| Title |
Pages / Words |
Save |
| Of Mice and Men |
2 / 353 |
 |
| Beautiful Mind |
5 / 1205 |
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| Help |
4 / 1165 |
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| history of hollywood |
3 / 854 |
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| McCarthyism |
5 / 1252 |
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| Mr. |
1 / 286 |
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| Bruce Lee |
6 / 1517 |
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| Cesar Chavez |
4 / 997 |
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| ernest hemmingway |
4 / 1093 |
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| gregory peck |
6 / 1572 |
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| Harryhausen |
5 / 1259 |
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| Ingrid Bergman |
5 / 1488 |
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| Lucille Ball |
4 / 1081 |
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| Marilyn Monroe |
6 / 1703 |
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| Marilyn Monroe |
1 / 242 |
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| Marilyn Monroe |
4 / 1165 |
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| Marilyn Monroe |
5 / 1419 |
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| oprah |
6 / 1653 |
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| Ronald Reagan |
3 / 846 |
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| Spielberg Bio |
4 / 1075 |
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| Tennessee Williams |
2 / 543 |
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| Walt Disney |
2 / 539 |
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| A Raisin In The Sun |
4 / 937 |
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| Biography:Robin Williams |
5 / 1452 |
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| Brownies |
2 / 349 |
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| Catcher In The Rye |
2 / 306 |
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| Catcher in the Rye |
4 / 966 |
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| Ernestine |
3 / 686 |
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| fiddler on the roof |
1 / 165 |
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| Kite Runner |
1 / 254 |
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| Portrayal Of The Truth In Hollywood Films, Girl Interrupted, By Susanna Kaysen |
6 / 1670 |
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| rasin in the sun historical content |
1 / 261 |
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| Symbolism Use In: "young Goodman Brown" And "the Lottery" |
3 / 676 |
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| The Tragedy of Romeo and Juliet-Critical Lens Essay |
4 / 959 |
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| the fampous |
2 / 304 |
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| Adam Sandler Sweety |
5 / 1250 |
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| Blockbuster Vs. Netflix |
3 / 755 |
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| Business |
2 / 562 |
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| blockbuster case analysis |
3 / 652 |
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| Career Paper |
8 / 2332 |
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| E |
1 / 250 |
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| Logistics |
3 / 734 |
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| Management Theory And Practice |
1 / 229 |
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| Market Opportunity For E-Business |
1 / 290 |
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| PR in Action |
1 / 255 |
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| Thorr Motorcycle |
3 / 731 |
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| A Twist in Fate |
2 / 339 |
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| Am I African? |
2 / 309 |
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| Censorship |
3 / 668 |
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| Comparison of Original Blade Runner film and Director's Cut |
7 / 1857 |
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| Concept of a Tragic Hero - Death of a Salesman Vs. Oedipus the King |
2 / 554 |
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| Considering Fantasy's Special Effects |
5 / 1362 |
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| Drama In Performance Is Not A Literary Text But Action In Time And Space |
8 / 2278 |
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| Film Noir |
8 / 2295 |
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| Hihi |
1 / 272 |
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| History of MGM studio |
5 / 1444 |
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| Holden's Search for Innocence |
3 / 786 |
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| Homer in Book 9 of the Odyssey |
3 / 619 |
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| How does Television utilize the components of Drama, Prose, and Poetry? |
2 / 589 |
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| Interpretation of "We Wear A Mask" |
6 / 1796 |
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| Jessica |
5 / 1461 |
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| Ken Kesey Life Behind the Cuckoo's Nest |
1 / 257 |
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| an analysis of harrison bergeron |
2 / 572 |
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| blacks in the film |
6 / 1641 |
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| body image in the media |
4 / 1085 |
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| Maya Angelou Short Bio (Team Harmony Requirement) |
1 / 191 |
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| McBeth |
2 / 597 |
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| Mrs. Mallard's experience |
3 / 634 |
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| My Ass |
1 / 254 |
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| My Experience |
3 / 627 |
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| Mystery Plays |
2 / 534 |
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| Myth in Baseball |
5 / 1296 |
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| OF MICE & MEN |
2 / 401 |
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| Oedipus Rex: Dramatic Irony |
1 / 283 |
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| Oediups - Effects of Offstage Action |
3 / 659 |
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| Of Mice And Men |
2 / 353 |
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| On Drama Translation |
7 / 1805 |
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| Our Town |
1 / 284 |
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| Passive Resistance |
3 / 737 |
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| Remember The Titans |
3 / 717 |
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| Roland Barthes Narrative |
1 / 263 |
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| Romatic Era |
3 / 793 |
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| Shakespeare’S Writings |
2 / 573 |
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| Shoe Horn Sonata Essay |
4 / 1072 |
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| Stage Drama |
5 / 1213 |
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| Symbolism in Hedda Gabler |
4 / 1184 |
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| The Homeland Of The Free |
3 / 866 |
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| The Pursuit of love |
3 / 650 |
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| The Tell-Tale Heart Analysis |
1 / 217 |
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| The Ways We Lie |
1 / 291 |
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| Themes In "The Lottery" |
3 / 754 |
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| Why you should be one of the students I keep? |
1 / 233 |
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| Wuthering Heights and Wishlist |
1 / 238 |
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| m. butterfly |
5 / 1284 |
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| matter of life and death |
1 / 269 |
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| maya angelou |
2 / 592 |
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| peter shaffer |
2 / 562 |
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| ANCIENT GREEK THEATER |
3 / 642 |
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| fall of the romen empire |
1 / 198 |
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| Greek Theater |
4 / 1091 |
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| Maya Angelo |
2 / 307 |
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| organized crime |
1 / 260 |
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| pearl harbor |
2 / 302 |
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| Stereotypes |
1 / 270 |
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| the oedipus plays |
4 / 1045 |
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| Elizabethan Theate |
5 / 1310 |
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| Archaeology: Fact vs Fiction |
3 / 779 |
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| Audrey Hepbrun: A Hollywood Fairytale |
5 / 1447 |
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| Bliss In Ignorance |
3 / 838 |
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| Brechtian Techniques used in Drama |
3 / 716 |
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| blah |
2 / 567 |
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| Cindy Sherman "untitled #188" |
1 / 209 |
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| Conventions Of Drama |
7 / 1857 |
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| Crucible Term Paper |
5 / 1235 |
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| Cruise Ship Drama |
1 / 244 |
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| courage |
2 / 309 |
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| Do I Or Don't I |
3 / 858 |
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| drama unit |
1 / 237 |
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| drama, theatre of brecht |
4 / 942 |
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| Escaping Extinction - The Amer |
5 / 1396 |
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| Going Balls Out |
3 / 762 |
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| History Of The French New Wave |
5 / 1470 |
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| Johnny Depp |
2 / 398 |
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| judging tv |
2 / 335 |
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| M.I.T |
2 / 342 |
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| Maya Angelou 5 |
4 / 1122 |
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| My Ass |
1 / 254 |
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| Myself |
2 / 344 |
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| origin of epic theatre |
4 / 945 |
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| Pit bull terriers make good pets |
2 / 576 |
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| Professional Wrestling |
4 / 997 |
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| Skating on Thin Ice |
5 / 1248 |
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| Tragically Real |
5 / 1371 |
|
| Workplace Drama |
1 / 239 |
|
| "The Patriot" Movie Review |
5 / 1202 |
|
| A discussion into whether ?J Horror' is a term of national identity, or cinematic sub-genre, using the texts; Ringu (1998), Audition (2000) and Ju-On (The Grudge) (2003). |
5 / 1471 |
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| All I Ever Needed To Know About Love |
2 / 377 |
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| American Splendor |
5 / 1296 |
|
| Art and Business of Film Making |
6 / 1577 |
|
| art of the hula |
3 / 693 |
|
| Crash |
1 / 298 |
|
| Examine the ways in which Hollywood cinema has conventionally represented African Americans. |
6 / 1743 |
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| Film and video production |
6 / 1613 |
|
| Follow Your Dreams |
5 / 1368 |
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| Gangsta Rap: Crime |
3 / 624 |
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| george gershwin |
1 / 249 |
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| Indonesian Cinema by Christine Hakim |
5 / 1323 |
|
| John Woo: from Hong Kong to Hollywood, The Killer and Face/Off |
3 / 859 |
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| L.A. Confidential review |
3 / 738 |
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| Leaving Las Vegas |
4 / 1081 |
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| love is worth the inevitable pain |
6 / 1542 |
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| Meet me in St, Louis and the Aspect of Sound |
4 / 1002 |
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| Moulin Rouge |
1 / 266 |
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| Movies |
4 / 965 |
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| Oscar Awards |
1 / 299 |
|
| on Experiencing Verdi's Aida |
1 / 287 |
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| Rap KillZ |
1 / 266 |
|
| Reality based tv... or not? |
1 / 288 |
|
| Richard Wagner |
4 / 969 |
|
| rap music |
1 / 278 |
|
| Save The last Dance |
2 / 317 |
|
| Some Like It Hot |
2 / 316 |
|
| Song Summary of Rich girl |
1 / 286 |
|
| Star Wars: An Intergalactic Joyride |
3 / 650 |
|
| synopsis: blood diamond |
3 / 745 |
|
| The Great Bollywood |
5 / 1292 |
|
| The Shawshank Redemption: Rhetorical Criticism |
4 / 1016 |
|
| The Spectacle of Violence in a Post-cHc Film |
7 / 1962 |
|
| The Two-Tiered System of Allusions |
5 / 1497 |
|
| The contemporary Hollywood blockbuster is not so much a film as a dev |
6 / 1591 |
|
| Traveling With The Times |
2 / 437 |
|
| the main changes that the paramount decree effected on the structure of the american film industry and the measures the ex-studios took to remain in control of the film market |
8 / 2256 |
|
| We Were Soldiers Critque |
6 / 1631 |
|
| Y tu mama tambien |
4 / 1034 |
|
| Plato & Aristotle Comparison |
6 / 1784 |
|
| Violence in The Arts ? Plato vs. Aristotle |
5 / 1270 |
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| Fred Astaire |
1 / 261 |
|
| Mass Communication Application |
5 / 1225 |
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| Parents and Children in Conflict |
1 / 274 |
|
| Stanley Milgram’s “The Perils of Obedience” |
1 / 250 |
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| Davis Koresh |
3 / 718 |
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| Witchcraft in Hollywood |
6 / 1765 |
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| Jora bot has attacked |
1 / 295 |
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| killer whales |
3 / 693 |
|
| Are We ready for a female president? |
5 / 1384 |
|
| Censorship in movies |
6 / 1628 |
|
| Culture |
3 / 803 |
|
| change in art/expressive cultures |
3 / 610 |
|
| going balls out |
3 / 894 |
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| Home Schooling |
2 / 588 |
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| huh? |
4 / 1014 |
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| inspector goole |
1 / 246 |
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| Miss |
2 / 355 |
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| Pop Culture Speech |
4 / 1094 |
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| Reality |
4 / 902 |
|
| Social Classes From “Midsummer Night’S Dream” By Shakespeare |
3 / 801 |
|
| The Influence Of Reality Television On America |
4 / 1179 |
|
| Freedoms On The Internet |
3 / 677 |
|
| The Effects of Television |
3 / 716 |
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| Web Video |
4 / 999 |
|
