| Title |
Pages / Words |
Save |
| A Midsummer Night's Dream, quote response/analysis |
3 / 620 |
 |
| Lord of the Flies |
2 / 515 |
|
| Our Town |
2 / 384 |
|
| Inspector Calls Coursework |
7 / 1977 |
|
| George of the Jungle |
2 / 521 |
|
| Star Wars: Episode I: The Phantom Menace |
2 / 331 |
|
| Romeo and Juliet |
3 / 754 |
|
| A Letter of Change |
4 / 1010 |
|
| David Hilliard- "The Ideology of the Black Panther Party" |
2 / 567 |
|
| Four Spirits |
2 / 520 |
|
| Fredrick Douglass |
2 / 512 |
|
| I Have a Dream |
2 / 580 |
|
| Martinl.king speech evalution |
5 / 1368 |
|
| Citizenship Cw A |
2 / 374 |
|
| Mitch Richmond |
2 / 484 |
|
| A million Little Pieces Book Review |
5 / 1371 |
|
| Bending Moment Experiment |
8 / 2126 |
|
| Everyday Use |
3 / 687 |
|
| Fight Club |
4 / 1134 |
|
| Horror Show |
2 / 397 |
|
| How is dramatic tension created in the trial scene of 'The Merchant of Venice'? |
7 / 2004 |
|
| Macbeth (witches effect) |
4 / 1088 |
|
| Modernism in The Real Inspector Hound |
4 / 981 |
|
| our town |
7 / 1936 |
|
| Student Survival Guide To Online School |
2 / 556 |
|
| The Lost Truth |
2 / 375 |
|
| Tragedy In Oedipus Rex |
2 / 574 |
|
| zoot suit riots |
3 / 803 |
|
| A RATIONALIZATION OF THE PRECAUTIONARY DEMAND FOR CASH |
4 / 1030 |
|
| audit |
2 / 578 |
|
| B2B vs B2C |
2 / 545 |
|
| Bmw Films |
3 / 698 |
|
| business |
2 / 353 |
|
| Communication Style |
2 / 499 |
|
| Corporate Social Responsibility |
2 / 563 |
|
| Distance Learning Pitch for High ranking officials and CEO |
4 / 1015 |
|
| e-business model |
5 / 1271 |
|
| Finance |
2 / 428 |
|
| Letter Of Recommendation |
2 / 462 |
|
| Marketing |
2 / 492 |
|
| Michael Jordon and Cuba Gooding Jr. as Spokesmen for Hanes campaign |
3 / 613 |
|
| marketing |
3 / 603 |
|
| promotional mix |
1 / 281 |
|
| reflections of society in literature |
4 / 949 |
|
| Teacher |
1 / 265 |
|
| Two Tips For Creating Academic Documents |
2 / 547 |
|
| 8 Seconds |
2 / 454 |
|
| A Comparison of the Versions of "Little Red Riding Hood" |
2 / 569 |
|
| A Comparison of the Wong and Zoellner Essays |
2 / 476 |
|
| A Rhetorical Analysis of \ |
4 / 1037 |
|
| Alfonso Cuaron's use of symbolism and film techniques in Great Expectations |
5 / 1202 |
|
| Alter Ego |
4 / 1097 |
|
| An Inspector Calls |
6 / 1547 |
|
| Art and Literature, A Comparison |
4 / 954 |
|
| Beloved |
4 / 963 |
|
| Benjamin Franklin's Tone On 2 passages |
2 / 304 |
|
| Business |
2 / 517 |
|
| College Life |
2 / 532 |
|
| Death of a Salesman Stage Effects |
4 / 946 |
|
| Definition of Literature |
4 / 1165 |
|
| Directing Romeo and Juliet |
5 / 1454 |
|
| Editing in The Shining |
4 / 1176 |
|
| Essay on concepts of 'Chivalry' as evident in Keats’s La Belle Dame Sans Merci and Chaucer’s The Knight’s Tale |
6 / 1596 |
|
| Explore Shakespeare's presentation of the three great leaders: Caesar, Antony and Cleopatra, through the changing fortunes of Acts III and IV. Explain how the balance of audience sympathy shifts |
6 / 1665 |
|
| Fathers and Daughters in Shakespeare |
3 / 650 |
|
| Frankenstein-value for modern readers |
4 / 921 |
|
| Gender Roles in Shakespeare |
6 / 1775 |
|
| Gender Roles in Shakespeare |
6 / 1761 |
|
| Godot And Repitition |
4 / 1097 |
|
| How Action Unfolds In The Visit And A Streetcar Named Desire |
1 / 273 |
|
| How does Arthur Miller use dramatic devises |
3 / 653 |
|
| How does Shakespeare use dramatic devices is Act 3 scene 1 of "Romeo and Juliet" in order to make it an exciting scene and a turning point in the play |
6 / 1773 |
|
| How does Steven Spielberg make the opening scene of Jaws so dramatic? |
5 / 1370 |
|
| Kafka's "A Hunger Artist" |
3 / 798 |
|
| Linking Texts |
3 / 647 |
|
| braveheart |
2 / 438 |
|
| frontline |
3 / 841 |
|
| gertrude |
3 / 798 |
|
| hamlet |
3 / 655 |
|
| journalism |
2 / 485 |
|
| Making Effective And Professional Presentations |
10 / 2852 |
|
| Media |
3 / 874 |
|
| No Sugar |
3 / 663 |
|
| Pericles and the Prince of Tyre |
4 / 919 |
|
| Peter Weir movie analysis |
2 / 542 |
|
| Politcal Ad |
4 / 922 |
|
| Sex Without Love |
2 / 543 |
|
| Speech Communication Learning Objectives |
6 / 1574 |
|
| Stanlislovski's System: Concepts On Acting |
4 / 936 |
|
| Symbolism in A Streetcar Named Desire |
4 / 1161 |
|
| TS Eliot critical Essay |
3 / 841 |
|
| The Role Of Enobarbus In The Play \ |
4 / 913 |
|
| The Shawshank Redemption |
2 / 386 |
|
| The Things They Carried Chapter Analysis |
7 / 1935 |
|
| The True Author Of Shakespeare's Works |
4 / 1183 |
|
| The Wind in the Willows |
3 / 702 |
|
| The Winter's Tale |
2 / 418 |
|
| Tis Pity Shes A Whore: "Alas poor creature, he meant no man harm. That I am sure of!" Discuss Fords use of Bergetto in the play, in the light of this quotation. |
3 / 826 |
|
| Truman Show |
2 / 438 |
|
| Unseen Forces: Lesbian relationships in Stoker's Dracula and Coppola's Bram Stoker's Dracula |
6 / 1599 |
|
| Use of Characters in No Sugar |
3 / 663 |
|
| Weird Guy (characterization) |
2 / 394 |
|
| Willmore Rake Hero |
3 / 607 |
|
| othello |
3 / 656 |
|
| othello |
37 / 10816 |
|
| response to carol ann duffy's 'war photographer' |
2 / 510 |
|
| romeo and juliet |
2 / 513 |
|
| compare and contrast of statue art |
2 / 381 |
|
| My apep |
5 / 1487 |
|
| Negative Effects Of Tv For Children |
2 / 316 |
|
| The Influence Of Rousseau's Views On The Relationship Between... |
4 / 1144 |
|
| ADD and ADHD |
1 / 220 |
|
| An American Tragedy |
2 / 472 |
|
| Antony And Cleopatra: The Role Of Enobarbus In Acts I And Ii |
3 / 770 |
|
| Antony And Cleopatra: The Role Of Enobarbus In Acts I And Ii |
3 / 770 |
|
| Aspects Of Performance |
4 / 1173 |
|
| art critique |
2 / 366 |
|
| Casablanca Cinematography |
6 / 1661 |
|
| Casting Crowns |
2 / 553 |
|
| Cirque Du Soleil |
2 / 421 |
|
| College Life |
2 / 532 |
|
| Crash Down |
1 / 151 |
|
| Cyrano De Bergerac |
3 / 711 |
|
| circumstances in make lemonade |
2 / 523 |
|
| coke vs. benneton |
3 / 852 |
|
| Demonstration: Making Candles |
4 / 910 |
|
| Dream To Reality |
5 / 1245 |
|
| Goodbye Chicken Little |
2 / 350 |
|
| Greek Theater 2 |
3 / 623 |
|
| How to reduce your chances of becoming a victim of crime |
2 / 531 |
|
| Incidents |
2 / 557 |
|
| Juice |
3 / 618 |
|
| King Lear - Fool's Character |
4 / 1099 |
|
| Kingfisher |
2 / 339 |
|
| Les Miserables |
3 / 608 |
|
| Medea - Techniques |
4 / 1114 |
|
| Media |
3 / 700 |
|
| Metaphor in Hamlet |
2 / 449 |
|
| Mystic in the Theater Eleonora Duse |
2 / 579 |
|
| Origins Of World War Ii - Book Review |
3 / 839 |
|
| origin of epic theatre |
4 / 945 |
|
| Perception |
2 / 368 |
|
| Romeo & Juliet Movie Comparison |
4 / 1091 |
|
| romeo and juliet |
3 / 668 |
|
| Special Topics In Communications |
2 / 470 |
|
| Steroids |
2 / 563 |
|
| stop censorship |
4 / 916 |
|
| student |
3 / 714 |
|
| THE REASON OF WHY RESEARCH IS VERY IMPORTANT IN GRAPHIC DESIGN PROCESS |
2 / 598 |
|
| The Crucible |
4 / 1033 |
|
| The Great Gatsby- Jay Gatsby V |
2 / 444 |
|
| The History of Graphic Design and Its Audiences |
4 / 1069 |
|
| The Role Of Enobarbus In Acts |
3 / 776 |
|
| To what extent is Laura Mulvey's article ?Visual Pleasure and Narrative Cinema' true to the representation of women in film noir? |
8 / 2206 |
|
| Virginia Woolf |
4 / 1163 |
|
| Virginia Woolf |
4 / 1163 |
|
| Wii love a good workout |
10 / 2846 |
|
| Alfred Hitchcock's Rear Window: Sound |
5 / 1236 |
|
| Analysis of "Vantage Point" trailer |
4 / 1076 |
|
| Aspects Of Performance |
4 / 1173 |
|
| Choose A Film Or Television Programme And Discuss How Its Mise-En-SceNe And Cinematography Operate To Create Meaning For The Audience. How Does The Visual Style Contribute To The Text’S Overall Appeals And Meanings? |
4 / 1141 |
|
| Discuss How Mise-En-Scene And Camera Movement, Angle And Positioning Create Meaning For An Audience In The Final Gun Battle Sequence ‘scarface |
4 / 1108 |
|
| Down To Who? |
3 / 728 |
|
| Dynamics &Amp; Mood |
2 / 305 |
|
| Fahrenheit 9/11 |
6 / 1590 |
|
| Film Review: Close Encounters Of The Third Kind |
2 / 593 |
|
| Films that were enjoyed and disliked |
3 / 730 |
|
| film institute research |
2 / 553 |
|
| godfrey reggio |
4 / 979 |
|
| James Devine's Rhythmic Dance |
3 / 710 |
|
| Jazz Showcase |
4 / 1021 |
|
| Meet me in St, Louis and the Aspect of Sound |
4 / 1002 |
|
| Montage in films of Sergei Eisenstein |
5 / 1433 |
|
| Music Review |
2 / 472 |
|
| Patchadams |
2 / 533 |
|
| Rebel Without a Cause |
3 / 749 |
|
| Romeo and Juliet Film Review |
2 / 477 |
|
| rear window |
2 / 333 |
|
| Who is Citizen Kane? |
4 / 1165 |
|
| Expressing Creativity |
3 / 814 |
|
| Non-realism in theatre |
5 / 1284 |
|
| Adolescent Experiences |
1 / 197 |
|
| Multicultural Oneness |
2 / 313 |
|
| Kite Runner |
6 / 1621 |
|
| You'll never abuse me, powers of the interwebs. |
4 / 930 |
|
| A Critical Analysis Of Shakespeare's Hamlet |
4 / 1112 |
|
| Bush is swell |
2 / 433 |
|
| Camel Advertisements |
3 / 776 |
|
| Crime, Violence and Masculinity |
6 / 1518 |
|
| HISTORY |
2 / 565 |
|
| How to become a better leader |
4 / 1125 |
|
| Invisible Children |
4 / 996 |
|
| Judge Judy: Social Stratification |
3 / 614 |
|
| Marijuana |
3 / 634 |
|
| The Body Can be a Hot Ride |
3 / 718 |
|
| The Media Effect |
2 / 414 |
|
| The Rest of Your Fur Coat |
6 / 1794 |
|
| What Is Rhetoric |
3 / 776 |
|
| B2B MARKETING |
3 / 777 |
|
| What the Bleep Do I know? |
2 / 571 |
|
