| Title |
Pages / Words |
Save |
| Rebecca |
2 / 411 |
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| Rebecca |
4 / 923 |
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| The structure of Greek Drama |
2 / 370 |
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| Books |
1 / 259 |
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| drugs |
3 / 701 |
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| Jane Eyre, the Cinderella Copy |
2 / 482 |
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| the odd man out 2 |
4 / 963 |
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| The Odd Man Out |
4 / 977 |
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| Effect of Oppression in Yellow Wall Paper |
3 / 864 |
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| All Fur |
3 / 735 |
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| A Room With A View |
2 / 482 |
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| A Room With A View |
2 / 482 |
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| Hester Prynne: Comparion beween Reynold and Herzog Essays |
3 / 677 |
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| Katherine Mansfield's Taking the Veil Analisys |
3 / 639 |
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| Antigone and Ismene |
2 / 438 |
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| The Flamboyant Hester Prynne |
2 / 597 |
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| The Coldest Winter Ever |
2 / 375 |
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| AP response "girl and tree" |
2 / 425 |
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| A Room With A View |
4 / 967 |
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| Creon As The Tragic Hero In An |
2 / 522 |
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| Creon As The Tragic Hero In An |
2 / 522 |
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| fairytales |
1 / 232 |
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| Damsels In Address |
5 / 1351 |
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| Criminalizing Tobacco |
3 / 737 |
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| Mansfield Park Analysis |
2 / 389 |
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| Little Miss Sunshine |
4 / 941 |
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| frankenstien |
5 / 1259 |
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| Comparative Character Analysis of Classical Vs. Modern Tragic Protagonists. |
3 / 775 |
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| Future |
1 / 230 |
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| Comfortably Numb: A Shady Past |
2 / 574 |
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| Elizabeth Bennett |
3 / 629 |
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| The |
3 / 795 |
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| A White Heron |
2 / 510 |
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| A White Heron |
2 / 510 |
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| Their Eyes Were Watching God: Personal Relationships |
3 / 611 |
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| Strange Encounters |
6 / 1670 |
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| Mother Courage and her Children |
5 / 1410 |
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| Born Diferent ? or Just Differently Abled? |
1 / 283 |
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| Lucille Ball - A Role Model To All |
2 / 332 |
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| Anelina Jolei |
1 / 196 |
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| The Dangers Of Cannabis-a Minimal List |
4 / 1014 |
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| Awakening |
3 / 604 |
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| goblin market |
2 / 487 |
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| Friendship |
1 / 252 |
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| Friendship |
1 / 252 |
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| The Develoment of the Horror Genre |
4 / 966 |
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| Heroes and Heroines in Pride and prejudice by Jane Austen |
5 / 1373 |
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| I Know What You Did Last Summer |
1 / 249 |
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| Barashka |
9 / 2569 |
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| herakles role in the alcestis |
4 / 912 |
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| JULIA BUTTERFLY HILL AMERICAN HEROIN |
4 / 1006 |
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| Joan Of Arc |
1 / 289 |
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| Blaming Violence and Sexuality on the media: |
2 / 355 |
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| Subversive Actions and Paradoxes Displayed in "The House of the Spirits" and "Kiss of the Spiderwoman" |
4 / 1010 |
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| ANTIGONE analysis |
3 / 672 |
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| 19th century heroines |
6 / 1575 |
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| The Delusional World of A Young Governess |
8 / 2257 |
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| Puddinghead |
3 / 803 |
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| Ferrera |
1 / 275 |
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| What Defines Protagonist’S Identity In The Master And Margarita And Kiss Of The Spider Woman? |
5 / 1409 |
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| The Sun Also Rises 5 |
5 / 1341 |
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| The Scarlet Letter |
4 / 1051 |
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| The Name Judith |
2 / 376 |
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| Buffy's Deeper Meanings |
3 / 709 |
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| Pride And Prejudice |
2 / 305 |
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| Are athletes heroes? |
4 / 1142 |
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| Buoyant Forces |
1 / 282 |
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| Symbolism in A Streetcar Named Desire Blanche's Dubois mysterious life |
3 / 752 |
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| Antigones Right Problems |
4 / 931 |
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| Pride and Prejudice |
4 / 1108 |
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| 'the Sun Also Rises 'As A Portroyal Of Lost Generation |
2 / 331 |
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| Human Nature Is Inherently Bad |
1 / 275 |
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| Drug War |
2 / 356 |
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| Pride And Prejudice |
3 / 816 |
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| nothing here |
2 / 349 |
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| A MALE FEMINIST: HARDY'S PORTRAYAL OF When Rosemarie Morgan claims, "Hardy's women ... must have confused many readers caught with mixed feelings of admiration and alarm," (Morgan, Women and Sexuality in the Novels of Thomas Hardy xiii) she brings... |
9 / 2425 |
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| Booker T |
1 / 292 |
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| Time Compression |
2 / 310 |
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| Heroine Apparent |
5 / 1283 |
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| DUDE |
4 / 920 |
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| Say it isn't so... |
2 / 465 |
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| Their Eyes Were Watching God - Adjust, Adapt, Overcome: A Theme Analys |
7 / 1819 |
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| Arab literature |
2 / 398 |
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| Pretty Woman Vs. Pillow Talk |
4 / 1061 |
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| Shakespeare's Rosalind |
4 / 937 |
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| The Kings |
2 / 402 |
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| Fitzgerald and Waldo Frank |
1 / 297 |
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| A&P Analysis |
1 / 94 |
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| Jay Gatsby |
2 / 366 |
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| chinese culture |
2 / 358 |
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| The Merchant Of Venice As A Romantic Comedy - Critical Analysis |
6 / 1588 |
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| The beast |
2 / 487 |
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| crack kills |
2 / 357 |
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| a summayr of Sonny's Blues |
2 / 502 |
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| past and current trend |
3 / 872 |
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| Life of Rodger Bacon |
1 / 286 |
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| Becoming Madame Mao Reaction Paper |
4 / 1110 |
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| Feminism In Jane Eyre |
2 / 378 |
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| War On Drugs |
5 / 1228 |
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| Emma |
4 / 998 |
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| Anna Boleyn |
2 / 365 |
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| Antigone |
2 / 397 |
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| Drug Abuse |
2 / 417 |
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| All Quite On The Western Front Analysis |
3 / 794 |
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| All Quite On The Western Front Analysis |
3 / 794 |
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| Dreyer's Vampyr |
6 / 1754 |
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| Legalization of drugs |
2 / 423 |
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| JANE EYRE, THE VICTORIAN CINDERELLA |
3 / 849 |
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| Helena Carter |
1 / 281 |
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| Living the Blues With Sonny |
4 / 1144 |
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| the black cottage |
2 / 433 |
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| The Spire: How does Golding show the contrast between the world of faith and the real world in chapter 2? |
3 / 698 |
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| fairy tale culture |
3 / 855 |
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| washington square 1997 review |
4 / 1183 |
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| nature of logic |
2 / 577 |
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| Macbeth |
2 / 397 |
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| Drug Legalization |
5 / 1217 |
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| Newton |
2 / 340 |
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| Pallas Athene Versus Minerva |
2 / 462 |
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| Feminism in Jane Austen |
4 / 1042 |
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| A Time Of Prosperous Change |
4 / 1102 |
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| A Time Of Prosperous Change |
4 / 1102 |
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| Drug Report |
2 / 572 |
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| Fly Away Peter |
3 / 617 |
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| Steroids |
2 / 466 |
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| Berta of Hungary: Trickery |
4 / 988 |
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| sonny's blues |
5 / 1211 |
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| music effecting change |
5 / 1216 |
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| legalization of marijuana |
2 / 478 |
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| Eliza Doolittle: Pygmalion |
2 / 591 |
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| The Yellow Wallpaper |
9 / 2412 |
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| all quiet on the western front |
3 / 742 |
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| How Is Hester Prynne From The Novel The Scarlet Letter A Transcendenta |
2 / 541 |
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| Sense And Sensiblity |
2 / 457 |
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| Medea In Full Control Of The Events |
4 / 1182 |
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| Richard Cory Analysis |
2 / 350 |
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| crucible |
2 / 370 |
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| Daoism |
1 / 89 |
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| Antigone |
2 / 560 |
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| Antigone |
2 / 560 |
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| The Crucible - A Harsh Reality |
2 / 370 |
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| Gene Therapy |
2 / 417 |
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| Ways To Fight The Drug War |
2 / 502 |
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| The Godfather |
2 / 570 |
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| The Godfather |
2 / 570 |
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| To Be Ready or Not to Be Ready?: What a Stupid Question |
2 / 527 |
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| saint |
2 / 525 |
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| Death By Landscape |
3 / 689 |
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| Medea |
6 / 1774 |
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| questions |
2 / 373 |
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| The Winter's Tale: The Tragedy Within A Romance |
2 / 413 |
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| Stephen Crane's "the Open Book": Determinism, Objectivity, And Pessimi |
3 / 642 |
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| Alpha Andromeda |
4 / 927 |
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| Heroine Moll Flanders |
6 / 1790 |
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| The Glass Menagerie |
8 / 2203 |
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| TV Violence |
2 / 490 |
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| ?Writers chose the Gothic mode to convey the idea that evil was within humans, "as a distortion, warping [the] mind", and not as an external malevolent force.' (Jacqueline Howard) Discuss the treatment of evil in two or three gothic novels studie... |
6 / 1591 |
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| Philip Larkin |
2 / 443 |
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| Jerry Garcia And The Grateful Dead |
4 / 1010 |
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| The Society Sula Escaped |
2 / 568 |
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| aa meeting |
2 / 598 |
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| Heroism in Brit Lit |
5 / 1228 |
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| Warrior Woman |
2 / 557 |
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| Dunny Takes The Fifth |
3 / 605 |
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| Catcher In The Rye - The Conte |
2 / 460 |
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| susan griffin our secret |
2 / 409 |
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| Dickens And His Structure Of Ha |
3 / 879 |
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| loctite |
2 / 572 |
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| Women |
3 / 620 |
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| The Angel of the Battlefield |
5 / 1204 |
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| crap |
5 / 1243 |
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| Compare and Contrast the movies Requiem for a Dream and Malena |
5 / 1373 |
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| Themes of Northanger Abbey |
5 / 1296 |
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| Bless Me, Ultima |
2 / 526 |
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| The Many Views Of Sylvia Plath |
6 / 1707 |
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| Medea |
7 / 2043 |
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| the harm of cigarettes |
3 / 623 |
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| Androgyny: Will of Shakespeare's Female Characters |
5 / 1437 |
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| Similaries Between Aeneid and Iliad |
2 / 409 |
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| Creon and Antigone as Tragic Heroes |
2 / 525 |
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| Stars |
3 / 637 |
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| Stars |
3 / 637 |
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| Women in contemporary horror films |
6 / 1715 |
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| L.A. Confidential |
3 / 675 |
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| Antigone character analysis |
2 / 594 |
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| Whalrider |
2 / 501 |
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| Peter Aberlard (draft) |
1 / 177 |
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| Drug Effects on the Community |
9 / 2495 |
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| How Illuminating Is It To Read Ibsen In Feminist Terms |
8 / 2114 |
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| Greek city-states |
2 / 395 |
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| Crito, "Two Wrongs Don't Make A Right" |
3 / 625 |
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| The Contempary Enlightend One |
2 / 488 |
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| Storytelling |
2 / 576 |
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| Wuthering Heights 4 |
4 / 1088 |
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| Louis XVI |
3 / 630 |
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| Cesar Chavez |
6 / 1688 |
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| marriage in pride and prejudice and in jane eyr |
3 / 606 |
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| Brother Grim Taking The Merry Out Of Fairy Tales |
2 / 541 |
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| alberto |
2 / 511 |
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| COMPARISON OF CALI AND SONORA CARTELS |
2 / 474 |
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