| Title | 
           Pages / Words | 
           Save | 
          
                  
           | Lottery: a Breakdown of Jackson's Symbolism | 
           5 / 1482 | 
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           | African American Literature Paper | 
           4 / 915 | 
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           | determinism | 
           1 / 247 | 
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           | literary questions | 
           3 / 738 | 
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           | neactar in a seive | 
           4 / 1175 | 
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           | Martin Luther King And Patrick Henry: Cry For Freedom | 
           2 / 534 | 
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           | Alice in Wonderland | 
           5 / 1242 | 
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           | Analysis Of "because I Could Not Stop For Death" | 
           7 / 1986 | 
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           | Angels And Demons Criticle Lens | 
           3 / 627 | 
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           | CRITICAL ANALYSIS ON "GODFATHER DEATH" | 
           4 / 988 | 
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           | Comparative Essay between FirstLove and Sex Without Love | 
           4 / 941 | 
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           | Descriptive Language | 
           4 / 996 | 
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           | Dumpster | 
           1 / 233 | 
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           | First they killed my father | 
           3 / 673 | 
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           | Good Country People | 
           3 / 812 | 
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           | I Dunno` | 
           10 / 2837 | 
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           | Light Association, Shaping Our Understanding | 
           5 / 1211 | 
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           | Literature | 
           4 / 1165 | 
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           | lord of the flies | 
           4 / 987 | 
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           | Oates' "where Are You Going, Where Have You Been?": Arnold Fiend | 
           2 / 531 | 
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           | Oroonoko | 
           3 / 603 | 
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           | Scarlet Letter | 
           3 / 737 | 
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           | She Walks in Beauty | 
           3 / 838 | 
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           | Six Thinking Hats | 
           3 / 738 | 
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           | shakespeare | 
           3 / 769 | 
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           | siddhartha | 
           2 / 542 | 
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           | The Great Gatsby -symbolism- | 
           1 / 264 | 
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           | The Raven | 
           5 / 1420 | 
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           | The Raven | 
           5 / 1418 | 
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           | To Kill A Mockingbird | 
           4 / 1035 | 
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           | the great gasby | 
           5 / 1335 | 
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           | Where Are You Going Where Have You Been | 
           4 / 954 | 
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           | Why We Can't Wait | 
           2 / 597 | 
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           | Words and the way we see art | 
           3 / 815 | 
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           | Writings of J.D. Salinger | 
           7 / 1960 | 
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           | Zora Neale Hurston | 
           2 / 474 | 
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           | A Pair Of Silk Stockings | 
           4 / 984 | 
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           | A Reading of Owen's "Dulce et Decorum Est" | 
           2 / 483 | 
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           | A Road Less Traveled | 
           1 / 251 | 
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           | A Simple Story of Imagery and Irony | 
           3 / 830 | 
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           | Adam's Curse | 
           4 / 944 | 
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           | Age and Youth by William Shakespeare | 
           3 / 869 | 
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           | Ambiguity of the concept of death: A comparison of ?Do Not Go Gentle Into That Good Night?and ?Because I Could Not Stop For Death | 
           4 / 1004 | 
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           | American Psycho: Analysis Of Novel And Movie Production | 
           6 / 1574 | 
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           | An Occurrence on Owl Creek Bridge | 
           3 / 606 | 
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           | Australian Poets: Oodgeroo Noonuccal | 
           3 / 817 | 
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           | Barn Burning | 
           4 / 1017 | 
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           | Billy The Bum | 
           3 / 817 | 
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           | Butler Yeats | 
           2 / 576 | 
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           | Change | 
           4 / 995 | 
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           | Commentary On ‘A Gift’ By Rahila Gupta | 
           3 / 644 | 
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           | Compare The Different Ways In Which 19th Century Female Poets Explore The Theme Of Love | 
           7 / 1896 | 
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           | Convincing Through the Senses | 
           2 / 534 | 
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           | DUCLE ET DECORUM EST | 
           3 / 811 | 
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           | Daddy | 
           4 / 1089 | 
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           | Daffodils | 
           2 / 599 | 
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           | Dead Soldiers | 
           3 / 700 | 
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           | Dover Beach | 
           4 / 923 | 
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           | Drama In Performance Is Not A Literary Text But Action In Time And Space | 
           8 / 2278 | 
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           | Dulce Et Decorum Est | 
           3 / 773 | 
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           | Dulce Et Decorum and The Road to Nijmegen | 
           3 / 602 | 
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           | Easter Wings - George Herbert | 
           2 / 525 | 
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           | Elements In "The Road Not Taken" | 
           3 / 620 | 
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           | Ernest Hemingway's Hills Like White Elephants. | 
           4 / 1056 | 
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           | Fahrenheit 451-Symbolism | 
           2 / 530 | 
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           | Fate In Hardy's The Returne Of The Native | 
           4 / 927 | 
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           | Heroshima | 
           1 / 290 | 
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           | Hills Like White Elephants - Symbolism | 
           4 / 959 | 
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           | Hills Like White Elephants - Symbolism | 
           1 / 239 | 
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           | I Have A Dream | 
           3 / 784 | 
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           | I Like The Look Of Agony | 
           6 / 1589 | 
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           | Ian Crichton Smith | 
           3 / 708 | 
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           | Imagery In Macbeth | 
           3 / 617 | 
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           | In the Gloaming | 
           3 / 661 | 
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           | Interpretation of "Good Country People" by Flannery O'Connnor through imagery/symbolism. | 
           4 / 1165 | 
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           | Interpretation of ``Ozymandias`` | 
           3 / 619 | 
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           | Invisible man | 
           4 / 1180 | 
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           | Jabberwocky: Defining a Word | 
           3 / 725 | 
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           | comparison on yeats poems | 
           3 / 757 | 
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           | dead mans path | 
           3 / 760 | 
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           | hills like elephant | 
           1 / 227 | 
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           | hills like white elephants | 
           3 / 775 | 
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           | Mending Wall | 
           2 / 538 | 
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           | Middle Passage | 
           3 / 805 | 
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           | Movie Evaluatioin of 300 | 
           4 / 1090 | 
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           | Mr. | 
           4 / 929 | 
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           | Oedipus | 
           4 / 995 | 
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           | Out, Out | 
           4 / 911 | 
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           | Poetry Essay | 
           4 / 944 | 
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           | Politics and the English Language, Paradise Lost | 
           6 / 1712 | 
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           | Red Badge of Courage | 
           8 / 2118 | 
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           | Road Not Taken | 
           4 / 901 | 
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           | Robert Frost's Mending Wall | 
           4 / 1158 | 
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           | Salinger | 
           7 / 1959 | 
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           | Satire Essay from The Onion | 
           2 / 448 | 
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           | Seeing Storms And Madness | 
           5 / 1209 | 
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           | Shakespear's "sonnet 55" And Fletcher's "Licia" | 
           1 / 223 | 
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           | Shine - David Helfgott | 
           2 / 512 | 
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           | Sir Gawain and the Green Knight Hunt vs. Temptation: A Comparison | 
           3 / 672 | 
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           | Stopping by the Woods | 
           2 / 548 | 
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           | Symbolic short stories | 
           4 / 1149 | 
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           | Symbolism in Sir Gawain and the Green Knight | 
           4 / 1150 | 
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           | Symbolism in Steinbeck's "The Chrysanthemums" | 
           1 / 262 | 
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           | Symbolism in "Dr. Heidegger's Experiment" | 
           3 / 626 | 
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           | Symbolism in "The Lottery" | 
           4 / 1019 | 
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           | Symbolisms of oppression in Gilman's "The Yellow Wallpaper" | 
           3 / 746 | 
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           | T. S. Eliot's Poetic Devices | 
           4 / 1033 | 
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           | The Awakening | 
           6 / 1640 | 
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           | The Battle Of Maldon | 
           1 / 253 | 
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           | The Cask Of Amontillado | 
           4 / 948 | 
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           | The Chrysanthemums | 
           5 / 1265 | 
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           | The Da Vinci Code | 
           2 / 556 | 
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           | The Fall of the House of Usher | 
           5 / 1417 | 
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           | The Heartbeat | 
           1 / 257 | 
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           | The Lasting Love | 
           4 / 952 | 
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           | The Love Song of J. Alfred Prufrock | 
           3 / 828 | 
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           | The Spire: How does Golding show the contrast between the world of faith and the real world in chapter 2? | 
           3 / 698 | 
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           | The Wars, Fire Imagery | 
           4 / 1060 | 
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           | Use the passage at the begging of pg 178 to pg 179 "If Mr. Thornton?sheltered behind a woman" as a starting point for a discussion about Gaskell's presentation of Thornton and his development. | 
           6 / 1718 | 
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           | Walt Whitman | 
           3 / 803 | 
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           | What Makes a Hero? A comparison between The Great Gatsby and American Beauty, with reference to author's context and the corruption of The American Dream. | 
           3 / 779 | 
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           | Winter On The Mind | 
           2 / 537 | 
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           | Words On "to His Coy Mistress" | 
           3 / 815 | 
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           | loss of cvilization through symbolism | 
           3 / 899 | 
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           | ozymandias | 
           3 / 609 | 
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           | paulscase | 
           3 / 625 | 
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           | scarlet letter | 
           2 / 551 | 
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           | scarlet letter | 
           2 / 557 | 
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           | sybolism in araby | 
           8 / 2145 | 
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           | symbolism in the secret lion | 
           3 / 712 | 
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           | the road not taken | 
           3 / 726 | 
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           | trifles and symbols | 
           3 / 649 | 
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           | Charles Baudelaire | 
           6 / 1690 | 
             | 
          
                  
           | Edvard Munch: A Biography | 
           3 / 716 | 
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           | Nathaniel Hawthorne | 
           2 / 490 | 
             | 
          
                  
           | Poetry Explanation on Wordsworth's poem "I Wandered As Lonely As A Clo | 
           3 / 797 | 
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           | The Fly By Katherine Mansfield | 
           4 / 1147 | 
             | 
          
                  
           | Userhat and Kha | 
           3 / 617 | 
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           | Venus, Cupid, Folly, and Time | 
           2 / 566 | 
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           | A Farewell To Arms Is A Classi | 
           4 / 1148 | 
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           | ARTS | 
           3 / 635 | 
             | 
          
                  
           | Analyzing Shakespears Sonnet 5 | 
           1 / 223 | 
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           | Angela's Ashes Analysis | 
           2 / 555 | 
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           | Art | 
           2 / 523 | 
             | 
          
                  
           | Book Report "The Corona Project" by Curtis Peebles | 
           4 / 1174 | 
             | 
          
                  
           | Cindy Sherman | 
           2 / 473 | 
             | 
          
                  
           | Compare And Contrast The Ways | 
           5 / 1335 | 
             | 
          
                  
           | Compare And Contrast: "dead Man's Dump" By Rosenberg And "dulce Et Dec | 
           4 / 1125 | 
             | 
          
                  
           | Daddy | 
           4 / 1089 | 
             | 
          
                  
           | Detailed Analysis: The Masquerade of Marriage | 
           6 / 1507 | 
             | 
          
                  
           | Dover Beach | 
           4 / 923 | 
             | 
          
                  
           | Easter Wings | 
           6 / 1727 | 
             | 
          
                  
           | Emily Dickinson | 
           3 / 870 | 
             | 
          
                  
           | Everyday Use 3 | 
           3 / 724 | 
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           | Everyday Use | 
           3 / 724 | 
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           | Flea | 
           3 / 828 | 
             | 
          
                  
           | He | 
           5 / 1263 | 
             | 
          
                  
           | Hemmingway 2 | 
           1 / 229 | 
             | 
          
                  
           | Interpretation Of ``ozymandias`` | 
           3 / 619 | 
             | 
          
                  
           | J.d. Salinger | 
           6 / 1508 | 
             | 
          
                  
           | Lots Wife, Akhmatovas Version | 
           5 / 1478 | 
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           | last supper | 
           3 / 893 | 
             | 
          
                  
           | Mars is Heaven Analyzed | 
           4 / 911 | 
             | 
          
                  
           | Marvell's "to His Coy Mistress | 
           3 / 828 | 
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           | Marvells To His Coy Mistress A | 
           3 / 828 | 
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           | Methods of Intelligence | 
           4 / 1146 | 
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           | Of Mice And Men - Critical Evaluation | 
           3 / 708 | 
             | 
          
                  
           | Saboteur | 
           4 / 1057 | 
             | 
          
                  
           | Saving Private Ryan | 
           8 / 2347 | 
             | 
          
                  
           | Shakespear's "sonnet 55" And Fletcher's "licia" | 
           1 / 223 | 
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           | Stomp | 
           2 / 327 | 
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           | Symbolism In Dreams, From The | 
           5 / 1286 | 
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           | Symbolism In The Scarlet Lette | 
           3 / 794 | 
             | 
          
                  
           | Symbolism | 
           5 / 1456 | 
             | 
          
                  
           | Symbolism | 
           5 / 1456 | 
             | 
          
                  
           | The Cask Of Amontillado - Irony And Symbolism | 
           4 / 1155 | 
             | 
          
                  
           | The Dying Dreams | 
           5 / 1231 | 
             | 
          
                  
           | The Last Supper | 
           3 / 776 | 
             | 
          
                  
           | The Man Who Liked Slow Tomatoe | 
           3 / 692 | 
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           | The Old Man And The Sea -x | 
           5 / 1207 | 
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           | The Swimmer By John Cheever | 
           3 / 607 | 
             | 
          
                  
           | The Use Of Symbols In Steinbec | 
           3 / 705 | 
             | 
          
                  
           | Transformations In Ovid | 
           5 / 1350 | 
             | 
          
                  
           | Tulips by Sylvia Plath | 
           3 / 856 | 
             | 
          
                  
           | Winter On The Mind | 
           2 / 537 | 
             | 
          
                  
           | Krapp's Last Tape: Imagery In Color | 
           3 / 840 | 
             | 
          
                  
           | Movie Review: Yentl | 
           4 / 1008 | 
             | 
          
                  
           | Rabbit Proof Fence | 
           3 / 602 | 
             | 
          
                  
           | The Sixth Sense | 
           3 / 745 | 
             | 
          
                  
           | The life of Hildegard Von Bingen | 
           4 / 1123 | 
             | 
          
                  
           | SGS fiction | 
           3 / 631 | 
             | 
          
                  
           | The Glass Menagerie | 
           4 / 959 | 
             | 
          
                  
           | Intervention | 
           4 / 985 | 
             | 
          
                  
           | Physiological Methods | 
           2 / 546 | 
             | 
          
                  
           | The Lord of The Flies | 
           3 / 627 | 
             | 
          
                  
           | amiracan soup | 
           1 / 194 | 
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           | Last Supper | 
           3 / 776 | 
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           | The Pearl Of Great Price | 
           1 / 264 | 
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           | Fashion & Semiotics | 
           1 / 171 | 
             | 
          
                  
           | importance of language | 
           4 / 1007 | 
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