| Title |
Pages / Words |
Save |
| James and the Giant Peach |
2 / 443 |
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| why did the mt everest tragdey happen? |
8 / 2255 |
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| Warlord |
3 / 876 |
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| unfinished |
3 / 873 |
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| Book Review |
6 / 1656 |
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| Casablanca The Movie |
2 / 458 |
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| Marie Curie |
3 / 863 |
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| Elizabeth Barret Brownings The Cry Of The Children |
2 / 391 |
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| Glow In The Dark Cat |
3 / 873 |
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| physics |
2 / 506 |
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| Creative Writing Description of A Place- The Ocean |
2 / 472 |
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| The goal |
3 / 698 |
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| QUIZ #4, THE ROLE OF THE VISUAL IN MODERN ARCHITECTURE |
4 / 1026 |
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| Macbeth: Darkness, Evil And Tragedy |
5 / 1219 |
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| Aristotle Vs. Plato |
5 / 1226 |
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| Greek Actors |
2 / 339 |
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| MODERN HISTORY CHANGES THE FAMILY |
4 / 1153 |
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| What is a Nation? |
2 / 532 |
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| nuclear weapon |
2 / 456 |
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| Inorganic Chemistry essay |
3 / 629 |
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| The History Of The Periodic Table Of Elements |
9 / 2638 |
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| Deception in Hamlet |
2 / 385 |
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| The Bridge Of San Luis Ray |
5 / 1431 |
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| Beto Cuevas |
2 / 374 |
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| literature |
10 / 2758 |
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| Two tragic heroes? Compare and contrast how Sophocles presents the characters of Creon and Antigone. |
3 / 826 |
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| Comparison: Ginsberg, Frost, Eastwood |
2 / 431 |
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| leaving atlanta |
2 / 440 |
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| art is hugs and kisses |
2 / 386 |
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| “King Lear Is A Play Whose Full Meaning Cannot Be Comprehended Because Different Directors Bring Such Different Perspectives To The Text” |
6 / 1620 |
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| On My Honor |
2 / 447 |
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| On MY Honor |
2 / 447 |
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| Night |
2 / 383 |
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| Romeo And Juliet 10 |
2 / 395 |
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| Reason |
2 / 457 |
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| An Analysis Of A Fable, Parable, And A Tale |
2 / 476 |
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| Promotion |
3 / 832 |
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| The Story of an hour |
4 / 1142 |
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| Was It Me, Or Not Me, That Is The Question |
4 / 1195 |
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| Proctor and Gamble |
3 / 805 |
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| The Lovely Bones |
4 / 953 |
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| Themes of |
4 / 1066 |
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| Viva Voce Q&A's |
4 / 1163 |
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| Irannien Revolution |
2 / 384 |
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| The Odyssey |
2 / 494 |
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| Desirees Baby Significance of a Letter |
4 / 1000 |
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| Katrina |
4 / 1062 |
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| kind oedipus |
2 / 449 |
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| Protestantism: The Council of Trent |
2 / 513 |
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| Hamlet 3 |
4 / 977 |
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| KArate |
2 / 436 |
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| What is literature |
3 / 835 |
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| how to write an editorial |
2 / 485 |
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| Macbeth |
2 / 416 |
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| mere christianity |
2 / 383 |
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| Chuck Close: Three Major Works |
3 / 796 |
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| A Revelation of Granny’s Story |
5 / 1440 |
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| Julius Caesar: Brutus Is The Protagonist |
4 / 921 |
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| Student |
2 / 415 |
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| Rhetoric |
3 / 735 |
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| Sitcoms analyzed |
4 / 936 |
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| Thomas Hardy's "A Trampwoman's Tragedy" and Lord Byron's "When we two parted" |
4 / 940 |
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| Fate In Romeo and Juliet |
3 / 806 |
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| William Shakespeare: Most Famous Of All English Writers |
3 / 878 |
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| Plato - Short Biography |
2 / 387 |
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| Organizations As Systems |
4 / 1158 |
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| Anti-Matter |
4 / 994 |
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| Romeo and Juliet |
5 / 1488 |
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| Oedipus Rex 4 |
2 / 507 |
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| Money |
2 / 451 |
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| Romanticism |
2 / 430 |
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| Antitrust summary |
2 / 324 |
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| A Summary Of West Side Story |
2 / 376 |
|
| Assignment: Reading And Retention |
1 / 251 |
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| Literary Devices Used In Macbe |
4 / 904 |
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| Economic Downfall In Airline Industry |
1 / 290 |
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| Aristotle |
2 / 436 |
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| The Grand Unification Theory |
2 / 480 |
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| Marie Curie |
4 / 1074 |
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| encomium of helen |
2 / 494 |
|
| UML |
2 / 406 |
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| Imagery, and It's Impact in the Play Macbeth |
2 / 369 |
|
| captain corelli |
3 / 863 |
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| Nothing is free. |
2 / 582 |
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| Sustainable Behaviour: Save The Environment |
3 / 747 |
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| Antigone versus the Odyssey |
6 / 1793 |
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| Oxygen |
3 / 860 |
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| Red Badge Of Courage |
2 / 389 |
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| Bridge To Terebithia |
5 / 1392 |
|
| Moby Dick-Structure And Form |
2 / 325 |
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| Team Success: The Essential Elements |
4 / 1063 |
|
| The Andromeda Galaxy |
2 / 508 |
|
| The Causes and Effects of Caesar's Death |
2 / 396 |
|
| The History of Greek Theater |
9 / 2442 |
|
| Othello's Impact On Today's Society |
3 / 796 |
|
| Catholic belief about the eucharist |
10 / 2814 |
|
| The History Of Greek Theater |
9 / 2445 |
|
| The History of Greek Theater |
9 / 2445 |
|
| The History of Greek Theater |
9 / 2445 |
|
| 'Tis pity She's A Whore: Remind yourself of act 4 scene 3. What is the importance of this scene in the context of the whole play? |
3 / 888 |
|
| shakes |
2 / 514 |
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| The True Ending |
2 / 466 |
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| Contract: Executive Summary |
2 / 576 |
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| The Downfall of Macbeth |
2 / 505 |
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| Homoertic Ambiguity in The Immoralist |
3 / 759 |
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| Dracula - Gothic Response |
2 / 464 |
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| First amendment |
2 / 557 |
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| How does theme help structure Julius Caesar |
4 / 906 |
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| Sonny's blues |
2 / 513 |
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| Schroeder House and Schoenmaerker in the DeStijl Movement |
4 / 914 |
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| Uranium |
2 / 438 |
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| nodal analysis |
6 / 1606 |
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| Oedipus Rex Essay |
2 / 432 |
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| The History Of Greek Theater |
9 / 2474 |
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| Romeo And Juliet 12 |
2 / 386 |
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| Amelia Earhart |
3 / 760 |
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| The History Of Greek Theater |
9 / 2419 |
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| Oedipus |
2 / 438 |
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| Death Of A Salesman |
4 / 1013 |
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| Aluminium |
2 / 486 |
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| The warmth of human emotion |
3 / 804 |
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| Ethical Decision-Making |
2 / 462 |
|
| Hurricane Katrina |
2 / 449 |
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| Doing Research In The Fields Of Science, What They Have In Common |
2 / 423 |
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| Anselm |
1 / 215 |
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| Political Aspects in Theater |
2 / 394 |
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| Babylonian And Assyrian Religi |
2 / 447 |
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| Oedipus Rex |
4 / 960 |
|
| Looking closely at Act 5 sc 3 and Act 3 sc 3 how does Shakespeare make Coriolanus into a tragic character? |
6 / 1784 |
|
| A SKill to Master |
3 / 770 |
|
| Biology |
2 / 374 |
|
| To Be Or Not To Be |
7 / 1822 |
|
| Othello: All the Makings of a Tragedy |
5 / 1386 |
|
| Charles Dickens |
4 / 1117 |
|
| Greek Theatre |
2 / 461 |
|
| English Democracy after 1660 |
2 / 555 |
|
| Is Othello a Racist Play |
2 / 415 |
|
| Ambiguity & Equivocation In Macbeth |
4 / 925 |
|
| Judith Guest's Ordinary People: Internal & External Conflicts As They Result from the Suppression of Emotions |
5 / 1257 |
|
| organic architecture |
2 / 522 |
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| A Farewell to Arms |
2 / 508 |
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| Chemistry study |
6 / 1753 |
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| Summer Of 42 |
2 / 508 |
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| Summer Of 42 |
2 / 508 |
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| The Catcher In The Rye |
2 / 508 |
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| Macbeth Appearance Vs Reality |
4 / 1125 |
|
| Review On “From The Pentagon: A New Identity Framework” |
2 / 509 |
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| Charles Dickens |
4 / 1127 |
|
| Marketing Mix The 4 P'S |
5 / 1276 |
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| talisman |
5 / 1418 |
|
| Mcbeth: Appearance Vs Reality |
4 / 1125 |
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| Agnosticism |
2 / 553 |
|
| Agnostic |
2 / 553 |
|
| Oedipus' Ruin |
3 / 829 |
|
| Oedipus' Ruin |
3 / 829 |
|
| annalytical essay |
3 / 765 |
|
| Justice in the Book of Job |
2 / 499 |
|
| Each War Is Different, Each War Is The Same |
4 / 917 |
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| Writing Business Letter |
3 / 676 |
|
| The Harold Washington Library |
3 / 869 |
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| Biography of Charles Dickens |
4 / 1125 |
|
| Charles Dickens |
4 / 1125 |
|
| Beowulf vs. Gilgamesh |
2 / 530 |
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| John Walker- Reaction Paper |
2 / 393 |
|
| moral judgements |
2 / 557 |
|
| The Outsiders: Movie vs Book |
2 / 590 |
|
| letter to the editor |
2 / 413 |
|
| crime |
1 / 167 |
|
| King Lear and Hamlet: The Makings of a Tragic Hero |
6 / 1619 |
|
| Fannie Mae |
2 / 474 |
|
| History of Microsoft |
2 / 316 |
|
| Charles Dickens: Biography |
4 / 1125 |
|
| Revenge In Hamlet |
4 / 994 |
|
| A Comparison Of Contemporary And Romance Literature |
5 / 1251 |
|
| sdfgh |
4 / 974 |
|
| John Mccain |
2 / 373 |
|
| An Analysis of Gatsby’s Success and Failure |
3 / 868 |
|
| Public Relations |
3 / 892 |
|
| Public Relations |
3 / 892 |
|
| Paganism vs. Christianity |
3 / 706 |
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| Jurassic Park |
3 / 765 |
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| Jurassic Park |
3 / 765 |
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| Death Of A Salesman: An Overview |
7 / 1981 |
|
| A Letter From Romeo And Juliet's Lawyer |
2 / 416 |
|
| The Bridge of San Luis Rey |
2 / 477 |
|
| marketing mix |
5 / 1428 |
|
| william shakespear |
3 / 724 |
|
| Compare/Contrast: "A Good Man is Hard to Find" with "Hills like White Elephants" |
3 / 892 |
|
| The American Dream - Death of salesman |
6 / 1711 |
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| Noras Pride |
2 / 417 |
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| The Open Boat |
2 / 349 |
|
| How To Build A Web Page |
2 / 499 |
|
| How To Build A Web Page |
2 / 499 |
|
| Intimate Human Behavior |
2 / 548 |
|
| literary questions |
3 / 738 |
|
| Proportions Of Numbers And Magnitudes |
3 / 835 |
|
| A Comparison Of Macbeth And Cr |
6 / 1568 |
|
| Degrees of Guilt in Othello |
9 / 2469 |
|
| The Shadow of a Gunman |
6 / 1514 |
|
| different characteristics of classical political |
2 / 426 |
|
