| Title |
Pages / Words |
Save |
| Glory |
1 / 283 |
 |
| Book Review |
2 / 473 |
|
| Final |
2 / 497 |
|
| iron jawed angels and feminism |
1 / 151 |
|
| Miss |
1 / 251 |
|
| New Reform Feminism Abolitionists |
2 / 401 |
|
| Jean-Michel Basquiat |
2 / 409 |
|
| Kyle's Paper |
1 / 150 |
|
| Me |
1 / 262 |
|
| Nino Rota |
1 / 129 |
|
| Abc |
2 / 347 |
|
| Book Film Comparison About When One Flies Over The Cuckoos Nest |
4 / 923 |
|
| Horror Show |
2 / 397 |
|
| Nightmare on Elm Street |
1 / 248 |
|
| summer reading |
2 / 519 |
|
| The Matrix |
4 / 1011 |
|
| The World According to Garp Critical Analysis |
2 / 546 |
|
| Winston |
1 / 261 |
|
| Globalization |
2 / 329 |
|
| health |
2 / 374 |
|
| Nescafe |
2 / 475 |
|
| A Bronx Tale |
1 / 159 |
|
| A Streetcar themes |
1 / 236 |
|
| Censorship in the Media |
3 / 780 |
|
| Crash Overview |
2 / 380 |
|
| Critical Review Of The Film Redemption |
2 / 503 |
|
| Cultural Studies |
2 / 405 |
|
| English Oral Presentation |
5 / 1365 |
|
| Feminism In Jane Eyre |
2 / 378 |
|
| Film Noir |
8 / 2295 |
|
| Genre |
4 / 964 |
|
| Harry Potter and the Camber of Secrets |
2 / 557 |
|
| History of Detective Fiction |
2 / 349 |
|
| How do narrative and genre features create meaning and generate response in a film clip from ?Saw'? |
7 / 1890 |
|
| James Bond |
1 / 295 |
|
| Jaws |
1 / 145 |
|
| classification of movies |
2 / 425 |
|
| feminism |
1 / 293 |
|
| Macbeth |
2 / 511 |
|
| Monty Python and the Holy Grail |
2 / 395 |
|
| Mummy |
2 / 368 |
|
| Rebecca Notes |
3 / 807 |
|
| Requiem for a Dream |
2 / 328 |
|
| Sahara Review |
2 / 458 |
|
| Saving Private Ryan Help Sheet |
2 / 320 |
|
| Shallow Act of Feminism Leads Women into Dangers |
5 / 1214 |
|
| Story To Film |
2 / 421 |
|
| Term Paper |
1 / 141 |
|
| The Airport Novel |
2 / 502 |
|
| The Truman Show |
2 / 525 |
|
| The Wife of Bath |
2 / 321 |
|
| The relationship between reader and writer |
2 / 406 |
|
| Traits of Marlow in the Big Sleep |
4 / 1154 |
|
| War |
4 / 915 |
|
| What makes a successful romantic tragedy? |
7 / 1887 |
|
| Writers are like photographers |
2 / 345 |
|
| Yellow Wallpaper |
2 / 436 |
|
| romeo and juliet |
3 / 652 |
|
| socialist feminist criticism |
4 / 1129 |
|
| sunday too far away |
1 / 284 |
|
| Ca Twiste a Popenguine |
1 / 123 |
|
| Old Movies And America |
2 / 462 |
|
| Rethinking Feminism |
3 / 748 |
|
| The U.S. vs. John Lennon |
2 / 305 |
|
| A film I have seen |
2 / 523 |
|
| animal farm reveiw |
1 / 260 |
|
| Babam Ve Oglum |
4 / 1139 |
|
| Black Hawk Down |
1 / 195 |
|
| Dead Man Walking |
4 / 1074 |
|
| Discussing Literary Genre |
3 / 805 |
|
| Dramatic Tragedy |
2 / 393 |
|
| HUD: Bucking the Western film stereotype |
5 / 1359 |
|
| Hot Fuzz - Movie Review |
2 / 599 |
|
| Media |
3 / 700 |
|
| No |
2 / 354 |
|
| narrative structures |
3 / 616 |
|
| Paglia |
4 / 976 |
|
| Photography |
2 / 533 |
|
| Process Of Processing |
2 / 430 |
|
| Roger And Me |
2 / 410 |
|
| Scarface |
2 / 368 |
|
| The History of the Hard-Boiled Detective |
3 / 808 |
|
| The Life Aquatic |
1 / 226 |
|
| The Maltese Falcon |
6 / 1564 |
|
| Visions And Voices |
1 / 196 |
|
| What Is A Feminist? |
3 / 900 |
|
| Wife Of Bath |
1 / 262 |
|
| Women culture and society |
2 / 301 |
|
| 12 Monkeys |
2 / 513 |
|
| 2004 Stepford Wives |
1 / 300 |
|
| 24 and how it fits into many genres |
5 / 1339 |
|
| "Chinatown" as film noir |
3 / 849 |
|
| A Bronx Tale |
2 / 541 |
|
| A discussion into whether ?J Horror' is a term of national identity, or cinematic sub-genre, using the texts; Ringu (1998), Audition (2000) and Ju-On (The Grudge) (2003). |
5 / 1471 |
|
| Aliens and Feminism |
1 / 125 |
|
| Amelie |
2 / 330 |
|
| Analysis of "Vantage Point" trailer |
4 / 1076 |
|
| Analytical Critique of The Godfather |
4 / 923 |
|
| Batman begins and sleepy hollow |
2 / 502 |
|
| Baz R+J |
1 / 126 |
|
| Bessie Smith and St. Louie Blues |
2 / 411 |
|
| big sleep |
4 / 923 |
|
| Chinatown |
2 / 377 |
|
| Classical Hollywood narrative |
2 / 342 |
|
| Crime Films |
7 / 2043 |
|
| count of monte cristo |
1 / 242 |
|
| Day For night |
1 / 242 |
|
| Dead Man Walking |
2 / 466 |
|
| Discuss How Genre Adapts To Changing Social, Political, Historical And Economical Contexts |
5 / 1252 |
|
| Dodge City And Unforgiven |
4 / 1017 |
|
| discuss how genre is communicated in halloween |
2 / 505 |
|
| Fight Club |
1 / 253 |
|
| Film Methodologies - Point Break (1991) |
4 / 1084 |
|
| Film genre, narration, reality tv |
6 / 1677 |
|
| Film genres |
2 / 479 |
|
| Follow Your Dreams |
5 / 1368 |
|
| film crime |
5 / 1431 |
|
| film noir |
3 / 693 |
|
| full monty |
2 / 414 |
|
| Genre Criticism of Stanley Kubrick's The Shining |
6 / 1626 |
|
| Genre Is The Best Approach For The Academic Study Of Hollywood Film Texts |
3 / 836 |
|
| godfrey reggio |
4 / 979 |
|
| Halloween |
1 / 295 |
|
| Hong Kong Cinema |
3 / 709 |
|
| Horror Movies: Gateway to Our Dark Side |
4 / 1176 |
|
| Interpretations Of Kite Runner |
2 / 314 |
|
| in Cold Blood Review |
3 / 670 |
|
| Just A Girl? Rock Music, Feminism, and the Cultural Construction of Female Youth |
1 / 25 |
|
| King |
2 / 301 |
|
| L.A. Confidential review |
3 / 738 |
|
| LA confidential |
2 / 305 |
|
| Life is Beautiful, a fable? |
2 / 386 |
|
| Lisa Lewis Paper |
2 / 573 |
|
| l.a confidential film noir |
4 / 952 |
|
| Maltese Falcon |
5 / 1477 |
|
| Media Task |
3 / 726 |
|
| Memento |
4 / 1093 |
|
| Midsummer Nights Dream |
2 / 345 |
|
| Moulin Rouge |
3 / 649 |
|
| Moulin Rouge |
1 / 266 |
|
| Movie History |
2 / 568 |
|
| Movie Insider |
2 / 458 |
|
| Movie |
2 / 564 |
|
| media |
4 / 978 |
|
| movie analyze of "Heat" |
1 / 282 |
|
| movie philadelphia |
1 / 271 |
|
| Nightmare on Elm Street: The Relation of Theater and the Nightmare |
4 / 978 |
|
| Opening Sequence of Bullet Boy Analysis |
2 / 508 |
|
| of mice and men movie review |
1 / 267 |
|
| Psycho |
1 / 223 |
|
| Reading Summary: Amplification of Sound |
2 / 316 |
|
| Samurai in Film |
2 / 421 |
|
| Saving Private Ryan |
2 / 354 |
|
| Spellbound |
2 / 434 |
|
| Summary Of Beyond Formula: American Film Genres |
6 / 1520 |
|
| semiotics |
4 / 908 |
|
| snatch |
4 / 920 |
|
| Talented Mr Ripley |
2 / 372 |
|
| The Genre of Horror |
2 / 597 |
|
| The Lost Boys Horror Genre |
3 / 619 |
|
| The Notebook: Best Film I Have Seen |
2 / 585 |
|
| The Piano: Point Taken |
3 / 816 |
|
| The Shawshank Redemption: Rhetorical Criticism |
4 / 1016 |
|
| The Wild Bunch |
2 / 375 |
|
| The hope of life |
2 / 329 |
|
| vera drake |
3 / 682 |
|
| What makes a film great |
3 / 630 |
|
| Wizard Of Oz |
1 / 185 |
|
| what makes an excellent film |
2 / 491 |
|
| Feminism |
3 / 674 |
|
| Feminist Objections to Kantian, Utilitariansism, and Egoism |
2 / 424 |
|
| Jaws the movie |
2 / 332 |
|
| Kill Bill |
2 / 367 |
|
| Baler |
2 / 545 |
|
| Fred Astaire |
1 / 261 |
|
| Psychology |
3 / 763 |
|
| rock |
1 / 202 |
|
| Ecofeminism in Today's world |
3 / 837 |
|
| Process Of Processing |
2 / 430 |
|
| Arab Feminism |
3 / 649 |
|
| COmparisons |
3 / 697 |
|
| Crimnology |
1 / 219 |
|
| crime |
1 / 167 |
|
| Feminism Hurts Everyone |
3 / 790 |
|
| Feminism Hurts The Modern Woman |
4 / 924 |
|
| Feminism |
2 / 314 |
|
| Feminism |
2 / 326 |
|
| feminism |
4 / 1029 |
|
| feminism |
1 / 238 |
|
| Globalization |
2 / 513 |
|
| justice |
1 / 247 |
|
| Marxist Feminism |
2 / 352 |
|
| Miss |
2 / 324 |
|
| Rabbit Proof Fence |
2 / 479 |
|
| Saba Mahmood Feminist Theory |
2 / 387 |
|
| Take Control |
4 / 1105 |
|
| Women and Careers |
3 / 820 |
|
| Youth Crime |
1 / 244 |
|
| grouping |
2 / 308 |
|
| PHOTOSHOP LAB REPORT |
2 / 391 |
|
