| Title |
Pages / Words |
Save |
| How can we measure the success of a work of art? What norms do we use? |
2 / 309 |
 |
| Scarlet Letter |
3 / 788 |
|
| The Scarlett Letter |
10 / 2949 |
|
| Antigone |
4 / 1189 |
|
| Harlem Renaissance |
2 / 531 |
|
| Literature |
5 / 1399 |
|
| Cynthia Cooper: Journey Of A Whistleblower |
1 / 296 |
|
| Fran Dorn |
1 / 291 |
|
| A Literary Analysis of the Parallels Between "The Knights Tale" and "The Miller's Tale" from the Canterbury Tales |
2 / 461 |
|
| A Raisin in the Sun: Essay |
2 / 564 |
|
| A Tale Of Two Cities: Reversal Of Characters |
2 / 510 |
|
| A forgotten Hero |
3 / 668 |
|
| Analysis of Deathtrap |
3 / 699 |
|
| Beowulf |
4 / 905 |
|
| Book Report Format |
2 / 371 |
|
| Book Review: Beacon Hill Boys |
2 / 555 |
|
| Critical Analysis: The Scarlet Letter |
4 / 1140 |
|
| Dr. Heidegger's Exparament |
2 / 379 |
|
| Dr. |
2 / 421 |
|
| Everyday Use |
3 / 687 |
|
| Farenheit 451 Book Report |
2 / 346 |
|
| GATHERING OF OLD MEN |
2 / 309 |
|
| I never sang for my father |
3 / 857 |
|
| Native Son, book 3 analysis |
1 / 289 |
|
| Novel reveiw Of Mice and Men |
3 / 616 |
|
| Pride and Prejudice Essay |
6 / 1724 |
|
| The Death of a Hired Man |
3 / 749 |
|
| The Great Gatsby comparison between book and the movie G |
2 / 336 |
|
| The Great Gatsby |
2 / 498 |
|
| The Scarlet Letter |
3 / 884 |
|
| the Crucible |
3 / 651 |
|
| Why Antigone is Much More Important Than Creon |
3 / 626 |
|
| Why Can't this be Love? |
2 / 531 |
|
| Wicked Angel |
2 / 388 |
|
| Young Goodman Brown |
3 / 900 |
|
| Young Goodman Brown |
7 / 1862 |
|
| Christianity humanism Russian literature |
2 / 389 |
|
| SWOT |
3 / 606 |
|
| WWF as a Business |
4 / 1177 |
|
| A Friendship of Deception |
3 / 639 |
|
| A Raisin In The Sun |
5 / 1250 |
|
| A Shape to Fill the Lack: As I Lay Dying, by Willian Faulkner |
3 / 661 |
|
| All Quiet on the Western Front |
2 / 496 |
|
| Antigone |
6 / 1578 |
|
| Austen's Use of Environment in Pride and Prejudice |
9 / 2452 |
|
| Beowulf |
5 / 1300 |
|
| Cat on the Hot Tin Roof |
1 / 292 |
|
| Character and Plot in "Why I live in the P.O." |
3 / 690 |
|
| Characters with a Twist |
3 / 661 |
|
| Comparing King Arthur's Court |
3 / 615 |
|
| Comparison Between Abigails Party And Hobsons Choice |
2 / 427 |
|
| Critical essay on Jane Austen |
4 / 1195 |
|
| Dead man wlaking |
4 / 938 |
|
| Dog Soldiers |
2 / 425 |
|
| Everyday Use...Alice Walker |
4 / 1033 |
|
| Faith |
2 / 355 |
|
| Fantastic Four |
2 / 482 |
|
| Filipino patriotism |
2 / 336 |
|
| Go Forth And Sin No More |
6 / 1517 |
|
| God: Mans greatest Creation |
6 / 1530 |
|
| Good and Evil in The Crucible |
2 / 480 |
|
| Gulliver's change throughout Gulliver's Travels |
4 / 908 |
|
| Hamlet composition |
1 / 264 |
|
| Hedda Gabler'S Last Dance |
3 / 846 |
|
| Hester Prynne: The Search For a More Congenial |
6 / 1690 |
|
| Hi My Name Is.... |
1 / 276 |
|
| Huckleberry Finn and Pride and Prejudice,Fathers |
3 / 656 |
|
| Individual Lost |
1 / 276 |
|
| Jane Austen |
2 / 573 |
|
| Journeys |
1 / 156 |
|
| King Lear Essay Lear's descent into madness and his subsequent recognition of his faults |
3 / 656 |
|
| King Lear and Hamlet: The Makings of a Tragic Hero |
6 / 1619 |
|
| King Lear |
3 / 705 |
|
| "The Crucible" critical analysis |
2 / 353 |
|
| antigone |
6 / 1501 |
|
| choice |
1 / 226 |
|
| crucible |
3 / 648 |
|
| gulliver's travels: success as a satire? |
2 / 580 |
|
| Lord of the flies |
3 / 865 |
|
| Love in King Lear. |
4 / 1050 |
|
| Macbeth and Washizu: The Tragic Heroes |
3 / 828 |
|
| Macbeth- The Evil Of Lady Macbeth |
3 / 700 |
|
| Maestro |
5 / 1380 |
|
| Merchant Of Venice |
2 / 586 |
|
| Mica and men review |
2 / 366 |
|
| Mr. |
2 / 316 |
|
| Mr |
1 / 157 |
|
| No One |
5 / 1301 |
|
| Oedipus Rex Comparisons |
5 / 1257 |
|
| Of Mice and Men |
1 / 197 |
|
| Once ANd Future King |
4 / 1058 |
|
| Othello - critical study |
10 / 2715 |
|
| Othello Character Analysis |
4 / 1099 |
|
| Othello |
2 / 521 |
|
| Perfect Storm vs. the wreck of the hesperus |
3 / 688 |
|
| Pride and Prejudice |
3 / 709 |
|
| Pride and Prejudice: Themes, Motifs, and Symbols |
5 / 1324 |
|
| Romeo & Juliet Movie Review |
1 / 153 |
|
| Romeo and Juliet |
2 / 359 |
|
| Siren Song - Short Analysis |
1 / 217 |
|
| Slake Limbo |
2 / 371 |
|
| Student |
2 / 426 |
|
| TEMPEST |
5 / 1219 |
|
| Th |
2 / 367 |
|
| The Cask Of Amontillado |
4 / 948 |
|
| The Catbird Seat |
4 / 1169 |
|
| The Cay Book Recamendation |
2 / 392 |
|
| The Need For Appreciation (A Reflection To "Flight Patterns") |
2 / 482 |
|
| The Pigman |
2 / 358 |
|
| The Scarlet Letter |
5 / 1255 |
|
| The Tragedy Of Julius Caesar - Tragic Hero |
2 / 480 |
|
| To his coy mistress |
1 / 300 |
|
| Tom Stoppard |
1 / 295 |
|
| Translations Analysis |
3 / 781 |
|
| Twelfth Night |
2 / 571 |
|
| Vital And Dynamic Characters In A Tale Of Two Cities |
3 / 900 |
|
| Young Goodman Brown Thematic Essay |
3 / 843 |
|
| Zombies in Movies |
3 / 767 |
|
| mice and men |
1 / 286 |
|
| neuromancer |
2 / 508 |
|
| patriotism |
2 / 397 |
|
| romulus my farther |
2 / 415 |
|
| scarlet letter scaffold |
4 / 954 |
|
| scarlet letter |
2 / 390 |
|
| the cask of amontillado |
4 / 1022 |
|
| the color purple |
5 / 1243 |
|
| Amercan Civil War |
5 / 1268 |
|
| bAROQUE AND ROMANTICISM |
1 / 226 |
|
| David |
3 / 879 |
|
| Fahrenheit 451 Scene Change Analysis |
1 / 196 |
|
| Alienation Paper Hemmingway |
3 / 658 |
|
| Analysis If Homeward Bound |
2 / 559 |
|
| Animal Farm 3 |
2 / 468 |
|
| Antigone |
2 / 381 |
|
| College Degree |
2 / 591 |
|
| Comaparison Of Crucible And So |
3 / 714 |
|
| Comaparison Of Crucible And So |
3 / 714 |
|
| Creative Writing: The Ghost And His Soul |
1 / 291 |
|
| characters |
2 / 335 |
|
| compare/contrast point of view in "the short happy life of francis macomber" and "the lottery" |
2 / 597 |
|
| comparing knowledge and thinking |
4 / 1073 |
|
| David Sculptures |
3 / 881 |
|
| David |
3 / 879 |
|
| Death Of A Salesman: The American Dream |
2 / 423 |
|
| drama corse work- bedlum |
2 / 472 |
|
| Elements Of Fiction |
2 / 516 |
|
| Ernest Hemmingway |
3 / 658 |
|
| Ethan From 2 |
1 / 254 |
|
| Fast Food |
2 / 320 |
|
| Goodbye Chicken Little |
2 / 350 |
|
| Herman Melville 2 |
2 / 425 |
|
| Herman Melville |
2 / 425 |
|
| macbeth |
1 / 263 |
|
| No Title |
2 / 358 |
|
| Oedipus Rex CriticalResponse |
2 / 378 |
|
| Oedipus The Man |
4 / 1176 |
|
| Of Mice And Men |
1 / 197 |
|
| Roger And Me |
2 / 410 |
|
| response |
1 / 223 |
|
| Somersby |
3 / 714 |
|
| Symbolism In The Old Man And T |
5 / 1264 |
|
| Symbolism In The Scarlet Lette |
3 / 794 |
|
| The Bluest Eye 3 |
2 / 444 |
|
| The Bluest Eye |
2 / 444 |
|
| The House Of The Seven Gables |
3 / 709 |
|
| The Scarlet Letter 9 |
4 / 934 |
|
| The Stone Angel - Character An |
2 / 576 |
|
| The Tempest (prospero Vs. Cali |
5 / 1219 |
|
| The Victim In A New Light |
2 / 369 |
|
| The Yellow Wallpaper |
2 / 509 |
|
| Vital And Dynamic Characters In A Tale Of Two Cities |
3 / 900 |
|
| A Brief History of Music |
2 / 490 |
|
| Dead Man Walking |
4 / 939 |
|
| Do The Right Thing |
1 / 224 |
|
| Film Review: Tyler Perry's "Why Did I Get Married?" |
2 / 315 |
|
| In the Heat of the Night: A Classic Murder Melodrama |
5 / 1315 |
|
| knife in the water |
3 / 796 |
|
| Mindwalk: International Relations |
2 / 327 |
|
| Oedipus Rex |
1 / 237 |
|
| Spoon River Anthology |
2 / 308 |
|
| The Chosen |
3 / 615 |
|
| The Cover Of Life |
3 / 676 |
|
| The One |
2 / 335 |
|
| The great Escape |
3 / 785 |
|
| da vinci |
3 / 623 |
|
| How does the Montessori environment facilitate and encourage the freedom of the child? |
3 / 664 |
|
| Human Life |
12 / 3520 |
|
| philosophers |
1 / 229 |
|
| Theory of Forms |
3 / 618 |
|
| Looking Glass self |
1 / 115 |
|
| The Hawthorn Experiment |
9 / 2412 |
|
| Beowulf |
4 / 902 |
|
| taoism |
3 / 603 |
|
| Amyotrophic Lateral Sclerosis |
1 / 219 |
|
| An Idiot's Guide To Sucessful Humor |
2 / 321 |
|
| Alcohol Viewed Through the Eyes of Raymond Carver |
3 / 736 |
|
| Interactionist Perspective |
3 / 785 |
|
| Media Critics Beavis and Butt-head |
2 / 456 |
|
| The Stone Angel by Margaret Laurence |
4 / 1106 |
|
| tv influences |
1 / 267 |
|
