| Title |
Pages / Words |
Save |
| Hollywood Vs. The World |
4 / 1134 |
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| Crisis |
1 / 264 |
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| Boys In The Hood The Beginning |
3 / 653 |
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| Historical Accuracy : Gangs Of New York |
2 / 330 |
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| Look both ways |
4 / 1018 |
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| Star Wars(hero's Joyrney) |
1 / 271 |
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| War Of The Worlds Film Techniqes |
3 / 878 |
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| born on the 4th of july |
5 / 1233 |
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| Albert Camus |
1 / 263 |
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| Gay USA |
2 / 510 |
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| ). How has television replaced the monumental statues of ancient Roman leaders? Which medium do you think is more powerful? Television/film or ancient art? |
3 / 605 |
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| Ballad Of A Soldier |
4 / 1124 |
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| The Deep End Of The Ocean |
3 / 836 |
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| The Deep End Of The Ocean |
3 / 836 |
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| Sicko-Film Review |
2 / 422 |
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| The Boy Next Door |
4 / 1116 |
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| Blair witch Genius |
4 / 925 |
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| Gattaca Opening Scenes |
2 / 482 |
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| Paper Outline |
2 / 465 |
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| christmas with the kranks |
2 / 396 |
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| Movie Analysis - Monster In Law |
4 / 1117 |
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| Starstruck |
3 / 630 |
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| FILM ANALYSIS: Not Without My Daughter |
2 / 424 |
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| Beauty and the Beast Contrast |
3 / 805 |
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| Reaction to film "Brainwashing 101" |
3 / 730 |
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| Jaws Media Coursework Essay |
2 / 516 |
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| Ken Kesey Life Behind the Cuckoo's Nest |
1 / 257 |
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| Hoosierssssssss |
1 / 251 |
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| Cindy Sherman |
2 / 473 |
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| Citizen Kane's summary |
4 / 968 |
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| 'The Power of One' could have been the title for all the films. |
5 / 1230 |
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| "The Matrix" and Religion |
5 / 1448 |
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| Marketing And Strategy Objectives |
3 / 740 |
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| Waking Life |
4 / 1102 |
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| March Of the Penguins |
2 / 520 |
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| Wala Ln |
1 / 220 |
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| I am Sam's Review |
3 / 649 |
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| Super size me |
3 / 788 |
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| The Fallen Movie Reveiw |
2 / 363 |
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| Western And The Man Who Shot Liberty Valance |
3 / 613 |
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| Love, Sex & Eating the Bones |
4 / 1124 |
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| Citizen Kane |
1 / 291 |
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| Miss Julie |
2 / 500 |
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| The movie O |
3 / 609 |
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| Shawshank Redemption |
3 / 779 |
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| report on the movie the patriot |
3 / 650 |
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| Brokeback |
4 / 1014 |
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| Possibilities and constraints of shooting in the studio and on location. |
4 / 958 |
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| Ideas for Movies - The How and What... |
5 / 1254 |
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| Do The Right Thing |
2 / 467 |
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| Persuasion |
3 / 648 |
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| Discuss How Genre Adapts To Changing Social, Political, Historical And Economical Contexts |
5 / 1252 |
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| Lab Report |
4 / 1159 |
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| Film Review of Luther |
2 / 532 |
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| hitchcock |
5 / 1327 |
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| Bats |
3 / 899 |
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| Hong Kong Cinema |
3 / 709 |
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| Compare and contrast black representations in 'Gone with the wind' (1939) and 'Guess who's coming to dinner' (1967). |
3 / 748 |
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| Film Noir At It'S Finest |
2 / 525 |
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| Legends of the fall |
3 / 887 |
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| Briar rose symbols |
2 / 358 |
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| Movie Review: Enemy At The Gates. |
1 / 277 |
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| Essay (Power Of One) |
2 / 572 |
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| Rainman |
4 / 937 |
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| Kodak |
2 / 590 |
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| I'M GAY |
2 / 391 |
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| brave |
1 / 262 |
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| Kenneth Baranagh's "Henry V" |
2 / 457 |
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| Analyzing Moulin Rouge |
4 / 1113 |
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| Grapes of Wrath |
2 / 587 |
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| Design Project ece382 |
2 / 448 |
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| North by Northwest |
3 / 671 |
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| A Beautiful Mind |
1 / 274 |
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| Review Of Oleanna |
3 / 623 |
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| Robert Pattinson |
1 / 264 |
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| *Dangerous Minds* Deconstructing A Dangerous Mind Anilitical Article *Dangerous Minds* |
3 / 724 |
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| penny for thoughts |
2 / 570 |
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| Othello: Shakespeare vs. Parker |
2 / 596 |
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| dead poet's society |
3 / 746 |
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| Scarface |
2 / 368 |
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| Amadeus |
3 / 875 |
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| Kodak Case Summary |
2 / 358 |
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| ife |
2 / 478 |
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| Dead |
2 / 455 |
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| Good Morning, Vietnam |
3 / 832 |
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| Symbolism in The Ancient Marinier |
2 / 380 |
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| An Inconvenient Truth |
2 / 355 |
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| “The Review Of Marcel LOZINSki’S Documentary Film: |
3 / 711 |
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| IMAX CINEMA- help sheet |
2 / 498 |
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| radiance |
2 / 522 |
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| The Quiet American- A comparison |
4 / 911 |
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| Stand By Me |
5 / 1343 |
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| Dead Poets Society/ Why Poetry Is Important |
2 / 498 |
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| The Indo- Afghan Connection |
4 / 963 |
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| n Your Face: 3D Movies Making a Comeback |
2 / 354 |
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| Spellbound ( fact more compelling than fiction) |
3 / 710 |
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| Vampire Lord |
2 / 579 |
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| Johnny Depp &Amp; Gene Wilder In Charlie &Amp; The Chocolate Factory |
3 / 837 |
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| Fight Club |
3 / 750 |
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| Rabbit Proof Fence analysis |
2 / 358 |
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| Hyperreality In The Liminal |
4 / 1101 |
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| Racism in American History X |
3 / 793 |
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| Marilyn Monroe |
1 / 242 |
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| Movie Review |
3 / 616 |
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| The Sheltering Sky |
4 / 1084 |
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| Kung Fu Hustle: A Spoof of Eastern and Western Cultures |
4 / 932 |
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| Man With The Movie Camera: Shot Change Constructs A New Perspective |
3 / 862 |
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| We Were Soldiers Critque |
6 / 1631 |
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| My Left Foot: The Strength Of A Mother |
1 / 290 |
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| The Power of Dance |
2 / 387 |
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| ELIZABETH' AS AN EXAMPLE OF ART CINEMA |
4 / 1187 |
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| Sleepy Hollow |
4 / 1073 |
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| Crash |
2 / 349 |
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| Pleasantville |
3 / 788 |
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| Culture Of Film |
6 / 1579 |
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| Friday night Lights |
3 / 759 |
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| Gattaca |
2 / 561 |
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| Marine Biology |
4 / 1014 |
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| Donnie Brasco |
3 / 630 |
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| Critique of SHawshank Redemption |
3 / 729 |
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| Roswell |
3 / 787 |
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| Charlie Teo |
3 / 687 |
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| Saving Private Ryan |
3 / 686 |
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| Rainman |
3 / 753 |
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| The Harder They Come |
4 / 952 |
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| Spider Man |
3 / 751 |
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| Hot Fuzz - Movie Review |
2 / 599 |
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| The Notebook: Best Film I Have Seen |
2 / 585 |
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| Supervolcano |
2 / 496 |
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| Inner Power |
3 / 827 |
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| The World Is Not Enough |
4 / 1082 |
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| Film must first be recognized as an industry before it is considered as a cultural object. Critically examine the meaning and implication of this statement with particular reference to Wales |
8 / 2305 |
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| The Castle |
3 / 680 |
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| seils |
2 / 404 |
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| Movie Review |
3 / 713 |
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| Lolita's Boys |
2 / 415 |
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| Swarovski |
2 / 335 |
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| THE GRAPES OF WRATH-Movie Review |
3 / 623 |
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| Dark Water |
4 / 904 |
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| Movie Report: Extreme Measures |
2 / 325 |
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| Objective Knowledge |
5 / 1366 |
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| Lolita |
2 / 523 |
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| HR |
2 / 428 |
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| Film and TV Narative: Manhunter |
3 / 702 |
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| Global Warming |
1 / 90 |
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| Fantasy In Cairo |
4 / 948 |
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| Analysis of Erin Brockovich |
2 / 373 |
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| The Comparison And Contrast Essay The Book And The Movie |
4 / 902 |
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| Will Sky Captaun Make History? |
3 / 817 |
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| Horror Movies |
2 / 552 |
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| Horror Movies |
2 / 552 |
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| student |
1 / 263 |
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| Sleepy Hollow Film Review |
4 / 1152 |
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| The Shining |
4 / 939 |
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| Gattaca |
1 / 281 |
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| Gattaca |
1 / 281 |
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| The Longest Day |
4 / 1098 |
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| Billy Budd |
4 / 1193 |
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| GATTICA |
3 / 799 |
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| Mississippi Burning Paper |
3 / 888 |
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| A beholder's desire and dread |
6 / 1709 |
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| Assault on Precinct 13 |
2 / 442 |
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| Kevin Smith |
3 / 806 |
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| aims and objectives |
2 / 415 |
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| malcolm x |
4 / 1148 |
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| History Of Kodak |
2 / 518 |
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| Heart Of Darkness vs. Apocalypse Now |
3 / 784 |
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| hollywood and product placement |
6 / 1519 |
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| Arundel Partners |
6 / 1779 |
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| Mise-en-Scene |
4 / 1039 |
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| jaws media |
2 / 598 |
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| An analysis of Bowling for Columbine |
3 / 696 |
|
| The film (Bowling for Columbine) explores the connection between racism and fear. Discuss. |
2 / 577 |
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| jadied |
2 / 477 |
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| Swot Analysis |
4 / 988 |
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| The Quiet American: Alden Pyle |
2 / 585 |
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| American Beauty |
4 / 1045 |
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| Archetypes in Horror Films |
3 / 638 |
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| Crash |
3 / 853 |
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| Child Labor |
1 / 79 |
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| A Compare and Contrast Essay on Apocalypse Now and Heart of Darkness |
2 / 510 |
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| Indiana Jones |
5 / 1204 |
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| What eating gUlbert Grape |
3 / 713 |
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| The Piano: Point Taken |
3 / 816 |
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| Sin City |
3 / 826 |
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| media |
4 / 978 |
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| Tim Burton's Corpse Bride |
2 / 467 |
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| shihnigan |
3 / 614 |
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| erin |
2 / 314 |
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| The Day After Tomorrow Film Review |
1 / 275 |
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| Film Sound |
4 / 951 |
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| Texas Chainsaw Massacre |
2 / 556 |
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| Bamboozled |
3 / 829 |
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| Comparative Essay between Save The Last Dance and Centerstage |
2 / 347 |
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| (Streetcar Named Desire): the Damsel in Distress vs the Damsel Brings Distress |
5 / 1353 |
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| A |
4 / 961 |
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| An Obscured Message |
5 / 1267 |
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| ARTS |
3 / 635 |
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| oh what |
4 / 1126 |
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| Analytical Film Paper |
2 / 323 |
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