| Title |
Pages / Words |
Save |
| Burkina Faso |
2 / 387 |
 |
| Saving Private Ryan |
4 / 1019 |
|
| amistad |
2 / 506 |
|
| Book Review |
2 / 473 |
|
| Film Critique on The Deer Hunter |
5 / 1209 |
|
| Final |
2 / 497 |
|
| Historical Accuracy : Gangs Of New York |
3 / 781 |
|
| Importand films of the early 1900's |
3 / 644 |
|
| library of congress |
2 / 552 |
|
| Malcolm X |
2 / 549 |
|
| native american participation in ww2 |
2 / 503 |
|
| netflix |
2 / 343 |
|
| Ann Rinaldi |
1 / 151 |
|
| Audrey Hepburn |
2 / 351 |
|
| D.W.Griffith |
4 / 1076 |
|
| John Wayne |
3 / 629 |
|
| Spike Lee |
3 / 664 |
|
| Steven Spielberg |
2 / 579 |
|
| the patriot |
2 / 358 |
|
| walt disney |
1 / 223 |
|
| a clockwork orange |
2 / 475 |
|
| afaet |
2 / 547 |
|
| British india |
2 / 459 |
|
| Like waster |
1 / 266 |
|
| Nightmare on Elm Street |
1 / 248 |
|
| Arundel Case |
3 / 640 |
|
| Arundel Partners Case |
2 / 484 |
|
| Arundel |
5 / 1424 |
|
| Audit Objectives - Inventory |
2 / 565 |
|
| Audit |
2 / 341 |
|
| BMW Films |
2 / 328 |
|
| Bmw Films |
3 / 698 |
|
| Globalization |
1 / 229 |
|
| Marketing |
2 / 361 |
|
| Nescafe |
2 / 475 |
|
| Pixar Investment Profile |
2 / 449 |
|
| Probability Distribution |
1 / 250 |
|
| Regency Enterprise case study |
1 / 286 |
|
| Role of Financial Manager |
2 / 303 |
|
| Statistic unit 3 DB |
2 / 504 |
|
| Student |
2 / 577 |
|
| Users of Accounting information |
4 / 986 |
|
| Censorship in the Media |
3 / 780 |
|
| Christine de Pizan |
2 / 572 |
|
| Film Violence |
2 / 412 |
|
| Friendships Between Genders |
2 / 426 |
|
| Historical Analogies Have A Great And Significant Value To Everyone |
1 / 300 |
|
| Judy Garland |
1 / 263 |
|
| classification of movies |
2 / 425 |
|
| Macbeth Background and Theme |
1 / 268 |
|
| Macbeth Review |
1 / 260 |
|
| Requiem for a Dream |
2 / 328 |
|
| Romeo and Juliet: 1968 vs. 1996 films |
1 / 162 |
|
| Saving Private Ryan Help Sheet |
2 / 320 |
|
| Saving Private Ryan |
4 / 995 |
|
| Stangers On A Train Reaction Essay |
2 / 320 |
|
| The Comparison Between This And That |
3 / 655 |
|
| The Tell-Tale Heart Analysis |
1 / 217 |
|
| Whom do I trust |
1 / 220 |
|
| Why We Crave Horror Movies |
1 / 248 |
|
| my goodness |
1 / 249 |
|
| Bible and History |
2 / 324 |
|
| Box office Decline |
1 / 53 |
|
| ELIZABETH' AS AN EXAMPLE OF ART CINEMA |
4 / 1187 |
|
| Frauds In Financial Statements |
1 / 284 |
|
| Greek Mythology |
1 / 140 |
|
| Historical Accuracy : Gangs Of New York |
2 / 330 |
|
| History of the Peloponnesian War |
3 / 740 |
|
| Key Historical Developments in Nursing Research |
3 / 730 |
|
| Movie Review: Enemy At The Gates. |
1 / 277 |
|
| Old Movies And America |
2 / 462 |
|
| Paper |
1 / 113 |
|
| Schindlers list |
2 / 320 |
|
| A film I have seen |
2 / 523 |
|
| Action films. Good or Bad ?? |
2 / 501 |
|
| All Quiet On The Western Front |
2 / 339 |
|
| Arundel Partners Case Analysis |
5 / 1411 |
|
| arundel |
5 / 1411 |
|
| Babam Ve Oglum |
4 / 1139 |
|
| Beauty And The Beast |
3 / 609 |
|
| Blacks In Film |
4 / 1150 |
|
| Blade Runner And Jurassic Park |
4 / 972 |
|
| Boys In The Hood The Beginning |
3 / 653 |
|
| Critique on Pollice Verso |
3 / 803 |
|
| cheater |
2 / 445 |
|
| Francis Ford Coppola |
2 / 500 |
|
| German Movies |
2 / 533 |
|
| Ggggg |
2 / 360 |
|
| Historical Accuracy In Films |
6 / 1711 |
|
| History by Analogy |
1 / 246 |
|
| Hollywood Vs. The World |
4 / 1134 |
|
| Horror Movies |
2 / 552 |
|
| How does the production in new Hollywood differ fron that of the studio era? describe what makes new hollywood cinema new. |
1 / 164 |
|
| hellno |
2 / 363 |
|
| hitchcock |
2 / 418 |
|
| Johnny Depp |
2 / 398 |
|
| Leading men |
1 / 287 |
|
| Letters From A War Zone |
4 / 1061 |
|
| narrative structures |
3 / 616 |
|
| Pocahontas: Fact Or Fiction |
2 / 462 |
|
| Technology and Accounting |
2 / 340 |
|
| The Breakfest Club |
3 / 694 |
|
| The review of Forrest Gump movie |
3 / 723 |
|
| Thoughts On Pocahontas The Mov |
1 / 216 |
|
| the corporation |
2 / 347 |
|
| What is Anime |
2 / 462 |
|
| 12 Angry Men |
4 / 986 |
|
| A Mid Summer Night's Dream Film Analysis |
4 / 1192 |
|
| Advantages And Disadvantages Of Subtitles |
2 / 546 |
|
| African American Cinema |
3 / 673 |
|
| Alfred Hitchcock |
4 / 945 |
|
| Amelie |
2 / 330 |
|
| American Filmmaking History/D.W. Griffith and the age of progressivism |
4 / 962 |
|
| BMW Films |
6 / 1711 |
|
| Beauty and the beast |
1 / 288 |
|
| Blaxpoitation |
2 / 325 |
|
| Blood, Violence And Gore As Entertainment |
2 / 363 |
|
| C-grade answer for the impact of Hollywood's focus on the blockbuster film and how it's affected the up-turn in box office figures in the last 10 years. |
1 / 271 |
|
| Camila |
2 / 393 |
|
| Chinatown |
2 / 377 |
|
| Critique Of The Cabinet Of Dr. Caligari |
2 / 481 |
|
| DARKER CITIES |
2 / 595 |
|
| Discuss How Genre Adapts To Changing Social, Political, Historical And Economical Contexts |
5 / 1252 |
|
| DreamWorks Animation |
2 / 314 |
|
| Edwin S. Porter |
7 / 1905 |
|
| Fight Club |
1 / 229 |
|
| Film Noir At It'S Finest |
2 / 525 |
|
| Film genres |
2 / 479 |
|
| Film: From Silent to Sound |
2 / 551 |
|
| French New Wave |
4 / 1149 |
|
| film noir |
3 / 693 |
|
| Gladiator: A Classic is Born |
5 / 1351 |
|
| godfrey reggio |
4 / 979 |
|
| Hong Kong Cinema |
3 / 709 |
|
| Horror Movies |
2 / 552 |
|
| Horror Movies |
3 / 613 |
|
| Indonesian Cinema by Christine Hakim |
5 / 1323 |
|
| Jack Nicholson, Star? |
2 / 369 |
|
| Kung Fu Hustle: A Spoof of Eastern and Western Cultures |
4 / 932 |
|
| Mise-En-Scene in Calagari |
2 / 352 |
|
| Mise-en-Scene |
4 / 1039 |
|
| Movie History |
2 / 568 |
|
| Movie Marketing In India |
2 / 329 |
|
| Movie |
2 / 564 |
|
| martin scorsese |
3 / 870 |
|
| media |
4 / 978 |
|
| movie |
1 / 214 |
|
| Nightmare on Elm Street: The Relation of Theater and the Nightmare |
4 / 978 |
|
| On the waterfront |
1 / 126 |
|
| Post-Renaissance Films |
1 / 253 |
|
| Power to the Little People |
2 / 432 |
|
| Reservoir Dogs |
4 / 911 |
|
| Samurai in Film |
2 / 421 |
|
| Schindler's List, The Pianist, and Life is Beautiful |
1 / 259 |
|
| Some Like It Hot |
2 / 316 |
|
| Starship Troopers |
3 / 708 |
|
| Stephen Speilberg |
4 / 1036 |
|
| sfsf |
2 / 474 |
|
| sofia coppola |
2 / 386 |
|
| THoughts On Pocahontas |
1 / 216 |
|
| The Thirteenth Warrior |
2 / 354 |
|
| Thoughts on Tania Modleski's "Cinema and the Dark Continent: Race and Gender in Popular Film" |
1 / 263 |
|
| Two Great Rebellion Films |
4 / 990 |
|
| the patriot |
3 / 641 |
|
| triumph of the will and why we fight |
2 / 548 |
|
| Using the comparison of these two texts as your starting point, explore the media issues and debates these texts raise. |
3 / 853 |
|
| Vertov and Eisenstein |
3 / 750 |
|
| Walt Disney |
3 / 689 |
|
| We Were Soldiers Critque |
6 / 1631 |
|
| What makes a great movie |
1 / 257 |
|
| Will Smith |
2 / 357 |
|
| Wings of Desire |
2 / 415 |
|
| Baler |
2 / 545 |
|
| Eyewitness Memory |
2 / 350 |
|
| Free Recall From Short Term Memory And Long Term Memory |
5 / 1220 |
|
| girl interrupted review |
2 / 473 |
|
| Observational Learning of Violent Behavior |
3 / 780 |
|
| recall and recognition |
1 / 99 |
|
| rock |
1 / 202 |
|
| Historicity of the Bible |
2 / 306 |
|
| One -> Two |
3 / 705 |
|
| religon |
1 / 279 |
|
| Truths |
2 / 408 |
|
| accuracy and precision |
2 / 472 |
|
| Barium Enema |
3 / 712 |
|
| Units Of Measurement |
2 / 547 |
|
| Culture Of Film |
6 / 1579 |
|
| disney is not taking over childrens lives - persuasive speech |
3 / 772 |
|
| Marxism |
1 / 300 |
|
| opionative essay on smoking |
1 / 276 |
|
| Sorority Girl |
3 / 617 |
|
| Split Image |
3 / 627 |
|
| True Event in Colorful Film |
2 / 513 |
|
| Use Cell Phone |
2 / 541 |
|
| Capbilities Of Modern Computers |
2 / 462 |
|
| grouping |
2 / 308 |
|
| Himalayan Mineral Water VFX Case Study |
2 / 306 |
|
| MEMS |
3 / 882 |
|
| na |
1 / 273 |
|
| Vom |
2 / 593 |
|
