| Title |
Pages / Words |
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| Hemmingway |
1 / 84 |
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| Hemingway |
3 / 639 |
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| Earnest Hemingway |
3 / 624 |
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| Earnest Hemingway |
3 / 624 |
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| hemingway |
1 / 206 |
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| Hemingway |
2 / 352 |
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| Earnest Hemingway |
2 / 329 |
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| Another Ernest Hemingway |
2 / 345 |
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| Hills Like White Elephants |
2 / 453 |
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| A Farewell To Arms Summary |
2 / 356 |
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| hemingway |
2 / 426 |
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| A Clean, Well-Lighted Place Introduction |
1 / 256 |
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| Sherwood Anderson |
3 / 630 |
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| The Sun Also Rises: Liberal Use Of Dialogue By Hemingway |
2 / 375 |
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| Life vs Novel: How Hemingway's Life Affected his Writing |
2 / 365 |
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| A Comparison of Biographic Features in The Sun Also Rises and The Great Gatsby |
1 / 51 |
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| Simplicity in a "Clean Well Lighted Place" |
2 / 440 |
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| In Our Time |
1 / 300 |
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| A Farewell To Arms |
2 / 447 |
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| Ernest Hemingway's Life and Image |
3 / 621 |
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| Psychology Aspect In The Old Man And The Sea |
1 / 170 |
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| How People Remember Events |
3 / 847 |
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| The Hidden Truth In The Hills |
3 / 609 |
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| A Clean, Well-lighted Place |
2 / 542 |
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| A Clean, Well-Lighted Place |
2 / 542 |
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| hills like elephant |
1 / 227 |
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| the red azalea on the cliff |
2 / 533 |
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| Ernest Hemingway |
1 / 244 |
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| Hills like white elephants |
1 / 233 |
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| Style and Trademarks of Hemingway |
3 / 722 |
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| The Old Man And The Sea: The Old Man |
2 / 533 |
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| Hemingway Style Analysis |
5 / 1368 |
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| A Call To Arms - Style And Tone |
2 / 370 |
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| Ernest Hemingway 2 |
2 / 522 |
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| Themes Embodying Human Nature In Old Man And the Sea |
2 / 596 |
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| hills like white elephants |
1 / 196 |
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| In Our Time |
2 / 370 |
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| Pre-AP Summer Assignment |
2 / 388 |
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| A Clean, Well-lighted Place |
2 / 507 |
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| A Clean Well-lighted Place |
2 / 507 |
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| A Clean, Well-lighted Place |
2 / 507 |
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| Authors of jazz age |
2 / 352 |
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| Code hero in Hemingway,s fiction |
2 / 536 |
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| what hemmingway leaves out |
1 / 284 |
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| The Female Sex-role Stereotyping in Boys and Girls |
3 / 789 |
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| The Sun Also Rises |
1 / 275 |
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| Ernest Hemingway's Inspiration |
2 / 489 |
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| Hemmingway |
2 / 549 |
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| Hemmingway-hills Like White El |
3 / 618 |
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| The Old Man and the sea |
1 / 255 |
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| Old Man in the Sea |
2 / 504 |
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| Old Man in the sea |
2 / 499 |
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| author abstract |
2 / 406 |
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| amiracan soup |
1 / 194 |
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| Ernest Hemingway |
3 / 805 |
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| thokkale |
2 / 400 |
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| Farewell To Arms |
1 / 289 |
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| Holidays |
1 / 248 |
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| Hemingway Heroes |
2 / 411 |
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| A Farewell to Arms |
2 / 511 |
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| A Farewell To Arms |
2 / 511 |
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| The Importance of Being Earnest |
4 / 981 |
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| Why Can't this be Love? |
2 / 531 |
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| Hemmingway |
2 / 478 |
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| The Old Man And The Sea |
3 / 712 |
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| Ernest Hemingway: Prelude To A Tragedy |
3 / 635 |
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| Ernest Hemingway: Prelude To A Tragedy |
3 / 635 |
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| Hope or Hopelessness through age and light |
4 / 1016 |
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| Hills Like White Elephants |
4 / 983 |
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| Earnest Hemmingway |
5 / 1462 |
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| Literary Essay - The Old Man A |
2 / 562 |
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| The Importance Of Being Earnest |
3 / 753 |
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| Night And A Farewell To Arms: Eliezer And Frederic |
2 / 452 |
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| hills like white elephants |
5 / 1332 |
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| Henry from \ |
2 / 427 |
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| Earnest Hemingway's Books |
5 / 1319 |
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| Ironic Cycles |
3 / 726 |
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| Hills Like White Elephants |
2 / 454 |
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| Farwell To Arms |
2 / 441 |
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| Ernest Hemingway |
2 / 369 |
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| A Moveable Feast |
2 / 540 |
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| A Moveable Feast |
2 / 540 |
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| Religion and Sins |
3 / 748 |
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| A Farewell To Arms: Style |
2 / 537 |
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| A Farewell To Arms |
2 / 591 |
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| A Farewell to Arms |
2 / 591 |
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| “An Ambiguous Narrative about a Controversial Debate” |
2 / 527 |
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| The Largest Feast May Not Cure Hunger |
5 / 1430 |
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| Great Gatsby-Santiago |
4 / 1051 |
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| A Farewell To Arms: Style |
2 / 595 |
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| Short Happy Life |
2 / 478 |
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| The Sun Also Rises 5 |
5 / 1341 |
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| Hills Like White Elephants |
3 / 715 |
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| old man and the sea |
4 / 947 |
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| Ernest Hemingway |
5 / 1321 |
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| Cultural Inequality in Indian Camp |
2 / 582 |
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| Hemingway And "nada" |
3 / 696 |
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| soldier's home |
1 / 183 |
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| Ernest Hemingway |
3 / 812 |
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| Two big hearted river |
4 / 924 |
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| Hemingway's "a Clean, Well-lighted Place" And His Life |
4 / 962 |
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| Character Analysis of Catherine Barkley |
2 / 547 |
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| Three Day Blow |
2 / 449 |
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| Hemmingway |
3 / 618 |
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| The Elephant In The Room |
3 / 682 |
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| For Whom The Bell Tolls |
3 / 831 |
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| For Whom The Bell Tolls |
3 / 831 |
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| sylvia plath - Daddy |
3 / 888 |
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| Hemingway |
1 / 255 |
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| The Importance Of Being Earnest |
3 / 741 |
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| Religiously Selfish |
2 / 529 |
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| CONTEXTUAL ESSAY: THE IMPORTANCE OF BEING EARNEST |
3 / 684 |
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| A Farewell to Arms |
2 / 508 |
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| The Catcher In The Rye |
2 / 508 |
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| Summer Of 42 |
2 / 508 |
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| Summer Of 42 |
2 / 508 |
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| sense and senibility |
3 / 831 |
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| A Farewell To Arms |
2 / 512 |
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| The Truth About The Big Two He |
3 / 728 |
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| Ernest Hemmingway |
3 / 658 |
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| Alienation Paper Hemmingway |
3 / 658 |
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| Snows |
2 / 574 |
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| The Importance Of Being Earnest |
2 / 417 |
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| Ernest Hemmingway |
5 / 1356 |
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| hemingway, a look at hime |
2 / 593 |
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| Rain as a Symbol |
2 / 586 |
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| The Study Of Violence In Ernes |
4 / 1095 |
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| Farewell To Arms 6 |
2 / 381 |
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| Old Man and Sea Essay |
3 / 601 |
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| Anderson And Hemingway's Use Of The First Person |
4 / 1162 |
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| Hemingways Hills Like White El |
3 / 884 |
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| Ernest Hemingway ? A Clean, Well-Lighted Place |
2 / 344 |
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| Ernest Hemingway |
5 / 1413 |
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| The Importance of Being Ernest |
2 / 517 |
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| Hemingway |
4 / 924 |
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| The Old Man And The Sea: Analysis Of Santiago |
3 / 827 |
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| Ernest Hemingway |
3 / 876 |
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| 'the Sun Also Rises 'As A Portroyal Of Lost Generation |
2 / 331 |
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| Spontaneity And Meaninglessness |
2 / 427 |
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| A Farewell To Arms |
4 / 1077 |
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| The Importance Of Being Earnest - Characters |
1 / 182 |
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| Big Two-hearted River: Part Ii |
4 / 1169 |
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| Big Two-Hearted River: Part II |
4 / 1169 |
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| critical essay on for whom the bell tolls |
4 / 1069 |
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| Ernest Hemingway Code Hero Essay |
4 / 1047 |
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| Hills Like White Elephants - Symbolism |
1 / 239 |
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| Ernest Hemingway |
5 / 1466 |
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| Another Ernest Hemingway |
5 / 1453 |
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| Sun Also Rises |
4 / 1031 |
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| The Old Man And The Sea \ |
2 / 337 |
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| Ernets Hemingway |
5 / 1319 |
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| Masculinity in Hemingway |
4 / 1195 |
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| Ernest Hemingway |
6 / 1748 |
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| Hills Like White Elephants |
1 / 98 |
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| Fiction_Analysis_Hills_Like_White_Elephants |
3 / 743 |
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| Ernest Miller Hemingway |
5 / 1278 |
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| how to tell a true war story vs. soldier's home |
2 / 597 |
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| Compare And Contrast |
4 / 931 |
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| Metaphorical And Symbloic Ambiguities |
1 / 253 |
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| farewell to arms |
2 / 424 |
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| Farewell to arms |
1 / 295 |
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| The Sun Also Rises |
2 / 500 |
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| A Whole Novel Or Many Short Stories, The Answer Is Ernest Hemingway |
6 / 1752 |
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| A Whole Novel Or Many Short Stories, The Answer Is Ernest Hemingway |
6 / 1752 |
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| The Sun Also Rises By Ernest H |
2 / 500 |
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| The Old Man And The Sea |
2 / 596 |
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| The Old Man And The Sea |
2 / 596 |
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| Ernest Hemingway |
5 / 1449 |
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| Importance Of Being Earnest Analysis |
2 / 538 |
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| The Narrative Techniques and Style of the Language in Hemingway's The Old Man and the Sea |
3 / 732 |
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| hemingway |
5 / 1278 |
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| Hills Like White Elephants |
1 / 13 |
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| (a farewell to arms)Modern Tragedy |
4 / 924 |
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| Hemingway's "for Whom The Bell Tolls": War's Affect On Man And Importa |
4 / 1139 |
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| Ernest Hemmingway |
5 / 1449 |
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| For Whom the Bell Tolls: A Study of Psychology |
4 / 1117 |
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| Approaching “Hills Like White Elephants” |
3 / 745 |
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| Ernest Hemingway, A legacy for American Literature |
5 / 1474 |
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| Ernest Hemingway |
3 / 858 |
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| A Soldier's Battle |
3 / 749 |
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| Literary Criticism on The Sun Also Rises |
2 / 321 |
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| A man can be destroyed but not defeated |
2 / 533 |
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| Hemmingway |
4 / 1067 |
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| Ernest Hemmingway A clean well-lighted place |
3 / 696 |
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| A Farewell To Arms: Love And Role Playing |
3 / 739 |
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| Hemingway's 'The Handle': Death and Deliverance |
3 / 725 |
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| Hills Like White Elephants: The Symbolism Of The Setting |
2 / 395 |
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| Ernest Hemingway |
6 / 1647 |
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| John Stubbs' "love And Role Playing In A Farewell To Arms" |
3 / 864 |
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| Lost Generation |
3 / 611 |
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| hills like white elephants |
5 / 1383 |
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| Hills Like White Elephants |
3 / 791 |
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| The Double Life In The Importa |
5 / 1319 |
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| Disillusionment in Hemingway's For Whom the Bell Tolls |
5 / 1250 |
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| Indian Camp: The Perfect Short Story |
3 / 714 |
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| Themes In Sense And Sensibility |
5 / 1239 |
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| The Authors |
4 / 1124 |
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| importance of being earnest |
4 / 1048 |
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| Lose Heart |
3 / 731 |
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| Hemingway tone analysis |
3 / 656 |
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