| Title |
Pages / Words |
Save |
| How Plot, Setting and Characters Influence Readers Response |
3 / 837 |
 |
| Burkina Faso |
2 / 387 |
|
| Movies |
2 / 463 |
|
| 2001 A space odyssey |
2 / 566 |
|
| Creative Execution |
2 / 317 |
|
| Films Today |
5 / 1333 |
|
| Jack Kerovac |
2 / 561 |
|
| me |
2 / 316 |
|
| netflix |
2 / 343 |
|
| Audrey Hepburn |
2 / 351 |
|
| B.B King |
2 / 336 |
|
| Charles Chaplin |
1 / 287 |
|
| D.W.Griffith |
4 / 1076 |
|
| Jean-Michel Basquiat |
2 / 409 |
|
| John Steinbeck |
2 / 572 |
|
| John Wayne |
3 / 629 |
|
| Steven Spielburg |
3 / 814 |
|
| Walt Disney |
2 / 345 |
|
| a clockwork orange |
2 / 475 |
|
| Gibson v. Branagh |
1 / 72 |
|
| Good Morning, Midnight Short Analysis Of An Extract Ot The Book |
2 / 311 |
|
| Hamlet |
1 / 284 |
|
| Like waster |
1 / 266 |
|
| Macbeth is boring |
1 / 163 |
|
| Romeo and Juliet |
2 / 436 |
|
| Stuart Little Is A Book That Tolerates Difference |
3 / 774 |
|
| Arundel Partners Case |
2 / 484 |
|
| Bmw Films |
3 / 698 |
|
| Comparision And Contrast Of Dcf And Capm |
1 / 260 |
|
| Consumer Behaviour |
1 / 260 |
|
| Geography |
3 / 666 |
|
| Globalization |
1 / 229 |
|
| Mainline Vs. Kim Basinger |
3 / 781 |
|
| Marketing |
2 / 361 |
|
| Pixar Investment Profile |
2 / 449 |
|
| Project Shakthi - HUL rural initiative |
1 / 255 |
|
| The Rule Of Legal Analysis |
2 / 519 |
|
| Understanding Of Brand |
2 / 350 |
|
| United Way |
1 / 263 |
|
| Ballad Of Birmingham |
1 / 197 |
|
| Comparing And Contrasting Hitchcock And Spielberg |
4 / 1183 |
|
| Crash Overview |
2 / 380 |
|
| Demuth |
1 / 146 |
|
| Dialectic Deappropriations: Pretextual discourse in the works of Spelling |
2 / 406 |
|
| Film Analysis |
8 / 2111 |
|
| Film Comparison- Shawshank Redemption VS Murder In The First |
3 / 652 |
|
| Film Openings |
3 / 784 |
|
| Glory: A Review |
7 / 1968 |
|
| Homo sexuality |
1 / 234 |
|
| Judy Garland |
1 / 263 |
|
| Jumanji scene analysis |
2 / 513 |
|
| Jungian) image of the "beast" in society/film/literature |
3 / 882 |
|
| aaliyah |
1 / 281 |
|
| Love |
2 / 393 |
|
| Maya Angelou's Sounds of her Life |
2 / 494 |
|
| O Captain! My Captain! |
1 / 274 |
|
| Outlaw heroes |
3 / 783 |
|
| Postmodern Materialism And Subsemantic Cultural Theory |
2 / 565 |
|
| Review |
2 / 494 |
|
| Silence and the Notion of the Commons |
2 / 453 |
|
| Soical Class |
3 / 858 |
|
| The Comparison Between This And That |
3 / 655 |
|
| The Tell-Tale Heart Analysis |
1 / 217 |
|
| Thematic Essay |
3 / 610 |
|
| To Act or Not to Act |
2 / 550 |
|
| Unconditional Love |
1 / 99 |
|
| north |
3 / 669 |
|
| rime of the Ancient mariner |
2 / 389 |
|
| scarlet ibis vs simon birch |
4 / 971 |
|
| Box office Decline |
1 / 53 |
|
| Film and society |
3 / 894 |
|
| Slaying the Dragon |
2 / 459 |
|
| A Nightmare On Elm Street |
8 / 2284 |
|
| Babam Ve Oglum |
4 / 1139 |
|
| Beat Down: fists of vengeance review |
2 / 383 |
|
| Beauty And The Beast |
3 / 609 |
|
| blah |
2 / 567 |
|
| Digital Art in Film |
5 / 1340 |
|
| Directing: More than Fame and Fortune |
4 / 1040 |
|
| Dylan Thomas |
4 / 1171 |
|
| Dylan Thomas |
4 / 1171 |
|
| Film Report - A Time To Kill, Sleepers, An Eye For An Eye |
9 / 2599 |
|
| Frank Liszt |
2 / 577 |
|
| fallacy |
2 / 357 |
|
| Guitar |
2 / 428 |
|
| How Does The "surround-sound" |
2 / 365 |
|
| How To Mic A Drum Kit |
4 / 1063 |
|
| Kubrick Lives |
4 / 1140 |
|
| Leading men |
1 / 287 |
|
| Letters From A War Zone |
4 / 1061 |
|
| Media Violence |
2 / 528 |
|
| mexican history |
4 / 1008 |
|
| Nightmare On Elm Street |
8 / 2123 |
|
| Nightmare On Elm Street: Film And Reality |
9 / 2629 |
|
| Reilyism Speech |
3 / 674 |
|
| Schools And Tests |
3 / 674 |
|
| Seabiscuit |
2 / 541 |
|
| Sound Vs. Silence |
3 / 889 |
|
| Sound |
3 / 726 |
|
| Sweeny Todd |
1 / 264 |
|
| The Birth Of A Nation And Greed |
4 / 1185 |
|
| The Breakfest Club |
3 / 694 |
|
| The Enlightenment Writers |
2 / 303 |
|
| the corporation |
2 / 347 |
|
| Walt Disney |
3 / 711 |
|
| Wind Chimes |
2 / 480 |
|
| Wolfbrother |
5 / 1281 |
|
| "American Beauty" and its Music |
5 / 1247 |
|
| A Nightmare On Elm Street |
8 / 2284 |
|
| A discussion into whether ?J Horror' is a term of national identity, or cinematic sub-genre, using the texts; Ringu (1998), Audition (2000) and Ju-On (The Grudge) (2003). |
5 / 1471 |
|
| Alfred Hitchcock's Rear Window: Sound |
5 / 1236 |
|
| Alfred Hitchcock |
4 / 965 |
|
| BMW Films |
6 / 1711 |
|
| Chinatown |
2 / 377 |
|
| Choose A Film Or Television Programme And Discuss How Its Mise-En-SceNe And Cinematography Operate To Create Meaning For The Audience. How Does The Visual Style Contribute To The Text’S Overall Appeals And Meanings? |
4 / 1141 |
|
| Cinematography |
2 / 415 |
|
| Cinematography: Everything You Need To Know |
3 / 859 |
|
| Comparison Of Psycho And Vertigo |
4 / 1096 |
|
| DARKER CITIES |
2 / 595 |
|
| DreamWorks Animation |
2 / 314 |
|
| Edwin S. Porter |
7 / 1905 |
|
| Elvis |
9 / 2561 |
|
| FIght Club |
3 / 753 |
|
| Film genres |
2 / 479 |
|
| Film noir |
6 / 1584 |
|
| faherenheit 9/11 |
4 / 1171 |
|
| film crime |
5 / 1431 |
|
| guitar |
3 / 623 |
|
| Music Cocets |
1 / 242 |
|
| Music |
2 / 350 |
|
| martin scorsese |
3 / 870 |
|
| movie |
1 / 214 |
|
| my paper |
2 / 562 |
|
| Oscar Awards |
1 / 299 |
|
| Post-Renaissance Films |
1 / 253 |
|
| Psycho by Alfred Hitchcock |
2 / 479 |
|
| Pulp Fiction Thematic Structure |
6 / 1596 |
|
| Reading Summary: Amplification of Sound |
2 / 316 |
|
| Reservoir Dogs |
4 / 911 |
|
| Scorsese |
6 / 1677 |
|
| Shadow of a Doubt review |
4 / 1125 |
|
| Some Like It Hot |
2 / 316 |
|
| Sonata Allegro Form |
4 / 1035 |
|
| Sound in 'PI' |
2 / 323 |
|
| Special Effects in 2001: A Space Odyssey |
3 / 755 |
|
| Stephen Speilberg |
4 / 1036 |
|
| Taxi Driver: A modern version of the Western Film |
3 / 721 |
|
| Teenage Film Essay |
3 / 820 |
|
| The contemporary Hollywood blockbuster is not so much a film as a dev |
6 / 1591 |
|
| Two Great Rebellion Films |
4 / 990 |
|
| Wings of Desire |
2 / 415 |
|
| Woody Allen's "Annie Hall" |
2 / 496 |
|
| yay |
3 / 707 |
|
| Anselm’s Ontological Argument |
4 / 1064 |
|
| Basic Problem with Evil |
3 / 886 |
|
| Cosmological God |
3 / 845 |
|
| Critical thinking: week one |
2 / 423 |
|
| Democracy |
3 / 758 |
|
| Divisibility Argument |
3 / 800 |
|
| Explain the problem of induction- Discuss two different solutions to it. |
4 / 996 |
|
| Fallacies |
3 / 750 |
|
| Fallacy Summary |
4 / 1128 |
|
| Famine, Affluence and Morality |
3 / 796 |
|
| Famine, Affluence, and Morality |
3 / 811 |
|
| Hobbesian State Of Nature |
5 / 1267 |
|
| marix |
3 / 854 |
|
| On Liberty |
2 / 352 |
|
| Rousseau Social Contract |
5 / 1244 |
|
| Saussure's definition of language |
2 / 332 |
|
| The Cartesian Circle |
3 / 893 |
|
| the existence of god |
6 / 1659 |
|
| the ontological argument |
4 / 1070 |
|
| girl interrupted review |
2 / 473 |
|
| Looking Glass self |
1 / 115 |
|
| Meichenbaum |
2 / 515 |
|
| Truths |
2 / 408 |
|
| dsadsadsa |
2 / 326 |
|
| H.S. Level - SOund And Light Waves |
2 / 476 |
|
| How Hearing Works |
1 / 286 |
|
| heartbeats |
3 / 692 |
|
| Sound |
3 / 726 |
|
| sound waves |
3 / 768 |
|
| Ultrasound ? Quick Project |
2 / 381 |
|
| Admission Process |
3 / 794 |
|
| An Arguable Difference |
5 / 1357 |
|
| BMW |
7 / 1924 |
|
| Canadian Identity Or “Invisible Culture”. |
2 / 333 |
|
| Censorship in America |
4 / 1060 |
|
| Culture Of Film |
6 / 1579 |
|
| cross cultural communication |
4 / 1032 |
|
| Media Violence |
2 / 528 |
|
| Pay the Fee or Watch for free? |
4 / 906 |
|
| Prelinguistic Language |
4 / 1058 |
|
| Sorority Girl |
3 / 617 |
|
| Split Image |
3 / 627 |
|
| The Media Plays a Crucial Role in Forming Public Opinion |
2 / 349 |
|
| Dialogue-Driven Learning--The Method Behind the Art |
5 / 1483 |
|
| Himalayan Mineral Water VFX Case Study |
2 / 306 |
|
| Phones |
2 / 566 |
|
| Student |
3 / 859 |
|
