| Title |
Pages / Words |
Save |
| Michelangelo Buonarroti, the artist. |
2 / 470 |
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| afterlife |
2 / 567 |
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| books |
5 / 1244 |
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| giza |
1 / 230 |
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| history |
2 / 576 |
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| About Me: Some of the places I have been and wish to go |
2 / 313 |
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| Alex Baptise |
4 / 1091 |
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| Alex Grey |
2 / 325 |
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| Artists |
2 / 412 |
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| aristotle |
2 / 429 |
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| David Hockney |
2 / 383 |
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| george washington carver |
1 / 180 |
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| Henry Moore |
4 / 1062 |
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| Michelangelo Buonarroti, The Artist. |
2 / 470 |
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| Phenomenal |
1 / 259 |
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| Thomas Moran |
3 / 639 |
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| Art Censorship |
2 / 445 |
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| Book Review - Hip Hop Speaks To Children: A Celebration Of Poetry With A Beat Edited By Nikki Giovanni |
2 / 453 |
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| book report on leonardo da vinci (notes) |
2 / 415 |
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| enders game |
1 / 265 |
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| Oedipus |
3 / 690 |
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| Summary Of New-making And Charles Shultz's Peanuts |
2 / 367 |
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| The Framing Narrative as a Guide to the Text |
3 / 606 |
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| Words and the way we see art |
3 / 815 |
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| Psychology of Marketing |
4 / 953 |
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| why do people get tattoos |
1 / 206 |
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| 21st Century Audiences Feel Differently Than |
2 / 465 |
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| A Way of Escape |
1 / 264 |
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| Compare contrast |
3 / 750 |
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| Critque of "patches: Quilt and Community in Alice Walker's 'Everyday Use' |
3 / 671 |
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| Edgar Allan Poe's Element of Symbolism |
2 / 544 |
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| Exploitation of Indian Culture |
4 / 1039 |
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| Fear and Edvard Munch painting |
2 / 501 |
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| Grapes Of Wrath Project |
2 / 399 |
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| Hammurabit's code |
3 / 675 |
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| act 1 |
1 / 122 |
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| ancient egypt |
2 / 487 |
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| characteristics of the renaissance era |
1 / 295 |
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| dennis diderot |
2 / 499 |
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| greek gods and goddess |
3 / 847 |
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| idek |
2 / 308 |
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| Michelangelo |
5 / 1412 |
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| Mrs |
3 / 781 |
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| Parthenon Acropolis, Athens |
2 / 395 |
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| Phidias |
1 / 66 |
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| The Burden of Selfishness in Ibsen's Modernist Plays |
3 / 824 |
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| The Olympics |
2 / 387 |
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| The Price of Immortality - An analysis of Homer's The Iliad |
3 / 646 |
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| The Rime of the Ancient Mariner |
2 / 378 |
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| Trigonometry |
2 / 535 |
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| paper |
1 / 243 |
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| shakespeare |
1 / 138 |
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| speech |
1 / 259 |
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| tatoo |
2 / 384 |
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| wheel world of chariots |
2 / 502 |
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| ANCIENT EGYPT |
2 / 491 |
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| Ancient China Geography |
1 / 253 |
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| Ancient Egypt |
2 / 397 |
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| Ancient Greece and its Influence on Western Society |
3 / 768 |
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| Ancient Greek Contributions To The Wester Civilization |
2 / 305 |
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| Ancient Greeks |
1 / 209 |
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| Andrew Leicester |
2 / 515 |
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| Archaeological methods |
2 / 373 |
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| Are All Gods the Same? |
3 / 753 |
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| Art Comparison |
5 / 1267 |
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| Art History: Giotto vs Duccio |
4 / 967 |
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| Art and Architecture of Ancient Egypt |
2 / 363 |
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| Art of Egypt |
3 / 866 |
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| athens |
2 / 418 |
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| augustus |
2 / 418 |
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| Baroque and Romanesque Eras |
2 / 333 |
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| Beginnings of Ancient Civilizations |
1 / 220 |
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| Bharat |
2 / 560 |
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| Comparative Essay: Ancient Egypt And Mesopotamia |
2 / 435 |
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| compare and contrast of statue art |
2 / 381 |
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| Dreams are what they are |
3 / 685 |
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| dert |
1 / 278 |
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| Early Perspectives |
2 / 492 |
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| Edvard Munch: A Biography |
3 / 716 |
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| Egypt |
1 / 247 |
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| Family Relationships |
3 / 795 |
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| Giza Pyramid |
1 / 249 |
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| Greek Influences on Western Civilization |
2 / 338 |
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| greek contributions to civilization |
1 / 240 |
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| Historical Monuments |
5 / 1328 |
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| Humanism and the Renaissance |
1 / 275 |
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| Humanism |
2 / 456 |
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| Importance of Ancient Artwork |
8 / 2191 |
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| Influence of WW1 on the artwork of early 20th century |
2 / 585 |
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| Learning English |
2 / 356 |
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| Les Antiquites De Rome |
3 / 813 |
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| Minoans vs. America |
3 / 781 |
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| origins of human art |
3 / 826 |
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| People of Ancient Egypt |
3 / 714 |
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| Renaissance and Modern Art |
5 / 1330 |
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| Rococo Vs neoclassic |
2 / 594 |
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| Roman Food |
1 / 114 |
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| renaissance women |
1 / 170 |
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| Stonehenge |
2 / 397 |
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| similarities and differences in ancient civilizations |
1 / 285 |
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| Taj Mahal |
2 / 447 |
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| The Dark Ages |
2 / 492 |
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| The Influence Of Ancient Greece On Western Civilization |
3 / 854 |
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| The Laocoon Group |
4 / 1116 |
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| The Nude |
3 / 861 |
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| The notion of modern eroticism in the imagery of Ancient Greece and Rome. |
6 / 1612 |
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| What is Law and Justice? |
2 / 423 |
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| Women In Ancient Greece |
2 / 492 |
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| The Geissenklosterle Figurines, |
6 / 1675 |
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| 1776 |
3 / 793 |
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| A Sculptured Picture |
2 / 429 |
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| Abstraction |
3 / 664 |
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| African Headdress |
2 / 465 |
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| Agony Ang The Extacy, Ethical Considerations Concerning Mich |
3 / 607 |
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| An Artist's Life |
4 / 1105 |
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| An Intrepretation of Greek Theatre |
4 / 1128 |
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| Ancient Egypt |
2 / 339 |
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| Ancient Greece: A Time Of Great Cities And Lives |
2 / 574 |
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| Ancient Greek Beliefs Of Religion And Death Differs From Other Culture |
3 / 827 |
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| Andy Warhol, 'Five Deaths On Orange' |
3 / 835 |
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| Art Censorship |
2 / 494 |
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| Art Essay |
4 / 968 |
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| Art Essay |
3 / 614 |
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| Art Values |
3 / 606 |
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| Art of GIOTTO DI BONDONE |
3 / 615 |
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| Athenian And Spartan Government |
1 / 222 |
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| Attributes That Have Influence |
2 / 556 |
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| art history |
2 / 563 |
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| Cindy Sherman "untitled #188" |
1 / 209 |
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| cfgh |
1 / 247 |
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| Destiny Deacon |
2 / 442 |
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| Discuss How Art Can Be Used To Promote, Reflect Or Challenge |
4 / 1097 |
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| Dramatic Tragedy |
2 / 393 |
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| Egypt Essay |
2 / 439 |
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| Egyptian Art |
3 / 781 |
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| Egyptian Art |
3 / 781 |
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| Elements Of Art |
1 / 243 |
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| Elisabet Ney |
2 / 449 |
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| George Berkley |
2 / 547 |
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| Greece |
1 / 158 |
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| Greek Actors |
2 / 339 |
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| Greek Gods |
2 / 529 |
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| Greek Gods |
2 / 529 |
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| Greek Military, Training and Life in Gates of Fire |
3 / 668 |
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| Intro to Cyprus |
2 / 446 |
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| interpreting history |
2 / 480 |
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| Ken Ferguson: Kansas City Ceramics |
1 / 199 |
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| khan |
1 / 256 |
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| Lillian Bassman photography |
1 / 248 |
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| MAC aids fund |
2 / 436 |
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| Madam Matisse- (the green line) |
4 / 967 |
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| Museum Assignment |
4 / 1170 |
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| Perception In The Arts |
3 / 701 |
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| Post |
2 / 520 |
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| Postmodern Art |
2 / 323 |
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| Process vs Product |
2 / 358 |
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| Rain Of Auvers (art Analysis) |
2 / 476 |
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| Renaisance Art 2 |
3 / 665 |
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| Self-portraits - Van Gogh And Rembrandt |
3 / 844 |
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| Stonehenge |
2 / 397 |
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| THeater in ANcietn Greece |
2 / 466 |
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| The Artist And The Art |
4 / 1150 |
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| The Artistic Expression Known As Graffitti |
3 / 639 |
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| The History of Track and Field |
3 / 837 |
|
| The Lamentation over the Dead Christ |
2 / 548 |
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| The Shang Dynasty And Ancient Egypt Had Many Similarities |
3 / 660 |
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| Three Ancient Civilizations Of Latin America |
2 / 436 |
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| Vacation |
2 / 549 |
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| Vincent Van Gogh: Sunflowers |
1 / 297 |
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| What Is The Expression Theory Of Art |
5 / 1347 |
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| What Is The Expression Theory Of Art |
5 / 1347 |
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| White Clouds over Xiao and Xiang |
1 / 262 |
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| William Kurelek |
1 / 24 |
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| World of Art |
2 / 356 |
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| American Beauty |
1 / 126 |
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| asian art |
2 / 517 |
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| Richard Wagner |
2 / 321 |
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| Can a work of art have value regardless of who creates it? Can, and should, we look past the character of the artist - however immoral we consider them to be - and simply experience and esteem the work itself? |
7 / 1936 |
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| Natural Science: Methods Of Gaining Knowledge |
2 / 542 |
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| Nicomachean Ethics |
3 / 751 |
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| Poopie Pants |
2 / 489 |
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| Richard Wagner |
2 / 321 |
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| Salvador Dali: Influences |
2 / 595 |
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| Struggle of Artists Throughout Time |
2 / 520 |
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| Percy Is Cool |
2 / 331 |
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| An Artist's Life |
4 / 1105 |
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| Comparing The Last Supper |
5 / 1235 |
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| creed human clay |
3 / 804 |
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| Egypt Essay |
2 / 439 |
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| Jews, Christians, Greeks, And Romans |
1 / 191 |
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| Manifestations of the Divine |
3 / 833 |
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| Old Testament |
2 / 398 |
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| The Study of the Old Testament: Geography and History |
1 / 249 |
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| Carbon |
1 / 56 |
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| copper |
1 / 265 |
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| how long have people been on earth |
1 / 299 |
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| graffitti art |
4 / 938 |
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| Malaysia Contemporary Art Issues: Art as Idea-A view from Jalaini Abu Hassan |
6 / 1551 |
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| Role Of Viewers |
4 / 974 |
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| Compare And Contrast Essay |
2 / 523 |
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