| Title |
Pages / Words |
Save |
| Ancient Greece |
3 / 819 |
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| The Personalization of History in "Murder in the Cathedral" |
5 / 1209 |
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| The Renaissance |
1 / 218 |
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| socrates |
2 / 468 |
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| virgil |
1 / 214 |
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| Ancient Greek Values Infused in Art |
1 / 251 |
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| Oedipus Review |
3 / 808 |
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| The Olympic Athlete |
2 / 528 |
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| Wefwefwe |
2 / 381 |
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| Ozymandias |
2 / 396 |
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| Religion in the Odyssey |
2 / 503 |
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| Atlas |
2 / 579 |
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| Plato |
2 / 471 |
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| Carmina Burana |
3 / 741 |
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| Pericles |
2 / 526 |
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| The Greek Economy |
2 / 558 |
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| Themes of Antigone |
7 / 1959 |
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| Philip of Macedonia |
6 / 1538 |
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| oedipus rex |
4 / 968 |
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| human Morality |
2 / 440 |
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| Antigone |
3 / 618 |
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| What is truth? |
2 / 347 |
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| Handel's Messiah |
6 / 1540 |
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| Mythology compartive essay: Norse vs. Greek |
3 / 658 |
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| Oedipus As An Epic Poem By Ari |
2 / 598 |
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| If everyone cared |
2 / 313 |
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| Book Two of Herodotus, The Histories |
4 / 1141 |
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| Odysseus And Aeneas |
2 / 340 |
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| A Leader For A New Generation |
2 / 473 |
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| Hesphatus |
2 / 305 |
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| ancient greek contributions to the wester civilization |
3 / 606 |
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| The Sage |
2 / 442 |
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| Comparison of Walt Whitman and Isadora Duncan |
2 / 482 |
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| year 12 physical journeys |
4 / 1104 |
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| Pi |
1 / 236 |
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| greek & roman gender roles |
4 / 1006 |
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| Elizabeth Barrett Browning |
3 / 772 |
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| Morally Responsible for Hoeman's death |
3 / 746 |
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| Oedipus The King |
4 / 943 |
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| Government And Society: Greek Vs. Roman |
3 / 657 |
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| The History Of The Atom |
2 / 439 |
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| battle of thermopoly |
2 / 554 |
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| How Does Shakespeare’S Use Of Language In The Prologue To Act 1 Scene 5 Create A Sense Of Fatalism And Serve To Augment The Dramatic Events In Act 1 Scene 5? |
1 / 232 |
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| Etruscan Women |
3 / 655 |
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| Woman In Theater |
2 / 330 |
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| HUM100 - Artistic Themes from Ancient Cultures: Greece and Rome |
5 / 1220 |
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| Oedipus |
1 / 255 |
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| Pantheon vs. Parthenon (unfinished) |
3 / 674 |
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| Description, Function, Attribution, and Analysis of a Red-figure Type B Kylix |
3 / 700 |
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| Antigone |
2 / 491 |
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| Hieroglyphic Writing |
2 / 384 |
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| seriousness of lystrata |
3 / 847 |
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| How does Shakespeare shape your response to the lovers' first meeting in Act 1 Scene 5? |
6 / 1545 |
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| middlesex Book 2 |
1 / 291 |
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| Hammurabi And Alexander The Great |
2 / 484 |
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| Ludwig Van Beethoven 9th Symphony |
4 / 1190 |
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| Should Moral Values Be Taught In Schools |
3 / 732 |
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| The Clouds |
8 / 2196 |
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| Reflective essays |
5 / 1279 |
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| ?An Analysis of Loyalty in Greek Dramas |
6 / 1620 |
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| Elizabethan Theatre |
8 / 2292 |
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| hebrew and greek legacy review |
3 / 682 |
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| chords |
10 / 2742 |
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| Mede Reaction Paper |
2 / 466 |
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| Antigone By David Greene |
3 / 756 |
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| Antigone By David Greene |
3 / 756 |
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| Antigone |
5 / 1498 |
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| How Women Are Portrayed In Hom |
3 / 658 |
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| Cleopatra |
1 / 266 |
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| Homer's Iliad |
3 / 727 |
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| Physis vs. Nomos in Sophocles' Antigone |
5 / 1320 |
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| How Women Are Poortryed In Homer's Odyssey |
3 / 658 |
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| How Women Are Poortryed In Homer's Odyssey |
3 / 658 |
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| ANCIENT GREEK WOMEN |
3 / 722 |
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| Ancient Greek Women |
3 / 722 |
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| Greeks |
1 / 109 |
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| School Vandalism |
4 / 959 |
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| nikola |
3 / 865 |
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| Epic Hero |
2 / 540 |
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| Progression Towards Light |
5 / 1452 |
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| Why Xeon Doesn't React |
1 / 59 |
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| Movie Review |
4 / 1000 |
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| Roman Music |
2 / 302 |
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| A view from a bridge dramatic techniques |
8 / 2144 |
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| Fathers of Theater |
4 / 966 |
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| Critical Thinking |
1 / 279 |
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| Theme Of Blindness In Lear And Oedipus |
3 / 633 |
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| Punk music in the 70's and 90's |
5 / 1251 |
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| Archetypal Podcast |
3 / 655 |
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| monteverde |
4 / 995 |
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| Roman Pantomime |
7 / 1832 |
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| The Clouds |
5 / 1491 |
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| The Discovery Of Ancient Greek Civilization Ideals Through Greek Literature |
3 / 608 |
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| Oedipus Rex versus Antigone |
2 / 495 |
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| Hip-Hop Flip-Flopped |
3 / 824 |
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| The Odyssey |
4 / 1073 |
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| The Odyssey |
4 / 1073 |
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| Ancient Greek Art And Architecture |
5 / 1277 |
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| CaseStudiesDZ |
3 / 737 |
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| The Tragic Character In Oedipu |
1 / 300 |
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| Oedipus |
8 / 2243 |
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| Ephesians 4 |
3 / 776 |
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| The Byzantine Empire |
2 / 409 |
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| To What Extent Can It Be Said That Bernarda Alba, From 'the House Of Bernarda Alba' By Federico Garcia Lorca And Medea, From The Play By Euripides, Although Created Millennia Apart, Are Very Similar Characters? |
5 / 1436 |
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| John Keats |
1 / 271 |
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| Medea |
2 / 361 |
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| CD Review |
5 / 1208 |
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| Shakespearian tragedy |
1 / 280 |
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| Helen Of Troy |
2 / 436 |
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| Aristotles Life |
2 / 325 |
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| Phidias |
1 / 66 |
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| The Immediate and long term legacy of Greek and Roman civilizations |
4 / 1086 |
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| Italian Renaissance |
1 / 228 |
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| Morph |
2 / 307 |
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| Ancient Greece |
3 / 615 |
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| Sight and Blindness in Oedipus Rex |
4 / 1154 |
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| show must go on-queen lyric synopsis |
1 / 299 |
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| The Glory That Was Greece |
3 / 698 |
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| the final word on the history of art |
1 / 291 |
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| Why Western History Matters |
3 / 615 |
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| mythology |
3 / 836 |
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| greek contributions to civilization |
3 / 623 |
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| total quality management |
1 / 295 |
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| Oedipus Rex |
4 / 996 |
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| Antigone |
5 / 1326 |
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| art |
4 / 973 |
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| The rise of greece |
4 / 983 |
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| Blase Faire |
3 / 757 |
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| aaliyah |
1 / 281 |
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| Antigone |
1 / 285 |
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| Athena: Greek Mythology |
2 / 474 |
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| Greek Mosaic Art |
2 / 423 |
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| At the Ball Game |
2 / 304 |
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| Romeo & Juliet - A Play Of Opposites |
3 / 663 |
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| Death In Greek Art |
3 / 893 |
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| Missil |
3 / 712 |
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| Iliad Aias |
3 / 805 |
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| Iliad Aias |
3 / 805 |
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| Greeks |
4 / 941 |
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| A short analysis of Aeschylus' Agamemnon |
16 / 4590 |
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| Banking System of Greece |
3 / 787 |
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| Odyssey-21st Century |
2 / 485 |
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| The Odyssey vs. Enkidu's Dream |
3 / 769 |
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| Compare and Contrast Essay on "Heroes" |
3 / 730 |
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| Everything Happens For A Reason |
9 / 2422 |
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| Classical vs. Hellenestic |
2 / 327 |
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| Ancient Olympics in Greek |
4 / 1041 |
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| The Baroque Era |
5 / 1275 |
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| The Importance of Bonds Shown Through Sema in Greek Song Culture |
3 / 810 |
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| Aeschylus |
10 / 2949 |
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| The Gods Must Be Crazy |
1 / 89 |
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| Athena |
2 / 473 |
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| Ancient Greece |
1 / 280 |
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| Oedipis |
6 / 1618 |
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| Apollo And Dionysus |
2 / 506 |
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| Apollo And Dionysus |
2 / 506 |
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| The Parthenon |
2 / 323 |
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| Women in Rome |
3 / 682 |
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| Notorious Thugs |
4 / 1081 |
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| Second Language Acquisition - Learner's Profile |
8 / 2128 |
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| Greek Polis |
2 / 455 |
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| bobjones |
2 / 506 |
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| Mixing Music |
2 / 304 |
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| Tragedy |
3 / 700 |
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| Oedipus the King |
3 / 824 |
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| pandora's box |
3 / 691 |
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| Sculpture of the Parthenon |
3 / 867 |
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| Babylon |
3 / 643 |
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| Goods in life |
3 / 758 |
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| Tomorrow When The War Began |
2 / 511 |
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| How does the "Common Man" enable the audience to understand the complexities of More's character? |
5 / 1312 |
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| Oratorio |
6 / 1692 |
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| Ancient Greece |
3 / 754 |
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| Iliad Influence On Western Civilization |
2 / 582 |
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| Greek Education |
3 / 787 |
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| How to Make Seasoned Chicken |
2 / 406 |
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| To what extent does Aristophanes attempt to give his audience a serious political message in ‘The Frogs’? |
7 / 2050 |
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| Hubris in the Iliad |
3 / 698 |
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| Why Romeo's and Juliet's death was a tragedy |
2 / 321 |
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| The Apple Of Discord |
2 / 550 |
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| Geometric Krater |
3 / 864 |
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| Euclidean Geometry |
2 / 391 |
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| Ancient Greek Drama |
8 / 2347 |
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| Odysseus |
4 / 955 |
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| Odysseus |
4 / 955 |
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| The Bible |
3 / 622 |
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| Anaxagoras |
2 / 491 |
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| A Guilty or Innocent Way: A Look at Clytemnestra’s Actions |
4 / 992 |
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| Sophacles |
5 / 1254 |
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| Compare and Contrast Two Statuettes |
3 / 883 |
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| Archimedes |
2 / 557 |
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| The meaning of words |
1 / 110 |
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| Alexander The Great |
3 / 663 |
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| education in the past |
3 / 751 |
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| Changes In History |
3 / 715 |
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| Changes In History |
3 / 715 |
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| Greece |
3 / 811 |
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| Short Biiography of George Gordon, Lord Byron |
1 / 277 |
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| Cultural Bias and Structure in Herodotus |
3 / 649 |
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| Oedipus rex, good vs evil |
3 / 809 |
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