| Title |
Pages / Words |
Save |
| Heinrich Schutz, Baroque Composer |
2 / 301 |
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| baroque |
2 / 316 |
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| bAROQUE AND ROMANTICISM |
1 / 226 |
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| Baroque music |
2 / 592 |
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| Baroque Period |
2 / 600 |
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| baroque |
1 / 244 |
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| Early Baroque Music |
3 / 766 |
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| Music Review |
2 / 472 |
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| Hallelujah Chorus |
3 / 614 |
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| monteverde |
4 / 995 |
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| Schutz's theory |
2 / 572 |
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| Heinrich Schliemann |
1 / 289 |
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| heinrich Schliemannn |
1 / 288 |
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| Baroque Art |
6 / 1535 |
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| Gian Bernini Baroque |
1 / 174 |
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| Boroque Music |
3 / 706 |
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| Johann Sebastian Bach 2 |
4 / 930 |
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| Music Into and Out of the Baroque Era |
1 / 277 |
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| Baroque Period |
2 / 553 |
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| Purcell, Dido and Aeneas |
4 / 1029 |
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| Dalai L |
2 / 495 |
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| Bach |
1 / 160 |
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| Compare and contrast the music of the Medieval, Rennaissance, and Baroque periods |
2 / 443 |
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| Baroque vs Classical |
3 / 772 |
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| Sonata Allegro Form |
2 / 431 |
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| The Baroque Era |
5 / 1275 |
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| Ludwig Van Beethoven's 5th Symphony |
2 / 521 |
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| Comparison/Contrast Renaisssance and Baroque |
4 / 920 |
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| CLassical vs. Hellenistic |
2 / 351 |
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| Johann Sebastian Bach |
2 / 340 |
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| Time Capsule Paper |
5 / 1216 |
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| Classical Music |
3 / 666 |
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| Seven Years in Tibet |
2 / 466 |
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| Music |
5 / 1224 |
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| the baroque age |
3 / 821 |
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| Different Art Styles |
3 / 666 |
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| Heinrich Boll |
2 / 497 |
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| Movie Review: Seven Years in Tibet |
3 / 713 |
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| mozart |
3 / 704 |
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| The Baroque Concerto |
3 / 835 |
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| Heinrich Schliemann |
3 / 753 |
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| Romanticism Art |
3 / 611 |
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| Baroque Mexican Music Concert Report |
3 / 712 |
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| Changes |
3 / 682 |
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| Mr. |
4 / 998 |
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| Antonio Vivaldi |
2 / 500 |
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| French Renaissance Art under Loius XIV |
2 / 440 |
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| George Frederic Handel |
2 / 451 |
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| George Frederic Handel |
2 / 451 |
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| Baroque Art: Protestant vs. Catholic |
4 / 1009 |
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| Franz Joseph Haydn |
8 / 2395 |
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| Franz Joseph Haydn |
8 / 2395 |
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| George Frederick Handel |
4 / 958 |
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| Dynamics &Amp; Mood |
2 / 305 |
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| Cantata |
2 / 430 |
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| imaginative journey |
1 / 269 |
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| To Autumn |
2 / 504 |
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| Oratorio |
6 / 1692 |
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| Heinrich Himmler |
4 / 1156 |
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| Mozart, Wolfgang Amadeus |
2 / 383 |
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| Turlough O' Carolan, Irish Music |
4 / 1122 |
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| Baroque art |
3 / 691 |
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| Quincy Jones |
1 / 268 |
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| Was Mozart the Greatest Composer Ever? |
2 / 414 |
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| Baroque Art in Europe and North America |
5 / 1406 |
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| History of the Guitar |
3 / 755 |
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| Mozarts Life ( Brief Summary) |
2 / 367 |
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| Mozarts Life ( Brief Summary) |
2 / 367 |
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| the final word on the history of art |
1 / 291 |
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| Igor Stravinsky |
2 / 476 |
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| Pachelbel |
6 / 1581 |
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| Handlel |
3 / 757 |
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| Baroque and Classical Wordpainting Techniques |
5 / 1386 |
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| jibberish |
2 / 392 |
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| Griffins Text |
3 / 805 |
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| Heinrich Hertz |
2 / 406 |
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| George Gershwin |
2 / 302 |
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| Opera from Montiverdi to Strauss |
7 / 1801 |
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| Peter Ilyich Tchaikovsky , composer |
2 / 362 |
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| Bach |
3 / 811 |
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| 20th century music |
2 / 332 |
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| Art In Baroque Period |
2 / 566 |
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| Philip Glass |
1 / 269 |
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| French Baroque 1600c.e.-1750c.e. |
4 / 949 |
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| Symphony No. 40 in G Minor |
2 / 562 |
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| Karl Marx |
3 / 788 |
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| Karl Marx |
3 / 788 |
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| Implications of the Classical Symphony |
6 / 1540 |
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| Baroque Era |
6 / 1752 |
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| Motet Development |
6 / 1521 |
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| Baroque and Romanesque Eras |
2 / 333 |
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| Johann Sebastian Bach |
3 / 789 |
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| Johann Sebastian Bach |
3 / 789 |
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| Harmonic Language in Opera |
3 / 701 |
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| Baroque Era Musicians |
4 / 1180 |
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| Antonin Dvorak |
2 / 512 |
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| beethoven |
2 / 355 |
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| Life Of Mozart |
3 / 680 |
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| A Comparison of Jazz and Classical Music |
6 / 1613 |
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| Amadeus |
4 / 999 |
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| Jazz Concert Review |
5 / 1212 |
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| Mozart |
2 / 501 |
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| Ludwig Van Beethoven |
2 / 464 |
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| Frederic Francois Chopin |
1 / 285 |
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| Erl King |
2 / 352 |
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| Johann Sebastian Bach |
5 / 1340 |
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| Artemisia Gentileschi |
4 / 1004 |
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| JOHANN SEBASTIAN BACH |
5 / 1320 |
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| Johann Sebastian Bach |
5 / 1320 |
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| CV |
1 / 296 |
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| Music |
4 / 937 |
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| An Art Midterm |
1 / 131 |
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| Light Intensity and Characteristics of Photocells |
2 / 394 |
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| Keyboard during the baroque and renaissance |
7 / 1859 |
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| Music History : Vienna |
5 / 1475 |
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| history of jazz |
6 / 1729 |
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| A history of jazz and classical music |
6 / 1729 |
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| Contemporary Views of Bach |
10 / 2824 |
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| Italian Opera |
3 / 852 |
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| Jazz And Classical Music |
6 / 1744 |
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| History Of Jazz And Classical Music |
6 / 1740 |
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| History Of Jazz And Classical Music |
6 / 1740 |
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| Jazz And Classical Music |
6 / 1740 |
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| Mozart |
2 / 313 |
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| Ms. |
2 / 360 |
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| Tetanus |
1 / 261 |
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| Analyse the role of the legal system in the third Reich with particular reference to, and the lynguistic importance of "Verordnung des Reichsprasidenten zum Schutz von Volk und Staat" |
5 / 1399 |
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| Aaron Copeland |
1 / 265 |
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| Tchaikovsky |
3 / 830 |
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| whose life is it anyway |
1 / 124 |
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| loleio |
1 / 216 |
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| Amedeus |
3 / 768 |
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| mozart |
6 / 1596 |
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| Allegro from L’Autunno Op.8 No.3 by Vivaldi: Mintz vs. Kennedy |
5 / 1399 |
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| Heinrich Himmler |
3 / 827 |
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| The Classical Period |
2 / 409 |
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| music research paper(jazz) |
5 / 1489 |
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| Ludwig Van Beethoven |
3 / 676 |
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| Fryderyk Chopin |
3 / 761 |
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| How to be a thug. |
4 / 966 |
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| Comparative art essay |
4 / 1103 |
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| The keyboard sonatas of Haydn and Mozart |
4 / 1053 |
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| baroque music |
19 / 5674 |
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| Analysis Of The Beatles' |
2 / 564 |
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| A critque of Susan Griffin's \ |
7 / 1976 |
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| Metropolis Analysis |
1 / 140 |
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| Johannes Brahms |
1 / 115 |
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| Biography of Mozart |
2 / 537 |
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| Classical Period of Music |
4 / 903 |
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| Movie: Wolfgang Amadeus Mozart |
4 / 1030 |
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| Antoino |
2 / 564 |
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| Beethoven |
2 / 470 |
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| Merrymakers at Shrovetide vs Interrupted Sleep |
3 / 749 |
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| change in othello + related material |
3 / 798 |
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| Religion on Musical Development |
13 / 3682 |
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| Bach |
11 / 3043 |
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| Structure Of The Lost Honour O |
4 / 1051 |
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| The Physicists |
3 / 815 |
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| Mozart |
3 / 823 |
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| Music History through the Middle Ages, Rennisance, Baroque, etc... |
7 / 1887 |
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| Jass Consert Roport |
2 / 498 |
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| 20th century |
3 / 729 |
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| Bach; Brandenberg Concertos |
3 / 602 |
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| Bach; Brandenberg Concertos |
3 / 602 |
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| Stravinsky in 20th Century Music |
4 / 927 |
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| Humanism And Clericism Of The 16th Century |
5 / 1262 |
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| Wolfgang Amadeus Mozart |
3 / 693 |
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| Wolfgang Amadeus Mozart |
3 / 693 |
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| Richard Strauss |
2 / 421 |
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| Standards and perceptions of male bearty throughout history |
6 / 1789 |
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| Ludwig Van Beethoven |
3 / 753 |
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| Johann Sebastian Bach |
4 / 1170 |
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| Queen of Spades-Study notes |
2 / 418 |
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| Martinez |
2 / 593 |
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| Mozart (this Paper Is If You Want To B+)not Higher |
2 / 509 |
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| Baroque |
7 / 1882 |
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| In A Dry Season |
2 / 480 |
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| Second Draft |
1 / 254 |
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| music history |
2 / 431 |
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| O Worship the King |
3 / 678 |
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| William Christopher Handy |
2 / 426 |
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| Beethoven |
2 / 570 |
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| Ms. |
4 / 1017 |
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| Art - Building Styles |
4 / 1025 |
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| Guitars |
3 / 841 |
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| Bottles of Empty Promises |
4 / 982 |
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| Yooo |
3 / 723 |
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| Celine Dion |
1 / 202 |
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| Art from Baroque Period through the Postmodern Era |
5 / 1455 |
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| Beethoven |
2 / 581 |
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| Beethoven 2 |
2 / 581 |
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| Beethoven |
2 / 581 |
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| Master Italian Baroque Painters |
8 / 2301 |
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| Amadeus |
3 / 875 |
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| My Country |
1 / 279 |
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| The Renaissance |
3 / 681 |
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| Analysis of Bjorn Sortland's \ |
2 / 516 |
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| The Role of Affective and Motivational Factors in Statistics Performance in University Students |
7 / 1885 |
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| Canon in D |
1 / 210 |
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| evelyn |
2 / 567 |
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