| Title | Pages / Words | Save | 
                  
           | Lord of the Flies | 2 / 515 |  | 
                  
           | Critique on Open City | 4 / 1101 |  | 
                  
           | 1950's Movie Essay: "Rebel Without a Cause" | 4 / 1018 |  | 
                  
           | Beginning Life of Walt Disney | 2 / 468 |  | 
                  
           | Film Industry: then and now | 4 / 1111 |  | 
                  
           | history of hollywood | 3 / 854 |  | 
                  
           | JFK Assassination | 3 / 689 |  | 
                  
           | James A. Michner's: TEXAS | 3 / 724 |  | 
                  
           | Boy - Tales of Childhood | 2 / 473 |  | 
                  
           | bruce lee | 4 / 964 |  | 
                  
           | Maryilyn Monroe | 3 / 881 |  | 
                  
           | Michael Black Dances with the Wolves | 2 / 460 |  | 
                  
           | Norman Rockwell | 3 / 698 |  | 
                  
           | Stanley Kubrick | 6 / 1545 |  | 
                  
           | Steven Spielburg | 3 / 814 |  | 
                  
           | Woody Allen | 3 / 658 |  | 
                  
           | Donnie Brasco | 2 / 315 |  | 
                  
           | Horror Show | 2 / 397 |  | 
                  
           | I never sang for my father | 3 / 857 |  | 
                  
           | lack of justice | 3 / 683 |  | 
                  
           | Movie | 5 / 1377 |  | 
                  
           | Schindlers List | 4 / 1015 |  | 
                  
           | Streetcar Named Desire Essay | 2 / 591 |  | 
                  
           | The Lost Truth | 2 / 375 |  | 
                  
           | The notebook | 2 / 595 |  | 
                  
           | Converse | 2 / 375 |  | 
                  
           | kl;kkkk | 2 / 507 |  | 
                  
           | Radio | 3 / 624 |  | 
                  
           | 007 | 23 / 6721 |  | 
                  
           | 2001 A Space Odyssey Analysis | 4 / 915 |  | 
                  
           | Beloved | 4 / 963 |  | 
                  
           | Bowling For Columbine as a carnivelsque | 5 / 1382 |  | 
                  
           | Evaluation Of The Movie Rush Hour 3 | 2 / 548 |  | 
                  
           | Everest | 2 / 525 |  | 
                  
           | Far and Away | 3 / 827 |  | 
                  
           | Film Analysis | 8 / 2111 |  | 
                  
           | Film Openings | 3 / 784 |  | 
                  
           | Film: Philadelphia, Aids/Gay | 7 / 1853 |  | 
                  
           | Gattaca | 3 / 725 |  | 
                  
           | Hamlet | 2 / 453 |  | 
                  
           | Hitchcock, The Artist | 5 / 1223 |  | 
                  
           | How has James Cameron presented and adapted the true story of the Titanic? | 5 / 1413 |  | 
                  
           | Importance of Bein Earnest | 4 / 1153 |  | 
                  
           | It happened One Night Film | 3 / 616 |  | 
                  
           | King Lear vs Thousand Acres | 2 / 491 |  | 
                  
           | ?In Gattaca the film-maker presents characters who are emotionally cold.' Discuss. | 2 / 574 |  | 
                  
           | hehe | 4 / 996 |  | 
                  
           | Macbeth Film Interpretation | 4 / 1032 |  | 
                  
           | Miss | 4 / 1055 |  | 
                  
           | Othello Movie Review | 2 / 418 |  | 
                  
           | Rashomon | 3 / 722 |  | 
                  
           | Review: Pulp Fiction | 3 / 776 |  | 
                  
           | Romeo And Juliet Film Review | 3 / 660 |  | 
                  
           | Romeo and Juliet Speech | 2 / 349 |  | 
                  
           | Shine - David Helfgott | 2 / 512 |  | 
                  
           | Students And Teachers | 5 / 1318 |  | 
                  
           | The Analysis of Death You Plagerising son of a bitch | 3 / 870 |  | 
                  
           | The Crucible Movie Review | 2 / 525 |  | 
                  
           | The Wind That Shakes The Barley | 5 / 1205 |  | 
                  
           | The point of citizen Kane | 5 / 1244 |  | 
                  
           | What are the Strengths and Weaknesses of the Truman Show? | 7 / 2006 |  | 
                  
           | White Man's Muscles | 4 / 908 |  | 
                  
           | the breakfast club | 4 / 913 |  | 
                  
           | Fads in the 1940s | 1 / 279 |  | 
                  
           | film history | 4 / 1047 |  | 
                  
           | Gladiator | 5 / 1269 |  | 
                  
           | The Most Convincing Propogandist | 5 / 1204 |  | 
                  
           | the kingdom of heaven | 6 / 1622 |  | 
                  
           | What Is Good | 1 / 247 |  | 
                  
           | A COMPARISON BETWEEN THE BOOK AND MOVIE: MALCOLM X | 2 / 538 |  | 
                  
           | argumentative | 4 / 1161 |  | 
                  
           | Bridge over the River Kwai | 2 / 476 |  | 
                  
           | beautiful mind | 2 / 441 |  | 
                  
           | Cabaret | 4 / 939 |  | 
                  
           | Censorship | 4 / 945 |  | 
                  
           | Comparison Of The Film Beloved | 3 / 695 |  | 
                  
           | Curious Incident of the dog in the nighttime | 2 / 515 |  | 
                  
           | capra cu trei iezi | 2 / 549 |  | 
                  
           | Deceiving Images of Bowling for Columbine | 6 / 1638 |  | 
                  
           | Fear And Loathing In Las Vegas | 2 / 574 |  | 
                  
           | George Eastman | 2 / 514 |  | 
                  
           | Great Depression Themes in 42nd Street | 3 / 711 |  | 
                  
           | Hitchcock, The Artist | 5 / 1223 |  | 
                  
           | Liberty Valance | 2 / 398 |  | 
                  
           | Mahatma Gandhi | 3 / 616 |  | 
                  
           | Manet's Olympia | 3 / 652 |  | 
                  
           | Media | 3 / 700 |  | 
                  
           | Mrs Dalloway - Analysis Of The | 2 / 427 |  | 
                  
           | Nanook of the North | 3 / 877 |  | 
                  
           | North Country, the Movie | 3 / 629 |  | 
                  
           | One Flew Over the Cuckoos Nest | 3 / 821 |  | 
                  
           | Romeo And Juliet 4 -2 | 3 / 722 |  | 
                  
           | romeo and juliet | 4 / 1200 |  | 
                  
           | Schindler's List | 3 / 814 |  | 
                  
           | Sex with Brad Pitt | 3 / 826 |  | 
                  
           | The Birth Of A Nation And Greed | 4 / 1185 |  | 
                  
           | To what extent is Laura Mulvey's article ?Visual Pleasure and Narrative Cinema' true to the representation of women in film noir? | 8 / 2206 |  | 
                  
           | Tragically Real | 5 / 1371 |  | 
                  
           | Viewer Response - The Graduate | 2 / 387 |  | 
                  
           | A discussion into whether ?J Horror' is a term of national identity, or cinematic sub-genre, using the texts; Ringu (1998), Audition (2000) and Ju-On (The Grudge) (2003). | 5 / 1471 |  | 
                  
           | A flavour of contemporary India monsoons on screen | 3 / 728 |  | 
                  
           | Alfred Hitchcock | 4 / 945 |  | 
                  
           | Alfred Hitchcock | 4 / 965 |  | 
                  
           | Annie Hall and Jesus | 3 / 750 |  | 
                  
           | BMW Films | 6 / 1711 |  | 
                  
           | Blackrobe Movie Review | 4 / 1051 |  | 
                  
           | Blue Velvet: Scene Analysis | 2 / 594 |  | 
                  
           | Butterfly Effect Movie Review | 4 / 943 |  | 
                  
           | Bye Bye Brazil | 3 / 715 |  | 
                  
           | belly vs. traning day | 3 / 747 |  | 
                  
           | Casablanca | 2 / 486 |  | 
                  
           | Casablanca | 4 / 916 |  | 
                  
           | Choose A Film Or Television Programme And Discuss How Its Mise-En-SceNe And Cinematography Operate To Create Meaning For The Audience. How Does The Visual Style Contribute To The Text’S Overall Appeals And Meanings? | 4 / 1141 |  | 
                  
           | Citizen Kane | 2 / 600 |  | 
                  
           | Crash - Analysis | 2 / 533 |  | 
                  
           | citizen kane | 2 / 600 |  | 
                  
           | citizen kane | 5 / 1339 |  | 
                  
           | Dodge City And Unforgiven | 4 / 1017 |  | 
                  
           | Ethical And Moral Issues | 3 / 717 |  | 
                  
           | Etre et Avoir - a documentary | 9 / 2553 |  | 
                  
           | Examine the ways in which Hollywood cinema has conventionally represented African Americans. | 6 / 1743 |  | 
                  
           | False Proclamations of Love and Other Betrayals in Talk to Her | 3 / 642 |  | 
                  
           | Far and Away | 4 / 1097 |  | 
                  
           | Fear And Loathing In Las Vegas An Essay | 2 / 574 |  | 
                  
           | Film analysis Guess Who and Guess who's coming to dinner | 4 / 1067 |  | 
                  
           | Film:Analysis: The Life of David Gale | 3 / 643 |  | 
                  
           | Firestarter | 3 / 769 |  | 
                  
           | Follow Your Dreams | 5 / 1368 |  | 
                  
           | finding neverland movie review | 2 / 557 |  | 
                  
           | Horror Movies Are a Waste of Time | 4 / 942 |  | 
                  
           | Impressive Nobodies | 3 / 649 |  | 
                  
           | In the Heat of the Night: A Classic Murder Melodrama | 5 / 1315 |  | 
                  
           | Indonesian Cinema by Christine Hakim | 5 / 1323 |  | 
                  
           | Interview with Mel Stuart | 4 / 977 |  | 
                  
           | Is war changed as it becomes a ?media event'? Based on the Spanish-American War in Motion Pictures, analyse the historical significance of the emergence of film as a, medium for representing war in the 1890s. | 4 / 1046 |  | 
                  
           | in Cold Blood Review | 3 / 670 |  | 
                  
           | indian cinema | 3 / 713 |  | 
                  
           | Kite Runner Movie | 1 / 298 |  | 
                  
           | kramer Vs kramer | 4 / 908 |  | 
                  
           | Moral Issues Within Gattaca | 3 / 728 |  | 
                  
           | Paradise Lost: Censorship and Hypocrisy in the Italian film Cinema Paradiso | 3 / 762 |  | 
                  
           | Patch Adams | 2 / 510 |  | 
                  
           | Planet of the Apes | 3 / 848 |  | 
                  
           | Psycho | 2 / 489 |  | 
                  
           | picasso movie | 2 / 334 |  | 
                  
           | Red Rock West | 2 / 577 |  | 
                  
           | Review | 3 / 707 |  | 
                  
           | real window review | 2 / 337 |  | 
                  
           | ritchie rich | 2 / 433 |  | 
                  
           | Seabiscuit | 1 / 126 |  | 
                  
           | Shadow of a Doubt review | 4 / 1125 |  | 
                  
           | Space Jam | 2 / 467 |  | 
                  
           | Spinning Gasing | 4 / 1104 |  | 
                  
           | Summary Of Beyond Formula: American Film Genres | 6 / 1520 |  | 
                  
           | sterphen spielberg | 3 / 605 |  | 
                  
           | Talented Mr Ripley | 2 / 372 |  | 
                  
           | Tarantino | 5 / 1293 |  | 
                  
           | The Bicycle Thief | 4 / 1119 |  | 
                  
           | The Chamber: A Look Into The Novel And Film | 6 / 1599 |  | 
                  
           | The Dude's Edition | 4 / 925 |  | 
                  
           | The Italian Job | 3 / 755 |  | 
                  
           | The Royal Tenenmbaums | 3 / 860 |  | 
                  
           | The Shawshank Redemption: Rhetorical Criticism | 4 / 1016 |  | 
                  
           | The characters in Donnie Darko are isolated, confused and many are unable to cope with reality. Richard Kelly has presented a disturbing portrait of human existence and interpersonal relationships. Discuss. | 3 / 645 |  | 
                  
           | The glorious world of stagnation: A look at the Martin Scorsese and Paul Schrader film, "Taxi Driver" | 4 / 960 |  | 
                  
           | Tommy: the album vs. the movie | 5 / 1455 |  | 
                  
           | the life of david gale film review | 4 / 1011 |  | 
                  
           | the piano movie | 3 / 609 |  | 
                  
           | U-571: Historically Accurate? | 6 / 1610 |  | 
                  
           | Vera Drake | 5 / 1222 |  | 
                  
           | Vertigo | 4 / 1072 |  | 
                  
           | Vertov and Eisenstein | 3 / 750 |  | 
                  
           | Viewer Response - The Graduate | 2 / 387 |  | 
                  
           | Waking Life | 4 / 1102 |  | 
                  
           | Walter Benjamin and Siegfrizd Kracauer | 5 / 1400 |  | 
                  
           | What It Takes To Produce A Film | 3 / 844 |  | 
                  
           | Why do you think the Italian authorities might not have been too pleased for Ladri di biciclette to be distributed abroad? | 5 / 1220 |  | 
                  
           | Women in Spike Lee's Bamboozled | 3 / 790 |  | 
                  
           | Wong Kar Wai and french new wave | 3 / 652 |  | 
                  
           | A Clockwork Orange Film Analysis | 2 / 536 |  | 
                  
           | A Beautiful Mind | 2 / 383 |  | 
                  
           | A Beautiful Mind | 3 / 644 |  | 
                  
           | I am Sam psychology movie review | 2 / 433 |  | 
                  
           | Interpersonal comm. "Good Will Hunting" | 4 / 1145 |  | 
                  
           | parent and child relationships | 2 / 493 |  | 
                  
           | Thin | 3 / 676 |  | 
                  
           | Faith VS Belief | 3 / 878 |  | 
                  
           | the big one | 2 / 519 |  | 
                  
           | Vice Virtue | 3 / 831 |  | 
                  
           | Zen Buddhism In Japan | 6 / 1518 |  | 
                  
           | March of the Penguins | 3 / 607 |  | 
                  
           | Americans In Film- Race, Gender, And | 2 / 494 |  | 
                  
           | Bombs Away: Different Reactions to the Vietnam War in Across the Universe | 2 / 570 |  | 
                  
           | Current Event | 2 / 311 |  | 
                  
           | How Women Are Viewd | 3 / 747 |  | 
                  
           | Justifiable Means | 2 / 534 |  | 
                  
           | Kinship and Residence | 3 / 827 |  | 
                  
           | Life & Debt | 2 / 444 |  | 
                  
           | Portrayal of Women | 5 / 1223 |  | 
                  
           | Selective Perception in Paul Haggis' Crash | 3 / 826 |  |