873 |
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| Emily Dickinson |
9 / 2659 |
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| Emily Dickinson: I heard a flyy buzz when I died |
4 / 1033 |
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| Emily Dickinson’s “Because I Could Not Stop for Death” and Robert Frost’s “Stopping By Woods on a Snowy Night" |
2 / 534 |
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| Emily dickinson |
5 / 1350 |
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| Fligth Patterns |
3 / 693 |
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| Hidden Curriculum |
4 / 996 |
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| Hope is the thing with feathers |
3 / 613 |
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| Hussein maghrabi |
2 / 486 |
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| Kit's Character Development |
3 / 719 |
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| Langston Hughes and Emily Dickinson |
3 / 850 |
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| Learning the hard way |
2 / 577 |
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| Literary Analysis Of “Barn Burning” |
10 / 2730 |
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| Litreture Essay" The Killing Bottle" |
3 / 789 |
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| "The Sound and the Fury" paper |
6 / 1767 |
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| a good man is hard to find |
2 / 492 |
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| a rose for emily |
2 / 417 |
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| because i c ould not stop death |
5 / 1226 |
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| comparing emerson and dickinson |
3 / 657 |
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| crucible |
2 / 412 |
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| crucible |
2 / 415 |
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| did shakespeare write shakespeare? |
2 / 381 |
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| differences/similarites of Dorothy and William Wordsworth |
2 / 468 |
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| grapes of wrath: biblica comparison |
2 / 555 |
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| great gatsby |
4 / 1150 |
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| i stand here ironing |
6 / 1629 |
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| inhertitance essay |
2 / 483 |
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| Long Day’s Journey into Night |
2 / 502 |
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| Lord of the Flies |
2 / 416 |
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| Magical Realism |
1 / 270 |
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| Oliver Twist |
2 / 380 |
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| Poetry Essay |
4 / 944 |
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| Poetry |
3 / 749 |
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| Red rose |
3 / 663 |
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| Role of Time in William Faulkner's The Sound & the Fury & T.S. Eliot's "The Waste Land." |
7 / 2043 |
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| Similarities And Differences Of Characters In The Sound And The Fury |
4 / 1196 |
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| THEME ON EMILY DICKINSON |
3 / 827 |
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| The Changing Face Of Love In English Literature |
5 / 1422 |
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| The Grasmere Journals |
3 / 632 |
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| The Human Mind Exploring the Evil side of Human Life |
3 / 843 |
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| The Need For Appreciation (A Reflection To "Flight Patterns") |
2 / 482 |
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| The Short Story Online |
3 / 661 |
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| The Sound And The Fury |
9 / 2668 |
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| The Universal Question of Four Universal Dramas |
2 / 513 |
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| The barn burning |
1 / 203 |
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| Tomorrow,Tomorrow,Tomorrow |
1 / 289 |
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| Troy Maxson: A tragic Hero |
3 / 637 |
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| William Faulkner vs Annie Dillard vs Frank McCourt |
2 / 472 |
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| William Shakespeare |
2 / 528 |
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| William Shakespeare |
2 / 343 |
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| William Shakespeare |
1 / 279 |
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| macbeth |
2 / 402 |
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| racing trains |
3 / 743 |
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| role of women in cantebury tales |
5 / 1215 |
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| romanticism, blake and wordsworth |
2 / 378 |
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| the gathering |
5 / 1386 |
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| trancendentalism |
4 / 1159 |
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| william shakespear |
2 / 537 |
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| william shakespear |
2 / 303 |
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| wordsworth |
2 / 514 |
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| All About Canada |
2 / 370 |
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| Emily Murphy |
8 / 2297 |
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| Poems |
2 / 533 |
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| Poetry Analysis; "To the Virgins to Make Much of Time" |
2 / 307 |
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| Post Modernism vs. Modernism |
3 / 818 |
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| Revolutions |
2 / 420 |
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| Sir William Wallace |
3 / 693 |
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| The Father of Battle |
3 / 621 |
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| The battle of the boyne |
3 / 625 |
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| As I Lay Dying - Objectivity/subjectivity |
4 / 1024 |
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| Bacause I Could Not Stop For Death |
3 / 795 |
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| Blues I'm Playin |
2 / 412 |
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| Bookreport, The Canterbury Tal |
5 / 1207 |
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| Briar Rose |
2 / 447 |
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| because i could not stop for death |
5 / 1422 |
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| Canterbury Tales |
5 / 1222 |
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| Cider House Rules |
3 / 645 |
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| Conflicts During The 1920s |
3 / 651 |
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| Crumbling Is Not An Instants Act |
2 / 470 |
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| Cry The Beloved Country |
2 / 470 |
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| Emily Dickinson |
3 / 661 |
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| Fences |
4 / 1019 |
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| Genre Cpmarison For The Movie "O" And Shakespeare'S Play Othello |
4 / 912 |
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| Glass Menagerie - Symbolism Of The Unicorn |
1 / 236 |
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| Grapes Of Wrath - Rose Of Shar |
3 / 675 |
|
| horror |
3 / 638 |
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| It Was Not Death, For I Stood Up |
1 / 240 |
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| Life |
6 / 1677 |
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| Love And Lovability (wuthering |
3 / 691 |
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| Our Town By Thornton Wilder |
4 / 964 |
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| Our Town |
4 / 964 |
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| Paper On The Book, Fences |
4 / 984 |
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| Pete Rose |
5 / 1443 |
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| pyschology |
2 / 456 |
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| Revolutions |
2 / 421 |
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| Revolutions |
2 / 420 |
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| Shakespear In Love |
2 / 589 |
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| Sir William Wallace |
3 / 660 |
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| Sir William Wallace |
3 / 693 |
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| short story |
3 / 900 |
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| The Chosen |
3 / 657 |
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| The Joy Luck Club |
3 / 668 |
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| The Life Of Emily Dickinson |
3 / 803 |
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| The Norton Anthology of Short Fiction |
7 / 1980 |
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| The Sinister Beauty Of Death |
3 / 740 |
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| The Sound And The Fury |
9 / 2668 |
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| The Stage Manager Is A Man Of Many Roles |
5 / 1283 |
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| The Stage Manager is a man of many roles |
5 / 1283 |
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| Theme On Emily Dickinson |
3 / 827 |
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| ur face |
1 / 283 |
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| William Shakespeare |
2 / 514 |
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| William Wallace |
1 / 281 |
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| Wuthering Heights |
2 / 499 |
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| brave |
1 / 262 |
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| Cider House Rules |
3 / 645 |
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| Citizen Kane |
3 / 882 |
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| chris cedars guitar |
2 / 319 |
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| HOLLA BACK YOUNGIN |
1 / 253 |
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| Issues Presented To Viewers In Cider House Rules |
3 / 742 |
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| student |
2 / 443 |
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| Feeble |
1 / 242 |
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| Case Study |
3 / 601 |
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| Christianity |
2 / 321 |
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| Hurricane Katrina |
1 / 205 |
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| Sunspot marks the start of new solar cycle |
2 / 457 |
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| student |
4 / 991 |
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| Mumia Abu Jamal |
12 / 3454 |
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| Platte Canyon High School girl murdered |
1 / 108 |
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| Test |
1 / 201 |
|
