| Title |
Pages / Words |
Save |
| A Midsummer Night's Dream, quote response/analysis |
3 / 620 |
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| Our Town |
2 / 384 |
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| The Turn of A Screw |
2 / 543 |
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| book review on uncle tom's cabin |
3 / 794 |
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| Glory |
2 / 352 |
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| Agatha Christie Biography |
2 / 342 |
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| Me |
1 / 262 |
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| 3mistakes Of My Life |
2 / 396 |
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| A Review: The Day Of The Jackal |
2 / 494 |
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| A Tale Of Two Cities: Recalled To Life |
2 / 461 |
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| Age Of Innocence |
3 / 826 |
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| Analysis of Bjorn Sortland's \ |
2 / 516 |
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| Arturo Perez-Reverte' The Club Dumas |
3 / 612 |
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| Crime and Punishment as Polyphonic |
2 / 350 |
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| client vs snow in august |
2 / 532 |
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| David Mamet's Duck Variations Report |
3 / 700 |
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| Discuss the characters we hear but do not see why are they significant in terms of the themes of the play and in comparison with Willy? |
2 / 438 |
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| Farewell to Manzanar Book Review |
2 / 538 |
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| Fate And Feminism |
2 / 476 |
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| flaner o'conner |
1 / 227 |
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| great gatsby - nick |
1 / 256 |
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| Hawthorne |
2 / 464 |
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| Hiroshima - John Hersey |
2 / 496 |
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| House of the Seven Gables: Sins Represented by Characters |
2 / 355 |
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| I'm Not Scared |
2 / 474 |
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| Intensity |
1 / 279 |
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| King Lear: Conspiracy In Nakedness And Dress |
3 / 612 |
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| Kingsolver |
3 / 624 |
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| MAGGIE: A Girl Of the Streets |
2 / 497 |
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| November Blues |
2 / 442 |
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| Red Badge Of Courage |
2 / 389 |
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| Revelation |
3 / 771 |
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| THE STING |
2 / 553 |
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| The Age of Innocence |
3 / 817 |
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| The Celestine Prophecy |
2 / 429 |
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| The Great Gatsby: Realism |
3 / 635 |
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| The Notebook |
2 / 406 |
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| The Odyssey |
2 / 564 |
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| The most dangerous game |
3 / 602 |
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| Waiting for Godot |
6 / 1669 |
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| Student |
2 / 429 |
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| Who Moved My Cheese |
5 / 1262 |
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| 12 angrey men |
3 / 825 |
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| 12th night |
1 / 254 |
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| A Doll's House : Minor Characters |
4 / 1174 |
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| A Good Cop |
1 / 262 |
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| A Good Man Is Hard to Find - Flannery O'Connor |
3 / 706 |
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| Advanced level |
3 / 723 |
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| Antigone and Aristotle |
2 / 469 |
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| CONTEXTUAL ESSAY: THE IMPORTANCE OF BEING EARNEST |
3 / 684 |
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| Character Transformations In DH Lawrence's "The Blind Man" And "The Ho |
2 / 549 |
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| Characterization in Salinger's Nine Stories |
3 / 639 |
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| Characterization through deviation of plot: The evolution of the main characters in "Girl" and "Lust" |
3 / 672 |
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| Characterization |
4 / 1116 |
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| Cherry Orchard |
2 / 586 |
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| Comment On Three Fictional Writers |
2 / 544 |
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| Comparing And Contrasting The Characters Of Amanda And Laura From The Glass Menagerie |
4 / 903 |
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| Comparing Life Of Pi &Amp; White Teeth |
3 / 698 |
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| Comparison Between King Lear and A Thousand Acres |
2 / 497 |
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| Comparison Of Lord Of The Flies,"the Lottery","the White Circle" And " |
3 / 703 |
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| Covert War: Nature Vs. Culture in The Last of the Mohicans |
1 / 223 |
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| Death of a Salesman |
2 / 493 |
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| Deception Illustrated by Characters in Othello |
4 / 1001 |
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| Definition Of Modernism In Fiction |
3 / 611 |
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| Discussion Of Local Color In Mark Twain |
3 / 891 |
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| Film Task ? A Knights Tale |
2 / 400 |
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| Frankenstein |
2 / 500 |
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| Function of setting in man of la mancha |
4 / 1003 |
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| Greasy Lake |
2 / 509 |
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| Hamlet Analysis: Queen Gertrude |
2 / 513 |
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| Hamlet Vs. Macbeth |
2 / 512 |
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| Hills Like White Elephants |
3 / 791 |
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| House of Sand and Fog |
2 / 536 |
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| How Do Samuel Beckett (“Waiting For Godot”) And Gabriel Garcia Marquez (“Chronicles Of A Death Foretold”) Manage To Break The Chains Of A Circular Novel/Play? |
3 / 877 |
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| How does William Golding create the tensions in The Spire? |
3 / 768 |
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| Iago's Vengefulness |
2 / 522 |
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| Invisible Man Revision |
1 / 261 |
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| Is Othello a Racist Play |
2 / 415 |
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| Jackie Robinson |
1 / 214 |
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| King Lear |
3 / 622 |
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| "No Sugar" Essay |
3 / 655 |
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| "Tender is the Night" Zeigiest |
2 / 411 |
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| a rose for emily |
2 / 323 |
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| about a boy |
3 / 712 |
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| age of innocence |
2 / 305 |
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| are you ready boots |
1 / 261 |
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| importance of being ernest |
3 / 692 |
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| literature |
1 / 261 |
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| “The Destructors” And “The Rocking Horse Winner” |
3 / 771 |
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| Love/Hate in Much Ado About Nothing |
3 / 629 |
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| MacBeth |
3 / 647 |
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| Macbeth Essay |
2 / 416 |
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| Macbeth |
3 / 820 |
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| Measure For Measure |
3 / 772 |
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| Of Mice and Men |
3 / 613 |
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| Of Violence |
3 / 622 |
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| Ollie Vs. The Dragon |
2 / 574 |
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| Orwell 1984 And Burmese Days |
3 / 730 |
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| Pit and Pendulum movie vs book |
2 / 301 |
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| Point of View Analysis of "A Rose for Emily" by William Faulkner |
2 / 523 |
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| Quest for Something More |
1 / 292 |
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| Romeo and Juliet Speech |
2 / 349 |
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| Stereotypes In Print Texts Legally Blonde |
3 / 607 |
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| Success vs. Failure in Two Heroic Icons |
1 / 249 |
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| The Crucible |
2 / 449 |
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| The Pearl |
1 / 278 |
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| The Struggle For Inner Truth And Reality |
3 / 694 |
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| The Tragic End Of Romeo And Juliet Was The Result Human Action Not Fate As The Prologue Suggests. |
2 / 476 |
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| Theme of Opposites Within King Lear |
2 / 591 |
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| Theory Of Character And Characterization |
4 / 972 |
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| Transition to wholeness |
2 / 549 |
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| Varying Perspectives of Killing: Jack from Lord of the Flies vs. The Barber from "Just Lather, That's All" |
2 / 517 |
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| White Oleander |
2 / 341 |
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| Woah Dude |
3 / 700 |
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| rasin in the sun |
2 / 429 |
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| shadow of a doubt |
3 / 713 |
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| the Role of the Intrusive narrator/ author |
2 / 444 |
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| the club - character differences |
2 / 566 |
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| tomorrow when the war began |
2 / 367 |
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| wuthering heights |
2 / 469 |
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| Brave New World And 1984 |
2 / 345 |
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| History |
2 / 517 |
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| Source G is an extract taken from a Novel. Is it reliable as evidence |
2 / 450 |
|
| A Review Of Lessing's "flight" |
2 / 587 |
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| A Tale Of Two Cities And The Princess Bride: Loyalty |
1 / 272 |
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| Age Of Innocence |
3 / 826 |
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| animal farm reveiw |
1 / 260 |
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| Barn Burning 2 |
2 / 401 |
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| Barn Burning |
2 / 401 |
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| Carvers Realism From Fires |
4 / 1153 |
|
| Character Transformations In Dh Lawrence's "the Blind Man" And "the Ho |
2 / 549 |
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| Charater and Plot Master Harold and the boys. |
2 / 510 |
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| Classic Tales Of Tom Sawyer |
2 / 586 |
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| Compare Of Naturalism In "The Jungle" And "Maggie" |
2 / 368 |
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| Comparison Of Lord Of The Flies,"the Lottery","the White Circle" And " |
3 / 703 |
|
| Cyrano The Bergerac - Love |
3 / 667 |
|
| Death Of A Salesman - Minor Characters |
2 / 471 |
|
| Definition Of Modernism In Fiction |
3 / 611 |
|
| drama unit |
1 / 237 |
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| E. M. Forster |
4 / 966 |
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| Easy Rider |
2 / 396 |
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| Eleanor Rigby |
2 / 384 |
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| Fifth Business |
4 / 945 |
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| Greek Actors |
2 / 339 |
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| Harry Potter And The Sorcerers Stone |
1 / 230 |
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| Human Actions In Romeo And Juliet |
2 / 498 |
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| Immoral Materialism |
3 / 608 |
|
| Lord Of The Flies 9 |
3 / 717 |
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| Lord Of The Flies |
3 / 717 |
|
| Lost |
2 / 325 |
|
| Media |
3 / 700 |
|
| me3 coursework |
2 / 361 |
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| Never The Sinner - Production Critique |
3 / 826 |
|
| O Brother where art thou? |
2 / 552 |
|
| Othello - Change Of Character |
3 / 878 |
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| Othello 6 |
3 / 724 |
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| Othello Vs Much Ado About North |
3 / 618 |
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| Passion Play Evaluation |
2 / 507 |
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| Power of Advertising |
2 / 510 |
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| prose analysis |
2 / 429 |
|
| Rattle Bone |
4 / 1131 |
|
| Richard Iii: How Are Mckellen's Aims Achieved? |
2 / 432 |
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| Richard and Iago: Rational, Sensitive, or Vegetative? |
2 / 595 |
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| Role Of The Common Man In A Ma |
3 / 717 |
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| Romeo And Juliet - Chain Of Hu |
2 / 498 |
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| Romeo And Juliet - Minor Characters Influences On Major Char |
2 / 476 |
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| Romeo And Juliet, Human Action |
2 / 498 |
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| reality tv |
4 / 940 |
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| Sitcoms analyzed |
4 / 936 |
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| Talley's Folly |
3 / 679 |
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| The Age Of Innocence |
3 / 817 |
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| The Cherry Orchard |
2 / 504 |
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| The Longest Memory |
3 / 701 |
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| The Odyssey - Comparing The Ro |
3 / 832 |
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| The Sting |
2 / 553 |
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| Two Men In Buckram Critque |
3 / 805 |
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| the ant and the grasshopper |
1 / 38 |
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| Writing Style And The Reader - |
1 / 266 |
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| As good as it gets |
3 / 644 |
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| crash characters |
1 / 258 |
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| Easy Rider |
2 / 396 |
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| Eat Drink Man Woman |
2 / 551 |
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| Film genres |
2 / 479 |
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| jack black |
2 / 514 |
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| Requiem For A Dream |
2 / 436 |
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| Review of Hustle and Flow |
2 / 420 |
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| Seinfeld |
2 / 313 |
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| Show Boat |
1 / 276 |
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| Spartacus |
3 / 700 |
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| Stranger On A Train |
2 / 423 |
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| The Prestige movie critique |
1 / 248 |
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| taxi driver |
1 / 275 |
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| No Exit |
1 / 274 |
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| The Tao of Pooh |
2 / 519 |
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| Behold the Dreamer Cometh |
2 / 463 |
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| Brain |
3 / 658 |
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| The day after tomorrow |
2 / 471 |
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| Children, Television, and Violence |
2 / 584 |
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| Crash |
1 / 275 |
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| Metaphorical And Symbloic Ambiguities |
1 / 253 |
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