| Title |
Pages / Words |
Save |
| Othello as a Tragic Hero |
8 / 2349 |
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| Romeo & Juliet |
8 / 2316 |
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| Tragedy |
8 / 2224 |
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| Analysis of: Guy Montag |
2 / 382 |
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| Ernest Hemingway |
2 / 464 |
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| Fall of a kingdom |
2 / 368 |
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| Federalism |
1 / 300 |
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| D.h Lawrence |
3 / 646 |
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| William Shakespeare |
4 / 1018 |
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| A Literary Analysis of the Parallels Between "The Knights Tale" and "The Miller's Tale" from the Canterbury Tales |
2 / 461 |
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| A Tale Of Two Cities: Characters Are "recalled To Life" |
2 / 461 |
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| A Tale of Two Cities: Minor Characters |
3 / 646 |
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| Alice In Wonderland |
2 / 585 |
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| Analysis of Deathtrap |
3 / 699 |
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| Characterization Of Uncle Henry |
2 / 399 |
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| David Copperfield: The Many Differences Between James Steerforth And T |
2 / 569 |
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| Dr. Smith |
2 / 574 |
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| freshman at large |
2 / 476 |
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| Guitar Highway Rose |
2 / 597 |
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| Hiroshima |
1 / 194 |
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| King Lear - Family: A Medium for a Betrayal |
4 / 947 |
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| Love and Hate "Shakespear" |
3 / 671 |
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| Of Mice and Men |
3 / 842 |
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| Of Mice and Men |
4 / 908 |
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| Othello |
3 / 754 |
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| Romulus, My Father |
3 / 759 |
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| six characters in search of an author |
2 / 599 |
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| The Awakening: Chopin Glorifying Edna's Fatal Situation |
2 / 340 |
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| The Crucible Outline |
2 / 431 |
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| The Good Earth |
2 / 455 |
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| The Great Gatsby: A Full Spectrum Of Character |
2 / 557 |
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| The Interrelationship of |
2 / 432 |
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| The Tempest Play Verse Movie |
2 / 556 |
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| The Trip To Halawa Valley |
2 / 455 |
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| The beast |
2 / 487 |
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| the tragedies of romeo and juliet |
2 / 507 |
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| Woman Warrior |
2 / 340 |
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| Christianity humanism Russian literature |
2 / 389 |
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| Girl |
1 / 210 |
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| hills like white elephants |
1 / 196 |
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| Marx View On Capitalism |
7 / 2028 |
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| Of Mice and Men |
2 / 586 |
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| 12th Knight |
2 / 478 |
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| A Tale Of Two Cites |
3 / 603 |
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| Biography |
2 / 338 |
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| Bubble Gum |
2 / 327 |
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| Cat on the Hot Tin Roof |
1 / 292 |
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| Catcher in the Rye |
2 / 326 |
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| Characters with a Twist |
3 / 661 |
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| Connecting Through a Common Motive |
3 / 630 |
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| Crucible Essay |
2 / 313 |
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| Dead Man Walking [movie] |
2 / 377 |
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| Death Of a Salesman |
2 / 308 |
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| Devial And Daniel Webster |
1 / 279 |
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| Differences between The Birds the Movie and The Birds short story |
2 / 594 |
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| Disabled by wilfred owen: an analysis |
4 / 1024 |
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| Dog Soldiers |
2 / 425 |
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| Edna,Hester, and Huck |
2 / 398 |
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| Enemy-People v. Civil Action |
3 / 646 |
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| Examination of Salman Rushdie's "The Courter." |
3 / 661 |
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| Explore How Kafka Opens The Novella And Its Importance To The Text As A Whole. |
4 / 928 |
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| Foil And Parallel Characters In Oedipus The King And Antigone |
2 / 595 |
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| Frankenstein, snow balling revenge |
3 / 603 |
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| Globe Theater |
4 / 1089 |
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| Godot And Repitition |
4 / 1097 |
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| Hamlet |
2 / 327 |
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| Hemingway |
2 / 352 |
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| I Sell My Dreams |
2 / 428 |
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| Intolerance Within The Novel |
4 / 1123 |
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| John Steinbeck: Interview Transcript |
3 / 698 |
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| "The Crucible" critical analysis |
2 / 353 |
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| "The Lamp at Noon" setting |
2 / 439 |
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| fairytales |
1 / 232 |
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| last don |
2 / 536 |
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| “An Ambiguous Narrative about a Controversial Debate” |
2 / 527 |
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| Merchant Of Venice |
2 / 586 |
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| Metadrama In Shakespeare |
9 / 2623 |
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| Mica and men review |
2 / 366 |
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| Motif In One Hundred Years Of Solitude |
3 / 712 |
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| Mr. |
2 / 316 |
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| Odysseus: Heroes |
3 / 775 |
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| Of Mice And Men |
2 / 400 |
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| Of Mice and Men |
3 / 880 |
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| Of Mice and Men |
1 / 197 |
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| On Drama Translation |
7 / 1805 |
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| Peter Carey's The Fat Man In History |
3 / 703 |
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| Representation of Women's Roles in Society- Medea |
4 / 1001 |
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| Romeo And Juliet |
2 / 301 |
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| Romeo and Juliet |
2 / 359 |
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| Romeo and Juliet: Compare and Contrast |
2 / 373 |
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| Romeo and juliet |
1 / 273 |
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| Saboteur |
2 / 326 |
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| Satire in Candide |
2 / 379 |
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| Snoogans |
2 / 570 |
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| The Catcher In The Rye Analysis |
2 / 399 |
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| The First Line From Waiting For Godot, “nothin To Be Done”, Could Be Said To Sum Up The Theatre Of The Absurd, Except That There’s Always Something Happening. |
1 / 257 |
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| The French New Wave |
5 / 1491 |
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| The Morality of The Scarlet Letter |
2 / 523 |
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| The Tempest, a Brave New World; or just a sad goodbye? |
6 / 1563 |
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| The Tragedy Of Julius Caesar - Tragic Hero |
2 / 480 |
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| The secret history |
4 / 1141 |
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| The things They Carried |
2 / 436 |
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| Tim Burton the man behind the movies |
5 / 1447 |
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| mice and men |
1 / 286 |
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| neuromancer |
2 / 508 |
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| romanticism vs. realism |
2 / 587 |
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| romeo and juliet |
2 / 513 |
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| sonnys blues |
1 / 175 |
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| “The Paradox of Nature” |
4 / 917 |
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| Brecht |
7 / 1922 |
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| chinese festival |
3 / 657 |
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| Julius Ceaser |
1 / 212 |
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| Terrorist Or Freedom Fighter |
7 / 2084 |
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| Why did Director Scott Fictionalize? |
2 / 547 |
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| Critique Of "the Invisible Man" |
6 / 1746 |
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| A Tale Of Two Cities - Suspens |
2 / 473 |
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| A Tale Of Two Cities |
2 / 473 |
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| A Tragedy is a Play which Explores Human Weakness and Suffering, Leading to a Disastrous End. What are the Causes of the Tragedy in Romeo and Juliet and how does Shakespeare Dramatise them? |
8 / 2224 |
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| Agatha Christie |
2 / 549 |
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| Analysis If Homeward Bound |
2 / 559 |
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| Beauty And The Beast |
3 / 609 |
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| Beowulf Vs. Grendal |
2 / 422 |
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| Beowulf Vs. Grendal |
2 / 422 |
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| Big Game |
2 / 466 |
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| Black Hawk Down |
1 / 195 |
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| Brecht theories |
5 / 1424 |
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| Brothers Karamazov |
2 / 327 |
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| Character and Greatness |
5 / 1249 |
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| Charles Dickens 4 |
5 / 1228 |
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| Comaparison Of Crucible And So |
3 / 714 |
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| Comaparison Of Crucible And So |
3 / 714 |
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| Commentary on the Reader Response Method of Literary Analysis |
2 / 385 |
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| characters |
2 / 335 |
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| D.h. Lawrence |
3 / 646 |
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| D.h. Lawrence |
3 / 646 |
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| drama corse work- bedlum |
2 / 472 |
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| Essay On By The Pricking Of My |
2 / 521 |
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| Humanism During The Renaissance |
7 / 1827 |
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| I Sell My Dreams |
2 / 428 |
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| Independent Study Project |
3 / 748 |
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| Intolerance Within The Novel |
4 / 1123 |
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| John Huston "the Dead" |
2 / 387 |
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| Karl Marx |
3 / 820 |
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| Locke Vs. Locke |
4 / 1002 |
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| Lord Of Fliez |
2 / 504 |
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| Lord Of The Flies Passage Anal |
2 / 481 |
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| Minor Characters Influences On Major Characters |
2 / 476 |
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| macbeth |
1 / 263 |
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| No Longer An Indian |
2 / 323 |
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| Of Mice And Men |
1 / 197 |
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| Parataxis Of Homer |
2 / 585 |
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| Roger And Me |
2 / 410 |
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| Simplicity in a "Clean Well Lighted Place" |
2 / 440 |
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| Somersby |
3 / 714 |
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| Something Wicked This Way Come |
2 / 531 |
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| Something Wicked This Way Comes |
2 / 531 |
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| Sonny’s Blues |
1 / 175 |
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| speech |
3 / 617 |
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| Tale Of Two Cities |
2 / 473 |
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| Tamed Shrews And Twelfth Night |
4 / 951 |
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| Tamed Shrews And Twelfth Nights: The Role Of Women In Shakes |
4 / 951 |
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| Tamed Shrews And Twelfth Nights: The Role Of Women In Shakespeare |
4 / 951 |
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| Team Dynamics |
2 / 318 |
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| The Adventures Of Huckleberry |
4 / 1055 |
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| The Blue Hotel |
3 / 663 |
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| The Bluest Eye 3 |
2 / 444 |
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| The Bluest Eye |
2 / 444 |
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| The Catcher In The Rye Analysis |
2 / 399 |
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| The Characters Of A Jury Of He |
3 / 674 |
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| The Crucible - Characters Hidden Motives |
2 / 494 |
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| The Hobbit |
1 / 197 |
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| The Sun Also Rises |
1 / 275 |
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| Tragically Inane: The Cherry Orchard And Six Characters |
7 / 1876 |
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| Watership Down |
3 / 677 |
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| whO |
2 / 541 |
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| Billy Elliot |
2 / 461 |
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| Fen review |
3 / 688 |
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| Film Review: Tyler Perry's "Why Did I Get Married?" |
2 / 315 |
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| John Huston "the Dead" |
2 / 387 |
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| Neon Genesis Evangelion |
1 / 159 |
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| Opening Sequence of Bullet Boy Analysis |
2 / 508 |
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| Remember the titans Informal Roles of Characters |
2 / 379 |
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| Romeo and Juliet: Compare and Contrast William Shakespeare's and Baz Luhrman |
2 / 470 |
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| The Cover Of Life |
3 / 676 |
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| The great Escape |
3 / 785 |
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| to kill a mocking bird |
1 / 235 |
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| Alienation in a Modern World |
5 / 1285 |
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| Last hurrah-Character |
2 / 315 |
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| Newton |
2 / 340 |
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| Nietzsche And Marx Foresee Modern Alienation |
4 / 958 |
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| Karl Marx And Marxism |
3 / 699 |
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| The Super Mario Brothers |
2 / 415 |
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| An Idiot's Guide To Sucessful Humor |
2 / 321 |
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| Cladistics |
2 / 499 |
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| Gregor Mandel |
1 / 172 |
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| Bonnie and Clyde - bad image given to audience |
2 / 334 |
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| Homelessness Is Not An Option |
3 / 762 |
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| Interactionist Perspective |
3 / 785 |
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| True progress towards perfection begins when we are alienated from the society |
2 / 311 |
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| Input And Output Devices |
2 / 549 |
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