| Title |
Pages / Words |
Save |
| Rainman |
4 / 937 |
 |
| Saving Private Ryan |
4 / 1019 |
|
| Apaches |
2 / 335 |
|
| Booker T. Washington |
1 / 233 |
|
| Diversity of the Cultures and People in this Country and Around the World, Racial Dominance seems to Persist |
2 / 473 |
|
| Good Morning, Vietnam |
3 / 832 |
|
| Grapes of Wrath |
2 / 587 |
|
| Hutus and Tutsi's |
3 / 729 |
|
| Mississippi Burning Paper |
3 / 888 |
|
| malcolm x |
4 / 1148 |
|
| Man With The Movie Camera: Shot Change Constructs A New Perspective |
3 / 862 |
|
| Marilyn Monroe |
1 / 242 |
|
| Spielberg Bio |
4 / 1075 |
|
| A Compare and Contrast Essay on Apocalypse Now and Heart of Darkness |
2 / 510 |
|
| Analysis of Erin Brockovich |
2 / 373 |
|
| Democracy In Crisis |
2 / 402 |
|
| Economif effects of Immigration |
3 / 622 |
|
| Infinite Jest |
3 / 764 |
|
| Lolita |
2 / 523 |
|
| The Quiet American- A comparison |
4 / 911 |
|
| The Quiet American: Alden Pyle |
2 / 585 |
|
| Business |
2 / 313 |
|
| Essential Data Analysis |
4 / 1091 |
|
| History Of Kodak |
2 / 518 |
|
| Kodak Case Summary |
2 / 358 |
|
| Marine Biology |
4 / 1014 |
|
| Swarovski |
2 / 335 |
|
| A beholder's desire and dread |
6 / 1709 |
|
| Color Purple |
5 / 1306 |
|
| Comparative Analysis Of The Ghost In Two Hamlet Movies |
4 / 937 |
|
| Dead Poets Society/ Why Poetry Is Important |
2 / 498 |
|
| Death of a Toad |
1 / 278 |
|
| Essay (Power Of One) |
2 / 572 |
|
| Gattaca |
1 / 281 |
|
| Gattaca |
2 / 561 |
|
| How has your understanding of the concept of “New Found Lands” been extended by the comparative study of your two texts? |
2 / 597 |
|
| Lantana |
2 / 481 |
|
| dead poet's society |
3 / 746 |
|
| jaws media |
2 / 598 |
|
| Movie Review |
3 / 616 |
|
| Mummy |
2 / 368 |
|
| Notions of love in Ever After |
4 / 1134 |
|
| Othello: Shakespeare vs. Parker |
2 / 596 |
|
| School |
2 / 434 |
|
| Shawshank Redemption |
3 / 779 |
|
| Sleepy Hollow Film Review |
4 / 1152 |
|
| Symbolism in The Ancient Marinier |
2 / 380 |
|
| The Castle |
3 / 680 |
|
| The Comparison And Contrast Essay The Book And The Movie |
4 / 902 |
|
| The Harder They Come |
4 / 952 |
|
| What’s worse….Early Racism or Racism in To Kill a Mockingbird? |
3 / 731 |
|
| radiance |
2 / 522 |
|
| American Sports History |
4 / 1138 |
|
| Cultural Mosaic |
3 / 818 |
|
| china |
2 / 541 |
|
| Dead |
2 / 455 |
|
| ELIZABETH' AS AN EXAMPLE OF ART CINEMA |
4 / 1187 |
|
| Film Review of Luther |
2 / 532 |
|
| Movie Review: Enemy At The Gates. |
1 / 277 |
|
| Robert Pattinson |
1 / 264 |
|
| Rwandan Genocide |
3 / 800 |
|
| THE GRAPES OF WRATH-Movie Review |
3 / 623 |
|
| The Black Panthers |
4 / 1042 |
|
| A Career Of My Own |
3 / 601 |
|
| ARTS |
3 / 635 |
|
| Analytical Film Paper |
2 / 323 |
|
| Balkans, History On Geographic |
3 / 716 |
|
| Bats |
3 / 899 |
|
| Briar rose symbols |
2 / 358 |
|
| Color Purple |
5 / 1306 |
|
| Crash |
2 / 349 |
|
| crash |
5 / 1385 |
|
| Film Sound |
4 / 951 |
|
| Horror Movies |
2 / 552 |
|
| Hot Fuzz - Movie Review |
2 / 599 |
|
| Lolita's Boys |
2 / 415 |
|
| Love, Sex & Eating the Bones |
4 / 1124 |
|
| My Left Foot: The Strength Of A Mother |
1 / 290 |
|
| oh what |
4 / 1126 |
|
| Possibilities and constraints of shooting in the studio and on location. |
4 / 958 |
|
| Preventing Workplace Discrimination |
3 / 636 |
|
| Roswell |
3 / 787 |
|
| remember the titans |
5 / 1241 |
|
| Scarface |
2 / 368 |
|
| Spellbound ( fact more compelling than fiction) |
3 / 710 |
|
| The Matrix - Simulacra And Dystopia |
6 / 1645 |
|
| The Power of Dance |
2 / 387 |
|
| The Sheltering Sky |
4 / 1084 |
|
| The Shining |
4 / 939 |
|
| The World Is Not Enough |
4 / 1082 |
|
| Vampire Lord |
2 / 579 |
|
| (Streetcar Named Desire): the Damsel in Distress vs the Damsel Brings Distress |
5 / 1353 |
|
| *Dangerous Minds* Deconstructing A Dangerous Mind Anilitical Article *Dangerous Minds* |
3 / 724 |
|
| “The Review Of Marcel LOZINSki’S Documentary Film: |
3 / 711 |
|
| A Beautiful Mind |
1 / 274 |
|
| A |
4 / 961 |
|
| Amadeus |
3 / 875 |
|
| Analyzing Moulin Rouge |
4 / 1113 |
|
| Archetypes in Horror Films |
3 / 638 |
|
| Assault on Precinct 13 |
2 / 442 |
|
| Birth Of Nation |
1 / 270 |
|
| brave |
1 / 262 |
|
| Choose A Film Or Television Programme And Discuss How Its Mise-En-SceNe And Cinematography Operate To Create Meaning For The Audience. How Does The Visual Style Contribute To The Text’S Overall Appeals And Meanings? |
4 / 1141 |
|
| Citizen Kane |
1 / 291 |
|
| Comparative Essay between Save The Last Dance and Centerstage |
2 / 347 |
|
| Crash |
3 / 853 |
|
| Critical Analysis: One Flew Over the Cuckoo's Nest |
3 / 823 |
|
| Critique of SHawshank Redemption |
3 / 729 |
|
| Dark Water |
4 / 904 |
|
| Discuss How Genre Adapts To Changing Social, Political, Historical And Economical Contexts |
5 / 1252 |
|
| Donnie Brasco |
3 / 630 |
|
| erin |
2 / 314 |
|
| Fantasy In Cairo |
4 / 948 |
|
| Fight Club |
3 / 750 |
|
| Film Noir At It'S Finest |
2 / 525 |
|
| Film and TV Narative: Manhunter |
3 / 702 |
|
| Friday night Lights |
3 / 759 |
|
| Gatsby Film |
1 / 297 |
|
| Gattaca |
1 / 281 |
|
| Hong Kong Cinema |
3 / 709 |
|
| Horror Movies |
2 / 552 |
|
| How has the experience of cinema-going changed over the past century |
6 / 1720 |
|
| hollywood and product placement |
6 / 1519 |
|
| Ideas for Movies - The How and What... |
5 / 1254 |
|
| Indiana Jones |
5 / 1204 |
|
| ife |
2 / 478 |
|
| Johnny Depp &Amp; Gene Wilder In Charlie &Amp; The Chocolate Factory |
3 / 837 |
|
| Kenneth Baranagh's "Henry V" |
2 / 457 |
|
| Kevin Smith |
3 / 806 |
|
| Kung Fu Hustle: A Spoof of Eastern and Western Cultures |
4 / 932 |
|
| Legends of the fall |
3 / 887 |
|
| Mise-en-Scene |
4 / 1039 |
|
| Movie Report: Extreme Measures |
2 / 325 |
|
| Movie Review |
3 / 713 |
|
| media |
4 / 978 |
|
| Narrative vs. Montage |
3 / 877 |
|
| North by Northwest |
3 / 671 |
|
| Pleasantville |
3 / 788 |
|
| Rabbit Proof Fence analysis |
2 / 358 |
|
| Racism in American History X |
3 / 793 |
|
| report on the movie the patriot |
3 / 650 |
|
| Saving Private Ryan |
3 / 686 |
|
| Sin City |
3 / 826 |
|
| Sleepy Hollow |
4 / 1073 |
|
| Stand By Me |
5 / 1343 |
|
| Supervolcano |
2 / 496 |
|
| Texas Chainsaw Massacre |
2 / 556 |
|
| The Day After Tomorrow Film Review |
1 / 275 |
|
| The Notebook: Best Film I Have Seen |
2 / 585 |
|
| The Piano: Point Taken |
3 / 816 |
|
| The Pianst, Scene 15 (Technical, Thematic, and Personal) |
4 / 1181 |
|
| The movie O |
3 / 609 |
|
| Tim Burton's Corpse Bride |
2 / 467 |
|
| We Were Soldiers Critque |
6 / 1631 |
|
| Western And The Man Who Shot Liberty Valance |
3 / 613 |
|
| Will Sky Captaun Make History? |
3 / 817 |
|
| Are There Any Innate Ideas? |
9 / 2477 |
|
| Are we or are we not the prisoners? |
3 / 762 |
|
| Ass |
2 / 482 |
|
| Blum |
3 / 806 |
|
| Blum |
3 / 806 |
|
| Categorical Right |
1 / 265 |
|
| euthanasia |
1 / 280 |
|
| Inner Power |
3 / 827 |
|
| Intro To Philosophy |
5 / 1221 |
|
| seils |
2 / 404 |
|
| American Beauty |
4 / 1045 |
|
| Classical vs. Operant Conditioning |
3 / 609 |
|
| Fear of Flying |
3 / 723 |
|
| Meaning of Long Term Love |
2 / 560 |
|
| Propaganda |
5 / 1219 |
|
| Rainman |
3 / 753 |
|
| The Body |
2 / 553 |
|
| What eating gUlbert Grape |
3 / 713 |
|
| I Love and I Hate. Who Can Tell me Why? |
3 / 846 |
|
| An Inconvenient Truth |
2 / 355 |
|
| Lab Report |
4 / 1159 |
|
| penny for thoughts |
2 / 570 |
|
| shihnigan |
3 / 614 |
|
| An analysis of Bowling for Columbine |
3 / 696 |
|
| Analyse Sociological Contributions To Our Understanding Of Relationships Between Crime, Deviance And One Of The Following:- Ethnicity, Social Class, Age, Gender. |
4 / 909 |
|
| Child Labor |
1 / 79 |
|
| Culture Of Film |
6 / 1579 |
|
| Disparities in health care access in the US |
2 / 425 |
|
| Diversity |
3 / 869 |
|
| GATTICA |
3 / 799 |
|
| Genocide and Ethnic Cleansing |
2 / 597 |
|
| Girls Like Us |
4 / 1062 |
|
| Global Warming |
1 / 90 |
|
| Hyperreality In The Liminal |
4 / 1101 |
|
| It's all here in black and white |
5 / 1270 |
|
| Mexican Americans |
2 / 528 |
|
| multiculturalism |
2 / 469 |
|
| n Your Face: 3D Movies Making a Comeback |
2 / 354 |
|
| Persuasion |
3 / 648 |
|
| Spider Man |
3 / 751 |
|
| Television Censorship |
6 / 1603 |
|
| Design Project ece382 |
2 / 448 |
|
| IMAX CINEMA- help sheet |
2 / 498 |
|
| Kodak |
2 / 590 |
|
