| Title |
Pages / Words |
Save |
| Rainman |
4 / 937 |
 |
| American Diplomacy |
1 / 244 |
|
| American Legion Report |
2 / 434 |
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| An American |
2 / 352 |
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| Beautiful Mind |
5 / 1205 |
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| Blacklisting |
2 / 390 |
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| Book Review, The Jungle |
2 / 592 |
|
| Brokeback |
4 / 1014 |
|
| Could the American Revolution be avoided? |
1 / 248 |
|
| Film Review Mona Lisa Smile |
4 / 1024 |
|
| Grapes of Wrath |
2 / 587 |
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| Irish American Culture |
3 / 839 |
|
| native american |
4 / 927 |
|
| disney |
5 / 1383 |
|
| Famous Americans - Jim Morrison |
2 / 598 |
|
| John Wayne |
6 / 1681 |
|
| Man With The Movie Camera: Shot Change Constructs A New Perspective |
3 / 862 |
|
| Movies Of 2001 |
4 / 914 |
|
| Stanley Kubrick |
6 / 1545 |
|
| Tolkien |
2 / 486 |
|
| Hannibal |
3 / 716 |
|
| Last of the Mohicans |
4 / 1015 |
|
| Malcolm X |
2 / 419 |
|
| March Of the Penguins |
2 / 520 |
|
| Of Mice and men |
5 / 1326 |
|
| Starstruck |
3 / 630 |
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| The Boy Next Door |
4 / 1116 |
|
| The Last Samurai |
2 / 570 |
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| The Matrix |
4 / 1011 |
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| Arundel |
7 / 1827 |
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| decision making |
2 / 486 |
|
| Forecasting Report on Drive-In Theatres |
5 / 1267 |
|
| l oreal |
3 / 748 |
|
| Marine Biology |
4 / 1014 |
|
| warner bros history |
1 / 159 |
|
| Beauty and the Beast Contrast |
3 / 805 |
|
| Bowling for Columbine |
3 / 859 |
|
| CRASH |
4 / 1050 |
|
| Color Purple |
5 / 1306 |
|
| Dead Poets Society/ Why Poetry Is Important |
2 / 498 |
|
| Efficacy of Flu Shots |
2 / 483 |
|
| Essay (Power Of One) |
2 / 572 |
|
| Essay on One Hundred Years of solitude |
3 / 807 |
|
| Film Noir |
8 / 2295 |
|
| Gattaca |
2 / 561 |
|
| How to Review a book |
3 / 706 |
|
| How to write Term Paper? |
1 / 259 |
|
| Ken Kesey Life Behind the Cuckoo's Nest |
1 / 257 |
|
| lies my teacher told me |
2 / 453 |
|
| Look Both Ways (film text) |
3 / 767 |
|
| Miss Julie |
2 / 500 |
|
| Othello: Shakespeare vs. Parker |
2 / 596 |
|
| Paper Outline |
2 / 465 |
|
| Pornography In The American Social Strata |
5 / 1416 |
|
| Raw |
1 / 193 |
|
| Romeo & Juliet |
2 / 306 |
|
| Shawshank Redemption |
3 / 779 |
|
| Symbolism in The Ancient Marinier |
2 / 380 |
|
| The Aeneid |
2 / 519 |
|
| The Castle |
3 / 680 |
|
| The Crow Review |
4 / 965 |
|
| The Deep End Of The Ocean |
3 / 836 |
|
| The Fallen Movie Reveiw |
2 / 363 |
|
| The Harder They Come |
4 / 952 |
|
| Under Construcition |
3 / 783 |
|
| Violance Should Be Banned |
2 / 333 |
|
| You Belong to Me |
1 / 209 |
|
| radiance |
2 / 522 |
|
| Casablanca |
4 / 943 |
|
| Dead |
2 / 455 |
|
| ELIZABETH' AS AN EXAMPLE OF ART CINEMA |
4 / 1187 |
|
| Helena (Leni) Bertha Amalie Riefenstahl |
8 / 2215 |
|
| Performind the border |
3 / 650 |
|
| Review of Dower's War Without Mercy |
7 / 2041 |
|
| Robert Pattinson |
1 / 264 |
|
| Troy Film Review |
5 / 1432 |
|
| Formal-operational Stage |
3 / 603 |
|
| A History of Storyboarding |
2 / 467 |
|
| Accountability |
2 / 338 |
|
| ads |
2 / 320 |
|
| Bats |
3 / 899 |
|
| Briar rose symbols |
2 / 358 |
|
| Color Purple |
5 / 1306 |
|
| Compare and contrast black representations in 'Gone with the wind' (1939) and 'Guess who's coming to dinner' (1967). |
3 / 748 |
|
| Critical evaluation of Fahrenheit 9/11. |
7 / 1805 |
|
| English |
2 / 533 |
|
| Film Review (the Money Pit) |
1 / 269 |
|
| Film studies of syriana |
4 / 1021 |
|
| Gallipoli - Australian Film Review |
3 / 853 |
|
| HEY |
6 / 1641 |
|
| HUD: Bucking the Western film stereotype |
5 / 1359 |
|
| Iowa- An American Portrait |
2 / 455 |
|
| Jaws Media Coursework Essay |
2 / 516 |
|
| Judicial Review |
3 / 880 |
|
| Love, Sex & Eating the Bones |
4 / 1124 |
|
| My Left Foot: The Strength Of A Mother |
1 / 290 |
|
| Natural Born Killers |
4 / 975 |
|
| Possibilities and constraints of shooting in the studio and on location. |
4 / 958 |
|
| pandoras' box |
2 / 399 |
|
| Roswell |
3 / 787 |
|
| Scarface |
2 / 368 |
|
| Seeking donations |
2 / 407 |
|
| The Deep End Of The Ocean |
3 / 836 |
|
| The Power of Dance |
2 / 387 |
|
| The Sheltering Sky |
4 / 1084 |
|
| The World Is Not Enough |
4 / 1082 |
|
| Third Amendment |
1 / 238 |
|
| Vampire Lord |
2 / 579 |
|
| Vietnam war |
2 / 325 |
|
| What is an american? |
2 / 356 |
|
| 'The Power of One' could have been the title for all the films. |
5 / 1230 |
|
| *Dangerous Minds* Deconstructing A Dangerous Mind Anilitical Article *Dangerous Minds* |
3 / 724 |
|
| A Beautiful Mind |
1 / 274 |
|
| A Short Review of The West Side Story |
3 / 627 |
|
| A discussion into whether ?J Horror' is a term of national identity, or cinematic sub-genre, using the texts; Ringu (1998), Audition (2000) and Ju-On (The Grudge) (2003). |
5 / 1471 |
|
| Alfred Hitchcock |
4 / 965 |
|
| Amadeus |
3 / 875 |
|
| American Beauty |
6 / 1637 |
|
| American History X |
3 / 686 |
|
| An Exploration Of How The Designer Olivier Kuntzel And Florence Deygas Managed To Incorporate And Interpret The Narrative Of ‘Catch Me If You Can’ Into Their Title Sequence |
4 / 1021 |
|
| Analyzing Moulin Rouge |
4 / 1113 |
|
| american history x analysis |
4 / 970 |
|
| Babel Responce |
3 / 658 |
|
| Babel |
3 / 817 |
|
| Birth Of Nation |
1 / 270 |
|
| brave |
1 / 262 |
|
| Citizen Kane |
1 / 291 |
|
| Coppola's short biography |
3 / 738 |
|
| Critique of SHawshank Redemption |
3 / 729 |
|
| Discuss How Genre Adapts To Changing Social, Political, Historical And Economical Contexts |
5 / 1252 |
|
| Do The Right Thing |
2 / 467 |
|
| Donnie Brasco |
3 / 630 |
|
| Film Noir At It'S Finest |
2 / 525 |
|
| Film genre, narration, reality tv |
6 / 1677 |
|
| Friday night Lights |
3 / 759 |
|
| Gallipoli - Australian Film Review |
3 / 853 |
|
| Gattaca Opening Scenes |
2 / 482 |
|
| Gladiator (Movie) |
5 / 1373 |
|
| Gladiator |
5 / 1483 |
|
| Hoosierssssssss |
1 / 251 |
|
| Ideas for Movies - The How and What... |
5 / 1254 |
|
| ife |
2 / 478 |
|
| Jack Nicholson, Star? |
2 / 369 |
|
| Jaws - filmic techniques, structure of tension/suspense |
2 / 391 |
|
| Johnny Depp &Amp; Gene Wilder In Charlie &Amp; The Chocolate Factory |
3 / 837 |
|
| Kenneth Baranagh's "Henry V" |
2 / 457 |
|
| Legends of the fall |
3 / 887 |
|
| Lorenzo's Oil |
4 / 1001 |
|
| Malcolm X |
5 / 1232 |
|
| Materialism and Greed: The Real Monsters in Poltergeist |
4 / 1137 |
|
| Matrix Review |
4 / 902 |
|
| Movie Analysis - Monster In Law |
4 / 1117 |
|
| Movie Review: Yentl |
4 / 1008 |
|
| Narrative vs. Montage |
3 / 877 |
|
| North by Northwest |
3 / 671 |
|
| Nothing’s New Under the Sun |
3 / 779 |
|
| Rabbit Proof Fence analysis |
2 / 358 |
|
| Review Of Three Movies: Trainspotting, Ferris Bueller's Day Off And Ju |
3 / 886 |
|
| Rick Blaine, nations front figure |
3 / 856 |
|
| rabbit proof fence |
3 / 624 |
|
| response to boyz n the hood |
3 / 770 |
|
| Sleepy Hollow |
4 / 1073 |
|
| Stand By Me |
5 / 1343 |
|
| Storytelling |
4 / 1060 |
|
| Study of Cinema Verite |
3 / 834 |
|
| The Corporation |
3 / 619 |
|
| The Indo- Afghan Connection |
4 / 963 |
|
| The Notebook: Best Film I Have Seen |
2 / 585 |
|
| The Pelican Brief Novel vs. Movie |
6 / 1775 |
|
| The Truth About White Supremacy: American History X |
7 / 2021 |
|
| Third Cinema |
5 / 1236 |
|
| Tommy: the album vs. the movie |
5 / 1455 |
|
| Touch Of Evil |
5 / 1284 |
|
| the quiet american |
3 / 636 |
|
| Vertigo |
4 / 1072 |
|
| Visual Images in JFK |
4 / 942 |
|
| Waking Life |
4 / 1102 |
|
| Wala Ln |
1 / 220 |
|
| Walt Disney |
3 / 689 |
|
| Western And The Man Who Shot Liberty Valance |
3 / 613 |
|
| "The Matrix" and Religion |
5 / 1448 |
|
| Inner Power |
3 / 827 |
|
| seils |
2 / 404 |
|
| hotdog |
2 / 554 |
|
| Rainman |
3 / 753 |
|
| Zen Buddhism In Japan |
6 / 1518 |
|
| Lab Report |
4 / 1159 |
|
| penny for thoughts |
2 / 570 |
|
| American Tongues |
3 / 866 |
|
| Censorship in America |
4 / 1060 |
|
| Disney and Race |
4 / 1199 |
|
| FILM ANALYSIS: Not Without My Daughter |
2 / 424 |
|
| Hyperreality In The Liminal |
4 / 1101 |
|
| Minorities and Policing |
2 / 381 |
|
| n Your Face: 3D Movies Making a Comeback |
2 / 354 |
|
| The Past Revised: the Dangers of Censorship |
1 / 229 |
|
| IMAX CINEMA- help sheet |
2 / 498 |
|
| Kodak |
2 / 590 |
|
| Reaction: The Pirates of Silicon Valley |
1 / 234 |
|
| Review about technology |
2 / 436 |
|
