| Title |
Pages / Words |
Save |
| Anne Frank |
3 / 627 |
 |
| The Grifters |
2 / 565 |
|
| Julius Ceasar |
1 / 282 |
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| Amistad |
2 / 449 |
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| Book Review |
2 / 473 |
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| Mr. |
1 / 286 |
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| Schindler's list |
3 / 785 |
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| Spielberg Bio |
4 / 1075 |
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| Steven Spielberg |
3 / 716 |
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| Steven Spielberg |
1 / 207 |
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| Steven Spielburg |
3 / 814 |
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| Crafting of the story 'Scary Movies' |
3 / 606 |
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| Farewell to the One-Reelers |
1 / 267 |
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| Schindlers List |
4 / 1015 |
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| Shawshank Book vs Film |
3 / 756 |
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| Steven Spielberg's "Schindler's List" |
1 / 191 |
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| THE STING |
2 / 553 |
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| the war of worlad |
6 / 1669 |
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| A Streetcar themes |
1 / 236 |
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| An Inconvenient Truth |
1 / 270 |
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| Analyse the methods used to make the opening battle sequence of ?Saving Private Ryan' both shocking and realistic, and say how effective you find it as an introduction to the film |
10 / 2812 |
|
| Character Development Of Steven Wraysford |
3 / 683 |
|
| Comparing And Contrasting Hitchcock And Spielberg |
4 / 1183 |
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| Comparison of Ethan Hawke's and Kenneth Branagh's Versions of Hamlet |
3 / 879 |
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| English |
5 / 1226 |
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| Film as Lit |
5 / 1265 |
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| Finding Nemo |
4 / 1074 |
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| Flim Review Saving Pivate Ryan Draft |
3 / 682 |
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| Hitchcock, The Artist |
5 / 1223 |
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| How Does Baz Luhrmann Engage a Moders Audience's Interest That |
2 / 512 |
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| How Does The Director Stephen Spielberg Use Filmic Techniques To Build Suspense And Tension In The Opening Sequence Of The Film ‘Jaws’? |
2 / 341 |
|
| How does Steven Spielberg make the opening scene of Jaws so dramatic? |
5 / 1370 |
|
| How does Willy Russell us the separation of the twins in Blood Brothers to good dramatic effect? |
2 / 586 |
|
| How does the director, Steven Spielberg, create suspense, and scare the audience in the 1970's film, Jaws? |
10 / 2730 |
|
| Ijikjikj |
2 / 349 |
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| James Bond |
1 / 295 |
|
| Jaws - 'How Does Spielberg Create Tension?' |
6 / 1690 |
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| Jaws Tension |
3 / 831 |
|
| Jaws |
3 / 819 |
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| Jaws |
2 / 303 |
|
| Jaws |
1 / 145 |
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| demon lover |
2 / 348 |
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| fight club |
1 / 298 |
|
| jaws media |
2 / 598 |
|
| Macbeth |
3 / 728 |
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| Macbeth |
2 / 387 |
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| Miss |
4 / 1055 |
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| Parker'S Adaption Of Othello |
4 / 917 |
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| Point of View and Plot Development in PERFUME |
1 / 295 |
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| Rabbit Proof Fence |
3 / 648 |
|
| Religion in James Joyce's The Portrait of an Artist as a Young Man |
2 / 376 |
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| Salem's Lot and The Shining |
2 / 485 |
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| Saving Private Ryan Help Sheet |
2 / 320 |
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| Saving Private Ryan |
2 / 374 |
|
| Saving Private Ryan |
2 / 547 |
|
| Speech To Introduce |
2 / 342 |
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| The Cask of Amontillado |
3 / 646 |
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| The Sixth sense |
3 / 633 |
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| Twelve Angry Men film review |
2 / 476 |
|
| War Of The Worlds Film Techniqes |
3 / 878 |
|
| What are the qualities of a successful thriller and how are they exploited? |
4 / 1122 |
|
| ms |
4 / 1072 |
|
| romeo and juliet |
3 / 652 |
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| shadow of a doubt |
3 / 713 |
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| the usual suspects |
3 / 800 |
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| 86I67Iik |
4 / 1116 |
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| A.I. |
2 / 485 |
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| Action films. Good or Bad ?? |
2 / 501 |
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| Amistad 3 |
3 / 768 |
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| Analytical Film Paper |
2 / 323 |
|
| american splendor |
4 / 922 |
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| Beauty And The Beast |
3 / 609 |
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| Black Hawk Down |
1 / 195 |
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| Cinematic Techniques |
3 / 735 |
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| Citizen Kane By Orson Wells |
3 / 788 |
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| Citizen Kane By Orson Wells |
3 / 788 |
|
| Formalistic Elements in Goodfellas |
3 / 604 |
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| Hitchcock, The Artist |
5 / 1223 |
|
| How does the production in new Hollywood differ fron that of the studio era? describe what makes new hollywood cinema new. |
1 / 164 |
|
| Jane Eyre - Violence |
1 / 286 |
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| Jane Eyre - Violence |
1 / 286 |
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| Jaws Media Coursework Essay |
2 / 516 |
|
| jaws |
3 / 850 |
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| jaws |
2 / 438 |
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| narrative structures |
3 / 616 |
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| Rear Window |
1 / 101 |
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| Saving Private Ryan |
3 / 879 |
|
| Saving Private Ryan |
8 / 2347 |
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| Schindlers list reaction paper |
2 / 307 |
|
| Spellbound ( fact more compelling than fiction) |
3 / 710 |
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| Steven Speilberg |
3 / 856 |
|
| The Graduate Sequence Analysis |
3 / 726 |
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| The Sting |
2 / 553 |
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| Viewer Response - The Graduate |
2 / 387 |
|
| 12 Monkeys |
2 / 513 |
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| 28 days later |
1 / 273 |
|
| 32 Short Films About Glenn Gould |
2 / 573 |
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| A Hard Day's Night |
3 / 643 |
|
| Amistad |
3 / 820 |
|
| An Exploration Of How The Designer Olivier Kuntzel And Florence Deygas Managed To Incorporate And Interpret The Narrative Of ‘Catch Me If You Can’ Into Their Title Sequence |
4 / 1021 |
|
| Analysis of "Vantage Point" trailer |
4 / 1076 |
|
| Ang Pagdadalaga ni Maximo Oliveros |
2 / 516 |
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| Artificail Intelligence |
4 / 1044 |
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| Batman begins and sleepy hollow |
2 / 502 |
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| Billy Elliot |
2 / 461 |
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| Blowup could never be staged as a theatrical play.’ What are the elements that make Blowup so filmic? |
8 / 2166 |
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| Camila |
2 / 393 |
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| Casablanca |
2 / 505 |
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| Cinematic Techniques |
3 / 735 |
|
| Compare And Contrast A Remake |
2 / 514 |
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| Comparison Of Psycho And Vertigo |
4 / 1096 |
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| Conflict |
2 / 353 |
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| Confronting Loss in Memento |
2 / 494 |
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| casablanca: A New Perspective |
2 / 508 |
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| close encounters of third kind |
3 / 753 |
|
| Day For night |
1 / 242 |
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| Discuss whether Alfred Hitchcock can be considered an auteur |
5 / 1210 |
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| DreamWorks Animation |
2 / 314 |
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| dr |
5 / 1257 |
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| editing |
3 / 654 |
|
| Fight Club |
1 / 253 |
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| Film Review "Michael Collins" |
2 / 368 |
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| Film Review: Close Encounters Of The Third Kind |
2 / 593 |
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| Film genre, narration, reality tv |
6 / 1677 |
|
| Film genres |
2 / 479 |
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| Firestarter |
3 / 769 |
|
| film institute research |
2 / 553 |
|
| Gallipoli |
2 / 574 |
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| Genre Criticism of Stanley Kubrick's The Shining |
6 / 1626 |
|
| Human-Likeness In Braveheart Movie |
3 / 891 |
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| high tension |
3 / 826 |
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| Indiana Jones movie reports |
4 / 1090 |
|
| Indiana Jones |
5 / 1204 |
|
| Italian job |
2 / 349 |
|
| JAWS |
2 / 508 |
|
| Jaws - filmic techniques, structure of tension/suspense |
2 / 391 |
|
| Jaws Media Essay |
2 / 360 |
|
| john williams |
3 / 762 |
|
| King |
2 / 301 |
|
| Kung Fu Hustle: A Spoof of Eastern and Western Cultures |
4 / 932 |
|
| knife in the water |
3 / 796 |
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| La Amistad |
2 / 475 |
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| Lochness film essay |
3 / 747 |
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| M |
2 / 565 |
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| Man With A Movie Camera |
3 / 695 |
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| Media Studies Thriller Project |
8 / 2176 |
|
| Memento |
2 / 380 |
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| Micro Analysis Of |
5 / 1399 |
|
| Mise-En-Scene in Calagari |
2 / 352 |
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| Miss |
3 / 611 |
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| Moulin Rouge |
1 / 266 |
|
| Movie Revie: Schindler's List |
4 / 978 |
|
| Munich |
2 / 353 |
|
| Nondiegetic Music Of The Doors In The Scene Waiting In Saigon |
5 / 1334 |
|
| North by Northwest film analysis |
4 / 1051 |
|
| North by Northwest |
3 / 671 |
|
| On The Waterfront: The American Dream |
2 / 565 |
|
| Opening Sequence of Bullet Boy Analysis |
2 / 508 |
|
| Opinion on a negative and positive critique of Amistad |
2 / 592 |
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| Potemkin |
2 / 401 |
|
| Psycho Essay |
5 / 1343 |
|
| Psycho |
2 / 489 |
|
| Reading Summary: Amplification of Sound |
2 / 316 |
|
| rear window |
2 / 333 |
|
| Saving Private Ryan |
3 / 879 |
|
| Saving Private Ryan |
3 / 686 |
|
| Saving Private Ryan |
2 / 354 |
|
| Saving Private Ryan |
3 / 657 |
|
| Schindler's List |
3 / 773 |
|
| Shaun of the Dead |
1 / 275 |
|
| Stagecoach movie critique |
2 / 382 |
|
| Stephen Speilberg |
4 / 1036 |
|
| Steps of Odessa |
2 / 578 |
|
| Steven Spielberg |
3 / 716 |
|
| schindlers list |
2 / 307 |
|
| scream |
2 / 407 |
|
| semiotics |
4 / 908 |
|
| sterphen spielberg |
3 / 605 |
|
| The Conversation |
1 / 278 |
|
| The Green Berets and Casualties of War |
6 / 1603 |
|
| The Notebook: Best Film I Have Seen |
2 / 585 |
|
| The Success Of Michael Crichton's Novels In The Media Industry |
3 / 727 |
|
| To what extent do the conventions and codes of film noir used in double indemnity reflect the social, economic and cultural content of the period? |
3 / 634 |
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| Touch Of Evil |
5 / 1284 |
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| taxi driver |
1 / 167 |
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| the conversation |
2 / 406 |
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| the pianist |
2 / 550 |
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| truman review |
3 / 861 |
|
| Viewer Response - The Graduate |
2 / 387 |
|
| War of the Worlds Analysis |
4 / 1132 |
|
| what makes an excellent film |
2 / 491 |
|
| Jaws the movie |
2 / 332 |
|
| Kill Bill |
2 / 367 |
|
| Koyaanisqatsi |
3 / 702 |
|
| Two Different Explanations That Explains Criminal Behaviour |
1 / 194 |
|
| Basic Chemistry Essasy - properties of water |
1 / 258 |
|
| Biological Techniques |
2 / 435 |
|
| Jaws |
6 / 1683 |
|
| Prodigies |
2 / 478 |
|
| Short Film Techniques |
2 / 486 |
|
