| Title |
Pages / Words |
Save |
| Rainman |
4 / 937 |
 |
| Baseball as a Vehicle for te Emergence of the American Nation |
5 / 1430 |
|
| China's Emergence as a Superpower |
5 / 1495 |
|
| George Washington |
4 / 1035 |
|
| Good Morning, Vietnam |
3 / 832 |
|
| Grapes of Wrath |
2 / 587 |
|
| history of hollywood |
3 / 854 |
|
| Kiss Me Deadly and Film Noir |
2 / 530 |
|
| Munich |
6 / 1519 |
|
| B.B King |
2 / 336 |
|
| billie holiday |
3 / 742 |
|
| Chris Brown |
2 / 336 |
|
| erin brockavich |
4 / 1004 |
|
| George Lucas |
6 / 1601 |
|
| Jimi Hendrix |
2 / 361 |
|
| Man With The Movie Camera: Shot Change Constructs A New Perspective |
3 / 862 |
|
| Marilyn Monroe |
1 / 242 |
|
| The Art Of Rock And Roll By Charles Brown |
12 / 3472 |
|
| A Clockwork Orange: Review Of Book And Firm Version |
4 / 1106 |
|
| Fight Club |
4 / 1134 |
|
| Glory |
2 / 365 |
|
| Heart of Darkness vs. Apocolypse Now |
5 / 1466 |
|
| Lolita |
2 / 523 |
|
| March Of the Penguins |
2 / 520 |
|
| Movie Commentary: What’s Eating Gilbert Grape? |
4 / 1081 |
|
| Piracy Of Copyright |
4 / 1113 |
|
| Review Of Oleanna |
3 / 623 |
|
| Streetcar Named Desire Essay |
2 / 591 |
|
| The Quiet American- A comparison |
4 / 911 |
|
| The Red Violin |
1 / 160 |
|
| “What are the main issues and trends that affect marketing management nowadays and how they influence organizational planning?” |
2 / 498 |
|
| Functions of Management |
2 / 522 |
|
| Kodak Case Summary |
2 / 358 |
|
| Marine Biology |
4 / 1014 |
|
| Socio-Scientific Fundamentals |
2 / 562 |
|
| Structural Design Influenced By Organizational Strategy |
2 / 332 |
|
| Swarovski |
2 / 335 |
|
| AI vs Frankenstein |
3 / 709 |
|
| AIDS and The Representation of social Reality |
3 / 714 |
|
| Citizen Kane's summary |
4 / 968 |
|
| Contexts |
4 / 1192 |
|
| Essay (Power Of One) |
2 / 572 |
|
| Gattaca |
3 / 725 |
|
| a clockwork orange |
1 / 152 |
|
| art |
2 / 386 |
|
| crash as the prejudice and misjudging |
3 / 653 |
|
| Macbeth Film Interpretation |
4 / 1032 |
|
| Movie Review |
3 / 616 |
|
| Music and Connie |
4 / 1060 |
|
| One Flew Over The Cukoo's Nest |
8 / 2150 |
|
| Othello: Shakespeare vs. Parker |
2 / 596 |
|
| Rabbit Proof Fence |
4 / 1073 |
|
| Shawshank Redemption |
3 / 779 |
|
| Sweet Afton |
3 / 604 |
|
| Symbolism in The Ancient Marinier |
2 / 380 |
|
| Taming of the Shrew & 10 Things I Hate About You |
3 / 785 |
|
| Text shape society - respond with reference to film |
7 / 1964 |
|
| The Castle |
3 / 680 |
|
| The Fallen Movie Reveiw |
2 / 363 |
|
| Violence In The Media |
4 / 1101 |
|
| macbeth |
6 / 1502 |
|
| radiance |
2 / 522 |
|
| ELIZABETH' AS AN EXAMPLE OF ART CINEMA |
4 / 1187 |
|
| Film Review of Luther |
2 / 532 |
|
| Industrial Revolution: How did the film maker of Modern Times view Industrialization? |
2 / 352 |
|
| Movie Review: Enemy At The Gates. |
1 / 277 |
|
| Music |
6 / 1698 |
|
| Robert Pattinson |
1 / 264 |
|
| The Emergence of the Middle Ages: 1000 ad |
2 / 585 |
|
| Accepted behavior in the media |
3 / 827 |
|
| Bob Dylan |
5 / 1277 |
|
| Briar rose symbols |
2 / 358 |
|
| Crash |
2 / 349 |
|
| Documentary on Newfoundland |
4 / 1157 |
|
| Dowry |
3 / 647 |
|
| Frank Sinatra |
4 / 1006 |
|
| George Lucas |
6 / 1601 |
|
| Handmaids Tale |
2 / 563 |
|
| History Of The French New Wave |
5 / 1470 |
|
| Hot Fuzz - Movie Review |
2 / 599 |
|
| Janet Jackson |
3 / 736 |
|
| Lolita's Boys |
2 / 415 |
|
| Love, Sex & Eating the Bones |
4 / 1124 |
|
| My Left Foot: The Strength Of A Mother |
1 / 290 |
|
| One Flew Over The Cukoo's Nest |
8 / 2150 |
|
| observation |
2 / 310 |
|
| Possibilities and constraints of shooting in the studio and on location. |
4 / 958 |
|
| politics today |
2 / 563 |
|
| Roswell |
3 / 787 |
|
| Scarface |
2 / 368 |
|
| Spellbound ( fact more compelling than fiction) |
3 / 710 |
|
| The Power of Dance |
2 / 387 |
|
| The Sheltering Sky |
4 / 1084 |
|
| The World Is Not Enough |
4 / 1082 |
|
| Vampire Lord |
2 / 579 |
|
| 'The Power of One' could have been the title for all the films. |
5 / 1230 |
|
| *Dangerous Minds* Deconstructing A Dangerous Mind Anilitical Article *Dangerous Minds* |
3 / 724 |
|
| A Beautiful Mind |
1 / 274 |
|
| Aaron Copland |
3 / 809 |
|
| Art and Business of Film Making |
6 / 1577 |
|
| Beethoven |
3 / 685 |
|
| Blood Diamonds movie review |
2 / 474 |
|
| Boses (Voices) Film Review |
3 / 729 |
|
| brave |
1 / 262 |
|
| Casablanca |
6 / 1697 |
|
| Casablanca |
4 / 916 |
|
| Citizen Kane |
1 / 291 |
|
| Classical Period |
3 / 830 |
|
| Compare and Contrast: Indie-rock and Rap / Hip-hop |
2 / 422 |
|
| Crime Films |
7 / 2043 |
|
| Critique of SHawshank Redemption |
3 / 729 |
|
| Dark Water |
4 / 904 |
|
| Divided We Fall |
4 / 1112 |
|
| Doctrine of Ethos |
3 / 658 |
|
| Donnie Brasco |
3 / 630 |
|
| evaluating the Musical Crazy for you |
3 / 651 |
|
| Fantasy In Cairo |
4 / 948 |
|
| Fight Club Analysis |
5 / 1228 |
|
| Fight Club |
3 / 750 |
|
| Film Noir At It'S Finest |
2 / 525 |
|
| Film and TV Narative: Manhunter |
3 / 702 |
|
| Follow Your Dreams |
5 / 1368 |
|
| Friday night Lights |
3 / 759 |
|
| fight club |
4 / 1092 |
|
| film analysis |
3 / 802 |
|
| funk |
3 / 742 |
|
| George Bizek |
5 / 1423 |
|
| Grand Theft Auto: Vice City |
5 / 1237 |
|
| I am Sam's Review |
3 / 649 |
|
| Ideas for Movies - The How and What... |
5 / 1254 |
|
| ife |
2 / 478 |
|
| indian cinema |
3 / 713 |
|
| Johnny Depp &Amp; Gene Wilder In Charlie &Amp; The Chocolate Factory |
3 / 837 |
|
| Kenneth Baranagh's "Henry V" |
2 / 457 |
|
| Led Zeppelin |
4 / 976 |
|
| Lion King Analysis |
3 / 811 |
|
| Movie Report: Extreme Measures |
2 / 325 |
|
| Music and Wong Kar Wai |
10 / 2840 |
|
| Music's role in film |
4 / 943 |
|
| martin scorsese |
3 / 870 |
|
| Narrative vs. Montage |
3 / 877 |
|
| North by Northwest |
3 / 671 |
|
| Planet of the Apes |
4 / 1041 |
|
| punk rock |
2 / 596 |
|
| Rabbit Proof Fence analysis |
2 / 358 |
|
| Racism in American History X |
3 / 793 |
|
| Red River |
3 / 795 |
|
| Rent Analysis |
3 / 791 |
|
| rear window |
3 / 637 |
|
| report on the movie the patriot |
3 / 650 |
|
| Saving Private Ryan |
3 / 686 |
|
| Sleepy Hollow |
4 / 1073 |
|
| Slingblade |
3 / 641 |
|
| Stand By Me |
5 / 1343 |
|
| Star Wars Pop Culture Icon |
4 / 930 |
|
| Supervolcano |
2 / 496 |
|
| Sweeny Todd |
8 / 2140 |
|
| T-series |
6 / 1578 |
|
| Tarkovsky's "Stalker" as a political allegory |
4 / 928 |
|
| The Beatles |
4 / 942 |
|
| The Beatles |
2 / 395 |
|
| The Chamber: A Look Into The Novel And Film |
6 / 1599 |
|
| The Indo- Afghan Connection |
4 / 963 |
|
| The Meaning Behind...Fight Club |
5 / 1225 |
|
| The Notebook: Best Film I Have Seen |
2 / 585 |
|
| The glorious world of stagnation: A look at the Martin Scorsese and Paul Schrader film, "Taxi Driver" |
4 / 960 |
|
| The movie O |
3 / 609 |
|
| the life of david gale film review |
4 / 1011 |
|
| Wala Ln |
1 / 220 |
|
| We Were Soldiers Critque |
6 / 1631 |
|
| Western And The Man Who Shot Liberty Valance |
3 / 613 |
|
| What Is Music Copyright? |
6 / 1624 |
|
| 1984 vs v for vendetta |
5 / 1300 |
|
| "The Matrix" and Religion |
5 / 1448 |
|
| seils |
2 / 404 |
|
| Rainman |
3 / 753 |
|
| An Inconvenient Truth |
1 / 224 |
|
| An Inconvenient Truth |
2 / 355 |
|
| Lab Report |
4 / 1159 |
|
| penny for thoughts |
2 / 570 |
|
| The Emergence of Infectious Disease |
4 / 1066 |
|
| Uncle |
1 / 258 |
|
| CensorShip |
2 / 321 |
|
| Criminology |
4 / 1081 |
|
| Culture Of Film |
6 / 1579 |
|
| Current Advertising Theory |
3 / 852 |
|
| Disney and Race |
4 / 1199 |
|
| eDUCATION |
3 / 820 |
|
| Gender Oppression |
6 / 1512 |
|
| Homosexuality in Cuba |
4 / 1087 |
|
| holding u |
1 / 168 |
|
| Individuals vs. Society |
3 / 872 |
|
| n Your Face: 3D Movies Making a Comeback |
2 / 354 |
|
| POT |
4 / 1054 |
|
| Schools Should Prepare Children For Life In Society |
2 / 353 |
|
| Social Movements |
1 / 244 |
|
| The Media As A social Problem |
6 / 1719 |
|
| IMAX CINEMA- help sheet |
2 / 498 |
|
| Kodak |
2 / 590 |
|
| Media's Modernation |
3 / 817 |
|
