| Title |
Pages / Words |
Save |
| The Turn of A Screw |
2 / 543 |
 |
| Hamlet (Use of Minor Characters) |
2 / 516 |
 |
| In The Heart Of Night |
5 / 1243 |
 |
| Like wATER FOR cHOCOLATE |
2 / 460 |
 |
| Sarny A Life Remembered |
1 / 201 |
 |
| "Village In The Jungle" By Leonard Woolf |
3 / 710 |
 |
| An Analysis Of Hawthorne's Short Stories |
3 / 797 |
 |
| Animal Farm |
3 / 821 |
 |
| aner |
3 / 701 |
 |
| babi Yar By Yevgeny Yevtushenko: An Analysis |
4 / 1006 |
 |
| cask of amontilldo |
2 / 444 |
 |
| clockwork orange |
1 / 287 |
 |
| Deadly Unna? |
3 / 804 |
 |
| Death of a Salesman, Wuthering Heights, and A Clockwork Orange |
2 / 428 |
 |
| Faulkner’S Wheel Of Three |
2 / 328 |
 |
| Ficciones |
1 / 152 |
 |
| Going After Cacciato |
3 / 622 |
 |
| Great Gatsby |
2 / 592 |
 |
| How The Use Of The Diary Form Narrative Is Beneficial To The Novel Dra |
4 / 928 |
 |
| Love a german |
2 / 422 |
 |
| Medieval Myths |
14 / 4037 |
 |
| Native American Case study |
1 / 262 |
 |
| She Wasnt Soft Essay |
2 / 522 |
 |
| The Altar of the Family |
3 / 623 |
 |
| The Apprenticeship Of Duddy Kravitz Essay |
2 / 455 |
 |
| The Construction Of Derby Boxer-Divine Wind |
4 / 1086 |
 |
| The Last Full Measure |
2 / 359 |
 |
| The Open Boat |
2 / 349 |
 |
| The Tragedy In Hamlet |
2 / 324 |
 |
| The Tragedy of Romeo and Juliet-Critical Lens Essay |
4 / 959 |
 |
| To Kill A Mockingbird |
4 / 1135 |
 |
| the interlopers |
2 / 345 |
 |
| Ice Fili |
6 / 1632 |
 |
| low involvement ad |
2 / 359 |
 |
| Of Mice and Men |
2 / 586 |
 |
| resume |
1 / 236 |
 |
| The demon lover |
5 / 1366 |
 |
| Walmart |
2 / 335 |
 |
| wal |
2 / 492 |
 |
| 3 |
1 / 278 |
 |
| 5 critical approaches to literature |
3 / 835 |
 |
| A Brief Look at Symbolism |
2 / 456 |
 |
| An Occurrence on Owl Creek Bridge |
3 / 606 |
 |
| Animal farm |
2 / 403 |
 |
| Beowulf |
4 / 921 |
 |
| Booker T. Washingtion and WEB DuBois |
1 / 130 |
 |
| Boy's Life Analysis |
2 / 320 |
 |
| Catcher in the Rye Thesis Essay |
3 / 603 |
 |
| Character Sketch of the Narrator in "Was it a Dream?" by Guy de Maupassant |
3 / 602 |
 |
| Close Reading of Narrative of the life of Frederick Douglass1 |
1 / 300 |
 |
| Coleridge |
2 / 340 |
 |
| Compare and contrast Donne's poems The Flea and A Fever |
3 / 659 |
 |
| Comparing Two Poems |
3 / 726 |
 |
| Comparison (J. Swift & A. Pope) |
2 / 461 |
 |
| Crucible |
1 / 300 |
 |
| Daddy |
4 / 1089 |
 |
| Dover Beach |
3 / 776 |
 |
| Dracula |
3 / 898 |
 |
| Dramatic elements in No Sugar |
3 / 884 |
 |
| Dubliners |
3 / 609 |
 |
| Edgar allan Poe |
3 / 858 |
 |
| Effective dramatic irony |
3 / 807 |
 |
| Elements Of The Argument: "what Is Poverty?" |
4 / 1076 |
 |
| Essay On Kozol'S Effectiveness In "Still Seperate, Still Unequal" |
2 / 364 |
 |
| Ethel Wilsons Mood in Hurry Hurry |
3 / 687 |
 |
| Focalization in Richard Wrights |
5 / 1496 |
 |
| Gender in As You Like It |
4 / 1115 |
 |
| Hills Like White Elephants - Symbolism |
1 / 239 |
 |
| Huck Finn |
2 / 362 |
 |
| Imagery |
2 / 398 |
 |
| Judge Pyncheon |
2 / 435 |
 |
| Life Of Pi close textural analysis of pg 253 |
2 / 444 |
 |
| Literary Techniques in the shrysalids |
1 / 279 |
 |
| "The Rattler" essay |
2 / 365 |
 |
| "the lottery" & its use of Irony |
2 / 500 |
 |
| anaylsis of Fire and Ice by Robert Frost |
2 / 388 |
 |
| awakening |
3 / 681 |
 |
| elements to a narative |
1 / 247 |
 |
| hello |
2 / 319 |
 |
| hills like elephant |
1 / 227 |
 |
| Lol |
1 / 195 |
 |
| Macbeth Act 1 |
2 / 558 |
 |
| Miss |
2 / 486 |
 |
| My Mother Pieced Quilts |
2 / 535 |
 |
| One Second of Reading: A Model by Philip Gough |
4 / 1052 |
 |
| Percy: The Common Reader and the Complex Reader |
3 / 721 |
 |
| Queen Of Spades |
1 / 133 |
 |
| Reality TV |
2 / 594 |
 |
| Scarlet Letter, Chillingworth A Man Of Evil |
2 / 427 |
 |
| Shakespeare's Hamlet |
2 / 509 |
 |
| Simple Writing is Good Writing |
5 / 1443 |
 |
| Sonny’s Blues |
2 / 377 |
 |
| Summary of Michael C Curtis's Intro Essay |
2 / 361 |
 |
| Sun also rises |
2 / 365 |
 |
| Target vs Walmart |
2 / 430 |
 |
| The Alchemist |
2 / 332 |
 |
| The Faithful Wife |
3 / 711 |
 |
| The Great Gatsby |
3 / 681 |
 |
| The Narrator Of The Tell-Tale Heart |
4 / 944 |
 |
| The Passionate Shepherd Poems |
2 / 349 |
 |
| The lady or the tiger |
2 / 541 |
 |
| Theory Of Character And Characterization |
4 / 972 |
 |
| Trace the development of feeling in the poem "One Art" |
2 / 566 |
 |
| Treasure Island |
3 / 751 |
 |
| Vengeance of the Gods |
3 / 773 |
 |
| War Is Kind Analysis |
3 / 722 |
 |
| When Lilacs Last in the Dooryard Bloom'd |
5 / 1348 |
 |
| When Words Come Alive |
2 / 597 |
 |
| Where You Going Where Have You Been? |
3 / 826 |
 |
| Winston Churchill versus Henry V |
4 / 1123 |
 |
| Zeitgeist in contemporaneous literature |
6 / 1564 |
 |
| mrs. mallard between the lines |
3 / 710 |
 |
| shakespeare |
4 / 909 |
 |
| snakecharmer" and "In the Snake Park |
5 / 1413 |
 |
| the collector |
2 / 547 |
 |
| the color purple |
1 / 260 |
 |
| the story of an hour |
2 / 407 |
 |
| violence |
2 / 568 |
 |
| writing system |
2 / 503 |
 |
| Grendel |
2 / 372 |
 |
| Mirage of Resources |
3 / 770 |
 |
| Narration In A Telephone Call And Miss Brill |
3 / 603 |
 |
| politics |
1 / 136 |
 |
| Random |
1 / 279 |
 |
| The U.S. vs. John Lennon |
2 / 305 |
 |
| The Anglo-saxon Literature |
6 / 1593 |
 |
| A Bird Came Down The Walk |
1 / 255 |
 |
| Beowulf |
4 / 1064 |
 |
| Boron |
1 / 214 |
 |
| burak |
1 / 289 |
 |
| Comment Paper On Everything Th |
3 / 815 |
 |
| Compare Rosencrantz And Guilde |
5 / 1309 |
 |
| Compare and Contrast 2 works from the MFA in Boston |
2 / 571 |
 |
| Comparison: Ginsberg, Frost, Eastwood |
2 / 431 |
 |
| Crime And Punishment |
1 / 241 |
 |
| Daddy |
4 / 1089 |
 |
| East Goes West |
2 / 592 |
 |
| Everything That Rises Must Converge |
3 / 815 |
 |
| Ficciones |
1 / 152 |
 |
| Friendship of Huck Finn and Jim |
3 / 711 |
 |
| Hamlet, Act 1 Scene 1 |
4 / 926 |
 |
| Hieronymus Bosch |
1 / 240 |
 |
| Huck Finn |
2 / 390 |
 |
| hatchet |
3 / 684 |
 |
| Images Of Apple Picking |
3 / 806 |
 |
| Insight On Necrophilia,whats T |
3 / 638 |
 |
| Mcteague As A Social Commentary |
3 / 719 |
 |
| One Flew Over the Cuckoos Nest |
3 / 821 |
 |
| Pisces,the fish |
1 / 224 |
 |
| Poetry Difficulty |
2 / 357 |
 |
| Poetry Difficulty |
2 / 357 |
 |
| personal statement |
2 / 319 |
 |
| Response to Eliot/Barthes |
2 / 487 |
 |
| Resume |
1 / 229 |
 |
| Scarlet Letter, Chillingworth A Man Of Evil |
2 / 427 |
 |
| Student Evaluation of Course |
2 / 340 |
 |
| summer flower |
2 / 350 |
 |
| Tender Mercies |
3 / 847 |
 |
| Tender Mercies |
3 / 847 |
 |
| The Child By Tiger |
2 / 456 |
 |
| The Curse By Andre Dubus |
3 / 855 |
 |
| The Element Iron |
2 / 316 |
 |
| The Kinght And Chivalry According To William Barber |
4 / 1045 |
 |
| The Kinght And Chivalry According To William Barber |
4 / 1045 |
 |
| The Pitfall Of The Insensitive |
1 / 285 |
 |
| The Quiet American - Taking sides is human |
3 / 743 |
 |
| The Story Of An Hour By Kate Chopin |
2 / 407 |
 |
| Unmistakble Things |
2 / 350 |
 |
| Where You Going Where Have You Been? |
3 / 826 |
 |
| Who Pays |
2 / 478 |
 |
| "American Beauty" and its Music |
5 / 1247 |
 |
| Khe Sahn |
3 / 687 |
 |
| Analysis of Marxism: Separate Peace Essay |
3 / 684 |
 |
| Man becomes who he is |
4 / 1162 |
 |
| Meditations on Wax |
2 / 367 |
 |
| Color Perception After Viewing Emotional Media |
2 / 532 |
 |
| Using your Memory Better |
3 / 711 |
 |
| Brill |
2 / 457 |
 |
| Chemistry And Organisms |
1 / 193 |
 |
| defenitions of terms |
3 / 619 |
 |
| Element IRON |
2 / 316 |
 |
| Mercury |
2 / 391 |
 |
| noble gases |
1 / 235 |
 |
| RFID getting it personal |
1 / 266 |
 |
| Technetium |
2 / 424 |
 |
| Aneroxia Nervosa |
4 / 951 |
 |
| alice walker to clinton |
3 / 634 |
 |
| an element of science and arts |
5 / 1320 |
 |
| Care: A Vital Element Of Human Life |
2 / 328 |
 |
| Cosmopolitan Magazine Analysis |
1 / 200 |
 |
| Dredging Of The Bay |
1 / 290 |
 |
| Eminem and Urban Nightmare |
1 / 290 |
 |
| how to write essay? |
2 / 413 |
 |
| Morality of cloning |
1 / 259 |
 |
| sweatshop article comparasion |
2 / 433 |
 |
| welfare |
2 / 410 |
 |
| asayo |
1 / 282 |
 |
| baseball |
2 / 562 |
 |
| O.S |
2 / 333 |
 |
| One false move |
1 / 111 |
 |