| Title |
Pages / Words |
Save |
| Celebrity Infatuation |
2 / 460 |
 |
| On Vaikom Muhammad Basheer’s Premalekhanam |
2 / 391 |
 |
| Witch of Blackbird Pond |
2 / 551 |
 |
| Chaplin |
2 / 413 |
 |
| Flappers in the Roaring Twenties |
2 / 474 |
 |
| Haunting In American Slave Narratives |
5 / 1481 |
 |
| Love |
2 / 516 |
 |
| idlman of bale |
3 / 736 |
 |
| Jesus |
2 / 529 |
 |
| Araby |
3 / 770 |
 |
| Beneath the Surface |
4 / 912 |
 |
| Bikers |
2 / 419 |
 |
| Book Review: Little Girl Lost |
2 / 593 |
 |
| Cat in the rain versus Indian Camp |
3 / 788 |
 |
| Chapter 9 Illiad |
1 / 262 |
 |
| cask of amontillado |
2 / 479 |
 |
| Dracula |
6 / 1669 |
 |
| Fahrenheit 451 |
2 / 331 |
 |
| Good |
3 / 677 |
 |
| Graduation |
2 / 441 |
 |
| gossip girl |
3 / 879 |
 |
| History of Texas |
2 / 378 |
 |
| hannibal |
2 / 492 |
 |
| Incidents In The Life Of A Slave Girl |
2 / 323 |
 |
| Initiation |
3 / 754 |
 |
| journal entries of "for the sake of elena" |
1 / 284 |
 |
| Love Is A Fallacy |
3 / 676 |
 |
| Olive's Ocean Critiques |
3 / 628 |
 |
| Only A Girl |
4 / 1032 |
 |
| Playing Beatie Bow |
2 / 467 |
 |
| Red Scarf Girl |
2 / 556 |
 |
| Romanticism in Frankenstein |
2 / 391 |
 |
| Sammy's Role In "A&P" |
3 / 710 |
 |
| Seven Brides for Seven Brothers |
2 / 530 |
 |
| So much water so close to home |
4 / 1175 |
 |
| secret garden |
2 / 570 |
 |
| The Best Little Girl In The World |
3 / 643 |
 |
| The Best Little Girl In The World |
2 / 328 |
 |
| The Fall Of The House Of Usher |
2 / 580 |
 |
| the chinesse cinderalla |
2 / 430 |
 |
| there's a cow in the road |
4 / 913 |
 |
| Why We Can't Wait |
2 / 597 |
 |
| Fdfsds |
2 / 512 |
 |
| ms |
2 / 502 |
 |
| 1981 AP English Essay on Araby |
2 / 318 |
 |
| 5 People You Meet In Heaven |
3 / 791 |
 |
| A Summary of Amy Tan's Two Kinds |
1 / 281 |
 |
| A Typical Man |
3 / 718 |
 |
| Araby: The Maturity Of A Boy |
4 / 1142 |
 |
| Army Girl |
3 / 727 |
 |
| Barbie Doll |
3 / 865 |
 |
| Boys &Amp; Girls Hardships |
4 / 980 |
 |
| Buda'S Love |
3 / 677 |
 |
| Comparing Tough Times |
4 / 1019 |
 |
| Consider the ways in which ?Is There Nowhere Else We Can Meet?' explores the issue of sexual difference. |
4 / 929 |
 |
| Discussion Of Frankenstein. |
5 / 1341 |
 |
| Eerie Themes Of Gothic Writing - An Analysis Of Edgar Allen Poe's "T |
4 / 1019 |
 |
| Ernest Hemingway's Hills Like White Elephants. |
4 / 1056 |
 |
| Family Furnishings |
3 / 743 |
 |
| Flipped By Wendelin Van Draanen |
2 / 501 |
 |
| Frankenstein Kickass Paper |
9 / 2506 |
 |
| Goo Earth |
3 / 735 |
 |
| Gutter Punks |
2 / 350 |
 |
| Hard to Swallow |
3 / 718 |
 |
| Hills Like white Elephants, Ernest Hemmingway |
3 / 649 |
 |
| Holden Caulfield |
2 / 407 |
 |
| House On Mango Street, This Is A Report About The Chapter "Sire", In |
2 / 550 |
 |
| How I Met My Husband - Literary Essay |
3 / 644 |
 |
| Hussein maghrabi |
2 / 486 |
 |
| In the Orchard by Muriel Stuart |
2 / 415 |
 |
| Jane Eyre Tone And Diction |
4 / 956 |
 |
| Jane Eyre |
2 / 308 |
 |
| analysis |
4 / 1081 |
 |
| anorexia |
2 / 590 |
 |
| character analysis on \ |
2 / 336 |
 |
| deconstruction of 4 australian poems |
2 / 491 |
 |
| girl |
3 / 810 |
 |
| hardships in boys and girls |
4 / 971 |
 |
| like a rolling stone |
2 / 431 |
 |
| Looking for alibrandi |
2 / 331 |
 |
| Mary Shelley |
9 / 2506 |
 |
| Narative: Going Home |
3 / 833 |
 |
| Narrative |
2 / 371 |
 |
| Oh No: It's a Girl |
4 / 1019 |
 |
| Sexual Repression in Turn of the Screw |
3 / 845 |
 |
| Story (Begining) |
4 / 913 |
 |
| Story Of An Hour Vs. Barbiedoll |
3 / 818 |
 |
| Symbols in James Joyce's "Araby" |
3 / 636 |
 |
| Terra-Cotta Girl |
4 / 942 |
 |
| That's what friends are for |
2 / 339 |
 |
| The Catbird Seat |
4 / 1169 |
 |
| The Fall of the House of Usher |
5 / 1333 |
 |
| The Influence of Self-Image |
2 / 427 |
 |
| The Lottery by Shirley Jackson: An Exposition of Conformity in Society |
3 / 897 |
 |
| The Religious Undertones in James Joyce's Araby |
3 / 793 |
 |
| The White Heron |
4 / 1134 |
 |
| To Kill a Mockingbird |
4 / 905 |
 |
| Transformations by Anne Sexton |
2 / 570 |
 |
| USE OF FORCE |
4 / 967 |
 |
| Where Are You Going, Where Have You Been? Response Paper |
2 / 365 |
 |
| my name is rick |
9 / 2509 |
 |
| my paper |
9 / 2506 |
 |
| poe and lovecraft |
1 / 242 |
 |
| rosemary avenue |
3 / 621 |
 |
| t true knight |
2 / 425 |
 |
| the yellow wall paper |
4 / 1034 |
 |
| theme of \ |
2 / 415 |
 |
| who are you? |
3 / 670 |
 |
| 86I67Iik |
4 / 1116 |
 |
| Asian Influences |
1 / 283 |
 |
| artistic traditions of the Northern and Italian Renaissance |
3 / 876 |
 |
| Development of Cathedral Architecture |
9 / 2510 |
 |
| gothic war |
2 / 387 |
 |
| grant wood |
4 / 1003 |
 |
| Memoirs of a Geisha |
2 / 470 |
 |
| Puberty in the Girl |
2 / 576 |
 |
| Schindlers List |
2 / 474 |
 |
| A Note from Grandma |
3 / 749 |
 |
| A Review Of Lessing's "flight" |
2 / 587 |
 |
| A Typical Man |
3 / 718 |
 |
| Acceleration |
2 / 309 |
 |
| Although Short, John Updike's "a & P" Is Big On Enjoyment |
2 / 495 |
 |
| Anna Pavlova |
2 / 529 |
 |
| Beautiful Dance Girl |
3 / 839 |
 |
| Book Review: Little Girl Lost |
2 / 593 |
 |
| Chaplin |
2 / 413 |
 |
| Child Marriages in India |
3 / 695 |
 |
| child rearing |
3 / 700 |
 |
| Essay On Poems |
3 / 646 |
 |
| Frankenstein Kickass Paper |
9 / 2506 |
 |
| HARRY POTTER |
2 / 363 |
 |
| Harrison Ainsworth Rookwood An |
4 / 1189 |
 |
| Hco |
5 / 1333 |
 |
| Hills Like White Elephants |
2 / 453 |
 |
| House On Mango Street, This Is A Report About The Chapter "sire", In |
2 / 550 |
 |
| I’M Not The Perfect Girl,, Not Even Close Enough To Be The Right One.. |
2 / 465 |
 |
| Juvenile Offenses, Tried As Adults? |
2 / 546 |
 |
| journal |
2 / 502 |
 |
| Maggie, A Girl From The Street |
3 / 898 |
 |
| Marriage 2 |
2 / 457 |
 |
| New Jersey Vs. T.l.o. |
2 / 311 |
 |
| narrative 212st |
3 / 728 |
 |
| Personal Essay |
2 / 483 |
 |
| Pre-speech Thought |
3 / 870 |
 |
| Single Men Vs. Committed Men |
3 / 759 |
 |
| Stir The Coffee |
3 / 865 |
 |
| TEENAGE PREGNANCY |
2 / 548 |
 |
| The Coming Of Age |
4 / 1191 |
 |
| The Fall Of The House Of Usher |
2 / 580 |
 |
| The Flawed Dog |
4 / 1008 |
 |
| The Hunchback Of Notre Dame |
4 / 1168 |
 |
| The Importance of Being Earnest: Wilde's Wit in Use |
7 / 2068 |
 |
| The Italian |
5 / 1321 |
 |
| The Normalization of Cosmetic Surgery among Women in American Society |
1 / 222 |
 |
| Theory of art and design go hand in hand in some epochs more than others. Which eras reveal the closest bond between art and design? |
8 / 2141 |
 |
| the lost children of wilder |
2 / 557 |
 |
| unforgettable scene |
3 / 626 |
 |
| unilever spotlight |
1 / 236 |
 |
| Women In Early Lit. |
2 / 310 |
 |
| Women's Dormitory |
5 / 1318 |
 |
| Wuthering Heights (comments) |
7 / 1971 |
 |
| walkabout |
2 / 588 |
 |
| Yay |
3 / 605 |
 |
| A TIME TO KILL |
1 / 262 |
 |
| A Time To Kill |
1 / 262 |
 |
| alternative |
2 / 448 |
 |
| Charlie Chaplin |
3 / 642 |
 |
| Cinderella Story |
2 / 316 |
 |
| Comparing the Goddess and the White Haired Girl |
1 / 285 |
 |
| Damien rice analysis |
4 / 917 |
 |
| I never sang for my father |
2 / 565 |
 |
| Mean Girls |
4 / 935 |
 |
| Musical Influences |
4 / 930 |
 |
| Never Been Kissed Movie Review |
1 / 279 |
 |
| schindlers list |
2 / 338 |
 |
| The Hunchback Of Notre Dame |
4 / 1168 |
 |
| young frankenstein/frankenstein comparison |
2 / 575 |
 |
| girl interrupted |
1 / 260 |
 |
| INtelligence condionment |
2 / 416 |
 |
| Jokes |
3 / 781 |
 |
| Single Men vs. Committed Men |
3 / 759 |
 |
| Toy Store |
2 / 415 |
 |
| X: A Fabulous Child's Story |
2 / 448 |
 |
| Matrimonial Banquets |
3 / 738 |
 |
| haemophilia x linked and punnet squres |
2 / 572 |
 |
| “Blood Diamond” : An approach |
1 / 69 |
 |
| Alcohol |
4 / 987 |
 |
| bang a forgotten war |
2 / 430 |
 |
| Come As You Are |
3 / 775 |
 |
| Empowerment a Two-Way Street a reaction to Rosalind Wiseman's Girl Cliques |
5 / 1336 |
 |
| Hills Like White Elephants |
4 / 983 |
 |
| Love - compare contrast |
2 / 576 |
 |
| lets get drunk |
2 / 512 |
 |
| Sorority Girl |
3 / 617 |
 |
| Super Women |
2 / 591 |
 |
| the problem of rape |
3 / 846 |
 |
| Untitled |
3 / 617 |
 |
| women at work |
2 / 376 |
 |
| yes on sex education |
2 / 575 |
 |
| Zero Tolerance: Doubtful Indeed |
3 / 771 |
 |